Torma

Last updated
Torma or butter sculptures, Dhankar Gompa, Spiti Torma or Butter sculptures. Dhankar Gompa, Spiti.jpg
Torma or butter sculptures, Dhankar Gompa, Spiti
Torma, Ralung Monastery, Tibet, 1993 Torma (butter sculpture). Ralung Gompa, Tibet. 1993.jpg
Torma, Ralung Monastery, Tibet, 1993
Torma cakes offered on the sand mandala Torma mandala.jpg
Torma cakes offered on the sand mandala
Tormas on a shrine Torma.jpg
Tormas on a shrine
Making tormas Torma making.jpg
Making tormas
Monk making tormas in Sera Monastery in 1939 Bundesarchiv Bild 135-KA-07-093, Tibetexpedition, Monch mit Butterfiguren.jpg
Monk making tormas in Sera Monastery in 1939

Torma (Skt: Balingta, Tib: Tor-ma, Wylie: gtor ma) are sculptures made mostly of flour and butter used in tantric rituals or as offerings in Tibetan Buddhism. They may be dyed in different colors, often with white or red for the main body of the torma. They are made in specific shapes based on their purpose, usually conical in form. A very large, central shrine torma may be constructed for festivals, though typically they are small and placed directly on a shrine, on a plate, mounted on leather [1] or held on a special base like a skull. [2]

Contents

History

The tradition of offering cakes pre-dates Tibetan Buddhism, though traditional Indian offering cakes called bali [3] [4] or balingha [5] in Sanskrit are flat instead of conical. [6]

The Tibetan term comes from the root gtor-ba which means to "cast away, break up, or scatter". This implies both a sense of offering and of letting go or non-attachment. [7]

Variations

Tormas have different uses. Some are created and placed on shrines for ceremonies or to represent deities. Others are used in feast practice and consumed by practitioners during the practice. Others are made to appease spirits, accumulate merit, or remove obstacles. [8] They are mostly made of barley flour and butter, but traditionally other ingredients such as egg, milk, sugar, honey, and even meat may be included depending upon the purpose of the torma. [9]

Deity tormas

Deity tormas (Wylie: rten gtor) are kept on the shrine, and represent a particular tantric deity. [10] These tormas vary in complexity from a very simple cone painted white for peaceful deities like Tara and Avalokiteshvara, to very complex designs for semi-wrathful deities like Vajrayogini and Chakrasamvara. [11]

Food tormas

Food tormas (Wylie: skang gtor) are used in feast practices and are partially consumed by practitioners during the feast, with leftovers (Wylie: dme gtor) offered to lower beings after being blessed. [12] In some traditions, food tormas are now made with more contemporary ingredients whereas others stay faithful to the barley flour tradition.

Offering tormas

Offering tormas may be made for and offered to deities (Wylie: sgrub gtor / mchod gtor), to Dharma Protectors, to obstructing spirits, or to other lower beings. Torma for obstructing spirits are called gektor (Wylie: gegs gtor). [10]

Medicinal torma

A torma may be used in Tibetan medicine to extract an illness from a patient as a cure. The torma is then cast away. [13]

Captured torma

A captured torma (Wylie: gta' gtor) may be used to speed completion of activities, by planning to offer the torma at the completion of the activity thereby encouraging successful activity. [5]

Inner, secret and very secret torma

Practicing meditation with deity visualization is considered a form of torma offering, though no physical cake is created and then offered. Similarly, offering one's internal emotional and mental experiences and experience of suchness are non-physical forms of torma offerings. [4]

Notes

  1. The Tibet Album Glossary Archived 2008-07-01 at the Wayback Machine
  2. Beer (2003) pp. 212-220
  3. Kongtrul (2002) p. 172
  4. 1 2 Kongtrul (1998) p. 129
  5. 1 2 Kongtrul (1998) p. 199
  6. Martin (1996) p. 336
  7. Beer (2003) p. 212
  8. Thrangu Rinpoche (2004) p. 171
  9. Beer (2003) pp. 214
  10. 1 2 Padmasambhava (2004) p. 245-246
  11. Beer (2003) pp. 213-214
  12. Kongtrul (1998) p. 132
  13. Beer (2003) p. 214

Related Research Articles

<span class="mw-page-title-main">Dzogchen</span> Tradition of teachings in Indo-Tibetan Buddhism

Dzogchen, also known as atiyoga, is a tradition of teachings in Indo-Tibetan Buddhism and Yungdrung Bon aimed at discovering and continuing in the ultimate ground of existence. The primordial ground is said to have the qualities of purity, spontaneity and compassion. The goal of Dzogchen is knowledge of this basis, this knowledge is called rigpa. There are numerous spiritual practices taught in the various Dzogchen systems for awakening rigpa.

<span class="mw-page-title-main">Padmasambhava</span> 8th-century Buddhist lama

Padmasambhāva, also known as Guru Rinpoche and the Lotus from Oḍḍiyāna, was a tantric Buddhist Vajra master from medieval India who taught Vajrayana in Tibet. According to some early Tibetan sources like the Testament of Ba, he came to Tibet in the 8th century and helped construct Samye Monastery, the first Buddhist monastery in Tibet. However, little is known about the actual historical figure other than his ties to Vajrayana and Indian Buddhism.

The dharmakāya is one of the three bodies (trikāya) of a buddha in Mahāyāna Buddhism. The dharmakāya constitutes the unmanifested, "inconceivable" (acintya) aspect of a buddha out of which buddhas arise and to which they return after their dissolution. Buddhas are manifestations of the dharmakāya called the nirmāṇakāya, "transformation body".

<span class="mw-page-title-main">Thrangu Rinpoche</span> Tibetan tulku (1933–2023))

Thrangu Rinpoche was born in Kham, Tibet. He was deemed to be a prominent tulku in the Kagyu school of Tibetan Buddhism, the ninth reincarnation in his particular line. His full name and title was the Very Venerable Ninth Khenchen Thrangu Tulku, Karma Lodrö Lungrik Maway Senge. The academic title Khenchen denotes great scholarly accomplishment, and the term Rinpoche is a Tibetan devotional title which may be accorded to respected teachers and exemplars.

<span class="mw-page-title-main">Nyingma</span> School of Tibetan Buddhism

Nyingma, often referred to as Ngangyur, is the oldest of the four major schools of Tibetan Buddhism. The Nyingma school is founded on the first lineages and translations of Buddhist scriptures from Sanskrit into Tibetan in the eighth century, during the reign of King Trisong Detsen.

<span class="mw-page-title-main">Jamgon Kongtrul</span> Tibetan Buddhist scholar (1813–1899)

Jamgön Kongtrül Lodrö Thayé, also known as Jamgön Kongtrül the Great, was a Tibetan Buddhist scholar, poet, artist, physician, tertön and polymath. He was one of the most prominent Tibetan Buddhists of the 19th century and he is credited as one of the founders of the Rimé movement (non-sectarian), compiling what is known as the "Five Great Treasuries". He achieved great renown as a scholar and writer, especially among the Nyingma and Kagyu lineages and composed over 90 volumes of Buddhist writing, including his magnum opus, The Treasury of Knowledge.

<span class="mw-page-title-main">Karma Kagyu</span> School of Tibetan Buddhism

Karma Kagyu, or Kamtsang Kagyu, is a widely practiced and probably the second-largest lineage within the Kagyu school, one of the four major schools of Tibetan Buddhism. The lineage has long-standing monasteries in Tibet, China, Russia, Mongolia, India, Nepal and Bhutan, with current centres in over 60 countries. The spiritual head of the Karma Kagyu is the Gyalwa Karmapa; the 2nd among the 10 Karmapas had been the principal spiritual advisors to successive emperors of China. The Karma Kagyu are sometimes called the "Black Hat" lamas, in reference to the Black Crown worn by the Karmapa.

In Tibetan Buddhism, Ngöndro refers to the preliminary, preparatory or foundational practices or disciplines common to all four schools of Tibetan Buddhism and also to Bon. They precede deity yoga.

<span class="mw-page-title-main">Orgyen Chokgyur Lingpa</span>

Chokgyur Lingpa or Chokgyur Dechen Lingpa (1829-1870) was a tertön or "treasure revealer" and contemporary of Jamyang Khyentse Wangpo and Jamgon Kongtrul. Regarded as one of the major tertöns in Tibetan history, his termas are widely practiced by both the Kagyu and Nyingma schools.

Chokgyur Lingpa was the "manifestation," meaning the reincarnation, of King Trisong Deutsen's son, Prince Damdzin. Another of his former lives was the great terton, Sangye Lingpa, who revealed the Lama Gongdu. Chokgyur Lingpa was the last of the 100 major tertons. He was the owner of seven transmissions and is regarded as the universal monarch of all tertons. One of the reasons for this is that no other terton has revealed a teaching that includes the Space Section (Longdé) of Dzogchen. There are several Mind Section (Semde) revelations and all major tertons have revealed the Instruction Section (Mengagde), but only Chokgyur Lingpa transmitted the Space Section. This is why the Dzogchen Desum is considered the most extraordinary terma that he ever revealed. Chokgyur Lingpa's main consort was Dechen Chodron and Padmasambhava predicted that his three children would be emanations of the three family lords: Avalokiteshvara, Manjushri and Vajrapani. I don't like saying this, for it may sound like I'm bragging about my family line, but such a prophecy does exist. The Manjushri emanation was supposed to be Wangchok Dorje, the Avalokiteshvara emanation Tsewang Norbu and the Vajrapani emanation my grandmother, Konchok Paldron.

Lamrim Yeshe Nyingpo is a terma revealed by Chokgyur Lingpa in the 19th Century.

Tsele Natsok Rangdröl (1608-?) was an important master of the Kagyü and Nyingma schools of Tibetan Buddhism. He is also known as Tsele Gotsangpa.

The somaya, is a set of vows or precepts given to initiates of an esoteric Vajrayana Buddhist order as part of the abhiṣeka ceremony that creates a bond between the guru and disciple.

<span class="mw-page-title-main">Mandāravā</span> Female guru-deity in Tibetan Buddhism

Mandarava was, along with Yeshe Tsogyal, one of the two principal consorts of great 8th-century Indian Vajrayana teacher Padmasambhava, a founder-figure of Tibetan Buddhism. Mandarava is considered to be a female guru-deity in Tantric Buddhism or Vajrayana.

Sri Singha was the teacher of Padmasambhava, Vimalamitra, and Vairotsana. He was a principal student and dharma-son of Mañjuśrīmitra in the Dzogchen lineage, and is credited by the Nyingma school with introducing Dzogchen to Tibet.

According to the Nyingmapa tradition of Tibetan Buddhism, the Dzogchen masters Manjushrimitra and Shrisimha were already active in the Tantric milieu in India independently. However, Manjushrimitra, a learned scholar of Brahman origin, was evidently an adherent of the Yogachara school before his becoming a disciple of the mysterious Prahevajra or Garab Dorje from the country of Uddiyana. It should also be recalled that his disciple Shrisimha was said to have born and resided for some time in China before coming to India. And that the latter's disciple Vimalamitra visited China before and after he came to Tibet and transmitted the Dzogchen teachings to his disciples at Samye Monastery.

Songs of realization, or Songs of Experience, are sung poetry forms characteristic of the tantric movement in both Vajrayana Buddhism and in Hinduism. Doha is also a specific poetic form. Various forms of these songs exist, including caryagiti, or 'performance songs' and vajragiti, or 'diamond songs', sometimes translated as vajra songs and doha, also called doha songs, distinguishing them from the unsung Indian poetry form of the doha. According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context of a ganachakra or tantric feast. Many collections of songs of realization are preserved in the Tibetan Buddhist canon, however many of these texts have yet to be translated from the Tibetan language.

<span class="mw-page-title-main">Gyalpo spirits</span> Spirits in Tibetan mythology

Gyalpo spirits are one of the eight classes of haughty gods and spirits in Tibetan mythology and religion. Gyalpo, a word which simply means "king" in the Tibetic languages, in Tibetan mythology is used to refer to the Four Heavenly Kings and especially to a class of spirits, both Buddhist and Bon, who may be either malevolent spirits or oath-bound as dharmapalas.

<span class="mw-page-title-main">Gangshar Wangpo</span>

Khenpo Gangshar Wangpo was a highly respected lama in Eastern Tibet and one of the primary teachers of Chögyam Trungpa Rinpoche and the 9th Thrangu Rinpoche. Khenpo Gangshar was trained in Shechen Monastery, a monastic center established in the end of the seventeenth century and part of the Mindröling lineage within the Nyingma tradition of Tibetan Buddhism.

The Profound Inner Principles also known as Profound Inner Meaning or 'Zabmo Nangdon' is a 14th century treatise and major work of Rangjung Dorje (1284–1339), the third Karmapa, born to a Nyingma family he received the full transmission of the Nyingma tradition, in addition to the Karma Kagyu.

<span class="mw-page-title-main">Mata Kuan Rani Temple</span>

The Mata Kuan Rani Temple, or 'Princess of the Well Temple', is situated near the bank of the Beas River in the town of Mandi, Himachal Pradesh, India. This is the place where the princess Mandarava was imprisoned by her father.

<span class="mw-page-title-main">Chökyi Nyima Rinpoche</span> Tibetan Buddhist teacher and meditation master

Chökyi Nyima Rinpoche is a Tibetan Buddhist teacher and meditation master. He is the abbot of Ka-Nying Shedrub Ling Monastery in Kathmandu, Nepal. He is the author of several books, founder of meditation centers around the world, and an international teacher.

References

Commons-logo.svg Media related to Tormas at Wikimedia Commons