Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. [1] Both gold and the philosopher's stone were associated with the color red, as rubedo signaled alchemical success, and the end of the great work. [2] Rubedo is also known by the Greek word iosis.
The three alchemical stages preceding rubedo were nigredo (blackness), which represented putrefaction and spiritual death; albedo (whiteness), which represented purification; and citrinitas (yellowness), the solar dawn or awakening. [3] Some sources describe the alchemical process as three-phased with citrinitas serving as mere extension and takes place between albedo and rubedo. [4] The rubedo stage entails the attempt of the alchemist to integrate the psychospiritual outcomes of the process into a coherent sense of self before its re-entry to the world. [5] The stage can take some time or years to complete due to the required synthesis and substantiation of insights and experiences. [5]
The symbols used in alchemical writing and art to represent this red stage can include blood, a phoenix, a rose, a crowned king, or a figure wearing red clothes. Countless sources mention a reddening process; the seventeenth dictum of the 12th century Turba Philosophorum is one example:
O Turba of Philosophers and disciples, now hast thou spoken about making into white, but it yet remains to treat concerning the reddening! Know, all ye seekers after this Art, that unless ye whiten, ye cannot make red, because the two natures are nothing other than red and white. Whiten, therefore, the red, and redden the white! [6]
In the framework of psychological development (especially with followers of Jungian psychology), these four alchemical steps are viewed as analogous to the process of attaining individuation or the process that allows an individual to attain the integration of opposites, their transcendence, and, finally, emergence out of an undifferentiated unconscious. [7] In an archetypal schema, rubedo represents the Self archetype, and is the culmination of the four stages, the merging of ego and Self. [8] It is also described as a stage that gives birth to a new personality. [9] Represented by the color of blood in alchemy, the stage indicates a process that cannot be reversed since it involves the struggle of the self towards its manifestation. [10]
The Self manifests itself in "wholeness," a point in which a person discovers their true nature. Another interpretation phrased it as "reunification" which entail the reunion of body, soul, and spirit, leading to a diminished inner conflict. [11]
Alchemy is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practised in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD. Greek-speaking alchemists often referred to their craft as “the Art” (τέχνη) or “Knowledge” (ἐπιστήμη), and it was often characterised as mystic (μυστική), sacred (ἱɛρά), or divine (θɛíα).
Carl Gustav Jung was a Swiss psychiatrist, psychotherapist and psychologist who founded the school of analytical psychology. He was a prolific author, illustrator, and correspondent, and a complex and controversial character, perhaps best known through his "autobiography" Memories, Dreams, Reflections.
The philosopher's stone is a mythic alchemical substance capable of turning base metals such as mercury into gold or silver; it was also known as "the tincture" and "the powder". Alchemists additionally believed that it could be used to make an elixir of life which made possible rejuvenation and immortality.
Analytical psychology is a term coined by Carl Jung, a Swiss psychiatrist, to describe research into his new "empirical science" of the psyche. It was designed to distinguish it from Freud's psychoanalytic theories as their seven-year collaboration on psychoanalysis was drawing to an end between 1912 and 1913. The evolution of his science is contained in his monumental opus, the Collected Works, written over sixty years of his lifetime.
In analytical psychology, the shadow is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow, leading to a conflict with it. In short, the shadow is the self's emotional blind spot - the part the ego does not want to acknowledge - projected as archetypes—or, in a metaphorical sense-image complexes, personified within the collective unconscious; e.g., trickster.
Marie-Louise von Franz was a Swiss Jungian psychologist and scholar, known for her psychological interpretations of fairy tales and of alchemical manuscripts.
The anima and animus are a syzygy of dualistic, Jungian archetypes among the array of other animistic parts within the Self in Jungian psychology, described in analytical psychology and archetypal psychology, under the umbrella of transpersonal psychology. The Jungian parts of the Self are a priori part of the infinite set of archetypes within the collective unconscious. Modern Jungian clinical theory under the analytical/archetypal-psych framework considers a syzygy-without-its-partner to be like yin without yang: countertransference reveals that logos and/or eros are in need of repair through a psychopomp, mediating the identified patient's Self; this theoretical model is similar to positive psychology's understanding of a well-tuned personality through something like a Goldilocks principle.
In alchemy, nigredo, or blackness, means putrefaction or decomposition. Many alchemists believed that as a first step in the pathway to the philosopher's stone, all alchemical ingredients had to be cleansed and cooked extensively to a uniform black matter.
The Self in Jungian psychology is a dynamic concept which has undergone numerous modifications since it was first conceptualised as one of the Jungian archetypes.
Axiom of Maria is a precept in alchemy: "One becomes two, two becomes three, and out of the third comes the one as the fourth." It is attributed to 3rd century alchemist Maria Prophetissa, also called Mary the Jewess, sister of Moses, or the Copt. A more detailed quote was provided by the seventh-century alchemistic author called Christianos, who cited that what Maria uttered was "One becomes two, two becomes three, and by means of the third and fourth achieves unity; thus two are but one". Marie-Louise von Franz also gave an alternative version, which states: "Out of the One comes Two, out of Two comes Three, and from the Third comes the One as the Fourth." The axiom served as a recurring theme associated with alchemy for over seventeen centuries.
Citrinitas, or sometimes xanthosis, is a term given by alchemists to "yellowness." It is one of the four major stages of the alchemical magnum opus. In alchemical philosophy, citrinitas stood for the dawning of the "solar light" inherent in one's being, and that the reflective "lunar or soul light" was no longer necessary. The other three alchemical stages were nigredo (blackness), albedo (whiteness), and rubedo (redness).
In alchemy, albedo, or leucosis, is the second of the four major stages of the Magnum Opus, along with nigredo, citrinitas and rubedo. It is a Latinicized term meaning "whiteness". Following the chaos or massa confusa of the nigredo stage, the alchemist undertakes a purification in albedo, which is literally referred to as ablutio – the washing away of impurities. This phase is concerned with "bringing light and clarity to the prima materia ".
Psychology and Alchemy, volume 12 in The Collected Works of C. G. Jung, is Carl Jung's study of the analogies between alchemy, Christian dogma, and psychological symbolism.
The Collected Worksof C. G. Jung is a book series containing the first collected edition, in English translation, of the major writings of Swiss psychiatrist Carl Gustav Jung.
Muḥammad ibn Umayl al-Tamīmī, known in Latin as Senior Zadith, was an early Muslim alchemist who lived from c. 900 to c. 960 AD.
Jungian archetypes are a concept from psychology that refers to a universal, inherited idea, pattern of thought, or image that is present in the collective unconscious of all human beings. The psychic counterpart of instinct, archetypes are thought to be the basis of many of the common themes and symbols that appear in stories, myths, and dreams across different cultures and societies. Some examples of archetypes include those of the mother, the child, the trickster, and the flood, among others. The concept of the collective unconscious was first proposed by Carl Jung, a Swiss psychiatrist and psychoanalyst.
The filius philosophorum is a symbol in alchemy. In some texts it is equated with the philosopher's stone, but in others it assumes its own symbolic meanings. Other terms for the filius philosophorum include filius sapientiae, infans noster, infans solaris, infans lunaris, and infans solaris lunaris.
The following outline is provided as an overview of and topical guide to alchemy:
In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition, attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as a device in art and literature. The magnum opus has been carried forward in New Age and neo-Hermetic movements which sometimes attached new symbolism and significance to the processes. The original process philosophy has four stages:
Stanton Marlan, Ph.D., ABPP, FABP is an American clinical psychologist, Jungian psychoanalyst, author, and educator. Marlan has authored or edited scores of publications in Analytical Psychology and Archetypal Psychology. Three of his more well-known publications are The Black Sun. The Alchemy and Art of Darkness, C. G. Jung and the Alchemical Imagination, and Jung's Alchemical Philosophy. Marlan is also known for his polemics with German Jungian psychoanalyst Wolfgang Giegerich. Marlan co-founded the Pittsburgh Society of Jungian Analysts and was the first director and training coordinator of the C. G. Jung Institute Analyst Training Program of Pittsburgh. Currently, Marlan is in private practice and serves as adjunct professor of Clinical Psychology at Duquesne University, Pittsburgh, Pennsylvania, USA. He also currently
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