Spellbound | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 14, 1991 | |||
Recorded | September 1990 – March 1991 | |||
Studio |
| |||
Genre | ||||
Length | 49:03 | |||
Label |
| |||
Producer |
| |||
Paula Abdul chronology | ||||
| ||||
Singles from Spellbound | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Chicago Tribune | [5] |
Robert Christgau | [6] |
The Encyclopedia of Popular Music | [3] |
Entertainment Weekly | C+ [7] |
Los Angeles Times | [8] |
Music & Media | (favorable) [9] |
NME | 5/10 [10] |
Rolling Stone | [11] |
Slant | [12] |
Spellbound is the second studio album by American singer Paula Abdul, released in May 1991. The album was an international success and spawned major radio hits with the singles "Rush Rush", "The Promise of a New Day", "Blowing Kisses in the Wind", "Vibeology" and "Will You Marry Me?". The album went triple platinum in the United States and peaked at No. 1 on the Billboard 200.
Spellbound won a Grammy Award for Best Recording Package. The album art was art directed by Melanie Nissen, designed by Inge Schaap, and lettered by Margo Chase. [13]
Writing for Entertainment Weekly , David Browne gave the album a C+ and remarked that its overproduction only highlights Abdul's limitations as a singer. In a retrospective review for Slant Magazine , Eric Henderson gave the album four out of five stars. He commented that, despite being uneven, the album makes Abdul "sound like a human being". [14] In 2003, Slant Magazine included Spellbound in its list of "50 Essential Pop Albums". [15]
The album debuted at number five on the Billboard 200 in its first week and rose four spots to number one the following week. It stayed at the summit for two consecutive weeks, selling 88,000 and 89,000 units respectively. The album distinguished itself by becoming the lowest selling number-one album in the Nielsen SoundScan era at the time of its release—a distinction it held until 2004, when Outkast's Speakerboxxx/The Love Below sold 86,000 copies while at number one. [16] This was primarily due to the newly implemented SoundScan tracking system, which had not been implemented into every major music chain, thus sales were not entirely accurate. Nevertheless, the album became a best-seller and emerged as the best selling album for the month of June, spending 16 weeks within the top 10, and was certified three-times platinum by the RIAA in January 1992. [17] [18] Overall, the album spent 70 weeks on the Billboard 200 chart and was ranked as the 18th best-charting of the year 1991 (and 40th best-charting of the year 1992).
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "The Promise of a New Day a " |
| 4:32 | |
2. | "Rock House a " |
|
| 4:11 |
3. | "Rush Rush" | Lord |
| 4:52 |
4. | "Spellbound a " |
|
| 4:48 |
5. | "Vibeology" |
|
| 5:16 |
6. | "U a " | Prince | Paisley Park | 4:05 |
7. | "My Foolish Heart" |
|
| 4:10 |
8. | "Blowing Kisses in the Wind a " | Lord |
| 4:41 |
9. | "To You a " |
|
| 3:31 |
10. | "Alright Tonight a " | John Hiatt | Don Was | 4:28 |
11. | "Will You Marry Me?" |
|
| 4:24 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
6. | "Will You Marry Me?" |
|
| 4:24 |
7. | "U a " | Prince | Paisley Park | 4:05 |
8. | "My Foolish Heart" |
|
| 4:10 |
9. | "Blowing Kisses in the Wind a " | Lord |
| 4:41 |
10. | "To You a " |
|
| 3:31 |
11. | "Alright Tonight a " | John Hiatt | Don Was | 4:28 |
12. | "Good Night, My Love (Pleasant Dreams)" (bonus track; Jesse Belvin cover) |
| Was | 3:14 |
Notes
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [37] | Gold | 35,000^ |
Canada (Music Canada) [38] | 2× Platinum | 200,000^ |
Japan (RIAJ) [39] | Gold | 100,000^ |
United Kingdom (BPI) [40] | Gold | 100,000^ |
United States (RIAA) [41] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
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With Spellbound, Abdul balanced dance-pop and fun funk while walking a tightrope it seemed so many wanted her to fall from.
Most of Spellbound is dance-pop, and plenty of the tracks would've fit just fine on Forever Your Girl...
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