The Wooden Horse

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The Wooden Horse
The Wooden Horse FilmPoster.jpeg
DVD cover
Directed by Jack Lee
Written by Eric Williams
Produced by Ian Dalrymple
Cinematography C. M. Pennington-Richards
Edited byPeter Seabourne
John Seabourne
Music by Clifton Parker
Distributed by British Lion Film Corporation
Release date
  • 16 October 1950 (1950-10-16)
Running time
101 minutes
CountryUnited Kingdom
Box office£266,545 (UK) [1]

The Wooden Horse is a 1950 British Second World War war film directed by Jack Lee and starring Leo Genn, David Tomlinson and Anthony Steel. It is based on the book of the same name by Eric Williams, who also wrote the screenplay. [2]


The film depicts the true events of an escape attempt made by POWs in the German prison camp Stalag Luft III. The wooden horse in the title of the film is a piece of exercise equipment the prisoners use to conceal their escape attempt as well as a reference to the Trojan Horse which was also used to conceal men within.

The Wooden Horse was shot in a low-key style, with a limited budget and a cast including many amateur actors.


The somewhat fictionalised version of the true story is set in Stalag Luft III — the same POW camp where the real events depicted in the film The Great Escape took place, albeit from a different compound – and involved Williams, Michael Codner and Oliver Philpot, all inmates of the camp. In the book and film, the escapees are renamed "Flight Lieutenant Peter Howard", "Captain John Clinton" and "Philip Rowe".

The prisoners are faced with the problem of digging an escape tunnel despite the accommodation huts, within which the tunnel entrance might be concealed, being a considerable distance from the perimeter fence. They come up with an ingenious way of digging the tunnel with its entrance located in the middle of an open area relatively near the perimeter fence and using a vaulting horse (constructed largely from plywood from Canadian Red Cross parcels), to cover the entrance.

Recruiting fellow-prisoners to form a team of vaulters, each day they carry the horse out to the same spot, with a man hidden inside. The prisoners begin gymnastic exercises using the vaulting horse, while the concealed man digs down below it. At the end of the session, the digger places wooden boards, cut to fit the aperture, in the hole, and fills the space with sandbags and dry sand kept for the purpose – wet sand taken from below the surface would be darker and hence give away the tunneling activity.

As the tunnel lengthens, two men are eventually hidden inside the horse while a larger group of men exercise, the two men continue to dig the tunnel. At the end of the day, they conceal the tunnel entrance once more and hide inside the horse while it is carried back to their hut. They also devise a method of disposing of the earth coming out of the tunnel. They recruit a third man, Phil, to assist them, with the promise that he will join the escape.

At the final break-out, Clinton hides in the tunnel during an Appell (roll call), before three men are carried out in the horse: the third to replace the tunnel trap.

Howard and Clinton travel by train to the Baltic port of Lübeck; (in fact, they travelled via Frankfurt an der Oder to Stettin). Phil elects to travel alone, posing as a Norwegian margarine salesman and travelling by train via Danzig (now Gdańsk). He was the first to get to neutral territory.

On the docks Howard and Clinton are forced to kill a German sentry who surprised the hiding men; [3] and they contact French workers, through whom they meet "Sigmund", a Danish resistance worker who smuggles them onto a Danish ship. They then have to transfer to a fishing boat and arrive in Copenhagen, before being shipped to neutral Sweden. There they are reunited with Phil, who arrived earlier.

Some details from Williams' book were not used in the film, e.g. the escaped POWs discussing the possibility of visiting potentially neutral brothels in Germany, an idea that was abandoned because of the fear that it might be a trap.



The film was based on a book by Eric Williams which was published in 1949. [4] [5] The book was re-issued in 1980. [6]

Ian Dalrymple and Jack Lee read the book and bought the film rights. They out-bid John Mills who also wanted to make it. "I expect John would have been very good in it also," said Jack Lee "probably better than Leo Genn, who was very stolid as an actor." [7]

Leo Genn played the Eric Williams character while Anthony Steele played a character based on Michael Codner. [8] Codner was later killed in 1952 in an ambush during the Malayan Emergency. [9]

"We are not inventing anything," Lee said during filming. "It isn't necessary. The whole book is dynamite as a film script." [8]


Three-quarters of the film was shot in Germany. The Stalag was rebuilt in the British zone near where the Germans surrendered at Lüneburg Heath. [8]

In the film the escapees go to Lübeck, not Stettin, which is what happened in real life. This was because the producers did not want to have to deal with the Russian Occupied Zone. [8]

The film went over budget, for several reasons: the weather was poor and several scenes had to be done again. "A lot of it was my fault, taking too long to shoot and shooting too much stuff," said Lee. [7] He added "there was indecision on my producer's part about the ending; Ian said we should shoot things in two different ways. The ultimate ending was a perfectly reasonable one but I was off the film by then. Ian shot it himself." [7]

Filming was finished in Germany by January 1950 after which studio work was done in London. [10]

At least two future film directors, Bryan Forbes and David Greene, were in the supporting cast.

The film was a breakthrough role for Anthony Steel. [11] "Tony Steel was fine to work with – just a physical type, a young chap who could do certain things," said Lee. [7] According to Filmink "he is clearly meant to be "the cute one" of the trio, spending a considerable amount of the film’s running time walking around in shorts bare-chested." [12]

Comedian Peter Butterworth had actually been one of the POWs at the camp, and auditioned for a part in the film, but the producers said he didn't look convincing enough.

Producer Ian Dalrymple made the movie for Alexander Korda's British Lion after a long association with the Rank Organisation. According to J. Arthur Rank's biographer, the movie "provided a particularly interesting example of the way Korda could help his directors in a way that Rank was not capable of doing; Ian Dalrymple showed him a rough cut and asked his advice, and they worked out an idea for re-takes which gave the film considerably more warmth." [13]



Variety said "a commendable degree, of documentary fidelity has been established in this picturization. of the escape of three prisoners of war from a German camp* The long and torturous period of preparation is faithfully recaptured. Inevitably, treatment rules out a fast-moving production, and although this won’t harm it as a boxoffice attraction at home, it may have a limiting appeal when it eventually reaches the US." [14]

Box office

The film was the third most popular film at the British box office in 1950. [15] According to Kinematograph Weekly the 'biggest winners' at the box office in 1950 Britain were The Blue Lamp, The Happiest Days of Your Life, Annie Get Your Gun, The Wooden Horse, Treasure Island and Odette, with "runners up" being Stage Fright, White Heat, They Were Not Divided, Trio, Morning Departure, Destination Moon, Sands of Iwo Jima, Little Women, The Forsythe Saga, Father of the Bride, Neptune's Daughter, The Dancing Years, The Red Light, Rogues of Sherwood Forest, Fancy Pants, Copper Canyon, State Secret, The Cure for Love, My Foolish Heart, Stromboli, Cheaper by the Dozen, Pinky, Three Came Home, Broken Arrow and Black Rose. [16]

It led to a series of stories about POWs, including Albert R.N. (1953), The Colditz Story (1955), The One That Got Away (1957), The Camp on Blood Island (1958) and Danger Within (1959). [17]


The Wooden Horse plan itself was previously thought to be conceived and entirely thought through by Williams and Michael Codner in equal measures. In Oliver Philpot's later book The Stolen Journey, the author made it clear that he initially thought the plan was "crackers", telling its inventors "I give it a couple of days!" Nevertheless, Philpot helped with the sand dispersal and later with the actual digging – at which point he was invited to take part in the escape. [18] However, it has been argued that Flt Lt Dominic Bruce (the 'Medium Sized man') and Squadron Leader Peter Tunstall are the original innovators of the wooden horse escape technique. Along with Eustace Newborn and Peter Tunstall, Bruce came up with the escape plan now known as "the Swiss Red Cross Commission." Tunstall, wrote that in 1941, prior to he and Bruce planning an escape with the famed 'Swiss Red Cross Commission,' he and Bruce had been digging an escape route with a wooden horse tunnel from inside the gymnasium, the wooden horse was placed roughly four feet from the wall that separated the gym from the moat. The digging was a very slow process, it required the removal of spoil, bricks and stone work,and was aided by other prisoners distracting the guards. They were later joined by Douglas 'Sammy' Hoare and a syndicate who were promised a second go if they escaped undiscovered. Other members of this syndicate were also named as: Harry Bewlay, John Milner and Eustace Newborn.

When Bruce and Tunstall noted the slow process they began examining the rest of the castle and left the digging to the other team involving Sammy Hoare. The tunnel almost reached completion but unfortunately the digging team got caught when a guard become suspicious at the large stones that were accumulating outside of the gym. The guard then called a search, and then found the escape tunnel.[49] When the guards found the shaft they called an Appell and Hauptmann Schmidt confidently stated to the prisoners, "It is impossible to escape by tunnel or any other way."

This wooden horse gym escape tunnel was two years prior to the famed Sagan wooden horse escape. Tunstall stated that he would like to think some of the watchers and workers who helped on their original wooden horse escape may have mentioned it from time to time; and would like to think that their idea contributed to the success of the effort at Sagan.

See also

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  1. Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p492
  2. Williams, Eric, The Wooden Horse (Collins, 1949)
  3. In the book the two POWS are forced to kill a German sentry who surprised them as they tried to cross the German/Denmark border
  4. "The Wooden Horse". The Sunday Herald (Sydney) . New South Wales, Australia. 10 April 1949. p. 1 (Novel). Retrieved 27 June 2020 via National Library of Australia.
  5. "The Wooden Horse". The Sunday Herald (Sydney) . No. 13. New South Wales, Australia. 17 April 1949. p. 1 (Novel). Retrieved 27 June 2020 via National Library of Australia.
  6. "GREATEST ESCAPE". The Canberra Times . Vol. 55, no. 16, 186. Australian Capital Territory, Australia. 19 January 1980. p. 14. Retrieved 27 June 2020 via National Library of Australia.
  7. 1 2 3 4 Brian MacFarlane, An Autobiography of British Cinema, Methueun 1997 p 357
  8. 1 2 3 4 "Best-seller "The Wooden Horse" comes to screen". The Australian Women's Weekly . Vol. 17, no. 35. Australia. 4 February 1950. p. 36. Retrieved 27 June 2020 via National Library of Australia.
  9. "Wooden Horse' Hero Killed in Ambush". The Sydney Morning Herald . No. 35, 650. New South Wales, Australia. 26 March 1952. p. 1. Retrieved 27 June 2020 via National Library of Australia.
  10. "DIGGERS' DIARY". Maryborough Chronicle . No. 24, 326. Queensland, Australia. 1 February 1950. p. 2. Retrieved 27 June 2020 via National Library of Australia.
  11. "Best-seller "The Wooden Horse" comes to screen". The Australian Women's Weekly . 4 February 1950. p. 36. Retrieved 7 May 2012 via National Library of Australia.
  12. Vagg, Stephen (23 September 2020). "The Emasculation of Anthony Steel: A Cold Streak Saga". Filmink.
  13. Wood, Alan (1952). Mr.Rank a study of J. Arthur Rank and British Films. p. 256.
  14. Review of film at Variety
  15. "BOB HOPE BEST DRAW IN BRITISH THEATRES". The Mercury . Hobart, Tas. 29 December 1950. p. 4. Retrieved 24 April 2012 via National Library of Australia.
  16. Lant, Antonia (1991). Blackout : reinventing women for wartime British cinema. Princeton University Press. p. 233.
  17. Thumim, Janet. "The popular cash and culture in the postwar British cinema industry". Screen. Vol. 32, no. 3. p. 258.
  18. Philpot, Oliver, Stolen Journey (Hodder and Stoughton, 1950), p. 215

Further reading