"Still Breathing" | ||||
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Single by Green Day | ||||
from the album Revolution Radio | ||||
Released | September 23, 2016 | |||
Genre | ||||
Length | 3:44 | |||
Label | Reprise | |||
Songwriter(s) |
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Producer(s) | Green Day | |||
Green Day singles chronology | ||||
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Music video | ||||
"Still Breathing" on YouTube "Still Breathing" (Lyric Video) on YouTube |
"Still Breathing" is a song by American rock band Green Day from their twelfth studio album, Revolution Radio (2016). Written and produced by the band, the lyrics explore the idea of overcoming adversity in the face of hardship. "Still Breathing" is a pop-punk song with a pop-like production, which has been stylistically considered a return to form for the band.
A lyric video for "Still Breathing" was released on September 23, 2016, and Reprise Records made the song available for digital download the same day as the third single for Revolution Radio. The music video for the song, directed by P. R. Brown and released on November 7, 2016, depicts Billie Joe Armstrong walking solemnly through streets while Mike Dirnt and Tré Cool practice in a warehouse.
"Still Breathing" received critical acclaim from music critics, being considered one of the best songs on Revolution Radio despite some criticism towards its production and lyrics. The song topped the US Alternative Airplay, Mainstream Rock Songs, Rock Airplay, and Canada Rock charts, and appeared on various others. It was included in the setlist of the Revolution Radio Tour, the band's 2016-2017 concert tour in support of the album.
“There’s a band called 5 Seconds of Summer who wanted me to write a song for them. All of a sudden I was writing the lyrics, and I was like, ‘Oh my God, there’s no fucking way I’m giving these guys this song.’ There’s all those [lyrics] where it’s the last moment of someone’s life — it’s so intense. It’s just a song about being a survivor.”
In 2015, Green Day began recording material at OTIS, Billie Joe Armstrong's studio in Oakland, California, for their twelfth studio album Revolution Radio . [2] The album was conceived by the band as a "back-to-basics" move, following the rushed ¡Uno! ¡Dos! ¡Tre! trilogy of albums and Armstrong's rehab. [3] Armstrong had previously written "Still Breathing" for the Australian pop rock band 5 Seconds of Summer, but deemed the song too intense. [1]
"Still Breathing" was released on September 23, 2016 as the third single of Revolution Radio [a] through a lyric video published on YouTube, and was made available for digital download the same day. [7] [8] Later that year on November 7, 2016, a music video directed by P.R. Brown for the song was released on YouTube. [9] The video features shots of Armstrong walking solemnly through streets while Mike Dirnt and Tré Cool practice in a warehouse, culminating in the band's reunification. [10] Between scenes, various people, including a farmer, a child, and a military veteran, stare pensively as they "find simple salvation in the beauty of nature". [9] [11] "Still Breathing" was later released as part of the band's 2017 greatest hits album God's Favorite Band . [12]
"Still Breathing" is a slow-burning [13] song which begins with "quickly strummed acoustic guitars and a spare beat", [7] before building up to a heavier sound driven by electric guitar in its chorus. [14] Anna Gaca of Spin described "Still Breathing" as a "paint-by-number pop-punk song", [15] while Andrew Sacher of BrooklynVegan instead categorized it as alternative rock [16] and Alternative Press called the song an "emo anthem". [17] The song's production has been labeled as "radio-friendly" in reference to its pop sound. [18] Matt Melis and Collin Brennan of Consequence noted that "Still Breathing" sounded "engineered to sit alongside other motivational pop anthems", [19] while Chris Deville of Stereogum characterized the song as a power ballad with pop sensibilities. [20] The song has been compared to those by Blink-182, due to its "heart-on-sleeve sugar-rush harmonies". [21] [22] The songwriters of the Struts' 2013 song "Could Have Been Me" received co-writing credits on "Still Breathing" due to similarities between the songs' melodies. [23]
The lyrics of "Still Breathing", according to Armstrong, are about being a survivor and overcoming adversity. [1] [24] The song's lyrics are mostly similes about various characters like a gambler and a soldier confronting "all kinds of potential trauma". [25] Gil Kaufman of Billboard suggested that these comparisons ultimately connected to the premise of "slogging through it all to make 'my way to you'". [7] Armstrong also noted the line "I'm still breathing on my own" alludes to how "at some point, we’re all going to have to be on life support". [26] Various critics commented that the lyrics of "Still Breathing" reflect Armstrong's personal struggles with prescription drug addiction and his drug rehabilitation. [b] However, Armstrong responded that he avoided introspection when writing the song's lyrics in lieu of "mak[ing] people happy" and "creat[ing] a difference in some way, just by people recognizing themselves in the song". [2]
"Still Breathing" received acclaim from music critics. Entertainment Weekly's Kevin O'Donnell praised the song as a "three-minute blast of life-affirming punk", [29] while NME 's Rhian Daly called the song an "air-punching punk glory full of strength, power and guts". [30] Multiple critics regarded "Still Breathing" as a highlight on Revolution Radio, [c] with The A.V. Club 's Alex McLevy deeming it the "statement of purpose" for the album as an "acknowledgement that most of the time, all we have to hang on to is the knowledge that we’re still alive". [34]
Critics lauded "Still Breathing" as a return to form for the band, [7] [27] with Uproxx 's Chris Morgan praising its "Green Day sound" despite being "slightly less snotty and brash as some of their earlier tracks". [25] However, the song's pop-like production was met with mixed reception. Loudwire 's Graham Hartmann called the song the "poppiest cut from the album", yet noted it "maintain[ed] that classic Green Day feel". [18] Far Out 's Tyler Golsen called "Still Breathing" a "hell of a pop song", saying that the band was "reaching for something that lies slightly into the future" instead of sticking to the sounds of the band's "glory days". [32] ABC News noted that the song sounded as though it were "written to please bland, modern radio-ballad standards", [35] while Sputnikmusic 's Raul Stanciu deemed the song "too light for its own good". [36]
The lyrics of "Still Breathing" were positively received, with critics calling them "inspirational" [7] and "powerful". [17] Morgan wrote how "there’s something about a punk band that has been around for more than 25 years singing a song with lyrics like 'I’m still alive'". [25] Pitchfork's Ivy Nelson praised the song for having "Armstrong's most convincing lyrics" on Revolution Radio, despite being "restricted to the traditional designs of pop-punk". [31] The song's lyrics have also been praised for being "immensely vulnerable", [24] despite DIY 's Emma Swann noting that the song's vocals were "not as vulnerable as the lyrics might warrant". [37] However, the lyrics of "Still Breathing" have been criticized for being clichéd, with Spin's Anna Gaca writing that "sometimes overcoming personal challenges and tragedies leads to heartbreaking lyrical insight, and sometimes it leads to 'Still Breathing'". [15] Paste 's Reed Strength similarly critiqued the song's lyrics for being "cringe-inducing". [38]
"Still Breathing" peaked at number one on the US Alternative Airplay, Mainstream Rock, and Rock Airplay charts, marking the third time that a single by the band has topped all three charts (after "Know Your Enemy" and "Bang Bang"), and the first time that a single topped all three concurrently. [39] The song also peaked within the top 20 of the US Hot Rock & Alternative Songs (11) [40] and Adult Alternative Airplay (17) [41] charts. Outside the United States, the song peaked at number one and number two on the Canada Rock and UK Rock & Metal Singles charts, respectively. [42] [43] The song also charted on Belgium's Ultratip Flanders (11), [44] the Czech Republic's Rádio – Top 100 chart (21), [45] Scotland's Singles Sales chart (65), [46] and Slovakia's Rádio – Top 100 chart (82). [47]
Green Day first performed “Still Breathing” live as part of their Revolution Radio Tour, the concert tour in support of Revolution Radio which ran from September 26, 2016 to November 19, 2017. [48] [49] The band performed the song on The Ellen DeGeneres Show on December 13, 2016, alongside "American Idiot”. [50] On March 21, 2017, the band performed "Still Breathing" on The Late Show with Stephen Colbert . [51] Critics generally praised the performance, calling it “hard-hitting” [52] and “ear-pummeling”, [53] but Zac Gelfand of Uproxx noted that Armstrong's vocals sounded “strained” due to the Revolution Radio Tour. [54] Green Day performed the song on The Late Late Show with James Corden on May 4, 2017. [55] On May 19, 2017, the band performed the song in Central Park as part of their setlist for Good Morning America ’s televised “Summer Concerts” series. [56] The band later performed the song as part of the setlist of the Hella Mega Tour, a concert tour with Fall Out Boy and Weezer which ran from July 24, 2021 to July 2, 2022. [57]
Credits are adapted from iTunes. [8]
Green Day
| Additional personnel
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Weekly charts
| Year-end charts
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Region | Date | Format(s) | Label | Ref. |
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Various | September 23, 2016 | Reprise | [8] | |
Italy | September 30, 2016 | Radio airplay | Warner | [65] |
United States | November 1, 2016 | Modern rock radio | [66] | |
November 15, 2016 | Active rock radio | [67] | ||
United Kingdom | January 2017 | Promotional CD single | Reprise | [68] |
Green Day is an American rock band formed in Rodeo, California, in 1987 by lead vocalist and guitarist Billie Joe Armstrong and bassist and backing vocalist Mike Dirnt, with drummer Tré Cool joining in 1990. In 1994, their major-label debut Dookie, released through Reprise Records, became a breakout success and eventually shipped over 20 million copies in the U.S. Alongside fellow California punk bands Bad Religion, the Offspring, Rancid, NOFX, Pennywise and Social Distortion, Green Day is credited with popularizing mainstream interest in punk rock in the U.S.
Dookie is the third studio album by the American rock band Green Day, released on February 1, 1994, by Reprise Records. The band's major label debut and first collaboration with producer Rob Cavallo, it was recorded in late summer 1993 at Fantasy Studios in Berkeley, California. Written mostly by the singer and guitarist Billie Joe Armstrong, the album is largely based on his personal experiences and includes themes such as boredom, anxiety, relationships, and sexuality. It was promoted with four singles: "Longview", "Basket Case", a re-recorded version of "Welcome to Paradise", and "When I Come Around".
American Idiot is the seventh studio album by the American rock band Green Day, released on September 21, 2004, by Reprise Records. As with their previous four albums, it was produced by Rob Cavallo in collaboration with the group. Recording sessions for American Idiot took place at Studio 880 in Oakland and Ocean Way Recording in Hollywood, both in California, between 2003 and 2004. A concept album, dubbed a "punk rock opera" by the band members, American Idiot follows the story of Jesus of Suburbia, a lower-middle-class American adolescent anti-hero. The album expresses the disillusionment and dissent of a generation that came of age in a period shaped by tumultuous events such as 9/11 and the Iraq War. In order to accomplish this, the band used unconventional techniques for themselves, including transitions between connected songs and some long, chaptered, creative compositions presenting the album themes.
"Basket Case" is a song by rock band Green Day, released on August 1, 1994 by Reprise Records as the second single from the band's third studio album, Dookie (1994). The song spent five weeks at the top of the US Billboard Alternative Songs chart and garnered a Grammy Award nomination in the category for Best Rock Vocal Performance by a Duo or Group. Its music video was directed by Mark Kohr and filmed in an abandoned mental institution in California. In 2001, the song appeared on their greatest hits album International Superhits!. In 2021, "Basket Case" was ranked number 150 in Rolling Stone's updated list of the "500 Greatest Songs of All Time".
"Good Riddance (Time of Your Life)" (or "Time of Your Life (Good Riddance)") is a song by American rock band Green Day, released in December 1997 as the second single from their fifth studio album, Nimrod (1997). It is one of their most popular songs and has also become a staple of their concerts, usually played as the final song.
"American Idiot" is a protest song by the American rock band Green Day. The first single released from the album American Idiot, the song received positive reviews by critics and was nominated for four 2005 Grammy Awards: Record of the Year, Best Rock Performance by a Duo or Group with Vocal, Best Rock Song, and Best Music Video.
"Longview" is the debut single by American rock band Green Day. It is the fourth track on the band's third studio album, Dookie (1994), released to radio on February 1, 1994. It was physically released on June 6, 1994. The song was the band's first single to top the Billboard Modern Rock Tracks chart in the U.S. The music video for the song received heavy airplay on MTV and is largely credited for breaking Green Day into mainstream popularity. It was directed by Bay Area music video director Mark Kohr, who later collaborated with the band on future music videos.
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"Welcome to Paradise" is a song by the American rock band Green Day. It first appeared as the third track on the band's second studio album, Kerplunk (1991). It was re-recorded and rereleased as the fifth track on the band's third studio album, Dookie (1994), and released as the album's third single. Its physical release was exclusive to the United Kingdom on October 17, 1994, though the song still saw radio airplay in the United States. The song peaked at number 56 on the US Billboard Hot 100 Airplay chart. The Dookie version is more popular and was later included on the band's 2001 compilation album International Superhits!.
"Boulevard of Broken Dreams" is a song by American rock band Green Day. The power ballad is the fourth track from their seventh studio album American Idiot (2004). Reprise Records released "Boulevard of Broken Dreams" as the second single from American Idiot on November 29, 2004. The song's lyrics were written by lead singer Billie Joe Armstrong, and the music was composed by the band. Production was handled by Rob Cavallo and Green Day.
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"She" is a song by the American rock band Green Day. It is the eighth track on their third album, Dookie and was released as Green Day's first promotional single in their discography. The song was written by frontman Billie Joe Armstrong about a former girlfriend who showed him a feminist poem with an identical title. In return, Armstrong wrote the lyrics of "She" and showed them to her. She later dumped him and moved to Ecuador, prompting Armstrong to put "She" on the album. The same ex-girlfriend is the topic of the songs "Sassafras Roots" and "Chump". It is one of the few Green Day singles that did not have a music video.
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¡Tré! is the eleventh studio album by the American rock band Green Day. It is the third and final installment in the ¡Uno!¡Dos!¡Tré! trilogy, a series of studio albums that were released from September to December 2012. Green Day started recording material for the album on February 14, 2012, and finished on June 26, 2012. ¡Tré! follows the power pop style of ¡Uno!, and the garage rock feel of ¡Dos!. The album's title is a nod to the band's drummer Tré Cool, who turned 40 years old two days after the release. Cool is also featured on the album's cover. It is the band's last album with touring guitarist Jason White joining the band in the studio as a session member.
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Greatest Hits: God's Favorite Band is the second greatest hits album by American rock band Green Day, released on November 17, 2017.
It's a bit slower than the other two, more of an anthemic alternative rock song than the snotty pop punk they helped bring to prominence in the '90s.