"No Limit" is a song recorded by Belgian/Dutch Eurodance group 2 Unlimited, released in January 1993 by Byte, ZYX and PWL. It was their fifth single in total and the first to be released from their second album, No Limits! (1993). Co-written by the group's Ray Slijngaard and Anita Dels, the song became one of their most commercially successful singles, especially in Europe, reaching the number-one spot in 35 countries and the top 10 in several others. Like previous releases, the UK version of the single removed all of the raps from Slijngaard, leaving just Dels' vocals. One word from the rap was kept, the word 'Techno' which was looped and repeated during the middle of the song, turning the line into "Techno! Techno! Techno! Techno!" and giving the song an extra vocal hook. Its accompanying music video was directed by Nick Burgess-Jones and received heavy rotation on MTV Europe.
"Yeah!" is a song by American singer Usher featuring American rappers Lil Jon and Ludacris. The song is written by the featured artists alongside Sean Garrett, Patrick "J. Que" Smith, Robert McDowell, and LRoc. The song incorporates crunk and R&B—which Lil Jon coined as crunk&B—in the song's production. The song was released as the lead single from Usher's fourth studio album Confessions (2004) on January 10, 2004, after Usher was told by Arista Records, his label at the time, to record more tracks for the album.
"Get Ready for This" is a song recorded by Belgian/Dutch music group 2 Unlimited. It was released in 1991 as the lead single from their debut album, Get Ready! (1992). Originally, the single was produced as an instrumental, titled the "Orchestral Mix". It became a hit and conscious of their popularity, Wilde & De Coster wanted a more accessible, formatted formula for their project to grow. Ray was then asked to write lyrics and add a rap to the track. On Ray Slijngaard's suggestion, Anita Doth joined as the female vocalist.
"Finally" is a song by American singer-songwriter CeCe Peniston, released in September 1991 as her debut single from her first album of the same name (1992). It received critical acclaim, becoming Peniston's first hit song, peaking at number five on the US Billboard Hot 100 in January 1992. It is also her only US top-ten hit to date. Prior to that, the track was a major success on the Billboard Hot Dance Club Play chart, where it spent two weeks at number one in late 1991. In addition, a dance remix of the song, the "Choice Mix", peaked at number two on the UK Singles Chart in March 1992. The remix appeared on many dance music compilations in the early '90s. Its music video was directed by Claude Borenzweig. Billboard ranked "Finally" among the "500 Best Pop Songs of All Time" in 2023.
"Charly" is the debut single released by the British electronic act the Prodigy, later included on their debut album, Experience (1992), although the version featured on the album is the significantly different "Trip into Drum & Bass" remix.
"Jam" is a song by American singer-songwriter Michael Jackson, released in July 1992 by Epic as the fourth single from his eighth album, Dangerous (1991), where it is the opening track. It also appears as the second track on his 2009 This Is It compilation album. The single was re-released in 2006 as part of Jackson's Visionary: The Video Singles collection campaign, and it was remixed to the Cirque du Soleil's Immortal World Tour, releasing that remix on the soundtrack album. "Jam" is a new jack swing song whose bridge features a rap verse performed by Heavy D. The music video of the song featured NBA basketball legend Michael Jordan. The song was also featured on the Chicago Bulls 's 1992 NBA Championship video "Untouchabulls" and was also used in many promotional ads of the NBA in the said season. The single peaked at #26 on the US Billboard Hot 100. The song re-entered the UK Singles Chart in 2006, reaching number 22.
"3 a.m. Eternal" is a song by British acid house group the KLF, taken from their fourth and final studio album, The White Room (1991). Numerous versions of the song were released as singles between 1989 and 1992. In January 1991, an acid house pop version of the song became an international top ten hit single, reaching number-one on the UK Singles Chart, number two on the UK Dance Singles Chart and number five on the US Billboard Hot 100, and leading to the KLF becoming the internationally biggest-selling singles band of 1991.
"Celebration" is a 1980 song by American band Kool & the Gang. Released as the first single from their twelfth album, Celebrate! (1980), it was the band's first and only single to reach No. 1 on the US Billboard Hot 100.
"Poison" is a song by English electronic music group the Prodigy, released on 6 March 1995 by XL and Mute as the fourth and final single from their second studio album, Music for the Jilted Generation (1994). Maxim Reality performs the vocals on the track. It was a number one hit in Finland, while peaking inside the top five in Ireland and Norway. Additionally, it peaked within the top-30 in Sweden and Switzerland. The music video for the song was directed by Walter Stern.
"Twilight Zone" is a song by Belgian/Dutch Eurodance act 2 Unlimited, released in January 1992 by Byte Records as the second single from the act's debut studio album, Get Ready! (1992). The UK release of the single was the first 2 Unlimited single to include the vocals of Anita Doth, as they had not been featured on their breakthrough hit "Get Ready for This". However, Ray Slijngaard's rap verses were once again removed. The instrumental "Rave" version of the song sounds different from the original "Not Enough" version, with a more hi-NRG style with more bass and added cowbells. The music video was directed by David Betteridge.
"Move Any Mountain" is a song by Scottish electronic music group the Shamen, first released under the title "Pro›gen". With an official remix by the Beatmasters, the song was re-released in the UK in summer 1991 and was their first top-10 single, reaching number four in the UK Singles Chart. It was included on the band's second album, En-Tact (1990), and is also their only top-40 hit in the US, where the song peaked at number 38 on the Billboard Hot 100 in February 1992.
"We Run This" is a song by American recording artist Missy Elliott. It was written by Rhemario "Rio Beats" Webber and Elliott for her sixth studio album The Cookbook (2005), while production was handled by the former. Released as both the album's third single in the United States and the lead single from her 2006 compilation Respect M.E., it samples elements from The Sugarhill Gang version of The Shadows' song "Apache". The song peaked at number forty-eight on the Billboard Hot 100. "We Run This" was nominated for a 2007 Grammy Award for Best Rap Solo Performance. An edited version of "We Run This" was used as the theme song for the gymnastics-themed film Stick It.
"A Trip to Trumpton" is a song by the English duo Urban Hype. It was released on 29 June 1992 as the lead single from their debut studio album, Conspiracy to Dance (1992). Songwriting credits were shared by Freddie Phillips, the composer of the original music for Trumpton. The track was engineered by the DJ Jack Smooth., who conceived the idea, co-wrote and produced it without proper credit. It featured samples from the 1960s children's television programme, Trumpton.
"Killer" is a song by British DJ and record producer Adamski. It was written by Adamski and British singer-songwriter Seal, who also provided vocals. "Killer" reached number one on the UK Singles Chart and spent four weeks at the top in May and June 1990. The single sold over 400,000 copies in the UK, earning it gold certification. It also reached number one in Belgium and Zimbabwe and number two in the Netherlands and West Germany.
"James Brown Is Dead" is a song by Dutch electronic dance music duo L.A. Style, produced by Wessel van Diepen and Denzil Slemming. It was released in August 1991 as the lead single from their debut album, L.A. Style (1993). The song was a major hit across Europe, reaching number-one in Belgium, the Netherlands and Spain. Additionally, it also reached the top 10 in Australia, Germany, Sweden and Switzerland. In the US, it peaked at number 59 on the Billboard Hot 100.
"Yeah Yeah" is a song by British house music duo Bodyrox, written as a collaboration with Jon Pearn, Nick Bridges and Luciana. It was popularised in clubs through a remix by British producer D. Ramirez, which became the backing for the radio edit, featuring Luciana. Released in October 2006, the song reached number two on the UK Singles Chart, becoming both Bodyrox's and Luciana's highest-charting single. It also charted in several other countries, including Australia, Belgium, Finland, Ireland and the Netherlands. In addition, it topped the UK Dance Singles Chart and peaked at number 15 on the US Billboard Dance Airplay chart in March 2007.
"Let Me Be Your Fantasy" is a song by British musical group Baby D. It was written and produced by band member Floyd Dyce and the vocals were sung by Dorothy Fearon. It was originally released by Production House Records in October 1992, when it reached No. 76 on the UK Singles Chart. In November 1994, London Records subsidiary Systematic re-released the song, and it subsequently became a UK No. 1 hit for two weeks. A partially black-and-white music video was produced to promote the single.
"Damaged" is a song by American girl group Danity Kane. It was written by Justin Walker, Sean Combs, Mario Winans, Jonathan Yip, Edward Logan, Jeremy Reeves, Micayle McKinney, Ray Romulos, Shannon "Slam" Lawrence, Rose Marie Tan, and James Smith. The song was produced by the Stereotypes, with additional production from Combs and Winans, for the band's second studio album, Welcome to the Dollhouse (2008).
"Playing with Knives" is a song by British electronic dance music group Bizarre Inc. It was their second single released through Vinyl Solution, as well as their second single to be written and produced as a trio. It is also the first single from their debut full-length album, Energique (1992). The song originally reached number 43 in the UK Singles Chart in March 1991. It was re-released later the same year and peaked at number four in the UK charts. In 1999, the song was released for a third time, charting at a peak of number 30.
Toytown techno is an underground subgenre of techno that emerged in the early 1990s, characterized by merging techno, jungle, or breakbeat hardcore with samples from children's television series or public information films.
