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Thokcha (Tibetan : ཐོག་ལྕགས, Wylie : thog lcags; [2] also alternatively Tibetan : གནམ་ལྕགས, Wylie : gnam lcags [3] ) are Tibetan amulets which are said to have fallen from the sky in traditional tibetan folklore. [4] These are traditionally believed to contain a magical, protective power comparable to Tibetan dzi beads. Most thokcha are made of a copper alloy. [5] [ failed verification ]
The use of meteoric iron has been common throughout the history of ferrous metallurgy. Historically, thokcha were prized for the metallurgical fabrication of weapons, musical instruments, and sacred tools, such as the phurba . Thokcha are an auspicious addition in the metallurgical fabrication of sacred objects cast from panchaloha .
Writer Robert Beer [6] regards meteoric iron as "the supreme substance for forging the physical representation of the vajra or other iron weapons." It was believed that these amulets had been tempered by the celestial gods before falling to Earth. Beer describes the metal falling from space as a metaphor for "the indivisibility of form and emptiness." [7] Many meteorite fragments can be found in Tibet due to its high altitude and open landscape. [7]
The age of Thokcha amulets are classified into two overlapping periods. The pre-Buddhist Bon period (c. 1000 BC –c. 900 AD) and the Buddhist period (after 700 AD). [8] Some of the earliest thokcha are said to originate in the Zhangzhung culture.
Thokcha are metal objects approximately 2–15 centimetres (0.79–5.91 in), originally made to function as horse harnesses, buckles, fibulae, and arrow heads. Many years later after their creation they are reused by the Tibetan people as protective amulets and adornments for clothing, lighters and purses.
Some Thokcha may represent real or mythological animals, often being deities originating from Tibetan Bön or Buddhist religion. However, since many Thokcha pieces are very abstract in their forms, the precise figures they are made to represent remains uncertain.
Thogchags or Thokcha (Wylie: Thog lcags) are worn as amulets by Tibetans, specifically people of the Himalayan regions, for spiritual protection and healing. Created in several forms, they often depict tantric deities, sacred animals, auspicious symbols, and mantras. Many represent ritual supports such as a mirror, phurba, or vajra. Some pieces may be abstract in nature, and the meaning of the form has since been lost in antiquity. Further research is still in the process. Other Thokcha were simply used as ancient arrow points, buckles, body armour, or even old horse trappings.
Genuine pieces are believed to be made from a combination of meteorite, iron, bronze, copper, and a number of other metals. [9] A few of the pre-Buddhist pieces originate from Persia or Central Asia and some are as ancient as 3,000 years old. The rarest and most sought after thokcha are believed to be made from a meteoric metal known as 'Namchak,' which literally means 'sky iron' or 'sky metal.' Very old pieces can have a distinct patina and have been worn out into smooth surfaces after centuries of handling. Many ornaments have unique textures which are almost impossible to replicate. [10]
The word Thokcha is composed of two words; thog that means above, primordial, first, or thunderbolt, and lcags that stands for iron or metal, so the literal meaning of thokcha is "original iron" or "thunderbolt iron."
A popular Tibetan belief is that thokcha are produced magically when a thunderbolt strikes the earth. Historically, it was believed that if one was to find a thokcha underground by chance, they would work as a good luck charm.
A gesture of sympathetic magic portrays that if you cast vajras from the metal, it would return a piece of the original iron to the site where it was found. [7]
Padmasambhava, also known as Guru Rinpoche and the Lotus from Oḍḍiyāna, was a tantric Buddhist Vajra master from medieval India who taught Vajrayana in Tibet. According to some early Tibetan sources like the Testament of Ba, he came to Tibet in the 8th century and helped construct Samye Monastery, the first Buddhist monastery in Tibet. However, little more is known about the actual historical figure other than his ties to Vajrayana and Indian Buddhism.
Bon or Bön, also known as Yungdrung Bon, is the indigenous Tibetan religion which shares many similarities and influences with Tibetan Buddhism. It initially developed in the tenth and eleventh centuries but retains elements from earlier Tibetan religious traditions. Bon is a significant minority religion in Tibet, especially in the east, as well as in the surrounding Himalayan regions.
The Vajra is a legendary and ritualistic tool, symbolizing the properties of a diamond (indestructibility) and a thunderbolt. In Hinduism, it has also been associated with weapons.
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the phurba or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter.
The phurba or kīla is a three-sided peg, stake, knife, or nail-like ritual implement deeply rooted in Indo-Tibetan Buddhism and Bön traditions. Its primary association is with the meditational deity Vajrakīlaya, embodying the essence of transformative power. The etymology and historical context of the term reveal some debate. Both the Sanskrit word "kīla" and the Tibetan "phurba" are used interchangeably in sources.
Meteoric iron, sometimes meteoritic iron, is a native metal and early-universe protoplanetary-disk remnant found in meteorites and made from the elements iron and nickel, mainly in the form of the mineral phases kamacite and taenite. Meteoric iron makes up the bulk of iron meteorites but is also found in other meteorites. Apart from minor amounts of telluric iron, meteoric iron is the only naturally occurring native metal of the element iron on the Earth's surface.
Ataxites are a structural class of iron meteorites with a high nickel content and show no Widmanstätten patterns upon etching.
Namcha Barwa or Namchabarwa is a mountain peak lying in Tibet in the region of Pemako. The traditional definition of the Himalaya extending from the Indus River to the Brahmaputra would make it the eastern anchor of the entire mountain chain, and it is the highest peak of its own section as well as Earth's easternmost peak over 7,600 metres (24,900 ft). It lies in the Nyingchi Prefecture of Tibet. It is the highest peak in the 180 km long Namcha Barwa Himal range, which is considered the easternmost syntaxis/section of the Himalaya in southeastern Tibet and northeastern India where the Himalaya are said to end, although high ranges actually continue another 300 km to the east.
A kartika or drigug is a small, crescent-shaped, hand-held ritual flaying knife used in the tantric ceremonies of Vajrayana Buddhism. The kartari is said to be "one of the quintessential attributes of the wrathful Tantric deities." It is commonly known as the "knife of the dakinis." Its shape is similar to the Inuit ulu or woman's knife, which is used for many things including cleaning skins.
Rudok, also spelt Rutok and Rutog, more properly Rudok Dzong, is a town that served as the historical capital of the Rudok area in Western Tibet on the frontier with Ladakh. In the 1911 Encyclopædia Britannica, it is described as being "picturesquely situated" on the side of a hill standing isolated in the plain near the east end of Lake Pangong.
The Trikāya doctrine is a fundamental doctrine within Mahayana and Vajrayana Buddhism that delineates the multidimensional nature of a Buddha's existence. This concept posits that a Buddha has three distinct bodies or aspects, each representing a different facet of enlightenment. The first body is the Dharmakaya, often referred to as the "Dharma body" or ultimate reality. This embodies the essence of enlightenment itself, encompassing concepts like emptiness, Buddha nature, and pure existence beyond material and spiritual forms.
Panchaloha, also called Pañcadhātu, is a term for traditional five-metal alloys of sacred significance, used for making Hindu temple murti and jewelry.
Sakya Monastery, also known as Pel Sakya, is a Buddhist monastery situated in Sa'gya Town (ས་སྐྱ་), Sa'gya County, about 127 kilometres (79 mi) west of Shigatse in the Tibet Autonomous Region. The monastery is considered as the seat of the Sakya school of Tibetan Buddhism.
In Tibetan Buddhism, Vajrakilaya (Sanskrit: वज्रकीलाय, romanized: Vajrakīlāya, lit. 'Diamond-dagger', also वज्रकील, Vajrakīla; Tibetan: རྡོ་རྗེ་ཕུར་པ, Wylie: rdo rje phur pa, THL: Dorje Phurba or Vajrakumara is a wrathful heruka yidam deity who embodies the enlightened activity of all the Buddhas. His practice is known for being the most powerful for removing obstacles and destroying the forces hostile to compassion. Vajrakilaya is one of the eight deities of Kagyé.
Iron has a long and varied tradition in the mythology and folklore of the world.
A kapala is a skull cup used as a ritual implement (bowl) in both Hindu Tantra and Tibetan Buddhist Tantra (Vajrayana). Especially in Tibetan Buddhism, kapalas are often carved or elaborately mounted with precious metals and jewels.
Shenlha Ökar or Shiwa Ökar is the most important deity in the Yungdrung Bon tradition of Tibet. He is counted among the "Four Transcendent Lords" along with Satrig Ersang, Sangpo Bumtri, and Tonpa Shenrab Miwoche.
Thangtong Gyalpo, also known as Chakzampa, the "Iron Bridge Maker", Tsöndrü Zangpo "Excellent Persistence", and the King of the Empty Plain. He was also known by a variation of this name, Madman of the Empty Valley. He was a great Buddhist adept, a Chöd master, yogi, physician, blacksmith, architect, and a pioneering civil engineer. He is considered a mind emanation of Padmasambhava and a reincarnation of Dolpopa Sherab Gyaltsen. He founded the Iron Chain lineage of the Shangpa Kagyu school of Tibetan Buddhism, and he recognized the first Samding Dorje Phagmo, Chökyi Drönma (1422–1455), the female incarnation lineage of Vajravārāhī.
The Chushul Chakzam, or simply Chakzam which literally means "iron bridge" in Standard Tibetan, was a suspension bridge that spanned the Yarlung Tsangpo river in modern-day Qüxü County near Lhasa, Tibet. It was built in 1430 by Thang Tong Gyalpo. The southern bridgehead was built on the mountain Chowuri, which is sacred in Tibetan Buddhism. This mountain was a site where Guru Rinpoche and Trisong Detsen had meditated during the 8th Century. When it was built, its main section was the longest unsupported span in the world, with a central span estimated at around 150 yards.
A chuckmuck is a belt-hung leather and metal decorated tinder pouch with an attached thin long striking plate, found across North Asia and China to Japan from at least the 17th century. Chuckmucks form a well-marked group within flint-and-steel types of fire-lighting kit, still used as jewellery amongst Tibetans (mechag) and Mongolians (kete). This large distinctive style of a worldwide daily utensil was noted in Victorian British India and the 1880s Anglo-Indian word chuckmuck was adopted into specialist English by the early 20th century.