Spellbound | ||||
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Studio album by | ||||
Released | May 14, 1991 | |||
Recorded | September 1990 – March 1991 | |||
Studio |
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Genre | ||||
Length | 49:03 | |||
Label |
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Producer |
| |||
Paula Abdul chronology | ||||
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Singles from Spellbound | ||||
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Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Chicago Tribune | [5] |
Robert Christgau | [6] |
The Encyclopedia of Popular Music | [3] |
Entertainment Weekly | C+ [7] |
Los Angeles Times | [8] |
Music & Media | (favorable) [9] |
NME | 5/10 [10] |
Rolling Stone | [11] |
Slant | [12] |
Spellbound is the second studio album by American singer Paula Abdul, released on May 14, 1991 via Virgin Records and Captive Records. Production was handled by Peter Lord, Paisley Park, V. Jeffrey Smith, Don Was, and Jorge Corante.
The album, although receiving mixed reviews citing that it showcased her limitations as a singer, became a commercial and topped the US Billboard 200, alongside cracking the top-ten in Australia, Canada, Sweden, and the United Kingdom. Six singles in total were released, including the Billboard Hot 100 number one singles "Rush Rush" and 'The Promise of a New Day", the latter becoming her sixth and to-date final number one single. Other singles included the US top-ten hit "Blowing Kisses in the Wind", "Vibeology", which Abdul performed at the 1991 MTV Video Music Awards, "Will You Marry Me?", and the Canada exclusive single "Alright Tonight". The album has gone on to be certified triple platinum in the United States.
Spellbound won a Grammy Award for Best Recording Package. The album art was art directed by Melanie Nissen, designed by Inge Schaap, and lettered by Margo Chase. [13]
Writing for Entertainment Weekly , David Browne gave the album a C+ and remarked that its overproduction only highlights Abdul's limitations as a singer. In a retrospective review for Slant Magazine , Eric Henderson gave the album four out of five stars. He commented that, despite being uneven, the album makes Abdul "sound like a human being". [14] In 2003, Slant Magazine included Spellbound in its list of "50 Essential Pop Albums". [15]
The album debuted at number five on the Billboard 200 in its first week and rose four spots to number one the following week. It stayed at the summit for two consecutive weeks, selling 88,000 and 89,000 units respectively. The album distinguished itself by becoming the lowest selling number-one album in the Nielsen SoundScan era at the time of its release—a distinction it held until 2004, when Outkast's Speakerboxxx/The Love Below sold 86,000 copies while at number one. [16] This was primarily due to the newly implemented SoundScan tracking system, which had not been implemented into every major music chain, thus sales were not entirely accurate. Nevertheless, the album became a best-seller and emerged as the best selling album for the month of June, spending 16 weeks within the top 10, and was certified three-times platinum by the RIAA in January 1992. [17] [18] Overall, the album spent 70 weeks on the Billboard 200 chart and was ranked as the 18th best-charting of the year 1991 (and 40th best-charting of the year 1992).
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "The Promise of a New Day a " |
| 4:32 | |
2. | "Rock House a " |
|
| 4:11 |
3. | "Rush Rush" | Lord |
| 4:52 |
4. | "Spellbound a " |
|
| 4:48 |
5. | "Vibeology" |
|
| 5:16 |
6. | "U a " | Prince | Paisley Park | 4:05 |
7. | "My Foolish Heart" |
|
| 4:10 |
8. | "Blowing Kisses in the Wind a " | Lord |
| 4:41 |
9. | "To You a " |
|
| 3:31 |
10. | "Alright Tonight a " | John Hiatt | Don Was | 4:28 |
11. | "Will You Marry Me?" |
|
| 4:24 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
6. | "Will You Marry Me?" |
|
| 4:24 |
7. | "U a " | Prince | Paisley Park | 4:05 |
8. | "My Foolish Heart" |
|
| 4:10 |
9. | "Blowing Kisses in the Wind a " | Lord |
| 4:41 |
10. | "To You a " |
|
| 3:31 |
11. | "Alright Tonight a " | John Hiatt | Don Was | 4:28 |
12. | "Good Night, My Love (Pleasant Dreams)" (bonus track; Jesse Belvin cover) |
| Was | 3:14 |
Notes
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [37] | Gold | 35,000^ |
Canada (Music Canada) [38] | 2× Platinum | 200,000^ |
Japan (RIAJ) [39] | Gold | 100,000^ |
United Kingdom (BPI) [40] | Gold | 100,000^ |
United States (RIAA) [41] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
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"The Promise of a New Day" is a song by American singer and entertainer Paula Abdul, recorded for her second studio album Spellbound (1991) and services as the album's opening track. The track, written by Abdul, Peter Lord, Sandra St. Victor, and V. Jeffrey Smith and produced by Lord and Smith, was released as the album's second official single on July 5, 1991 to radio in the United States. The song lyrically finds the singer singing optimistically about a relationship, with a vague sub-context of improvement of the world. It was also her first single released under her own label, Captive Records.
"Blowing Kisses in the Wind" is a song by American singer and dancer Paula Abdul, taken from her second studio album Spellbound (1991). Written by Peter Lord and produced by Lord and V. Jeffrey Smith, it was released as the album's third official single on October 17, 1991, exclusively to North America, Australia, and Japan, as the album's next single "Vibeology" would be released in Europe instead of this song. "Blowing Kisses in the Wind" utilizes the harpsichord. Sweet Pea Atkinson provided background vocals to the track.
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With Spellbound, Abdul balanced dance-pop and fun funk while walking a tightrope it seemed so many wanted her to fall from.
Most of Spellbound is dance-pop, and plenty of the tracks would've fit just fine on Forever Your Girl...
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