The Cost of Loving | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 7 February 1987 | |||
Recorded | May, August and October 1986 | |||
Studio | Solid Bond Studios (London) | |||
Genre | Soul [1] | |||
Length | 42:12 | |||
Label | Polydor | |||
Producer | Paul Weller | |||
The Style Council chronology | ||||
| ||||
Alternative cover | ||||
The Cost of Loving is the third studio album by the English band the Style Council, released on 7 February 1987 by Polydor Records. [2] The album was recorded over a period of three months in 1986, at Solid Bond Studios in London (owned by their lead vocalist, Paul Weller). The album is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. The album peaked at number 2 on the UK Albums Chart, and achieved gold status from the BPI. It featured the singles "It Didn't Matter" and "Waiting", which had corresponding music videos. "It Didn't Matter" reached the top 10 on the UK Singles Chart, however "Waiting" failed to make the top 40, which was a first for any Style Council single.
On release, The Cost of Loving received mixed reviews from music journalists. Today, the album is generally seen as a turning point in the band's career, leading to the sounds later explored on Confessions of a Pop Group (1988) and Modernism: A New Decade (1998), whilst also signalling the start of the band's declining commercial and critical success. The band themselves have been quite vocal in being less satisfied with the album.
This album saw the group concentrating on the R&B styles that had been growing in America during the eighties. The album included a cover version of "Angel," a song originally recorded by Anita Baker for her debut solo studio album, The Songstress (1983). Its urban contemporary feel was a jolt to listeners who had grown accustomed to the continental mix of soul music, jazz, and European folk styles that the band had displayed on their previous two studio albums. United States label Geffen Records heard the tracks and promptly dropped the Style Council from their roster. Socially conscious soul music pioneer Curtis Mayfield was asked to mix some of the material on the album, which displays hints of being influenced by house music and the Jimmy Jam and Terry Lewis sound. Tracks from the album were included in a 37-minute film, Jerusalem, about the band.
The initial British pressings of the album were conceived and issued as two 12" EPs in a gatefold sleeve (designed by Simon Halfon with ideas from Paul Weller). PolyGram records would eventually issue the album Stateside without its much-maligned international orange jacket design. When asked by Uncut magazine whether the album cover was intended as "a citric version of The Beatles' White Album?", Weller replied that "the only thing" he "can say in its defence is that it's in some book as one of the top 100 album sleeves." [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Q | [4] |
Record Collector | [5] |
The Rolling Stone Album Guide | [6] |
Sounds | [7] |
Uncut | 5/10 [8] |
In a retrospective review for AllMusic, critic Stephen Thomas Erlewine wrote, "Filled with bland, professional soul-pop, few of the songs have memorable melodies and the band tends to meander through the slick arrangements." He further noted that "Weller's lyrics were self-important and under-developed, with only the hit single 'It Didn't Matter' making a lasting impression among the undistinguished songs that comprised the majority of the album." [1]
Alfie Vera Mella of Cryptic Rock was more positive. In his retrospective review for the album's 30th anniversary, he stated, "The classy touch of The Cost of Loving continues to be a reminder of the band’s [the Style Council's] predilection for slick, smooth, big sound; less simple song structures; as well as jazzy and bluesy instrumentation. That in mind, the album has aged gracefully and become even more enjoyable thirty years later." [9]
In 1991, the NME included the album in a list of fourteen albums that "should've been an EP". [10]
All tracks are written by Paul Weller, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "It Didn't Matter" | 5:44 | |
2. | "Right to Go" |
| 5:10 |
No. | Title | Length |
---|---|---|
3. | "Heavens Above" | 6:10 |
4. | "Fairy Tales" | 4:08 |
No. | Title | Writer(s) | Length |
---|---|---|---|
5. | "Angel" |
| 4:31 |
6. | "Walking the Night" | 4:30 |
No. | Title | Length |
---|---|---|
7. | "Waiting" | 4:26 |
8. | "The Cost of Loving" | 4:19 |
9. | "A Woman's Song" | 3:02 |
Total length: | 42:12 |
The Style Council
Additional musicians
Production and artwork
Chart (1987) | Peak position |
---|---|
Australian Albums (Kent Music Report) [11] | 24 |
Canada Top Albums/CDs ( RPM ) [12] | 58 |
Dutch Albums (Album Top 100) [13] | 23 |
German Albums (Offizielle Top 100) [14] | 45 |
Japanese Albums (Oricon) [15] | 6 |
New Zealand Albums (RMNZ) [16] | 35 |
Swedish Albums (Sverigetopplistan) [17] | 46 |
UK Albums (OCC) [18] | 2 |
US Billboard 200 [19] | 122 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [20] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
London Calling is the third studio album by the English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
Paul John Weller is an English singer-songwriter and musician. Weller achieved fame with the rock band the Jam in the late 1970s. Following the dissolution of the Jam in 1982, he pursued different musical styles in the Style Council (1983–1989), then became a solo artist with his eponymous 1992 studio album.
The Style Council were an English pop band formed in Woking in 1982 by Paul Weller, the former lead vocalist, principal songwriter and guitarist with the rock band the Jam, and keyboardist Mick Talbot, previously a member of Dexys Midnight Runners, the Bureau and the Merton Parkas. Weller started the project to escape the restrictions of the Jam, and to explore a more arty, European, jazzier direction, which encompassed pop, hip hop, and soul.
Ambient house is a downtempo subgenre of house music that first emerged in the late 1980s, combining elements of acid house and ambient music. The genre developed in chill-out rooms and specialist clubs as part of the UK's dance music scene. It was most prominently pioneered by the Orb and the KLF, along with artists such as Global Communication, Irresistible Force, Youth, and 808 State. The term was used vaguely, and eventually fell out of favor as more specific subgenres were recognized.
Everything but the Girl are an English musical duo formed in Kingston upon Hull in 1982, consisting of lead singer, songwriter, composer and occasional guitarist Tracey Thorn and guitarist, keyboardist, songwriter, composer, producer and singer Ben Watt. The group's early works have been categorized as sophisti-pop with jazz influences before undergoing an electronic music turn following the worldwide success of the 1994 hit single "Missing", remixed by Todd Terry.
Pisces, Aquarius, Capricorn & Jones Ltd. is the fourth album by the Monkees. It was released on November 6, 1967, during a period when the band exerted more control over their music and performed many of the instruments themselves. However, although the group had complete artistic control over the proceedings, they invited more outside contributions than on their previous album, Headquarters, and used session musicians to complement their sound. The album also featured one of the first uses of the Moog synthesizer in popular music. Pisces, Aquarius, Capricorn & Jones Ltd. sold over three million copies. It was the band's fourth consecutive album to reach No. 1 on the U.S. Billboard 200.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
Penthouse and Pavement is the debut studio album by English synth-pop band Heaven 17, released in September 1981 by Virgin Records.
Our Favourite Shop is the second studio album by English band the Style Council. Recorded ten months after the band's debut, Café Bleu, it was released on 8 June 1985 on Polydor. It features guest vocalists including Lenny Henry, Tracie Young, and Dee C Lee. The album includes "Come to Milton Keynes", "The Lodgers", "Boy Who Cried Wolf", and "Walls Come Tumbling Down!", which were all released as singles. The three singles released in the UK all reached the top 40 on the UK charts. The track listing was reconfigured for the U.S. release.
Confessions of a Pop Group is the fourth full-length studio album by English sophisti-pop band the Style Council, released 20 June 1988 by Polydor. After the critical failure of The Cost of Loving (1987), tensions between Polydor and lead singer Paul Weller intensified, but Polydor paid Weller a hefty advance for the recording of Confessions. Backing vocalist Dee C. Lee became an official member during the sessions, while drummer Steve White left the group. The sessions were engineered by "Jezar" using two 24-track digital recorders, which allowed the group to experiment in ways they had not previously engaged before.
High is the fourth and final studio album by Scottish band The Blue Nile, released on 30 August 2004 on Sanctuary Records. A single, "I Would Never", was released one week prior to the album: a second song, "She Saw the World", was made available as a promotional single, but never released officially.
Love & Understanding is the seventh studio album by the funk band Kool & the Gang, released in 1976. The album had mild success. Three tracks, "Hollywood Swinging", "Summer Madness" and "Universal Sound" were recorded live at the Rainbow Theatre in London, England.
Matrix is a jazz fusion group from Appleton, Wisconsin, that started in 1974, noted for tight brass ensemble lines and complex musical themes inspired by literary works, the American Indian, and other significant programmatic themes. Matrix made its biggest impact on the music scene in the 1970s, including appearances at the Monterey Jazz Festival in 1976 and 1977 and the Newport Jazz Festival in 1977.
Pleasure One is the fourth studio album by English synth-pop band Heaven 17, released on 17 November 1986 by Virgin Records. It was the band's last studio album chart entry within the UK Top 100.
Soulstream is the third studio album by British singer-songwriter Holly Johnson, which was released in 1999 on Johnson's own label, Pleasuredome. The album, which was recorded at Johnson's own home studio, contains a re-working of his hit song with Frankie Goes to Hollywood, "The Power of Love", as well as a re-working of his 1994 single "Legendary Children ".
Lights of Endangered Species is the fifth studio album by Canadian musician Matthew Good and was issued on May 31, 2011. Its first single, "In a Place of Lesser Men", was released via SoundCloud two months prior, on March 21, 2011. The track "Non Populus" was published four days later. Five days ahead of the album's release, the entire record was made available to stream online via ExploreMusic. It debuted at #5 on the Canadian Albums Chart. Lights of Endangered Species was nominated for Rock Album of the Year at the 2012 Juno Awards.
"This Is Mine" is a song by the British new wave and synth-pop band Heaven 17, released on 19 October 1984 as the second single from their third studio album, How Men Are (1984). It was written by Glenn Gregory, Ian Craig Marsh and Martyn Ware, and produced by Marsh and Greg Walsh. The song reached No. 23 in the UK, remaining in the charts for seven weeks. It would be the band's last Top 30 single until 1992's "Temptation "
Heads is the fifth album by the jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed by Columbia Records. All of his Tappan Zee albums are distributed by E1 Music. The album reached number one on the Billboard Jazz Albums chart.
The Complete Adventures of The Style Council is a box set by The Style Council, released in 1998, nine years after their split. Released after the success of 1997's Direction Reaction Creation, a box set of Paul Weller's previous band The Jam, this box set takes a similar approach, with the five discs compiling all of the Style Council's studio albums with all the non-album singles, B-sides and EP tracks interspersed chronologically. In cases where the single and album versions of the same song are radically different, both versions are included. The box set also includes the group's previously unreleased final studio album Modernism: A New Decade, which was recorded and intended for release in 1989.
"Save a Kiss" is the fifth single by English singer-songwriter Jessie Ware from her fourth studio album, What's Your Pleasure? It was released 7 May 2020. It was written by Ware, James Ford, Shungudzo Kuyimbia and Danny Parker. Ford also produced the song.
{{cite journal}}
: Missing or empty |title=
(help)