This article needs additional citations for verification .(October 2011) |
"The Disk" | |
---|---|
Short story by Jorge Luis Borges | |
Original title | El Disco |
Country | Argentina |
Language | Spanish |
Genre(s) | Fantasy, short story |
Publication | |
Published in | The Book of Sand |
Media type | |
Publication date | 1975 |
Published in English | 1977 |
Pages | 4 (Dutton 1977 ed.) |
"The Disk" is a 1975 short story written by Argentinian writer Jorge Luis Borges. It appears in the collection The Book of Sand .
The story deals with a woodcutter who lives in the midst of a deep wood in old England and who has never seen the sea. He tells the reader of the time a man appeared at his door and asked for lodging.
The woodcutter notes that the man was elderly, the visitor referring to England as "Saxony" which usage at the time was a sign of age. The next day the visitor wishes to leave. Before he does, he claims that he is a King and is descended from Odin. He tells the woodcutter that he is exiled, but that he will always be a king because he holds the Disk of Odin.
The visitor claims the Disk of Odin is the sole thing in the world that has but one side. The visitor opens his hand and "shows" the disk. The woodcutter sees only an empty palm but when he touches it he feels a chill in his fingers and sees a flash. He lies that he has a full chest of gold and wants to trade it for the disk, but the visitor declines. When the visitor turns to leave, the woodcutter kills him with an axe and the visitor drops the disk face side down.
The woodcutter drags the visitor's body and throws it into the river. He then comes back and searches for the disk, which he never finds.
Jorge Francisco Isidoro Luis Borges Acevedo was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature. His best-known books, Ficciones (transl. Fictions) and El Aleph, published in the 1940s, are collections of short stories exploring motifs such as dreams, labyrinths, chance, infinity, archives, mirrors, fictional writers and mythology. Borges's works have contributed to philosophical literature and the fantasy genre, and have had a major influence on the magic realist movement in 20th century Latin American literature.
Adolfo Bioy Casares was an Argentine fiction writer, journalist, diarist, and translator. He was a friend and frequent collaborator with his fellow countryman Jorge Luis Borges. He is the author of the Fantastique novel The Invention of Morel.
"Pierre Menard, Author of the Quixote" is a short story by Argentine writer Jorge Luis Borges.
A fictional book is a text created specifically for a work in an imaginary narrative that is referred to, depicted, or excerpted in a story, book, film, or other fictional work, and which exists only in one or more fictional works. A fictional book may be created to add realism or depth to a larger fictional work. For example, George Orwell's novel Nineteen Eighty-Four has excerpts from a book by Emmanuel Goldstein entitled The Theory and Practice of Oligarchical Collectivism which provides background on concepts explored in the novel.
"The Zahir" is a short story by the Argentine writer and poet Jorge Luis Borges. It is one of the stories in the book The Aleph and Other Stories, first published in 1949, and revised by the author in 1974.
"The Immortal" is a short story by Argentine writer Jorge Luis Borges, first published in February 1947, and later in the collection El Aleph in 1949. The story tells about a character who mistakenly achieves immortality and then, weary of a long life, struggles to lose it and writes an account of his experiences. The story consists of a quote, an introduction, five chapters, and a postscript. "The Immortal" has been described as "the culmination of Borges' art" by critic Ronald J. Christ.
"The Approach to Al-Mu'tasim" is a fantasy short story written in 1935 by Argentinian writer Jorge Luis Borges. In his autobiographical essay, Borges wrote about "The Approach to Al-Mu'tasim", "it now seems to me to foreshadow and even to set the pattern for those tales that were somehow awaiting me, and upon which my reputation as a storyteller was to be based."
"The Aleph" is a short story by the Argentine writer and poet Jorge Luis Borges. First published in September 1945, it was reprinted in the short story collection, The Aleph and Other Stories, in 1949, and revised by the author in 1974.
"The Garden of Forking Paths" is a 1941 short story by Argentine writer and poet Jorge Luis Borges. It is the title story in the collection El jardín de senderos que se bifurcan (1941), which was republished in its entirety in Ficciones (Fictions) in 1944. It was the first of Borges's works to be translated into English by Anthony Boucher when it appeared in Ellery Queen's Mystery Magazine in August 1948.
"The Secret Miracle" is a short story by Argentine writer and poet Jorge Luis Borges. The story focuses on an author condemned to death. At the moment of his execution, time freezes, allowing him to finish his masterpiece, though only within his own mind.
"Deutsches Requiem" is a short story by Argentine author Jorge Luis Borges.
"Funes the Memorious" is a fantasy short story by Argentine writer Jorge Luis Borges (1899–1986). First published in La Nación of June 1942, it appeared in the 1944 anthology Ficciones, part two (Artifices). The first English translation appeared in 1954 in Avon Modern Writing No. 2.
"The Form of the Sword" is a short story by Argentinian author Jorge Luis Borges, first published in July 1942 in La Nación, and included in the 1944 collection Ficciones, part two (Artifices). The first English translation appeared in New World Writing No. 4, in 1953. In the story, an Irishman, now living near Tacuarembó in Uruguay, recounts his experiences in the Irish War of Independence and how he received the large scar on his face.
"The Circular Ruins" is a short story by Argentine author Jorge Luis Borges. First published in the literary journal Sur in December 1940, it was included in the 1941 collection The Garden of Forking Paths and the 1944 collection Ficciones. It was first published in English in View, translated by Paul Bowles. Since publication, it has become one of Borges' best-known stories.
"The Sect of the Phoenix" is a short story by Argentine writer Jorge Luis Borges, first published in Sur in 1952. It was included in the 1956 edition of Ficciones, part two (Artifices). The title has also been translated as "The Cult of the Phoenix."
The Book of Sand is a 1975 short story collection by Argentine writer Jorge Luis Borges. In the author's opinion, the collection, written relatively late in his career — and while blind — is his best book. This opinion is not shared by most critics, many of whom prefer his other works such as those in Ficciones (1944).
"The Congress" is a 1971 short story by Argentine writer Jorge Luis Borges. The story is on an utopic universal congress and is seen by critics as a political essay.
"There Are More Things" is a short story written by Argentine writer Jorge Luis Borges in 1975. It was first published in the short story collection The Book of Sand, as the collection's fourth entry. The story tells of the encounter the narrator has with a monstrous entity inhabiting an equally monstrous house. It bears the dedication "In Memory of H. P. Lovecraft" and accordingly holds many parallels with Lovecraft's stories, employing similar plot devices. The title alludes to Hamlet's lines "There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy".
"Story of the Warrior and the Captive" is a short story by Argentinian writer Jorge Luis Borges. It first appeared in 1949 in the short story collection El Aleph and later appeared in Labyrinths.
"Man on Pink Corner" is a short story by Argentine writer and poet Jorge Luis Borges. It is the first of several stories he wrote concerning duels between knife-fighters, which Borges recognized as one of his archetypal themes. "The story is one I have been retelling, with small variations, ever since. It is the tale of the motiveless, or disinterested, duel—of courage for its own sake."