Principal photography began in October 2014 and the film was released on 22 May 2015. The film carries the story forward showing the next chapter in the couple's life. Tanu Weds Manu Returns holds the record for the highest first week collections ever for a female driven film in India.[4] Additionally, the film also held the former records for the highest single day earner ever for a female driven film in India and the highest opening weekend collections for a women-centric film in India, until these records were surpassed by Ranaut's own Manikarnika: The Queen of Jhansi in 2019.[5][6][7] It is the first Indian women-centric film to enter the ₹100 crore club.[8][9] Made on a budget of ₹39 crore (equivalent to ₹50croreorUS$6.3million in 2020),[2] the film earned a total of ₹255.3 crore (equivalent to ₹327croreorUS$41million in 2020) globally and became one of the highest grossing Bollywood films.[3] In May 2018, Box Office India reported that it is the highest-grossing Indian film driven by a female lead.[10] It is also one of the highest-grossing Indian franchises.[11]
Tanu Weds Manu Returns received critical acclaim, with particular praise directed towards Ranaut's performance, with many considering it one of the best Bollywood sequels ever made.[12][13] The film received 3 awards at the 63rd National Film Awards, including Best Actress (Ranaut). At the 61st Filmfare Awards, it received 3 awards, including Best Actress (Critics) (Ranaut). Film Companion listed Ranaut's performance in the film among the 100 greatest performances of the decade (2010s).[14]
Plot
Tanu Sharma and Manoj Kumar Sharma, aka Manu are a couple in London that married four years ago and have an unhappy and dysfunctional marriage. Tanu gets Manu detained in a mental asylum, and returns to her hometown Kanpur, India, when her friend Payal calls her from India and tells Tanu that she has given birth to a baby girl. Before leaving London, Tanu rings Manu's friend Pappi Kutti in Delhi and tells him to immediately leave for London and release Manu.
In Kanpur at her parents' home, Tanu encounters a crafty law student called Chintu who has become a lodger but refuses to pay rent nor does he vacate. Chintu befriends Tanu and slowly develops a crush on her, bemused by her antics. Tanu also learns that her ex-boyfriend, Raja Awasthi, is getting engaged to another girl. Pappi reaches London and gets Manu out and they reach India, where Manu sends a legal notice to Tanu to make her apologise, but she does not respond.
One day Manu goes to Delhi University to give a medical speech, where he sees Kusum Sangwan, a young Haryanvi student-athlete, who resembles Tanu. He slowly gets obsessed with Kusum and keeps following her despite Pappi's warning. One day after Kusum confronts them, Manu tells her about Tanu. Kusum sympathises and they gradually develop feelings for each other. Manu tells Kusum he wants to marry her and meets Omi, her elder brother. Omi has no issues with Manu but shows a picture of the boy his wife wanted Kusum to marry, who turns out to be Raja. Payal Gill, Tanu's best friend calls Tanu and confides that her newborn baby's father is not her husband Jassi Gill.
Chintu gets jealous of Raja going around with Tanu and tells her father about it. He even sends Manu a nasty legal notice for a divorce, without Tanu's consent, but Manu responds by agreeing, which shocks Tanu. She confronts Chintu who says he loves her but Raja shoves him off. Raja also discovers his engagement is being called off as Manu is going to marry the new girl in his life. Both Raja and Tanu are enraged and decide to go to Delhi to confront Manu.
Manu, Kusum and Pappi travel to Chandigarh to convince Komal Gill, Payal's sister-in-law whom Pappi loves, to ditch her own wedding and elope with Pappi instead. As Pappi tries to convince Komal, Kusum is mistaken by everyone at the wedding as Tanu, including Payal, who tells her she had a test-tube baby secretly as Jassi had azoospermia. Kusum gets frantic on hearing these secrets and gives Payal a karate chop which knocks her out. She also lands a karate chop on Komal and they smuggle her to Jhajjar, where Kusum's villagers are waiting. But once her family finds out she loves Manu, they attack Manu and Pappi and lock up Kusum. Omi arrives and saves the day with his logic. The village agrees to Kusum and Manu's marriage.
As wedding preparations start, Tanu and Raja reach there with Jassi, Payal, their baby and Manu's parents. Tanu makes fun of Kusum who snaps at her saying she is a state-level champion who is independent, loving and honest. She also reveals the truth behind Payal's baby in front of Jassi. A shocked and drunk Tanu meets Manu at night who brutally brushes off her loving declarations. In the morning, Tanu tells Kusum she is sorry about her behaviour and would like to stay and help out in their wedding preparations.
Payal and Jassi are reunited. On the eve of the wedding, Tanu gets drunk and dances in front of Manu during the baraat procession. Her parents arrive with Chintu and are shocked to see Tanu shattered as Manu leaves for his marriage. Tanu sits quietly as Manu is marrying Kusum, until Kusum stops and confronts Manu, who confesses he still loves Tanu and cannot marry her. Kusum honourably releases him and walks off, to break down privately.
Tanu and Manu are reconciled with a tearful embrace while Kusum knocks Chintu out with her famous karate chop, "Woh dekh Kabootar!" as the scene blacks out.
Manu Rishi as Manu's lawyer (Tees Hazari Court, Delhi)
Production
Following the positive response to Tanu Weds Manu post release in February 2011, the team considered making a sequel to carry the story forward showing the next chapter of the couple's life. The lead couple R. Madhavan and Kangana Ranaut both announced their interest of being a part of a proposed sequel, months after the original's release.[15][16] In September 2011, Sunil Lulla of Eros International announced that they had signed on director Aanand L. Rai to work on a second part of the film titled Tanu Weds Manu: Season 2.[17] Early reports claimed that the lead actors would be seen in dual roles, while it was also speculated that Shahid Kapoor may replace Madhavan in the lead role.[18][19] In January 2012, the project was postponed to allow Anand Rai to proceed with another venture Raanjhanaa (2013), while the makers also wanted Ranaut to finish her commitments with Krrish 3 (2013) as the sequel demanded a different look.[20][21]
Following the release and success of Raanjhanaa in July 2013, Anand Rai confirmed that the sequel to Tanu Weds Manu was still active and would feature the original cast in the leading roles, playing down reports that Imran Khan and Anushka Sharma were to replace them.[22][23] Screenwriter Himanshu Sharma began working on the film in July 2013 and revealed that only the first ten minutes would have a London backdrop, before the story returns to Lucknow, Kanpur and Delhi. He went on to confirm the working title, though added it potentially may also be known as Tanu Weds Manu Extra Large.[24] Pre-production continued through late 2013, with Ranaut's two-month trip to the USA delaying the start of the shoot in early 2014.[25] She later confirmed that she would play a dual role in the film, that of an athlete apart from Tanu, and the team scouted for a body double to be used in scenes featuring both characters.[26]Dhanush, who had worked in Raanjhanaa, was revealed to be playing a cameo appearance in the film.[27][28]
The team began filming in October 2014 in Lucknow, after a small launch ceremony. The first motion poster of the film was released on 23 March 2015 on the birthday of the leading actress, Kangana Ranaut at a special event in Delhi.[29] "Ja Ja Ja Ja Bewafa" sung by Geeta Dutt in 1954 film Aar Paar, was picturised on Ranaut, playing the background.[30]
Controversies
In May 2014, the producers of the original film, Sanjay Singh, Vinod Bachchan and Shailesh Singh filed a legal notice stating that the director did not have the rights to make a sequel without their permission. Anand Rai replied stating that the trio only had rights over the first film and no direct rights over sequels or the franchise. In a further reply, Bachchan revealed that they were interested in making a sequel and should have been approached ahead of Eros International.[31][32][33]
In May 2015, a critic at the Mumbai Mirror gave the film 2.5 stars and a generally negative review. The newspaper later "revised" the critic's rating to 3.5 stars, based on reader feedback.[34]
The music and background score is composed by Krsna Solo, and the lyrics were written by Rajshekhar. However, the song "Banno" has been composed by Tanishk-Vayu (Tanishk Bagchi), and written by Vayu, and the song "Mari Gali" has been written by N.S. Chauhan and SurjRDB, and composed by the latter.
The film was released worldwide on 22 May 2015 with nearly 2200 screens in India. The film was released overseas with 350 screens across the United States of America, United Kingdom, Canada, Pakistan, New Zealand, Australia and UAE. According to Box Office India, the film had an average opening in circuits like Andhra Pradesh and West Bengal.[35]Tanu Weds Manu Returns opened to almost 60% occupancies in screens up north, while screens across other states and metros had registered figures of 40–50%.[36] The satellite rights of the film were sold to Zee TV.
Critical reception
Upon release, Tanu Weds Manu: Returns garnered widespread critical acclaim, with Ranaut's performance receiving particular praise.[37] On the Indian film review aggregator website The Review Monk, Tanu Weds Manu: Returns received an average score of 7.3/10 based on 43 reviews and 94% critics being in the favor.[38] On the review aggregator website Rotten Tomatoes, the film holds a score of 63% based on 8 reviews and an average rating of 7/10.[39]
Stutee Ghosh of The Quint gave the film a rating of 5/5 and wrote, ‘‘Tanu Weds Manu Returns is gob-smackingly good; It is a laugh riot and keeps you engaged till the end’’. Praising Ranaut's performance she further wrote, ‘‘In an industry where a ‘‘double – role” entails merely sporting two different shades of lipstick, Kangana is a delight to watch. Both as the madcap Tanu and the short haired, freckled Haryanvi Datto, she is incredible’’.[40] Srijana Mitra Das of Times of India gave the film a rating of 4.5/5 and wrote, ‘‘Tanu Weds Manu Returns is a total delight that keeps you laughing, sighing, cheering and guessing throughout’’. Praising Ranaut's performance she further wrote, ‘‘Tanu Weds Manu Returns boasts one of the finest double roles ever in Hindi cinema; Kangana is breathtakingly good, both as doll-like drama queen Tanu and simple, dignified, earthy Kusum. Each role is performed with sensitivity, precision and flair, Kangana displaying the confidence of a talent Queen’’.[41]Rajeev Masand of CNN-IBN gave the film a rating of 4/5 and praised Ranaut's performance by writing, ‘‘Tanu Weds Manu Returns is no doubt a showcase for the immense talent of Ranaut, who sinks her teeth into this ‘double-role’ challenge, and creates two strikingly different characters; The actress makes you care for both characters. Watch this film for Kangana Ranaut, who’s at the top of her game’’.[42]Anupama Chopra of Film Companion gave the film a rating of 4/5 and praised Ranaut's performance by writing, ‘‘Watching Kangana Ranaut in Tanu Weds Manu Returns is like watching an athlete at the top of her game — consummate skill with effortless grace. As both the rebel without a cause, Tanu, and the Haryanvi sportswoman Kusum, Kangana is pitch-perfect. The film rests on Kangana’s shoulders and she carries it with her Herculean talent’’.[43] Sweta Kaushal of Hindustan Times gave the film a rating of 4/5 and called it a ‘‘entertainer’’ and a ‘‘must-watch’’. Praising Ranaut's performance she wrote, ‘‘Kangana has done a fabulous job with her characters Tanu and Datto; From the body languages of the two women to their accents, Kangana aces it to the T. She proves yet again that she is one of the few heroines in Bollywood who is willing to experiment with different roles and still come out as the most convincing every time’’.[44]
Ananya Bhattacharya of India Today gave the film a rating of 4/5 and wrote, ‘‘Tanu Weds Manu Returns deserves a watch for the sheer brilliance that it is, and the way Kangana has nailed her roles’’. Praising Ranaut's performance she further wrote, ‘‘Kangana carries the film on her able shoulders, reminding one why the actress is among the most sought-after ones in the industry today. Ranaut infuses her Tanu with a rare charm and as far as Kusum is concerned, the actress does a mind-blowing job of getting the Haryanvi girl pitch-perfect. Never for a moment is one allowed the opportunity to think that it is one actress cast in dual roles in the film’’.[45]Bollywood Hungama gave the film a rating of 4/5 called it a ‘‘must-watch’’. They wrote, ‘‘Tanu Weds Manu Returns is a must watch, especially for Kangana's spellbinding performance, outstanding plot and amazing one-liners’’. They called Ranaut's performance in the film her ‘‘career-best’’ and further wrote, ‘‘The undisputed captain of the ship is Kangana Ranaut, who delivers a career best performance. Her performance in the film is definitely award worthy. She really knows how to carry the film on her shoulders; The impact of her roles is so significant that you just cannot imagine any other actress in her role’’.[46] Sukanya Verma of Rediff gave the film a rating of 4/5 and called Ranaut a ‘‘powerhouse’’. Praising her performance she wrote, ‘‘As Datto her body language, which alternates between assertive and serene depending on the surrounding, and the sureness with which she rattles off her mother tongue is nothing short of flawless and as Tanu the talented star's calibre shines through in her understanding of a wife's thinly veiled manipulations that are but an attempt to restore what she haughtily believes to be rightly hers. Kangana, the powerhouse makes it difficult to pick a side’’.[47]
Saibal Chatterjee of NDTV gave the film a rating of 3.5/5 and called it a ‘‘entertaining’’ and ‘‘engaging’’ film. Praising Ranaut's performance he wrote, ‘‘Kangana Ranaut, in a magnificently effective double role, powers the comic drama forward with an effortless act. The film vindicates the general belief that Kangana is currently in a zone where she can do no wrong; On one hand she is the bubbly and recklessly rebellious Tanu and on the other she embodies the no-nonsense persona of Datto, The actress fleshes out this pair of distinct individuals with such energy and finesse that it becomes difficult at times to tell that it is the same actress playing the two roles. In one word, astounding’’.[48] Manjusha Patil of Koimoi gave the film a rating of 3.5/5 and wrote, ‘‘This is a real Desi rom com with a slightly quirky touch. It will leave a big smile on your face as you leave the theatre’’. Praising Ranaut's performance she further wrote, ‘‘This film belongs to Kangana Ranaut; This is another stellar performance by her after Queen (2014)’’.[49] Sarita Tanwar of DNA gave the film a rating of 3.5/5 and called its dialogues ‘‘great’’, its characters ‘‘endearing’’ and the performances ‘‘top class’’. She called Ranaut the ‘‘crowning glory’’ of the film and wrote, ‘‘The film’s crowning glory is Kangana who betters herself with every film she does. This time, as Tanu, she gets to do much more in terms of diversity. But her portrayal of Kusum steals the show this time. Heartwarming, honest and edgy, Kangana as Kusum is the life of the film; Watch this film for the one-woman-show of Kangana Ranaut’’.[50]Shubhra Gupta of The Indian Express gave the film a rating of 3/5 and praised Ranaut's performance by writing, ‘‘Kangana Ranaut plays it beautifully, mixing up the familiar with the new. I would buy a ticket for her’’.[51]
Anuj Kumar of The Hindu wrote, ‘‘Known for creating a tangible atmosphere of small town, the team once again hit the ground running and doesn’t leave the audience’s pulse for even a moment’’. Calling Ranaut's performance in the film ‘‘gutsy’’ he further wrote, ‘‘Carrying forward her good form, it is a double delight from Kangana as she brilliantly delineates both the characters. She gives each of them a distinct identity which goes much deeper than the haircut and artificial dentures. It is her gutsy performance that prevents the film from getting reduced to a frivolous comedy’’.[52] Rachit Gupta of Filmfare called Tanu Weds Manu Returns a ‘‘intricately designed’’ and a ‘‘well crafted’’ film. Praising Ranaut's performance he wrote, ‘‘Kangana Ranaut’s performance as both Tanu and Kusum is so enchanting that you can hardly see past her. She owns this film and she delivers it in five star fashion; The film is another fine feather in Kangana Ranaut’s flourishing hat’’.[53] Ajit Duara of Open named Tanu Weds Manu Returns as the ‘‘funniest movie of the year’’ and praised Ranaut's performance by writing, ‘‘What Ranaut cleverly does with this double role is to demarcate feminine and masculine characteristics in women; Both women are attractive, but in different ways. This is a complex portrait of a woman’s persona and sexuality, and Ranaut has delivered it beautifully through a hilarious comedy of manners’’.[54] Mihir Fadnavis of Firstpost called the film a ‘‘crowd pleaser’’ and praised Ranaut's performance by writing, ‘‘The real draw of Tanu Weds Manu Returns is that you get two Kangana Ranauts to entertain you, and she delivers in a huge way. Both her avatars are likeable’’.[55]
Overseas
Prarthna Sarkar of International Business Times gave the film a rating of 4.5/5 and wrote, ‘‘To make a sequel better than its prequel is a tough challenge, but director Aanand. L. Rai aces it’’. Calling Ranaut the ‘‘star of the show’’ he further wrote, ‘‘Kangana is the star of the show. Unmistaken accent, perfect gait and subtle expressions, the leading lady's portrayal of Datto and Tanu is praiseworthy’’.[56] Faiza S Khan of The Guardian gave the film a rating of 4/5 and called it a ‘‘unusually spiky Bollywood romcom’’. Praising Ranaut's performance she wrote, ‘‘Kangana Ranaut shines in this entertaining and slightly unconventional look at marriage which takes swipes at elitism and potshots at patriarchy’’.[57] Manjari Saxena of Gulf News gave the film a rating of 3.5/5 and described it as a ‘‘hilarious journey’’. Praising Ranaut's performance he wrote, ‘‘Ranaut portrays gamut of emotions brilliantly in her double role as the wife who feels wronged and the practical but young girl in love. The National Award winning actress nabs Datto’s tomboyish and rustic demeanour with the same elan as the stylish and sexy Tanu; The Queen actress is clearly here to rule’’.[58] Shilpa Jamkhandikar of Reuters praised Ranaut's performance in the film by writing, ‘‘Kangana Ranaut walks away with the entire film, playing both Tanu and Kusum with panache, in what is probably the defining female performance of 2015’’.[59]
Year-end lists
Sukanya Verma of Rediff cited Tanu Weds Manu Returns as one of the best Hindi films of 2015.[60]Times of India listed it as one of the best films of 2015.[61]The Hindu listed it as one of the people's choice best Hindi movies of 2015.[62]Film Companion listed Ranaut's performance in the film among the 100 greatest performances of the decade (2010s).[14]NDTV listed Ranaut as one of the best Bollywood actors of 2015.[63]Deccan Chronicle listed Ranaut as one of the 11 powerful Bollywood actresses of 2015.[64] Gayatri Gauri of Firstpost listed both the characters Ranaut portrayed in the film (Tanu and Datto) as one of the best female characters of the year 2015.[65]Raja Sen of Rediff named Ranaut's character in the film, Datto, as one of the most memorable Bollywood characters of 2015.[66] Suresh Mathew of The Quint listed Ranaut's character in the film, Datto, as one of the most endearing and loveable characters from Bollywood films of 2015.[67]Filmfare listed both the characters Ranaut portrayed in the film (Tanu and Datto) as one of the strongest women characters in Bollywood.[68]
Box office
Tanu Weds Manu Returns earned ₹380 million (US$4.8million) in its opening weekend in India,[69] for a worldwide gross of ₹650 million (US$8.1million).[70] Trade analysts reported that the film took in the biggest opening weekend collections for a Bollywood film that year, and also recovered its production budget in the first three days.[70][71] The film earned ₹85 million (US$1.1million) on its first Monday.[72] It earned ₹975 million (US$12million) after its second weekend.[73] The film earned ₹458 million (US$5.7million) in its second week in India for a two-week domestic total of ₹1.15 billion (US$14million).[74]
Tanu Weds Manu Returns holds the record for the highest first week earner ever for a female driven film in India with a collection of over ₹69 crore in its opening week.[4] Additionally, it held the record for the highest single day earner ever for a female driven film in India with a collection of ₹15.85 crore on Sunday;[5] and by earning ₹38.10 crore in its opening weekend the film also broke the record for the highest opening weekend collections for a women-centric film in India previously held by Priyanka Chopra's Mary Kom.[6] However, both these records were later beaten by Ranaut's own 2019 film, Manikarnika: The Queen of Jhansi.[7][5] On 2 June 2015, Tanu Weds Manu Returns became the first Indian women-centric film to enter the ₹100 crore club.[8][9][75]
After watching Tanu Weds Manu Returns, Deepanjana Pal of Firstpost stated that this movie could make Ranaut the female Khan of Bollywood. She wrote, ‘‘The reason people want to watch Tanu Weds Manu Returns, the reason there are great box office expectations of this film and the reason you sit through its two hours is Kangana Ranaut’’. She further wrote, ‘‘If the film does as well as it is expected to, then Ranaut will be the female equivalent of the Khans of Bollywood. She can act in films that are thorough disappointments, but she sells them to you with such charm and style that you don't really care that she and the stories she's telling deserve better’’.[78] After the success of the film, S. Shivakumar of The Hindu stated, ‘‘Kangana Ranaut will not be on the wish-list of the Khans of Bollywood for a co-star because of her intimidating screen presence; She doesn’t need them’’.[79] Kunal Purandare of Forbes India called Ranaut the ‘outsider’ who rules Bollywood and stated, ‘‘The success of Tanu Weds Manu Returns which made a whopping ₹150 crore-plus business at the box office meant that the industry could no longer turn a blind eye to her. She began to draw audiences to the theatres purely on the basis of her reputation of being a solid actor. She continued to raise the bar and opted for a path that many other actresses feared to tread’’.[80]
The Times of India listed Tanu Weds Manu Returns as one of the top twenty best Bollywood films of all-time.[81] Rajiv Vijayakar of Bollywood Hungama listed the film as one of the twelve sequels which are better than the earlier films. He stated, ‘‘More people watched Tanu Weds Manu after and because they had loved Tanu Weds Manu Returns’’.[82] Devesh Sharma of Filmfare listed Tanu Weds Manu Returns as one of the best Bollywood films featuring double roles.[83]IMDb listed it as one of the fifty best dual role Indian movies of all-time.[84] Saheli Maity of Koimoi listed it as one of the top sixty movies with multiple dose roles.[85] Priyanka Vartak of The Free Press Journal listed the film as well as Ranaut's dual-role in the film as one of the ten best and famous double role films and double-roles in Bollywood.[86] On the occasion of International Women's Day, 2019, ZEE5 listed Tanu Weds Manu Returns as one of the eleven Bollywood films that depict how feminism is done right.[87] Salva Mubarak Vogue India listed it as one of the thirteen best wedding-centric films of the decade (2010s).[88] Bollywood actor Rishi Kapoor called Tanu Weds Manu Returns a modern day version of his own classic film Prem Rog (1982).[89]
Ranaut's portrayal of a dual-role in the film received widespread acclaim. India TV listed Ranaut as one of the ten best Bollywood stars who excelled a new language for their movie.[90]Hindustan Times listed Ranaut as one of the five actors who aced the accent they had onscreen.[91] Srijana Mitra Das of Times of India called Ranaut's portrayal of a dual-role in the film as one of the finest double roles ever in Hindi cinema.[41]MSN listed Ranaut's dual-role in the film as one of the most iconic double roles in Bollywood movies.[92]The Free Press Journal listed Ranaut's performance in the film as one of the ten greatest lead performances that went beyond the requirements of the script to create memorable characters. They called called Ranaut's portrayal of a dual-role in the film as one of the best dual roles ever attempted in a Hindi film.[93]Filmfare listed Tanu Weds Manu Returns as one of movies that showcased Ranaut's class as an actor. They called Ranaut's role in the film as one of her most ‘‘iconic’’ roles and wrote, ‘‘Kangana Ranaut really flaunts her versatility with this film as even though she plays two distinct characters, not for a second you’ll feel it’s the same person playing them’’.[94]Film Companion listed Ranaut's performance in the film among the 100 greatest performances of the decade (2010s).[14]
The characters in Tanu Weds Manu Returns has become some of the most popular and recognizable characters in Hindi Cinema. Filmfare listed both the characters Ranaut portrayed in the film (Tanu and Datto) as one of the strongest women characters in Bollywood.[68] Madhavi Pothukuchi of Vagabomb listed both the characters Ranaut portrayed in the film (Tanu and Datto) as one of the ten Bollywood female characters who gave us important life lessons.[95] Shilpa Dubey of Pinkvilla listed Ranaut's character in the film, Tanu, as one of the iconic female characters from the 2010s decade of Bollywood.[96] Srishti Magan of ScoopWhoop listed Dobriyal's character in the film, ‘Pappi Ji’, as one of the best side characters from Hindi movies who were so brilliant that they deserve their own story.[97] Bhavya Sadhwani of IndiaTimes listed Madhavan and Dobriyal's characters in the film, Manu and Pappi ji, as one of the fifty characters that resonated with us and are likely to stay etched in our memories for a long long time.[98]
Over the years, Tanu Weds Manu Returns along with Tanu Weds Manu has become a cult classic franchise.[99] It is also one of the most successful Indian franchises.[11] Additionally, its dialogues and one-liners has reached a cult status spawning several online memes.[100][101][102][103] The film is considered as one of the most important and best films of director Rai as well as one of the best films of both Ranaut and Madhavan.[104][105][106] On the occasion of the tenth anniversary of the first part of the franchise, Tanu Weds Manu, Director Rai revealed that people identify or refer him as ‘‘Woh Tanu Weds Manu wala Aanand Rai’’ (transl. That's Tanu Weds Manu's maker, Aanand Rai).[107]
Ranganathan Madhavan is an Indian actor, screenwriter, director, and producer who predominantly appears in Tamil and Hindi films. Madhavan has won four Filmfare Awards South and three Tamil Nadu State Film Awards.
The IIFA Award for Best Actress is given by the International Indian Film Academy as part of its annual award ceremony for Hindi films, to recognise a female actor who has delivered an outstanding performance in a leading role. The recipient is chosen by viewers and the winner is announced at the ceremony. The current winner of the Best Actress award is Kriti Sanon for Mimi.
Kangna Amardeep Ranaut is an Indian actress and filmmaker who works in Hindi films. Known for her work in female-led films, she is the recipient of several awards, including four National Film Awards and five Filmfare Awards, and has featured six times in Forbes India's Celebrity 100 list. In 2020, the Government of India honoured her with the Padma Shri, the country's fourth-highest civilian award.
Woh Lamhe... is a 2006 Indian romantic drama film directed by Mohit Suri, starring Kangana Ranaut and Shiney Ahuja in the lead roles. The film is supposedly based on Parveen Babi's life, her battle with schizophrenia and her relationship with Mahesh Bhatt to whom she was a lover as well as a mentor in his struggling days.
Deepak Dobriyal is an Indian film and theatre actor. He is recipient of a Filmfare award. He worked in many Bollywood films such as Omkara (2006), Shaurya (2008), Tanu Weds Manu (2011), Dabangg 2 (2012), Chor Chor Super Chor"(2013) Tanu Weds Manu Returns (2015), Prem Ratan Dhan Payo (2015) and Hindi Medium (2017), Angrezi Medium (2020).
Tanu Weds Manu is a 2011 Indian Hindi-language romantic comedy-drama by Aanand L. Rai, and produced by Shailesh R Singh. It stars R. Madhavan, Kangana Ranaut, Jimmy Sheirgill, Eijaz Khan, Swara Bhaskar and Deepak Dobriyal. The story of the film has been written by Himanshu Sharma, music is directed by Krsna Solo and the lyrics penned by Rajshekhar.
The Filmfare Critics Award for Best Actress is given by Filmfare as part of its annual Filmfare Awards for Hindi-language films.
Raj Shekhar is an Indian lyricist. He made his Bollywood debut as a lyricist with the 2011 film Tanu Weds Manu. He went on to write lyrics for other notable films including Tanu Weds Manu Returns, Tumbbad, Veere Di Wedding, Hichki and Uri: The Surgical Strike.
Mohammad Zeeshan Ayyub Khan is an Indian actor who appears in Hindi films. He is frequently cast in supporting roles, and has appeared in more than 25 films in a career which has spanned eight years. He has also worked in a Hindi serial "Kyunki... Jeena Isi Ka Naam Hai" which was telecasted on Doordarshan in 2008. He has collaborated with director Aanand L. Rai on four films.
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Queen is a 2013 Indian Hindi-language comedy drama film directed by Vikas Bahl and produced by Anurag Kashyap, Vikramaditya Motwane, and Madhu Mantena. The film stars Kangana Ranaut in the lead role, with Lisa Haydon and Rajkummar Rao playing supporting roles. The film follows the story of Rani Mehra, a diffident Punjabi girl from New Delhi who embarks on her honeymoon to Paris and Amsterdam by herself after her fiancé calls off their wedding.
Aanand L. Rai is a Hindi film director and producer known for romantic-comedy movies Tanu Weds Manu (2011), Raanjhanaa (2013), Tanu Weds Manu: Returns (2015), Zero (2018) and Raksha Bandhan (2022).
Krsna Solo is a music composer, singer-songwriter and a music producer from India, who debuted with the popular Hindi film "Tanu Weds Manu" in 2011. Among his awards are a Filmfare R.D. Burman Award, Stardust Award for Best New Music Director. His work also includes Jolly LLB, Tanu Weds Manu Returns, Tamanchey, Oonga and more. One of his mentionable international score is for the documentary called India's Daughter by Leslee Udwin.
Reza Shariffi is a costume designer from India. He has designed for many leading actresses in Bollywood.
Manikarnika: The Queen of Jhansi is a 2019 Indian Hindi-language historical action drama film based on the life of Rani Lakshmi Bai of Jhansi. It is directed by Krish Jagarlamudi and Kangana Ranaut from a screenplay written by V. Vijayendra Prasad. Produced by Zee Studios, the film stars Ranaut in the title role. The film was based on a true story of Rani Lakshmi Bai.
Swati Sharma is an Indian singer. She is known for her popular song Banno Tera Swagger from the Tanu Weds Manu: Return, a film directed by Anand L. Rai. She is also notable for producing music that has been used in Bollywood films. In 2017 she became the first Indian singer to perform at the Eiffel Tower (Paris).
Shailesh R Singh is an Indian film producer known for his works exclusively in Hindi cinema. In his 12-year career span, he has produced both commercially & critically acclaimed films.
Thalaivii is a 2021 Indian biographical drama film based on the life of Indian actress-politician J. Jayalalithaa. The film stars Kangana Ranaut as Jayalalithaa, Arvind Swamy as M. G. Ramachandran. And Raj Arjun as R. M. Veerappan. Shot simultaneously in Tamil and Hindi, it is directed by A. L. Vijay and written by Madhan Karky (Tamil) and Rajat Arora (Hindi). The Movie is produced by Vishnu Vardhan Induri and Shailesh R Singh of Vibri Motion Pictures and Karma Media And Entertainment respectively. The film also features Nassar, Bhagyashree, Raj Arjun, Madhoo, Thambi Ramaiah, Shamna Kasim and Samuthirakani in supporting roles. The music, background score and the soundtrack for both languages is composed by G. V. Prakash Kumar.
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