The Champ is a 1931 American pre-Code film starring Wallace Beery and Jackie Cooper and directed by King Vidor from a screenplay by Frances Marion, Leonard Praskins and Wanda Tuchock. The picture tells the story of a washed-up alcoholic boxer (Beery) attempting to put his life back together for the sake of his young son (Cooper).
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
The Big Pond is a 1930 American pre-Code romantic comedy film based on a 1928 play of the same name by George Middleton and A.E. Thomas. The film was written by Garrett Fort, Robert Presnell Sr. and Preston Sturges, who provided the dialogue in his first Hollywood assignment, and was directed by Hobart Henley. The film stars Maurice Chevalier and Claudette Colbert, and features George Barbier, Marion Ballou, and Andrée Corday, and was released by Paramount Pictures.
Irving Grant Thalberg was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, A Night at the Opera, Mutiny on the Bounty, Camille and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom", states biographer Roland Flamini.
Min and Bill is a 1930 American pre-Code comedy-drama film, directed by George W. Hill and starring Marie Dressler and Wallace Beery. Adapted by Frances Marion and Marion Jackson from Lorna Moon's 1929 novel Dark Star, the film tells the story of dockside innkeeper Min's tribulations as she tries to protect the innocence of her adopted daughter, Nancy, while loving and fighting with boozy fisherman Bill, who resides at the inn. The picture was a runaway hit. In 1931, the studio released a Spanish-language version of Min and Bill, La fruta amarga, directed by Arthur Gregor and starring Virginia Fábregas and Juan de Landa.
Noah Nicholas Beery was an American actor who appeared in films from 1913 until his death in 1946. He was the older brother of Academy Award-winning actor Wallace Beery as well as the father of prominent character actor Noah Beery Jr. He was billed as either Noah Beery or Noah Beery Sr. depending upon the film.
Noah Lindsey Beery was an American actor often specializing in warm, friendly character roles similar to many portrayed by his Oscar-winning uncle, Wallace Beery. Unlike his more famous uncle, however, Beery Jr. seldom broke away from playing supporting roles. Active as an actor in films or television for well over half a century, he was best known for playing James Garner's character's father, Joseph "Rocky" Rockford, in the NBC television series The Rockford Files (1974–1980). His father, Noah Nicholas Beery enjoyed a similarly lengthy film career as an extremely prominent supporting actor in major films, although the elder Beery was also frequently a leading man during the silent film era.
Frances Marion was an American screenwriter, director, journalist and author often cited as one of the most renowned female screenwriters of the 20th century alongside June Mathis and Anita Loos. During the course of her career, she wrote over 325 scripts. She was the first writer to win two Academy Awards. Marion began her film career working for filmmaker Lois Weber. She wrote numerous silent film scenarios for actress Mary Pickford, before transitioning to writing sound films.
George William Hill was an American film director and cinematographer.
Pardon Us is a 1931 American pre-Code Laurel and Hardy film. It was the duo's first starring feature-length comedy film, produced by Hal Roach and Stan Laurel, directed by James Parrott, and originally distributed by Metro-Goldwyn-Mayer in 1931.
The Bowery is a 1933 American pre-Code Epic historical drama film set in the Lower East Side of Manhattan around the start of the 20th century directed by Raoul Walsh and starring Wallace Beery and George Raft. The supporting cast features Jackie Cooper, Fay Wray, and Pert Kelton.
The Secret Six is a 1931 American pre-Code crime film starring Wallace Beery as "Slaughterhouse Scorpio", a character very loosely based on Al Capone, and featuring Lewis Stone, John Mack Brown, Jean Harlow, Clark Gable, Marjorie Rambeau and Ralph Bellamy. The film was written by Frances Marion and directed by George W. Hill for MGM.
Billy the Kid is a 1930 American pre-Code Western film directed in widescreen by King Vidor about the relationship between frontier outlaw Billy the Kid and lawman Pat Garrett. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
China Seas is a 1935 American adventure film starring Clark Gable as a brave sea captain, Jean Harlow as his brassy paramour, and Wallace Beery as a suspect character. The oceangoing epic also features Rosalind Russell, Lewis Stone, Akim Tamiroff, and Hattie McDaniel, while humorist Robert Benchley memorably portrays a character reeling drunk from one end of the film to the other.
The Bad Man is a 1941 American Western film starring Wallace Beery and featuring Lionel Barrymore, Laraine Day, and Ronald Reagan. The movie was written by Wells Root from the 1920 Porter Emerson Browne play of the same name and directed by Richard Thorpe. The film is a remake of the 1923 silent version and the 1930 remake starring Walter Huston. The 1941 supporting cast includes Tom Conway and Chill Wills.
Big Jack is a 1949 American Western film starring Wallace Beery, Richard Conte and Marjorie Main. The movie was directed by Richard Thorpe, and the screenplay was written by Gene Fowler and Otto Eis from the novel by Robert Thoeren. The picture is a comedy-drama, set on the American frontier in the early 1800s, about outlaws who befriend a young doctor in legal trouble for acquiring corpses for anatomical research.
The Bad Man is a 1930 American Pre-Code Western film starring Walter Huston which was produced and released by First National Pictures, a subsidiary of Warner Bros. The movie is based on Porter Emerson Browne's 1920 play of the same name and is a sound remake of the 1923 silent version of the same name. The film stars Walter Huston and features Dorothy Revier, Sidney Blackmer and James Rennie.
6,000 Enemies is a 1939 American drama film directed by George B. Seitz and starring Walter Pidgeon as a successful District Attorney who is framed on charge of bribery. Although innocent, he is sent to prison where he fights to clear his name. The film also stars Rita Johnson.
The Bad Man is a 1923 American silent Western film with prominently featured satirical and comedic elements. The film was directed by Edwin Carewe, who produced it for his own motion picture company and adapted the scenario from the play of the same name by Porter Emerson Browne. The play had opened at Broadway's Comedy Theatre in August 1920, and ran for a very successful 342 performances, closing in June 1921. The film version, from Edwin Carewe Productions, was released by Associated First National Pictures on October 8, 1923. The title role was played by the star of the play's Broadway and touring productions, Holbrook Blinn, and the other leading parts filled by Jack Mulhall, Walter McGrail and Enid Bennett.
Men Behind Bars is a 1931 American Pre-Code drama film directed by Pál Fejös and starring Heinrich George, Gustav Diessl and Egon von Jordan. It is the German language version of MGM's The Big House. In the early years of sound before dubbing became widespread, it was common to make films in multiple languages. It premiered in Berlin on June 24, 1931.
