A radio dramatization of the original Star Wars film trilogy was produced in 1981, 1983, and 1996. The first two radio series, based on Star Wars and The Empire Strikes Back , were produced and broadcast by National Public Radio (NPR) as part of NPR Playhouse . A dramatization of Return of the Jedi was produced by most of the same team and it was also broadcast on NPR.
The radio serials were made with the full cooperation of George Lucas, who, in exchange for a dollar each, sold the rights to KUSC-FM, the public radio affiliate at his alma mater, the University of Southern California (USC). Lucas also permitted the use of original sound effects and music from the films.
Serial | Episodes | First aired | Last aired | Director(s) | Screenwriter(s) | Home station |
---|---|---|---|---|---|---|
Star Wars | 13 | March 2, 1981 [1] [2] | May 25, 1981 [3] | John Madden | Brian Daley | NPR/KUSC |
The Empire Strikes Back | 10 | February 14, 1983 [1] | April 25, 1983[ citation needed ] | |||
Return of the Jedi | 6 | November 5, 1996 [1] | December 1996[ citation needed ] | |||
In the 1980s, radio drama was in decline in the United States. An associate dean of the University of California School of the Performing Arts, Richard Toscan, was keen to champion this art form. Toscan was supported by John Houseman, the producer responsible for Orson Welles's 1938 radio production of The War of the Worlds . He began with the dramatisation of short stories by Raymond Carver on KUSC-FM, a campus radio station affiliated to NPR. Following this production, Toscan collaborated with Houseman and NPR producer Frank Mankiewicz on a project to revive the fortunes of NPR Playhouse, the umbrella title for drama productions on NPR. At the suggestion of one of Toscan's students, Joel Rosenzweig, they developed an idea for adapting the 1977 epic space opera film Star Wars for radio. The popularity of Star Wars would certainly attract new, younger listeners, but they feared that the production costs would be prohibitively high. However, the production team's academic connections proved to be advantageous: USC is the alma mater of the writer and director of Star Wars, George Lucas, and Lucasfilm quickly granted the rights to KUSC, including the rights to the use of original Star Wars music and sound effects, for a token fee of one dollar. [4] [5]
Despite Lucasfilm's generous offer, NPR was still faced with the costs of writing scripts, hiring actors and renting studio space. With no funding available to cover the $200,000 budget, NPR entered into a co-production deal with the British broadcaster, the BBC, which had a long tradition of radio drama production. The BBC provided a production team, including director John Madden, and in exchange received broadcasting rights in the United Kingdom. From the outset, the NPR producers felt that the script would lend itself well to an episodic treatment, drawing on the format of the 1930s movie serials such as Flash Gordon and Buck Rogers that had originally inspired Lucas when he wrote Star Wars. [4]
The American science fiction novelist Brian Daley was brought in to write the script. Daley had access to Lucas's early drafts of the Star Wars scripts, and expanded the narrative to include material which had been cut from the final edit of the film so that the 13-episode radio adaptation ran approximately four hours longer than the film version. Casting the audio serial was not as easy as had been hoped; while the producers were able to secure the actors Mark Hamill and Anthony Daniels from the original film, Harrison Ford was unavailable as he was filming Raiders of the Lost Ark at the time, and his place was taken by Perry King, an actor who once auditioned for the part of Han Solo in the 1977 film. [4]
Led by Mankiewicz, NPR promoted the Star Wars serial with a successful publicity campaign, attracting coverage in Playboy , The New York Times and Time , who hailed the production with the headline, "Radio drama is making a resounding comeback". [6] Star Wars was launched at a special NPR event at the Griffith Observatory in Los Angeles, in which the drama was played under a starry light show. Broadcasts began in March 1981 to critical acclaim, and the drama instantly attracted 750,000 new listeners, representing a 40 percent increase in NPR audiences and a quadrupling of the network's youth audience. On the basis of this success, KUSC went on to produce popular adaptations of the sequel, The Empire Strikes Back. [4] [7] An adaptation of Return of the Jedi followed over a decade later, and it was produced by many of the same people who produced the KUSC/NPR productions.
The Star Wars radio dramas were authorized adaptations of Lucas's scripts, and they were originally considered canon.[ citation needed ] Commentators argued that while the radio dramas varied somewhat from the film scripts, they should be considered canon insofar as they did not directly contradict the films. However, in 2012, The Walt Disney Company acquired Lucasfilm and the rights to Star Wars. [8] In 1994, Lucasfilm's continuity editor, Allan Kausch, stated that "'Gospel', or 'canon' as we refer to it, includes the screenplays, the films, the radio dramas and the novelizations." [9] [10] In 2014 Lucasfilm announced that previous works which were set in the Expanded Universe (including comics, novels and videogames) were to be re-branded as Star Wars Legends, and only the Skywalker saga and The Clone Wars film and television series were to be considered canon, in addition to new spin-off works. [11]
The first radio drama relates the backstory which immediately precedes the narrative of the original 1977 film, and this backstory overlaps with the Legends novels Jedi Dawn and Rebel Dawn and the 2016 film Rogue One . Commentators have since noted that the canon story which is introduced in Rogue One conflicts with episode 2 of the radio drama, "Points of Origin". In the radio drama, the Death Star plans are obtained after a Rebel attack on an Imperial convoy; Rebel agents then transmit the Death Star plans from the planet Toprawa to the Tantive IV. In Rogue One, the plans are transmitted from Scarif, where they were archived, to Admiral Raddus' flagship, the Profundity. The plans are then taken on board the docked Tantive IV, which launches before Darth Vader can recapture them. [12] [13]
In 2015 another adaptation of A New Hope was published, The Princess, the Scoundrel, and the Farm Boy. The author, Alexandra Bracken, stated that she was reading the Expanded Universe to try to "sneak elements in" to the canon and adapted material from the radio drama. [14]
Other names | The New Hope |
---|---|
Genre | Radio drama |
Running time | 5 hours 56 minutes |
Country of origin | United States |
Language(s) | English |
Home station | NPR/KUSC |
Syndicates | BBC Radio 1 |
Starring | |
Written by | Brian Daley |
Directed by | John Madden |
Executive producer(s) | Richard Toscan Carol Titelman |
Narrated by | Ken Hiller |
Recording studio | Westlake Recording Studios, West Hollywood, CA |
Original release | March 2[1] – May 25, 1981 |
No. of episodes | 13 |
Audio format | Stereo |
Opening theme | Star Wars Main Theme |
Star Wars is a 13-part (5 hour, 56 minute) radio serial originally broadcast on National Public Radio on March 2, 1981. [1] [2] It was adapted by Brian Daley from the 1977 film, and directed by John Madden, with music by John Williams and sound design for Lucasfilm by Ben Burtt. The serial was recorded in 1981 at Westlake Recording Studios in West Hollywood, California.
Daley adapted the script partly using material from earlier drafts of Lucas's scripts, and restored several scenes cut from the final edit of the film, as well as adding original new scenes created specially for the audio version. The narrative of the first two episodes takes place entirely before the opening scene of the 1977 film, and expands the background to events leading up to the capture of the Tantive IV spacecraft above the planet Tatooine. Episode 1, largely based on cut scenes from the original, explores the life of Luke Skywalker on Tatooine. During the story, Luke's skyhopper (a vehicle seen in the background in Luke's garage during the film) is damaged during a desert race; Luke sees the distant Star Destroyer battle in the sky; and he is reunited with his childhood friend, Biggs Darklighter. Episode 2, made up of material written entirely by Daley, provides backstory to Princess Leia's acquisition of the Death Star plans from agents of the Rebel Alliance on the planet Toprawa. In scenes set on the planet Alderaan, Leia discusses the plans with her father, Prestor Organa, and determines to go in search of Obi-Wan Kenobi. Later episodes mostly follow the storyline of the film, but additional scenes expand the narrative. In one scene, Han Solo has a meeting with an agent of Jabba the Hutt called Heater; this dialogue is based on a scene in which Solo meets a humanoid Jabba in the docking bay, cut from the original film but later reinstated in the 1997 Special Edition in modified form. In another episode, Daley inserts a conversation in which Admiral Motti attempts to convince Grand Moff Tarkin to leverage the Death Star as a political tool. [4] [15]
When the series was re-issued on NPR several years later, it was retitled The New Hope (as opposed to the official alternate title, A New Hope), keeping in line with the subtitles of the episodes of the original trilogy films.
Episode titles:
Several actors reprised their roles in the film. Mark Hamill and Anthony Daniels returned to reprise their roles as Luke Skywalker and C-3PO, respectively.
The supporting cast included James Blendick, Clyde Burton, Bruce French, David Alan Grier, Jerry Hardin, John Harkins, Scott Jacoby, Meshach Taylor, Marc Vahanian, John Welsh, and Kent Williams. Ken Hiller provides the narration.
Genre | Radio drama |
---|---|
Running time | 4 hours 22 minutes |
Country of origin | USA |
Language(s) | English |
Home station | NPR/KUSC |
Starring |
|
Written by | Brian Daley |
Directed by | John Madden |
Produced by | Tom Voegeli |
Executive producer(s) | Jon Bos |
Narrated by | Ken Hiller |
Recording studio | A&R Studios, New York City |
Original release | February 14 – April 25, 1983 |
No. of episodes | 10 |
Audio format | Stereo |
Opening theme | Star Wars Main Theme |
The success of the first series led to a 10-part (4 hour, 22 minute) series based on the 1980 film The Empire Strikes Back , again written by Daley and directed by Madden. It was recorded in 1982 at A&R Studios, New York City. [7] [16] The series debuted on NPR on February 14, 1983.
Like the preceding series, The Empire Strikes Back expands on the movie's story and incorporates new scenes such an Imperial attack on a Rebel convoy taking place before the film's original opening scene and a tense conversation between Solo and Skywalker when the two are stranded in the Hoth wastelands.
National Public Radio's promoted the series in part by getting Craig Claiborne to create his version of Yoda's rootleaf stew recipe, which the Jedi Master serves Luke in the hut on Dagobah. The recipe ran in magazines and newspapers across the country. [17]
Episode titles:
Billy Dee Williams reprised Lando Calrissian, and John Lithgow played Yoda at the same time Madden was directing Lithgow in the play Beyond Therapy . Hamill and Daniels returned to voice Luke and C-3PO.
The supporting cast again included David Alan Grier and also included Sam McMurray, Steven Markle, Stephen D. Newman, John Pielmeier, Geoffrey Pierson, Gary Tacon, and Jerry Zaks. Ken Hiller provides the narration.
Genre | Radio drama |
---|---|
Running time | 3 hours 12 minutes |
Country of origin | USA |
Language(s) | English |
Starring |
|
Written by | Brian Daley |
Directed by | John Madden |
Produced by | Tom Voegeli, Julie Hartley |
Narrated by | Ken Hiller |
No. of episodes | 6 |
Audio format | Stereo |
Opening theme | Star Wars Main Theme |
NPR's plans for a Return of the Jedi radio serial were put on hold when federal funding for NPR was dramatically reduced; however, NPR was never the producer of the radio series nor was it ever granted the rights to produce the radio adaptations nor did NPR fund any of the radio productions. [18] Plans for a Jedi radio adaptation fell apart in the 1980s due to a disagreement (believed to be financial) between KUSC, Los Angeles (the producer of the two previous radio adaptations and to whom the rights were granted for the production) and Lucasfilm. NPR was granted limited rights to air the two previous radio series because KUSC, Los Angeles provided the radio adaptations to NPR as part of NPR's National Program Service that allows any NPR member station rights to air the series as part of the annual dues already paid (rather than the third party Extended Program Service where KUSC could have charged each station a fee for rights to air cutting out NPR).[ citation needed ] It was not until 1996 that a six-part adaptation of Return of the Jedi was made by Highbridge Audio, the company that had released the first two series on tape and CD. The production returned to the Westlake Recording Studios, where the original series had been recorded. [7] [19]
Like the preceding series, Return of the Jedi expanded its story by incorporating new scenes. One depicts Luke Skywalker constructing a new lightsaber on Tatooine, based on a deleted scene from the movie. A scripted scene between C-3PO and Boba Fett in Jabba the Hutt's palace was rejected by Anthony Daniels, who felt that the golden droid should not be on friendly terms with a bounty hunter. Fett was replaced by the dancer "Arica" (actually Mara Jade in disguise) from Timothy Zahn's Tales from Jabba's Palace short story. [20]
The audio play's adapter Brian Daley died only hours after its recording was concluded; "additional material" was contributed by John Whitman, who introduced changes that were required so the series could have continuity with the newly developed plan for the prequels, as well as changes that were identified by its director and cast. The series was dedicated to the memory of Brian Daley.
The show's cast recorded a special get well message for Daley after the author left the studio, unaware that he would never hear it. The message is included as part of the collector's edition box set.
Episode titles:
The adaptation used many of the original radio cast, though Joshua Fardon took over as Luke and Arye Gross replaced Billy Dee Williams as Lando. [20] Ed Begley Jr. was the voice of Boba Fett and Edward Asner, speaking only in Huttese, voiced Jabba the Hutt. The only actor who starred in all the feature films as well as all three radio dramas was Anthony Daniels.
The supporting cast included Rick Hall, Andrew Hawkes, Sherman Howard, Karl Johnson, John Kapelos, Ron Le Paz, Joe Liss, Paul Mercier, Steven Petrarca, Jonathan Penner, Gil Segel, Nia Vardalos and Ron West. Ken Hiller provides the narration.
Existing radio promos, deleted scenes, and additional music tracks are available which originated on previous releases of this collection and in the NPR broadcast versions.
In 2013, two special sets of Topps trading cards were released called Star Wars Illustrated, which featured illustrations of scenes from the first Star Wars radio drama. The Topps artwork was also used to illustrate two collectors' editions of the Original Radio Drama released at the same time by HighBridge Audiobooks. [21]
In July 1981, the Star Wars radio adaptation was broadcast by BBC Radio 1. [22]
Return of the Jedi is a 1983 American epic space opera film that is a sequel to The Empire Strikes Back (1980). It is the third installment in the original Star Wars trilogy and the sixth chronological film in the "Skywalker Saga". It is directed by Richard Marquand based on a screenplay by Lawrence Kasdan and George Lucas from a story by Lucas, who was also the executive producer. The film follows the ongoing struggle between the malevolent Galactic Empire and the freedom fighters of the Rebel Alliance. As the Rebels attempt to destroy the Empire's second Death Star, Luke Skywalker tries to bring his father, Darth Vader, back from the dark side of the Force. The film stars Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew and Frank Oz.
Princess Leia Organa is a fictional character in the Star Wars franchise. Introduced in the original Star Wars film in 1977, Leia is a princess of the planet Alderaan, a member of the Imperial Senate, and an agent of the Rebel Alliance. She thwarts the Sith Lord Darth Vader and helps bring about the destruction of the Empire's superweapon, the Death Star. In The Empire Strikes Back (1980), Leia commands a Rebel base and evades Vader as she falls in love with the smuggler Han Solo. In Return of the Jedi (1983), she helps to rescue Han from the crime lord Jabba the Hutt, and is revealed to be Vader's daughter and the twin sister of Luke Skywalker. Leia is portrayed by Carrie Fisher in the original film trilogy and the sequel trilogy.
Boba Fett is a fictional character in the Star Wars franchise. First appearing in the Star Wars Holiday Special (1978), where he was voiced by Don Francks, he is an armored bounty hunter featured in both the original and prequel film trilogies. In the original trilogy, the character is a supporting antagonist and was mainly portrayed by Jeremy Bulloch and voiced by Jason Wingreen. Notable for his taciturn demeanor and for never removing his helmet, Fett appears in both The Empire Strikes Back (1980), employed by the Galactic Empire, and Return of the Jedi (1983), serving the crime lord Jabba the Hutt. While seemingly killed in Return of the Jedi after falling into a sarlacc, he has since appeared in Star Wars media set after the film, confirming his survival within the new canon, portrayed by Temuera Morrison. Daniel Logan plays a preteen Boba in the prequel film Attack of the Clones (2002), which reveals the character's origins as the genetic clone and adoptive son of Jango Fett, also a famous bounty hunter. Morrison appeared first in Star Wars media playing Jango. The animated series The Bad Batch further reveals Boba to have been born Alpha, and to have a biological twin sister, Omega. The series also reveals that he has another sister named Emerie Karr.
Luke Skywalker is a fictional character in the Star Wars franchise. He was introduced in the original film trilogy and also appears in the sequel trilogy. Raised as a moisture farmer on the planet Tatooine, Luke joins the Rebel Alliance and becomes a pivotal figure in the struggle against the Galactic Empire. He trains as a Jedi under Obi-Wan Kenobi and Yoda, and eventually confronts his father, the Sith Lord Darth Vader. Years later, Luke trains his nephew Ben Solo and mentors the scavenger Rey. Luke is the twin brother of Leia Organa.
Obi-Wan "Ben" Kenobi is a character in the Star Wars franchise. In the original film trilogy, he is a Jedi Master who trains Luke Skywalker in the ways of the Force. In the prequel trilogy, he mentors Luke's father, Anakin Skywalker. Obi-Wan is portrayed by Alec Guinness in the original trilogy and by Ewan McGregor in the prequel films. McGregor also plays the character in the television series Obi-Wan Kenobi. Guinness' performance in Star Wars (1977) earned him the Saturn Award for Best Supporting Actor, as well as a nomination for the Academy Award for Best Supporting Actor.
R2-D2 or Artoo-Detoo is a fictional robot character in the Star Wars franchise created by George Lucas. He has appeared in ten of the eleven theatrical Star Wars films to date, including every film in the "Skywalker Saga", which includes the original trilogy, the prequel trilogy and the sequel trilogy. At various points throughout the course of the films, R2, an astromech droid, is a friend to C-3PO, Padmé Amidala, Anakin Skywalker, Leia Organa, Luke Skywalker, and Obi-Wan Kenobi. R2-D2 and his companion C-3PO are the only characters to appear in every theatrical Star Wars film, with the exception of Solo: A Star Wars Story (2018).
C-3PO or See-Threepio is a humanoid robot character in the Star Wars franchise. He is a protocol droid designed to assist in etiquette and translation, and is fluent in over six million forms of communication. The character appears in all nine films of the Skywalker Saga—which includes the original trilogy, the prequel trilogy and the sequel trilogy. Anthony Daniels portrays C-3PO in all the Skywalker Saga films and the standalone film Rogue One, and voices the droid in the animated film The Clone Wars. In addition to films, C-3PO appears in television series, novels, comics, and video games.
The Skywalker family is a fictional legendary human family in the Star Wars franchise. Within the series' fictional universe, the Skywalkers are presented as a bloodline with strong inherent capabilities related to the Force and sometimes lightsaber skills. Luke Skywalker, his twin sister Princess Leia Organa, and their father Darth Vader are central characters in the original Star Wars film trilogy. Darth Vader, in his previous identity as Anakin Skywalker, is a lead character in the prequel film trilogy and so is his wife and the twins' mother Padmé Amidala; while his mother Shmi is a minor character in the first and second films respectively. Leia and Han Solo's son, Ben Solo, renamed himself Kylo Ren and is the main antagonist in the sequel film trilogy, while they and Luke serve as supporting characters. Shmi, Padmé, and Han are the only members who are not Force-sensitive. The Skywalker bloodline, alongside the Palpatine bloodline, are the two bloodlines that are the strongest with the Force.
Anthony Daniels is an English actor and mime artist, best known for playing C-3PO in 11 Star Wars films. He is the only actor to have either appeared in or been involved with all theatrical films in the series, and has been involved in many of their spin-offs, including television series, video games, and radio serials.
Star Wars: Shadows of the Empire is a 1996 multimedia project created by Lucasfilm. The idea was to create a story set between the films The Empire Strikes Back and Return of the Jedi, and to explore all commercial possibilities of a full motion picture release without actually making a film. The venture was intended to reinvigorate interest in the franchise ahead of the theatrical Special Editions of the Star Wars trilogy released the following year.
Dark Empire is a Star Wars comic book metaseries produced by Dark Horse Comics. It consists of a six-issue limited series written by Tom Veitch and drawn by Cam Kennedy, followed by a second six-issue limited series by Veitch and Kennedy, followed in turn by a two-issue limited series written by Veitch and drawn by Jim Baikie. The initial series is notable for being one of the first Star Wars comics to be produced by Dark Horse, which retained the comic rights to the franchise for over two decades.
Empire of Dreams: The Story of the Star Wars Trilogy is a 2004 documentary film directed by Kevin Burns and narrated by Robert Clotworthy. It documents the making of the original Star Wars trilogy: Star Wars (1977), The Empire Strikes Back (1980), and Return of the Jedi (1983), and their impact on popular culture.
Alderaan is an Earth-like fictional planet featured in the Star Wars franchise. It is blue-green in appearance, depicted as a terrestrial planet with humanoid inhabitants, and characterized by a peaceful culture. It is the home planet of Princess Leia Organa, one of the lead characters in the film series, as well as former Rebel shock trooper Cara Dune. In the original 1977 film, Alderaan was destroyed by the Death Star's superlaser.
Star Wars Infinities is a graphic novel trilogy published by Dark Horse Comics from 2002 to 2004. It tells a non-canon alternate version of each film in the original Star Wars trilogy in which a point of divergence occurs and changes the outcome of the story. Each individual Infinities story is unrelated to the others and is set within the timeline of their original film.
Return of the Ewok is an unreleased 1982 mockumentary short, written, produced and directed by David Tomblin, starring Warwick Davis as himself in a fictionalized account of how he got the role of Wicket W. Warrick in Return of the Jedi.
The Empire Strikes Back is a science-fiction novelization written by Donald F. Glut and first published by Del Rey. It is based on the screenplay to the film of the same name by Leigh Brackett and Lawrence Kasdan. Along with the film, it introduces new characters, most notably Lando Calrissian and Boba Fett.
Jabba the Hutt is a fictional character in the Star Wars franchise. He is a large, slug-like crime lord of the Hutt species. Jabba first appeared in the 1983 film Return of the Jedi, in which he is portrayed by a one-ton puppet operated by several puppeteers. In 1997, he appeared in the Special Edition of the original Star Wars film, which had been retitled Star Wars: Episode IV—A New Hope. Jabba made his third film appearance in the 1999 prequel film The Phantom Menace. He is voiced by Larry Ward in Return of the Jedi and by Scott Schumann in A New Hope and The Phantom Menace.
"It's a Trap!" is a direct-to-video special of the animated series Family Guy, which later served as the two-part season finale of the show's ninth season, and is the third and final part of the series' Star Wars parody trilogy Laugh It Up, Fuzzball. It is named after the phrase uttered by Admiral Ackbar in the Star Wars film Return of the Jedi. The home video was first released on December 21, 2010, and the episode later aired on Fox in the United States on May 22, 2011.
Lego Star Wars: Summer Vacation is a 2022 animated special based on the Star Wars franchise, and produced by Lucasfilm Animation and The Lego Group alongside Atomic Cartoons. Like The Lego Star Wars Holiday Special, it is directed by Ken Cunningham from a script written by David Shayne. A stand-alone sequel to the Star Wars sequel trilogy, the special was released on Disney+ on August 5, 2022.
Star Wars radio dramas.