The Invisible Invasion

Last updated

The Invisible Invasion
TheInvisibleInvasion.jpg
Studio album by
the Coral
Released23 May 2005 (2005-05-23)
Studio Monnow Valley, Elevator
Genre Psychedelia
Length39:42
Label Deltasonic
Producer Adrian Utley, Geoff Barrow
The Coral chronology
Nightfreak and the Sons of Becker
(2004)		The Invisible Invasion
(2005)		 Roots & Echoes
(2007)
Singles from The Invisible Invasion
  1. "In the Morning"
    Released: 9 May 2005
  2. "Something Inside of Me"
    Released: 22 August 2005

The Invisible Invasion is the fourth studio album by English rock band the Coral. It was released on 23 May 2005, through Deltasonic. Following on from the stop-gap release of the mini album Nightfreak and the Sons of Becker (2004), the band began recording their next album with Geoff Barrow and Adrian Utley of Portishead as producers. Sessions were mainly held at Monnow Valley Studio, with additional recording being done at Elevator Studios. Described as a psychedelia album, it had more of a stripped-down sound compared to their past releases.

Contents

"In the Morning" was released as the lead single to The Invisible Invasion on 9 May 2005. The Coral supported with performances at the Glastonbury and T in the Park festivals, alongside a support slot for three Oasis gigs; guitarist Bill Ryder-Jones was absent due to a stress-related illness. The album's second single "Something Inside of Me" was released on 22 August 2005, which was followed by an appearance at the Reading and Leeds Festivals. The band went on a tour of the United Kingdom in October 2005, and closed out the year with two more shows in that territory.

The Invisible Invasion received generally favourable reviews from music critics, with some highlighting its stripped-down nature. It peaked at number five in the UK, while also charting in France, Ireland, and Japan. The album would later be certified gold in the UK, while "In the Morning" was certified silver. Both of the album's singles charted in the UK, while "In the Morning" also charted in Ireland, and "Something Inside of Me" also charted in Scotland.

Background and production

The Coral released their second studio album Magic and Medicine in July 2003. [1] Its four singles – "Don't Think You're the First", "Pass It On", "Secret Kiss", and "Bill McCai" – all reached the top 30 of the UK Singles Chart, with "Pass It On" peaking the highest at number five. [2] In January 2004, the band released Nightfreak and the Sons of Becker , a mini album that acted as a stop-gap release until they could begin work on their third studio album. [3] [4] The Invisible Invasion was produced by Geoff Barrow and Adrian Utley of Portishead; the majority of it was recorded at Monnow Valley, with the exception of "A Warning to the Curious", which was recorded at Elevator Studios in Liverpool. [5]

Keyboardist Nick Power said the band were big fans of Portishead but did not approach them about any producing work, until "word got back to us that they were big fans of ours." [6] Additional recording for "She Sings the Mourning", "Cripples Crown", "So Long Ago", "Far from the Crowd", and "Arabian Sand" was done at Elevator, with assistance Matthew Edge. Utley served as engineer for all the recordings, with assistance from Steve Davis and Edge. [5] The band took a brief break from recording to play a one-off show in Bath. [7] Barrow, Utley and Craig Silvey mixed the recordings at Moles Studio in Bath, with mix engineer Nick Joplin, and assistance from Paul Corkett. The album was then mastered by Frank Arkwright at Whitfield Street Studios. [5]

Composition and lyrics

Musically, the sound of The Invisible Invasion has been described as psychedelia. [8] [9] It had more of a stripped-down sound than their past releases. [10] Frontman James Skelly wrote the majority of the album, either by himself or co-writing with Power, guitarist Bill Ryder-Jones or guitarist Lee Southall; the band as a whole wrote "Arabian Sand". [5] The opening track, "She Sings the Mourning", featured bowed guitar and a shuffle beat, earning it a comparison to Can. [11] James Skelly said "Cripples Crown" referred to a "rock in Runcorn that me and Ian [Skelly] used to say Jesus threw the devil off." [12] The folk-pop song "So Long Ago" is a homage to the Wright brothers, and is followed by the new wave track "The Operator". [13] [14] [15]

"A Warning to the Curious" was compared to "My White Devil" (1983) by Echo & the Bunnymen. [16] "In the Morning" is a pop rock song about small town melancholy, reminiscent of the work of the Boo Radleys. [16] [17] "Something Inside of Me" recalled the work of Madness. [18] "Come Home" sees the narrator waiting for his partner to come home, which is continued into "Far from the Crowd"; the latter includes a tribal beat. [19] The folk-pop song "Leaving Today" was done in the vein of the Byrds, and is followed by "Arabian Sand", which was influenced by Mad Man in the Desert, a painting by artist Salvador Dalí. [11] [20] The album closes with the folk-pop ballad "Late Afternoon". [15] [21]

Release

"In the Morning" was released as a single on 9 May 2005. [22] Two versions were released on CD in the UK: the first with "Leeslunchboxbyblueleadandthevelcrounderpants", while the second featured "Gina Jones", "The Image of Richard Burton as Crom", and the music video for "In the Morning". [23] [24] The Invisible Invasion was released on 23 May 2005, through Deltasonic; its title is taken from "Something Inside of Me". [13] [21] Some copies came with a bonus disc consisting of a live session recorded for BBC Radio 1's Lamacq Live . [5] The Japanese edition included "Gina Jones" and "Leeslunchboxbyblueleadandthevelcrounderpants" as extra tracks. [25] Following this, they appeared at Glastonbury Festival and T in the Park, and supported Oasis for three shows; Ryder-Jones was absent from these shows due to a stress-related illness. [26] [27] [28]

"Something Inside of Me" was released as a single on 22 August 2005. [29] Two versions were released on CD in the UK: the first with "The Conjurer", while the second included "The Case of Arthur Tannen", "The Box", and the music video for "Something Inside of Me". [30] [31] Following this, the band performed at the Reading and Leeds Festivals. [32] In October 2005, the band went on a tour of the UK. [26] In November 2005, it was revealed that Sony was distributing albums with Extended Copy Protection, a controversial feature that automatically installed rootkit software if played on any Microsoft Windows machine. Alongside being unable to copy CDs, the software reported the users' listening habits back to Sony and exposed the computer to malicious attacks via exploits. In spite of Sony refusing to release a list of the affected albums, the Electronic Frontier Foundation identified The Invisible Invasion as one of the discs with the software. [33] The band closed the year with two UK shows in December 2005. [34]

Extended copy protection

In the fall of 2005, The Invisible Invasion appeared on a list of the 52 CD releases from Sony BMG that were identified as having been shipped with the controversial Extended Copy Protection (XCP) computer software, [35] [36] which, in addition to preventing a copy of the disc from being made, was identified by many security software vendors as having also reported the users' listening habits back to Sony and also exposed any Microsoft Windows computer known to have the CD inserted to malicious attacks that exploited insecure features of the rootkit software. [37] Sony discontinued use of the technology on November 11, 2005, [38] and recalled this and other titles affected by XCP, and asked customers to submit copies affected by the software to the company so that it could replace them with copies that did not contain the software. [39]

Reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 73/100 [40]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [10]
Drowned in Sound 8/10 [21]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [41]
NME 7/10 [16]
Now 3/5 [42]
Pitchfork 6/10 [20]
PopMatters 6/10 [19]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [43]
Slant Magazine Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [44]
Yahoo! Launch Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [45]

The Invisible Invasion was met with generally favourable from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 73, based on 21 reviews. [40]

AllMusic reviewer Tim Sendra said "[t]hings are pretty much as you would expect them to be", citing Skelly as "still channel[ing] the voice of Ian McCullough, the guitars [...] still sparkle and shine, and the band is still inventive and interesting." The major difference he found was the "stripped-down and focused sound", aided by Barrow and Utley. He called the tracks on the album "among the best they have written and are quite varied as well". [10] Dom Gourlay of Drowned in Sound wrote that it was "far from being a difficult third album, instead providing another shining example that the Grandsons of Invention have plenty more use for their test tubes and bunsen burners just yet.". [21] The Guardian 's Maddy Costa said the band "attempt[ed] to fuse both sides of their personality", the "[d]emented, fractious, febrile psychedelia" and "[j]aunty, impish, unaffected pop". She noted that while not "everything on the album is so compelling", if the listen felt their "attention drifting it gets snagged again by an impenetrably peculiar lyric [... it's] sounds only the Coral can produce." [41] NME writer Simon Hayes Budgen said that in spite of Barrow and Utley's production, the record was "still clearly a Coral album," with the "chirpy psychedelia" having been sedated "considerably and no longer dominates the speakers." He added that the band "get the chance to show that they can turn in proper, craft-standard pop when they need to." [16]

Jamie Gill of Yahoo! Launch said having Barrow and Utley produce the album made it come across as "reliably clean and gleaming". He added that listeners would "never be ashamed to own but wouldn’t necessarily feel the need to play all that often, either." [45] Now 's Elizabeth Bromstein noted that it had a "darker, more lonesome feel [...] but in a fun way, with plenty of whimsy." She considered the "whole 60s pop thing [...] tired", in spite of this, "instrumentally this is a great record." [42] In a review for Rolling Stone , Christian Hoard wrote that the band "sometimes sound small, especially when they up the tempo on self-consciously trippy cuts" like the opening track, "but on The Invisible Invasion they better themselves by refusing to try so damn hard." [43] Pitchfork contributor Adam Moerder wrote that the band "reverted to a subdued and almost jaded sound", with the album displaying "way too many wrinkles and stretch marks". [20] PopMatters reviewer Stephen Haag said if their debut album "didn't break them Stateside, then nothing will." He added that The Invisible Invasion name "may prove to be an unfortunately apt title in America", while it "doesn't have to, and shouldn't, be this way.". [19] Jonathan Keefe of Slant Magazine found it to do "nothing to distinguish itself" from the band's peers; while it contained "enough of a paranoid streak to pass for thematic coherence", that "doesn’t automatically mean depth." [44]

The Invisible Invasion peaked at number five in the UK. [46] It also reached number 16 in Ireland, [47] number 53 in Japan, [48] and number 104 in France. [49] "In the Morning" charted at number six in the UK, and number 28 in Ireland. [2] [50] "Something Inside of Me" peaked at number 42 in the UK, and number 83 in Scotland. [2] [51] The Invisible Invasion was certified gold by the British Phonographic Industry (BPI), while "In the Morning" went silver. [52] [53]

Track listing

Writing credits per booklet. [5]

No.TitleWriter(s)Length
1."She Sings the Mourning"
3:08
2."Cripples Crown"
  • J. Skelly
  • Power
3:38
3."So Long Ago"
2:42
4."The Operator"J. Skelly2:20
5."A Warning to the Curious"
  • J. Skelly
  • Power
  • Ryder-Jones
3:56
6."In the Morning"J. Skelly2:33
7."Something Inside of Me"J. Skelly2:26
8."Come Home"
  • J. Skelly
  • Power
  • Ryder-Jones
4:14
9."Far from the Crowd"J. Skelly3:39
10."Leaving Today"
  • J. Skelly
  • Lee Southall
3:08
11."Arabian Sand"The Coral4:02
12."Late Afternoon"J. Skelly3:56
Total length:39:42

Personnel

Personnel per booklet. [5]

Charts

Chart performance for The Invisible Invasion
Chart (2005)Peak
position
French Albums (SNEP) [49] 104
Irish Albums (IRMA) [47] 16
Japan (Oricon) [48] 53
UK Albums (OCC) [46] 3

Related Research Articles

<span class="mw-page-title-main">The Coral</span> English rock band

The Coral are an English rock band, formed in 1996 in Hoylake on the Wirral Peninsula, Merseyside. The band emerged during the early 2000s. Their 2002 debut album The Coral, from which came the single "Dreaming of You", was nominated for the Mercury Music Prize and listed as the fourth best album of the year by NME. Their second album, Magic and Medicine (2003), produced four UK Top 20 singles, including "Pass It On". In 2008, after guitarist Bill Ryder-Jones left the band, they continued as a five-piece.

<i>Meltdown</i> (Ash album) 2004 studio album by Ash

Meltdown is the fourth studio album to be recorded by the Northern Irish rock band Ash. The album was released on 17 May 2004 through Infectious Records and Home Grown. Following the success of their third studio album Free All Angels (2001), Ash debuted several new songs while touring throughout 2003. By October that year, they had travelled to Los Angeles, California, to record a follow-up album, which was co-produced by Nick Raskulinecz and the band. Recording sessions were held at Sound City Studios in Van Nuys and at Chalice Studios, Hollywood. Meltdown, which is described as a hard rock album, drew comparisons to the work of The Smashing Pumpkins and critics said the guitar work resembles that of Black Sabbath and Metallica.

<i>Welcome to the North</i> 2004 studio album by The Music

Welcome to the North is the second studio album by British rock band the Music. It was released on 20 September 2004 through Virgin Records. Following the release of their self-titled debut studio album (2002), the band toured the United States in early 2003. By June 2003, they had begun writing for its follow-up; they took a break at the end of the year. Two months of sessions at Soundworks in Leeds occurred in early 2004. The band then travelled to Atlanta, Georgia in the US to record with producer Brendan O'Brien at Southern Tracks Recording. Welcome to the North is a post-grunge and space rock album, taking influence from the works of Jane's Addiction, Led Zeppelin and the Stone Roses.

<i>Love Is Here</i> 2001 studio album by Starsailor

Love Is Here is the debut studio album by rock band Starsailor, released on 8 October 2001 by Chrysalis Records. After finalising their line-up, a positive review from NME started a bidding war between record labels that eventually saw the band sign to EMI. Following the making of some demos, "Fever" and "Good Souls" were released as singles on 4 February 2001 and 23 April 2001, respectively. The band recorded their debut album at Rockfield Studios with producer Steve Osborne over the course of six weeks. Love Is Here features acoustic guitars accompanied by gentle piano chords, earning it comparisons to the albums Parachutes (2000) by Coldplay, and The Invisible Band (2001) by Travis.

<i>The Coral</i> (album) 2002 studio album by the Coral

The Coral is the debut studio album by British rock band the Coral. It was released on 29 July 2002, through the Deltasonic record label. After finalising their line-up, the band had a residency at The Cavern Club, and were spotted and signed by Alan Willis of Deltasonic soon afterwards. Following the release of a single and an EP, and two UK tours, the band began recording their debut album. Sessions were held at Linford Manor Studios, Milton Keynes in early 2002, and were produced by the Lightning Seeds frontman Ian Broudie and the Coral. Described as a neo-psychedelia and folk rock album, frontman James Skelly's voice was compared to Eric Burdon of the Animals and Jim Morrison of the Doors.

<i>Magic and Medicine</i> 2003 studio album by the Coral

Magic and Medicine is the second studio album by English rock band the Coral. It was released on 28 July 2003, through Deltasonic. Within three months of releasing their self-titled debut studio album, the band began recording material for their next album in October 2002. Sessions were produced by the Lightning Seeds frontman Ian Broudie, with co-production from the Coral; recording continued in-between tours of the United States and Europe, finishing in April 2003. Described as a pop rock and psychedelic pop release, Magic and Medicine was compared to the work of the Animals, with frontman James Skelly's vocals recalling that band's frontman Eric Burdon.

<i>Nightfreak and the Sons of Becker</i> 2004 studio album by the Coral

Nightfreak and the Sons of Becker is a mini album and third studio album by English rock band the Coral, released on 26 January 2004 by Deltasonic. The Coral began writing the record less than a month after releasing their second studio album, Magic and Medicine (2003). Recording for the album took place over 12 days at Bryn Derwen Studios in Wales with producer Ian Broudie, frontman for the Lightning Seeds; the Coral served as co-producers. Described as a lo-fi neo-psychedelia release, Nightfreak is a concept album about German tennis player Boris Becker.

<i>Who Killed...... The Zutons?</i> 2004 studio album by the Zutons

Who Killed...... The Zutons? is the debut studio album by the English rock band the Zutons, released via Deltasonic on 19 April 2004. The album's last known sales are that of 581,088 as of July 2006.

<i>Dreamin My Dreams</i> (Patty Loveless album) 2005 studio album by Patty Loveless

Dreamin' My Dreams is the fourteenth album of original recordings by Patty Loveless. Released in September 2005, the album debuted on the Billboard Top Country Albums chart on October 1, 2005 at #29, staying on the charts for 8 weeks until November 26, 2005.

<i>Myths of the Near Future</i> (album) 2007 studio album by Klaxons

Myths of the Near Future is the debut album by English rock band Klaxons. It was released on 29 January 2007 through Polydor Records. Following their debut single, the band coined the term "new rave" to refer to their sound; not long after their second single, they signed to Polydor Records. They recorded their debut album with James Ford of Simian Mobile Disco at The Premises and Parkgate Studios. Myths of the Near Future, which takes its title from a poem, is a science-fiction concept album about the future; its sound recalled the dance-punk works of Bloc Party and Franz Ferdinand. Some of the song's titles and lyrics are literary references to the works of J. G. Ballard, William S. Burroughs and Thomas Pynchon.

<i>Mary Mary</i> (album) 2005 studio album by Mary Mary

Mary Mary is the third studio album by American duo Mary Mary. It was released by Columbia Records on July 19, 2005 in the United States, selling 57,000 copies in its first week. In 2006, the album won a Dove Award for Contemporary Gospel Album of the Year at the 37th GMA Dove Awards.

<i>Roots & Echoes</i> 2007 studio album by the Coral

Roots & Echoes is the fifth studio album by English rock band the Coral. It was released on 6 August 2007, through Deltasonic. During the promotional cycle for their third studio album The Invisible Invasion (2005), guitarist Bill Ryder-Jones left and subsequently re-joined the band. Recording for their next album occurred between August 2006 and February 2007 at three different studios, Wheeler End, Konk, and RAK. Craig Silvey and the band co-produced the majority of the material, aside from two songs that were produced by Ian Broudie. Described as a psychedelic rock and pop album, Roots & Echoes took influences from doo wop and R&B.

<span class="mw-page-title-main">You Give Me Something (Jamiroquai song)</span> 2001 single by Jamiroquai

"You Give Me Something" is a song from British funk and acid jazz band Jamiroquai's fifth studio album, A Funk Odyssey (2001). Written by Jay Kay, Rob Harris, and Nick Fyffe, the song was released in November 2001 as the second single from the album. The track peaked at 16 on the UK Singles Chart, number 17 in Spain, and number 30 in France. The song was the group's first single to be released on the DVD single format.

<span class="mw-page-title-main">Goodbye (The Coral song)</span> 2002 single by The Coral

"Goodbye" is a song by English indie rock band The Coral taken from their debut album The Coral (2002). Released in July 2002, it was the second single taken from the album and charted at #21.

"In the Morning" is a song by English indie rock band the Coral. It was released on 9 May 2005 as the lead single from their third studio album The Invisible Invasion (2005). The single reached number six on the UK Singles Chart. It was the second-most-played song on UK radio in 2005.

<i>Third</i> (Portishead album) 2008 studio album

Third is the third studio album by the English band Portishead. It was released on 28 April 2008 in the United Kingdom by Island Records and a day later in the United States by Mercury Records. Portishead's first studio album in eleven years, Third moved away from the trip hop style they had popularised, incorporating influences such as krautrock, surf rock, doo wop and the film soundtracks of John Carpenter.

<i>Butterfly House</i> (album) 2010 studio album by The Coral

Butterfly House is the sixth full-length studio album by English indie rock band The Coral. The album was produced by John Leckie, whose previous collaborators include The Stone Roses and Radiohead. and was recorded at RAK studios in London as well as Rockfield in South Wales. It was released on 12 July 2010 to great critical acclaim. The album was recorded through a two-year span where the band road-tested the material. This is The Coral's first album without Bill Ryder-Jones, who departed in 2008. It peaked at #16 in the UK Album Charts but has since been a consistent seller for Deltasonic Records. The single, "1000 Years", reached #188 on the UK Singles Chart.

<span class="mw-page-title-main">Don't Look Back in Anger</span> Single by Oasis

"Don't Look Back in Anger" is a song by English rock band Oasis. It was written by the band's lead guitarist and chief songwriter Noel Gallagher. The song was produced by Gallagher and Owen Morris. Released on 19 February 1996 as the fifth single from their second studio album, (What's the Story) Morning Glory? (1995), it became Oasis's second single to reach number one on the UK Singles Chart, earning a quintuple-platinum sales certification in the UK. It was the first Oasis single with lead vocals by Noel, who had previously only sung lead on B-sides, instead of his brother Liam. Noel would later sing lead vocals on six other singles.

<i>Distance Inbetween</i> 2016 studio album by The Coral

Distance Inbetween is the eighth studio album by the English indie rock band The Coral. It's their first album after a five-year hiatus, their first without guitarist Lee Southall and also the first with Southall's replacement, Paul Molloy. The album was released on 4 March 2016. The first single, "Chasing the Tail of a Dream", was released on 26 December 2015.

References

  1. ↑ "More Magic from the Coral". NME. 14 August 2003. Archived from the original on 23 May 2021. Retrieved 23 May 2021.
  2. 1 2 3 "Coral | full Official Chart History". Official Charts Company. Archived from the original on 21 January 2021. Retrieved 24 May 2021.
  3. ↑ "The Coral". South China Morning Post. 14 February 2004. Archived from the original on 26 May 2021. Retrieved 25 May 2021.
  4. ↑ "Coral nail third LP". Dotmusic. 28 November 2003. Archived from the original on 10 January 2004. Retrieved 25 May 2021.
  5. 1 2 3 4 5 6 7 The Invisible Invasion (booklet). The Coral. Deltasonic. 2005. DLTCDLE036/5200892006/5200899003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. ↑ Boyd, Brian (14 May 2005). "Why The Coral prefer to be prolific". The Irish Times. Archived from the original on 28 May 2021. Retrieved 27 May 2021.
  7. ↑ "Pub Rock!". NME. 18 November 2004. Archived from the original on 23 May 2021. Retrieved 27 May 2021.
  8. ↑ Brown, Lane (30 August 2005). "The Coral". Spin. Archived from the original on 23 May 2021. Retrieved 26 May 2021.
  9. ↑ Cray, Jen (12 July 2006). "The Coral Invisible Invasion". Ink 19. Archived from the original on 3 December 2020. Retrieved 7 December 2021.
  10. 1 2 3 Sendra, Tim. "The Invisible Invasion - The Coral | Songs, Reviews, Credits". AllMusic. Archived from the original on 1 May 2021. Retrieved 26 May 2021.
  11. 1 2 Boden, Sarah (24 April 2005). "They hit all the right notes, but are the Coral happy?". The Guardian. Archived from the original on 21 May 2021. Retrieved 26 May 2021.
  12. ↑ Sullivan, Caroline (13 May 2005). "Across the Mersey". The Guardian. Archived from the original on 21 May 2021. Retrieved 26 May 2021.
  13. 1 2 Gill, Andy (6 October 2011). "Album: The Coral". The Independent. Archived from the original on 25 May 2021. Retrieved 26 May 2021.
  14. ↑ Baker, Michael. "Coral". Trouser Press. Archived from the original on 22 May 2021. Retrieved 23 May 2021.
  15. 1 2 Lindsay, Cam (1 September 2005). "The Invisible Invasion". Exclaim! . Archived from the original on 30 November 2020. Retrieved 10 November 2021.
  16. 1 2 3 4 Budgen, Simon Hayes (5 May 2005). "Reviews - The Coral : The Invisible Invasion". NME . Archived from the original on 11 November 2005. Retrieved 26 May 2021.
  17. ↑ Taylor, Chris. "The Coral - In The Morning : single review". musicOMH. Archived from the original on 14 November 2006. Retrieved 27 May 2021.
  18. ↑ Simpson, Dave (22 April 2005). "The Coral". The Guardian. Archived from the original on 21 May 2021. Retrieved 26 May 2021.
  19. 1 2 3 Haag, Stephen (14 June 2005). "The Coral: The Invisible Invasion". PopMatters . Archived from the original on 16 June 2005. Retrieved 26 May 2021.
  20. 1 2 3 Moerder, Adam (1 June 2005). "The Coral: Invisible Invasion Album Review". Pitchfork . Archived from the original on 25 April 2017. Retrieved 26 May 2021.
  21. 1 2 3 4 Gourlay, Dom (17 May 2005). "Album Review: The Coral - The Invisible Invasion / Releases". Drowned in Sound. Archived from the original on 26 November 2018. Retrieved 26 May 2021.
  22. ↑ Dobson, Gareth (3 May 2005). "Single Review: The Coral - In The Morning / Releases". Drowned in Sound. Archived from the original on 19 March 2016. Retrieved 26 May 2021.
  23. ↑ "In the Morning" (sleeve). The Coral. Deltasonic. 2005. DLTCD033.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  24. ↑ "In the Morning" (sleeve). The Coral. Deltasonic. 2005. DLTCD2033.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  25. ↑ The Invisible Invasion (sleeve). The Coral. Epic Records Japan. 2005. EICP 486.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  26. 1 2 "The Coral Announce New UK Tour". XFM. 7 June 2005. Archived from the original on 15 July 2010. Retrieved 26 May 2021.
  27. ↑ "Oasis Get Some Sterling Support at Stadium Shows". NME. 10 June 2005. Archived from the original on 28 December 2017. Retrieved 27 May 2021.
  28. ↑ "The Coral Lose Guitarist". NME. 1 July 2005. Archived from the original on 28 May 2021. Retrieved 27 May 2021.
  29. ↑ "The Coral - Something Inside Of Me : music video". musicOMH. Archived from the original on 28 May 2006. Retrieved 27 May 2021.
  30. ↑ "Something Inside of Me" (sleeve). The Coral. Deltasonic. 2005. DLTCD039.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  31. ↑ "Something Inside of Me" (sleeve). The Coral. Deltasonic. 2005. DLTCD2039.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  32. ↑ "The Coral wow Reading with greatest hits set". NME. 26 August 2005. Archived from the original on 28 May 2021. Retrieved 27 May 2021.
  33. ↑ Lohmann, Fred Von (8 November 2005). "Are You Affected By Sony-BMG's Rootkit?". Electronic Frontier Foundation. Archived from the original on 6 May 2021. Retrieved 26 May 2021.
  34. ↑ "The Coral end 2005 with live shows". NME. 26 October 2005. Archived from the original on 28 May 2021. Retrieved 27 May 2021.
  35. ↑ List of titles affected by XCP
  36. ↑ "Sony officially lists 52 XCP infected CDs & faces a loss of sales". Archived from the original on 22 July 2011. Retrieved 30 July 2010.
  37. ↑ "Microsoft to Zap Sony DRM Rootkit". eWEEK. 12 November 2005.
  38. ↑ "Breaking News, Business News, Financial and Investing News & More - Reuters.co.uk". arquivo.pt. Archived from the original on 23 December 2009. Retrieved 28 April 2023.
  39. ↑ Graham, Jefferson (14 November 2005). "Sony to pull controversial CDs, offer swap". USA Today. Retrieved 2 May 2010.
  40. 1 2 "Critic Reviews for The Invisible Invasion". Metacritic. Archived from the original on 28 May 2021. Retrieved 26 May 2021.
  41. 1 2 Costa, Maddy (20 May 2005). "The Coral, The Invisible Invasion | Music". The Guardian. Archived from the original on 21 May 2021. Retrieved 26 May 2021.
  42. 1 2 Bromstein, Elizabeth (8 September 2005). "The Coral The Invisible Invasion". Now. Archived from the original on 18 June 2006. Retrieved 26 May 2021.
  43. 1 2 Hoard, Christian (8 September 2005). "The Coral: The Invisible Invasion : Music Reviews". Rolling Stone . Archived from the original on 24 May 2007. Retrieved 26 May 2021.
  44. 1 2 Keefe, Jonathan (29 August 2005). "Review: The Coral, The Invisible Invasion". Slant Magazine. Archived from the original on 28 May 2021. Retrieved 26 May 2021.
  45. 1 2 Gill, Jaime (3 June 2005). "The Coral - The Invisible Invasion". Yahoo! Launch. Archived from the original on 6 January 2006. Retrieved 25 May 2021.
  46. 1 2 "Coral | Artist | Official Charts". UK Albums Chart. Retrieved 11 November 2011.
  47. 1 2 "GFK Chart-Track Albums: Week 21, 2005". Chart-Track. IRMA. Retrieved 1 June 2012.
  48. 1 2 ザ・コーラル [The Coral]. oricon.co.jp (in Japanese). Oricon Inc. Archived from the original on 13 November 2012. Retrieved 11 November 2011.
  49. 1 2 "Lescharts.com – The Coral – The Invisible Invasion". Hung Medien. Retrieved 1 June 2012.
  50. ↑ "Irish chart positions". irish-charts.com. Archived from the original on 14 March 2012. Retrieved 12 February 2010.
  51. ↑ "2005 05 01 Official Scottish Singles Chart Top 100". Official Charts Company. Archived from the original on 4 June 2016. Retrieved 27 May 2021.
  52. ↑ "Coral The Invisible Invasion". British Phonographic Industry. Archived from the original on 28 May 2021. Retrieved 27 May 2021.
  53. ↑ "Coral In The Morning". British Phonographic Industry. Archived from the original on 17 August 2018. Retrieved 27 May 2021.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.