An altarpiece is an work of art in painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting.
Bernt Notke was a late Gothic artist from the Baltic region. He has been described as one of the foremost artists of his time in northern Europe.
St. Mary's Cathedral is a Lutheran cathedral church located on the Toompea hill in the medieval central part of Tallinn, the capital city of Estonia. Established in the 13th century, it is the oldest church in Tallinn and mainland Estonia, and the only building in Toompea which survived the 17th-century fire.
St. Anne's Museum Quarter was previously an Augustinian nunnery, St. Anne's Priory. Since 1915 it has housed St. Anne's Museum, one of Lübeck's museums of art and cultural history containing Germany's largest collection of medieval sculpture and altar-pieces, including the famous altars by Hans Memling, Bernt Notke, Hermen Rode, Jacob van Utrecht and Benedikt Dreyer.
The Lübeck Marienkirche is a medieval basilica in the city centre of Lübeck, Germany. Built between 1265 and 1352, the church is located on the highest point of Lübeck's old town island within the Hanseatic merchants' quarter, which extends uphill from the warehouses on the River Trave to the church. As the main parish church of the citizens and the city council of Lübeck, it was built close to the town hall and the market.
The Baronci Altarpiece was a painting by the Italian High Renaissance artist Raphael. His first recorded commission, it was made for Andrea Baronci's chapel in the church of Sant'Agostino in Città di Castello, near Urbino. The altarpiece was seriously damaged during an earthquake in 1789, and since 1849 fragments of the original painting have been part of different collections.
Hermen Rode was a German Gothic painter.
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject.
Michael Sittow, also known as Master Michiel, Michel Sittow, Michiel, Miguel, and several other variants, was a painter from Reval (Tallinn), now capital of Estonia, who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castile and her Habsburg relatives in Spain and the Netherlands, and other prominent royal houses. He is considered one of the most important Netherlandish painters of the era.
This article covers the architecture of Estonia.
The Brotherhood of Blackheads is an association of local unmarried male merchants, ship-owners, and foreigners that was active in Livonia from the mid-14th century till 1940 but still remains active in present-day Hamburg. The Brotherhood of Blackheads originated as a military organization, but the non-military aspects of the association gradually became more pronounced until the Brotherhood became a predominantly social organization after the end (1721) of the Great Northern War.
Feather tights is the name usually given by art historians to a form of costume seen on Late Medieval depictions of angels, which shows them as if wearing a body suit with large scale-like, overlapping, downward-pointing elements representing feathers, as well as having large wings. Other sources use feathered angels to describe the style. The style is assumed to derive from actual costumes worn by those playing angels in medieval religious drama, with the "feathered" elements presumably flaps or lappets of cloth or leather sewn onto a body suit. The feathers on angels in art can often to be seen to stop abruptly at the neck, wrists and ankles, sometimes with a visible hemline, reflecting these originals.
St. John's Church is a large Lutheran parish church in Tallinn, Estonia. It is dedicated to Saint John the Evangelist, a disciple of Jesus Christ and author of the fourth Christian Gospel. Construction began in 1862, and the church was opened in 1867.
St. Nicholas Church is the oldest of the three major parish churches of the Hanseatic city of Stralsund in Germany. It was dedicated in 1279 to St. Nicholas of Myra, the patron saint of sailors. Since 1524 it has been an Evangelical Lutheran church. It is one of the earliest examples of the introduction of the cathedral pattern of northern France into the Brick Gothic architecture of the Baltic region. As part of the historic centre of Stralsund, St. Nicholas Church was inscribed on the UNESCO World Heritage List in 2002.
The Old Parish Church of Gries was until 1788 the parish church of the formerly independent municipality of Gries, which today forms part of the Gries-San Quirino district of Bolzano, South Tyrol (Italy). The Late Gothic church contains several precious works of art.
Tobias Heinze was an Estonian cabinetmaker and woodcarver based in Tallinn.
The St. Catherine of Alexandria Church is a Roman Catholic church in the Tabán quarter of Budapest, Hungary. It is the parish church of the Tabán Parish which also comprises parts of Gellért Hill and Naphegy. The church is a listed monument that was built in Central European Baroque style between 1728 and 1777. It was reconstructed several times in the 19th–20th centuries.
The Litoměřice Altarpiece was a large altar retable, in all likelihood with two pairs of movable wings and two pairs of fixed ones. From these wings, six panels have survived, two of which are painted on both sides. The movable wings on the left-hand side of the altar are presumed lost. The altar wing depicting Christ on the Mount of Olives belongs to the Diocese of Litoměřice, while the other panels are owned by the Regional Museum in Litoměřice. It is the largest surviving set of panel paintings by an anonymous late Gothic and early Renaissance painter called the Master of the Litoměřice Altarpiece. The altarpiece is part of the permanent collection of the North Bohemian Gallery of Fine Art in Litoměřice.
St. Kolumba was one of the largest parish churches in medieval Cologne, dating back to 980, and dedicated to Columba of Sens. The original Romanesque church was replaced by a Gothic church. Artworks in it included the Saint Columba Altarpiece by Rogier van der Weyden, and an altar by an anonymous artist.
St George's Altar is a large Gothic altarpiece from the 1460s-70s, originally placed in the St George's Convent at Prague Castle. It belongs to the property of the Metropolitan Chapter of St. Vitus Cathedral and is on loan to the exhibition of medieval art of the National Gallery in Prague.
Estonia 
