The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
Mary Wilson was an American singer. She gained worldwide recognition as a founding member of the Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
A Bit of Liverpool, released as With Love (From Us to You) in the UK, is the third studio album by the Supremes, released in the fall of 1964 on the Motown label. It was produced by Berry Gordy with Hal Davis and Marc Gordon doing the mixing.
There's a Place for Us is an album recorded by Motown girl group The Supremes in 1965, for many years the most famous of the trio's unreleased albums. The album, composed of show-tunes and pop standards, was released by Motown and Hip-O Records in 2004.
The Supremes at the Copa is a live album by Motown singing group the Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by the Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
Merry Christmas is the seventh studio album recorded by Motown girl group The Supremes, and released on Motown Records in November 1965. The LP, produced by Harvey Fuqua, includes recordings of familiar Christmas songs such as "White Christmas", "Santa Claus Is Coming to Town", "My Favorite Things", and "Joy to the World". Two originals, "Children's Christmas Song" and "Twinkle Twinkle Little Me", were issued as a single. Neither Wilson nor Ballard sing on the original 1965 release of "Merry Christmas". They were too tired from their appearance at the Copacabana so The Andantes were used instead.
The Supremes Sing Rodgers & Hart is the eleventh studio album released by The Supremes for Motown in 1967. The album is wholly composed of covers of show tunes written by the songwriting duo of Richard Rodgers and Lorenz Hart. The album was the final album released before The Supremes' name was changed to "Diana Ross & the Supremes," and member Florence Ballard was replaced by Cindy Birdsong.
Diana Ross & the Supremes: Greatest Hits Vol. 3 is a 1969 compilation album by Diana Ross & the Supremes, released on the Motown label. It features all of the hits released by the group between 1967 and 1969 save for the Supremes/Temptations duet singles. After Florence Ballard's mid-1967 departure from the group, Supremes singles were recorded by Diana Ross with session singers The Andantes on backgrounds instead of new Supreme Cindy Birdsong and founding member Mary Wilson, including "Love Child" and "Someday We'll Be Together".
Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at No. 24 on Billboard's "Black Albums" and No. 66 on "Pop Albums".
"Your Heart Belongs to Me" is a 1962 song written and composed by The Miracles' William "Smokey" Robinson and released as a single by Motown singing group The Supremes during their early years with the label. The song is about a woman whose lover is in the armed forces and has "Gone to a far-away land"; its narration has her tell him to always remember their love for each other if he ever gets lonely.
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
"Buttered Popcorn" is a 1961 song written by Motown executives Berry Gordy and Barney Ales, produced by Gordy, and released as a Tamla label single by Motown singing group The Supremes. It was the group's second single after signing with Motown Records as well as their second, and last, single for the Tamla label, before moving to the Motown label.
"I Want a Guy" is a song written by Freddie Gorman, Berry Gordy and Brian Holland and was the debuting single for Motown girl group The Supremes in 1961. It was also recorded by The Marvelettes on their album Please Mr. Postman. Featuring Diana Ross in lead, the song was a doo-wop ballad similar to what the Supremes had been recording since forming as "The Primettes" two years earlier.
Let the Music Play: Supreme Rarities 1960-1969 is a 2-CD set of The Supremes music released by Hip-O Records on March 25, 2008.
"Tears of Sorrow" is the first single by The Primettes, later known as The Supremes, released in 1960. This was their first and only single from Lu Pine Records. "Tears of Sorrow," along with the Mary Wilson-led "Pretty Baby", are the only known recordings that feature the vocals of Betty McGlown. It would later appear on the 2000 box set The Supremes. The Supremes would later rerecord the song at Motown, but this version would go unreleased until the 2008 compilation album Let The Music Play: Supreme Rarities 1960-1969.
"After All" is a 1960 song written by Smokey Robinson and originally recorded and released by The Miracles on the Tamla label. It was first recorded as an unreleased single by The Supremes for Tamla; it was supposed to be their first single but it was canceled in favor of "I Want a Guy", and their cover wasn't released until it appeared on the 2000 box set, The Supremes. The song is noted for both groups' unusual choices for leads. For the Miracles' version it serves as a rare lead for Claudette Rogers Robinson, instead of the group’s main lead, Claudette's husband, Smokey Robinson. In the Supremes' case it is their only single to feature Barbara Martin singing on lead vocals. Florence Ballard, Mary Wilson, and Diana Ross sing verses, and Martin sings the bridge. "After All" was also later covered by The Marvelettes, in the early 1970s, with group member Wanda Young Rogers as lead. Their version appears on the album The Return of the Marvelettes, and later became the group's belated final single.
"Mother Dear" is a 1965 song recorded by the Supremes for the Motown label.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells, the performers on both sides of the single were the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. The single peaked at number 17 on the Billboard Bubbling Under Hot 100 chart.
