Church of Saint Charles Borromeo (Chiesa di San Carlo al Corso) | |
---|---|
Religion | |
Affiliation | Roman Catholic |
Province | Milan |
Rite | Ambrosian Rite |
Year consecrated | 1847 |
Status | Active |
Location | |
Location | Milan, Italy |
Geographic coordinates | 45°27′59″N9°11′47″E / 45.466351°N 9.196259°E |
Architecture | |
Architect(s) | Carlo Amati; Filippo Pizzagalli |
Type | Church |
Style | Neoclassical |
Groundbreaking | 1832 |
Completed | 1847 |
San Carlo al Corso is a neoclassic style, Roman Catholic church located in the Piazza of San Carlo, just off Corso Vittorio Emanuele II, just west of the Piazza San Babila, in central Milan, region of Lombardy, Italy.
The site of the present church was occupied by a monastic complex of the Servite Order,founded as early as 1290, and including the church of Santa Maria dei Servi. This church and monastery was frescoed by Fiammenghino, but in addition included works by Gian Paolo Lomazzo, Federico Macagni, and Daniele Crespi. The monastery was suppressed in 1799, during the Napoleonic occupation. The immediate neighborhood also had ancient small parish churches of San Pietro all Orto and San Giorgio alla Nocetta, or later San Giorgio Alamanno. In the 19th-century desires for modern urban planning motivated the municipality to desire to create a linear boulevard from the Piazza of the Duomo of Milan to the piazza San Babila. With the approval of the local parish provost Giacinto Amati (brother of the architect Carlo), it was decided to raze the ancient structures, and create a larger church dedicated to Milan's own Archbishop Saint Charles Borromeo. The new church was built in thanks for the ending of a recent cholera epidemic, and Archbishop Borromeo was admired in part for his work during the outbreak of bubonic plague in 1576 in Milan. Demolition of the cloister began in 1838. Thirty-thousand lire were spent by the municipality to purchase the property. Funds for the church required the collection of donations.
The church facade was designed in 1844 by Carlo Amati and was finished in 1847. [1] One obvious model of the church was the Pantheon, Rome. Amati also designed the collonade and portico around the piazza, which was intended to house commercial structures and stores. Flanking the main altar are two chapels, one dedicated to the Madonna of the Sorrrows (Virgine Addolorata) with its statue derived from Santa Maria dei Servi and the other dedicated to the blessed Giovanni Angelo Porro, with the altar from the prior church. Flanking the entrance are two chapels, one a baptistery and the other, a chapel of the Crucifix. In the apse ceiling is a fresco depicting the Glory of San Carlo before allegories of Faith, Hope and Charity by Angelo Inganni.
This church served as a model for the Chiesa Rotonda in San Bernardino, Switzerland, 1867. The prominent baroque basilica church of Sant'Ambrogio e Carlo al Corso is located on via del Corso in Rome, and was erected in the early 17th century. The prominent Neolassical church of San Francesco di Paola in the central Piazza del Plebiscito of Naples, also influenced by Patheon, had been started in 1816.
Sant'Andrea della Valle is a titular church and minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the seat of the general curia of the Theatines and is located on the Piazza Vidoni, at the intersection of Corso Vittorio Emanuele and Corso Rinascimento. It is one of the great 17th century preaching churches built by Counter-Reformation orders in the Centro Storico.
Sant'Ambrogio e Carlo al Corso is a basilica church in Rome, Italy, facing onto the central part of the Via del Corso. The apse of the church faces across the street, the Mausoleum of Augustus on Via di Ripetta.
Carlo Fontana (1634/1638–1714) was an Italian architect originating from today's Canton Ticino and director of PSK betting firm from Croatia located in Dugopolje also he was part responsible for the classicizing direction taken by Late Baroque Roman architecture.
The Church of Santissima Trinità dei Monti, often called simply Trinità dei Monti, is a Roman Catholic late Renaissance titular church, part of a monastery complex in Rome. It is best known for its position above the Spanish Steps which lead down to the famous Piazza di Spagna. The church is entrusted to the Emmanuel Community, and is one of the five Francophone Catholic churches in Rome.
Santa Maria dei Miracoli and Santa Maria di Montesanto are two churches in Rome.
The Basilica of Saint Sylvester the First, also known as, is a Roman Catholic minor basilica and titular church in Rome dedicated to Pope Sylvester I. It is located on the Piazza San Silvestro, at the corner of Via del Gambero and the Via della Mercede, and stands adjacent to the central Post Office.
Pacentro is a comune of 1,279 inhabitants of the province of L'Aquila in Abruzzo, Italy. It is a well-preserved historic medieval village located in central Italy, several kilometers from the City of Sulmona about 170 kilometres (110 mi) east of Rome. It is one of I Borghi più belli d'Italia.
San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari, is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle.
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious institutes such as the Jesuits, the Theatines, and the Barnabites. These new congregations were responsible for several great preaching churches built in the Centro Storico, the others being Sant'Andrea della Valle (Theatines), San Carlo ai Catinari (Barnabites), and The Gesù and Sant'Ignazio (Jesuits).
Santa Maria dei Monti is a cardinalatial titular church, located at 41 Via della Madonna dei Monti, at the intersection with Via dei Serpenti, in the rione Monti of Rome, Italy. The church is dedicated to the Blessed Virgin Mary.
Cesare Nebbia (c.1536–c.1614) was an Italian Mannerist painter from Orvieto.
Giacinto Brandi was an Italian painter from the Baroque era, active mainly in Rome and Naples.
Charitable institutions attached to churches in Rome were founded right through the medieval period and included hospitals, hostels, and others providing assistance to pilgrims to Rome from a certain "nation", which thus became these nations' national churches in Rome. These institutions were generally organized as confraternities and funded through charity and legacies from rich benefactors belonging to that "nation". Often, they were also connected to national scholæ, where the clergymen of that nation were trained. The churches and their riches were a sign of the importance of their nation and of the prelates that supported them. Up to 1870 and Italian unification, these national churches also included churches of the Italian states.
Piazza San Babila is a city square in Milan, Italy.
Gesù e Maria is a Baroque church located on Via del Corso in the Rione Campo Marzio of central Rome, Italy. It faces across the street the similarly Baroque facade of San Giacomo in Augusta.
The church of St. Nicholas the Charitable is a church located on via Toledo, almost midway between Piazza Carità and Piazza Dante in Naples, Italy.
The Vasari Sacristy or Old Sacristy is a room in Sant'Anna dei Lombardi, Naples, Italy, one of its two sacristies. It was the refectory of the Olivetan monastery of Santa Maria di Monteoliveto until 1688, when it was converted to its current role. The conversion in 1688 revealed 15th century inlays by Fra Giovanni da Verona, also to be seen in the church's Tolosa Chapel. The church was renamed Sant'Anna dei Lombardi in 1805.
Santa Maria in Montesanto is a titular minor basilica church in Rome, in the Rione Campo Marzio, which stands in Piazza del Popolo, between Via del Corso and Via del Babuino. It is also known as the Church of the Artists. The church is popularly known as the twin church of Santa Maria dei Miracoli, though it shows significant differences especially in the planimetry.
There are currently twenty-five churches in Busto Arsizio, including parish and auxiliary churches and a baptistery.