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Rudolph's Shiny New Year | |
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Written by | Romeo Muller |
Directed by | |
Voices of | |
Narrated by | Red Skelton |
Theme music composer | Johnny Marks |
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Production | |
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Running time | 50 minutes |
Production company | Rankin/Bass Productions |
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Release | December 10, 1976 |
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Rudolph's Shiny New Year is a 1976 Christmas and New Year's stop motion animated television special and a standalone sequel to the 1964 special Rudolph the Red-Nosed Reindeer produced by Rankin/Bass Productions. The special premiered on ABC on December 10, 1976. [1]
Just after the events of Rudolph the Red-Nosed Reindeer , Santa Claus receives a letter from his friend Father Time asking for help to find Happy the Baby New Year before midnight ("the 12th bong") on New Year's Eve or else it will be December 31 forever. Santa sends Rudolph out to find him due to the snowstorm currently happening outside.
An evil giant vulture named Eon the Terrible is supposed to live for exactly one eon after which he will turn into ice and snow and disintegrate. As this particular eon will end January 1 of the New Year, he plans to kidnap Happy to keep the year from ending and stop time, thus preventing his predestined death.
General Ticker (a military clock) and the great Quarter-Past-Five, or Quart for short (a camel with a clock in his hump), bring Rudolph to Father Time's castle beyond the Sands of Time. Father Time speculates that Happy, who ran away due to his big ears being laughed at when they were first seen by Nanny Nine O'Clock, is hiding out in the "Archipelago of Last Years" where the Old Years retire and rule over an island styled to resemble the year over which they ruled. When Rudolph is attacked by Eon on the ocean while en route to the archipelago, he is saved by Big Ben (a sperm whale with a clock attached to his tail) who transports Rudolph across the ocean.
Upon arrival in the archipelago, Rudolph first travels to the island belonging to a caveman named O.M. (short for One Million B.C.). O.M. inhabits an island anachronistically inhabited with friendly dinosaurs and other prehistoric creatures. As Rudolph and his friends search for Happy (who left after his hat accidentally fell off saving a baby Pterodactyl and revealing his big ears, causing the dinosaurs to laugh), they repeatedly encounter Eon.
After other off-screen visits to the islands of 4000 B.C., 1492, 1893, and 1965 have been completed without success, Rudolph and O.M. head for the island of 1023 (pronounced "ten to three," as in the time 2:50), belonging to a Scottish knight with a long beard named Sir 1023 whose island is filled with medieval trappings along with several fairy tale and Mother Goose characters. Meanwhile, Happy manages to befriend the Three Bears, but becomes saddened when he is forced to remove his hat while playing a game with Baby Bear and exposes his big ears to them, causing him to leave again despite Baby Bear begging him not to go.
The group then travels to the island of 1776, which reflects Colonial America and is ruled over by "Sev" (AKA 1776) who resembles Benjamin Franklin. Following Happy's seeming rejection on the Island of 1776 following the daily Fourth of July parade, Eon kidnaps him and takes him to his lair on the Island of No-Name which is said to be located "due north of the North Pole".
The group now leaves the archipelago in pursuit. Catching up to Eon, they attempt to rescue Happy. However, Eon (upon being awakened by the sound of O.M. tumbling) thwarts them by sending an avalanche down on the group and trapping them inside giant snowballs. Managing to melt his way free using his nose, Rudolph climbs up to Eon's nest where he finds Happy, who refuses to leave. Rudolph shows Happy his nose and tells him his own story of being bullied because of his nonconformity before asking Happy to let him see his ears. Happy does so, and Rudolph, like everyone else before him, laughs at the sight. Happy once again gets upset, but Rudolph explains that the sight of Happy's ears had made him feel so wonderful that he had to laugh out loud, just like it had done with everyone else. With this declaration, Happy shouts out with joy, but causes Eon to awaken. Rudolph quickly tells Happy to take off his hat and leave it off for good. At the sight of Happy's large ears, Eon bursts into uncontrollable laughter which sends him tumbling down the side of the mountain and into the three remaining snowballs, freeing O.M., 1023, and Sev. Rudolph realizes that Eon is now so full of warmth and happiness that it would be impossible for him to turn to ice and snow.
Santa arrives and the gang returns to Father Time's castle with Happy just before the 12th bong starts the New Year, which is designated "19-Wonderful".
When the old year has been retired, they settle on an island in the Archipelago of Last Years where time remains still on that island. Among the islands of the Archipelago of Last Years are:
The special was filmed in 1975 (according to the copyright),[ citation needed ] but it was shown on ABC on December 10, 1976.
For the special, Rudolph was given a redesign by Paul Coker, Jr. [2]
The rights to this special are held by Warner Bros. Domestic Television Distribution, which used to license the show to The Walt Disney Company; Disney carried the special on Freeform annually during its 25 Days of Christmas marathon (and occasionally aired it over-the-air on ABC). Since 2018, Warner Bros. has licensed the special to AMC and its sister channels for the Best Christmas Ever block. [3]
Rudolph's Shiny New Year was first released on VHS by Warner Home Video in 1992. It was also re-released on VHS in 1999, and for the first time on DVD alongside The Year Without a Santa Claus , on October 31, 2000. The special, along with other Rankin/Bass Christmas specials and Chuck Jones's animated TV adaptation of Dr. Seuss' How the Grinch Stole Christmas! , was bundled in Warner's Christmas Television Favorites DVD box set, released on October 2, 2007. On October 7, 2008, these same titles were released in another holiday-themed DVD set, Classic Christmas Favorites. Warner Home Video released seven different original Rankin/Bass holiday classics along with Dr. Seuss' How the Grinch Stole Christmas! on the third DVD box set, Santa's Magical Stories, released on October 4, 2011. A Miser Brothers' Christmas , a sequel to the 1974 special, The Year Without a Santa Claus , is also included.
Rudolph the Red-Nosed Reindeer is a fictional reindeer created by Robert L. May. Rudolph is usually depicted as the ninth and youngest of Santa Claus's reindeer, using his luminous red nose to lead the reindeer team and guide Santa's sleigh on Christmas Eve. Though he initially receives ridicule for his nose as a fawn, the brightness of his nose is so powerful that it illuminates the team's path through harsh winter weather. Ronald D. Lankford, Jr., described Rudolph's story as "the fantasy story made to order for American children: each child has the need to express and receive approval for his or her individuality and special qualities. Rudolph's story embodies the American Dream for the child, writ large because of the cultural significance of Christmas."
John David Marks was an American songwriter. He specialized in Christmas songs and wrote many holiday standards, including "Rudolph the Red-Nosed Reindeer", "Rockin' Around the Christmas Tree", "A Holly Jolly Christmas", "Silver and Gold", and "I Heard the Bells on Christmas Day".
Rankin/Bass Animated Entertainment was an American production company located in New York City. It was known for its seasonal television specials, usually done in stop motion animation. Rankin/Bass's stop-motion productions are recognizable by their visual style of doll-like characters with spheroid body parts and ubiquitous powdery snow using an animation technique called Animagic.
Rudolph the Red-Nosed Reindeer is a 1964 stop motion Christmas animated television special produced by Videocraft International, Ltd. It first aired December 6, 1964, on the NBC television network in the United States and was sponsored by General Electric under the umbrella title of The General Electric Fantasy Hour. The special was based on the 1949 Johnny Marks song "Rudolph, the Red-Nosed Reindeer" which was itself based on the poem of the same name written in 1939 by Marks's brother-in-law, Robert L. May. The concept was developed in New York City, the animation was done in Japan, the music was recorded in England, and most of the voice actors were from Canada. The production was completed in 18 months.
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The Baby New Year is a personification of the start of the New Year commonly seen in editorial cartoons. He symbolizes the "birth" of the next year and the "passing" of the prior year; in other words, a "rebirth". Baby New Year's purpose varies by myth, but he generally performs some sort of ceremonial duty over the course of his year such as chronicling the year's events or presiding over the year as a symbol.
Paul Coker Jr. was an American illustrator. He worked in many media, including Mad, character design for Rankin-Bass TV specials, greeting cards, and advertising.
The Year Without a Santa Claus is a 1974 stop-motion animated Christmas television special produced by Rankin/Bass Productions. The story is based on Phyllis McGinley's 1956 book. It is narrated by Shirley Booth and stars the voices of Mickey Rooney, Dick Shawn and George S. Irving. It was originally broadcast on December 10, 1974, on ABC.
Romeo Earl Muller, Jr. was an American screenwriter and actor most remembered for his screenplays for the Rankin/Bass Christmas specials including Rudolph the Red-Nosed Reindeer, The Little Drummer Boy, Frosty the Snowman, and Santa Claus Is Coming to Town.
Julius Caesar Bass was an American director, producer, lyricist, composer and author. Until 1960, he worked at a New York advertising agency, and then co-founded the film production company Videocraft International, later named Rankin/Bass Productions, with his friend, Arthur Rankin Jr. He joined ASCAP in 1963 and collaborated with Edward Thomas and James Polack at their music firm and as a songwriting team primarily with Maury Laws at Rankin/Bass.
Arthur Gardner Rankin Jr. was an American director, producer and screenwriter, who mostly worked in animation. Co-creator of Rankin/Bass Productions with his friend Jules Bass, he created stop-motion and traditional animation features such as Rudolph the Red-Nosed Reindeer, Frosty the Snowman, Santa Claus Is Comin' to Town, and the 1977 cartoon special of The Hobbit. He is credited on over 1,000 television programs.
Santa Claus Is Comin' to Town is a 1970 American stop-motion Christmas television special produced by Rankin/Bass Productions in New York, New York. The film is narrated by Fred Astaire and stars the voices of Mickey Rooney, Keenan Wynn, Robie Lester, Joan Gardner, and Paul Frees, as well as an assistant song performance by the Westminster Children's Choir. The film tells the story of how Santa Claus and several Claus-related Christmas traditions came to be. It is based on the hit Christmas song, "Santa Claus Is Comin' to Town", which was written by J. Fred Coots and Haven Gillespie for Leo Feist, Inc. and introduced on radio by Eddie Cantor in 1934; and the story of Saint Nicholas.
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Frosty the Snowman is a 1969 American animated Christmas television special produced by Rankin/Bass Productions. It is the first television special featuring the character Frosty the Snowman. The special first aired on December 7, 1969, on the CBS television network in the United States, airing immediately after the fifth showing of A Charlie Brown Christmas, both scored high ratings. The special aired annually for the network's Christmas and holiday season until 2023. After 55 years, NBC acquired the broadcast rights to the special, and will keep airing it yearly hereafter.
Rudolph and Frosty's Christmas in July is an American-Japanese Christmas/Independence Day film produced by Rankin/Bass Productions, featuring characters from the company's holiday specials Rudolph the Red-Nosed Reindeer (1964) and Frosty the Snowman (1969), among others. It was filmed in Japan using the company's trademark "Animagic" stop-motion animation style. The film was originally a theatrical film released through Avco Embassy Pictures, where it ran for only 2–3 weeks and was considered a box-office flop. Later that year, on November 25, 1979, the film premiered on television in the US on ABC.
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