The Future of Work and Death is a 2016 documentary by Sean Blacknell and Wayne Walsh about the growth of exponential technology.
The film showed at several film festivals including Raindance Film Festival, International Film Festival Rotterdam, Academia Film Olomouc and CPH:DOX. [1] [2] [3]
In May 2017 it received an official screening at the European Commission. [4] It was distributed by First Run Features and Journeyman Pictures and was released on iTunes, Amazon Prime and On-demand on 9 May 2017. [5] The film was made available on Sundance Now on 27 November 2017. [6] A companion piece to the film, The Cost of Living, a documentary concerning universal basic income in Britain, was released on Amazon Prime on 8 October 2020. [7] [8]
World experts in the fields of futurology, anthropology, neuroscience, and philosophy consider the impact of technological advances on the two 'certainties' of human life; work and death. Charting human developments from Homo habilis, past the Industrial Revolution, to the digital age and beyond, the film looks at the shocking exponential rate at which mankind has managed to create technologies to ease the process of living.
As we embark on the next phase of our adaptation, with automation and artificial intelligence signifying the complete move from man to machine, the film asks what the implications are for human fulfilment in an approaching era of job obsolescence and extreme longevity.
Transhumanism is a philosophical and intellectual movement which advocates the enhancement of the human condition by developing and making widely available sophisticated technologies that can greatly enhance longevity and cognition.
David Pearce is a British transhumanist philosopher. He is the co-founder of the World Transhumanist Association, currently rebranded and incorporated as Humanity+. Pearce approaches ethical issues from a lexical negative utilitarian perspective.
Humanity+ is a non-profit international educational organization that advocates the ethical use of technologies and evidence-based science to improve the human condition. This condition includes the health of physiological and neurological functions affected by aging and disease, the ecological health and well-being for all life forms, and the future advancements for a more human humanity. Its work includes:
Max More is a philosopher and futurist who writes, speaks, and consults on advanced decision-making about emerging technologies. He is the current Ambassador and President Emeritus after serving almost nine and a half years as president and CEO of Alcor Life Extension Foundation.
Singularitarianism is a movement defined by the belief that a technological singularity—the creation of superintelligence—will likely happen in the medium future, and that deliberate action ought to be taken to ensure that the singularity benefits humans.
PBS Distribution (PBSd), formerly known as PBS Ventures, PBS Home Video, and Public Media Distribution, is the home distribution unit of American television network PBS. The company manages streaming channels, video on demand releases, and sells home videos of PBS series and movies and PBS Kids series in various formats, as well as programming from other public television distributors such as American Public Television and the National Educational Telecommunications Association.
Anders Sandberg is a Swedish researcher, futurist and transhumanist. He holds a PhD in computational neuroscience from Stockholm University, and is currently a senior research fellow at the Future of Humanity Institute at the University of Oxford, and a Fellow at Reuben College.
Natasha Vita-More is a strategic designer, author, speaker and innovator within the scientific and technological framework of human enhancement and life extension. Her interests are located within the ethical uses of science and technology and socio-political implications of revolutionary advances impacting humanity's future.
Transcendent Man is a 2009 documentary film by American filmmaker Barry Ptolemy about inventor, futurist and author Ray Kurzweil and his predictions about the future of technology in his 2005 book, The Singularity is Near. In the film, Ptolemy follows Kurzweil around his world as he discusses his thoughts on the technological singularity, a proposed advancement that will occur sometime in the 21st century when progress in artificial intelligence, genetics, nanotechnology, and robotics will result in the creation of a human-machine civilization.
The Sundance Film Festival is an annual film festival organized by the Sundance Institute. It is the largest independent film festival in the United States, with more than 46,660 attending in 2016. It takes place each January in Park City, Utah; Salt Lake City, Utah; and at the Sundance Resort, and acts as a showcase for new work from American and international independent filmmakers. The festival consists of competitive sections for American and international dramatic and documentary films, both feature films and short films, and a group of out-of-competition sections, including NEXT, New Frontier, Spotlight, Midnight, Sundance Kids, From the Collection, Premieres, and Documentary Premieres. Many films premiering at Sundance have gone on to be nominated and win Oscars such as Best Picture, Best Director and Best Actor in a Leading Role.
Zoltan Istvan Gyurko, professionally known as Zoltan Istvan, is an American transhumanist, journalist, entrepreneur, political candidate, and futurist.
The Transhumanist Party is a political party in the United States. The party's platform is based on the ideas and principles of transhumanist politics, e.g., human enhancement, human rights, science, life extension, and technological progress.
Matthew Heineman is an American documentary filmmaker, director, and producer. His inspiration and fascination with American history led him to early success with the documentary film Cartel Land, which was nominated for an Academy Award for Best Documentary Feature Film, a BAFTA Award for Best Documentary, and won three Primetime Emmy Awards.
Margaret Betts is an American filmmaker. Her debut feature Novitiate was nominated for the Grand Jury Prize at the Sundance Film Festival and received a Jury Award for her direction.
Shalini Kantayya is an American filmmaker and environmental activist based in Brooklyn, New York, whose films explore human rights at the intersection of water, food, and renewable energy. Kantayya is best known for her debut feature documentary, Catching the Sun.
Genesis 2.0 is a documentary film made by Swiss director and producer Christian Frei and Russian filmmaker Maxim Abugaev. The feature-length film was released in January 2018 in the World Cinema Documentary section at the Sundance Film Festival. At the center of the film is the woolly mammoth, an extinct and iconic species that today is surrounded by wishes and visions. On the one hand, the film documents the hazardous daily lives of a group of men who gather valuable mammoth tusks in a remote archipelago, the New Siberian Islands. On the other, it illuminates the potential of genetic research and synthetic biology — the means by which researchers hope to bring the woolly mammoth back to life.
Nikyatu Jusu is an American independent writer, director, producer, editor and assistant professor in film and video at George Mason University. Jusu's works center on the complexities of Black female characters and in particular, displaced, immigrant women in the United States. Her work includes African Booty Scratcher (2007), Flowers (2015), Suicide By Sunlight (2019), and Nanny, which received the Grand Jury Prize at the 2022 Sundance Film Festival.
José Luis Cordeiro Mateo is a Venezuelan-Spanish engineer, economist, futurist, and transhumanist, who has worked on areas including economic development, international relations, Latin America, the European Union, monetary policy, comparison of constitutions, energy trends, cryonics, and life extension. Books he has written include The Great Taboo, Constitutions Around the World: A Comparative View from Latin America, and El Desafio Latinoamericano, and La Muerte de la Muerte.
Time is an Academy Award-nominated 2020 American documentary film produced and directed by Garrett Bradley. It follows Sibil Fox Richardson, fighting for the release of her husband, Rob, who was serving a 60-year prison sentence for engaging in an armed bank robbery.
The Immortality Bus is a 1978 Wanderlodge that has been made to appear as a 38-foot brown coffin.