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A horse brass is a brass plaque used for the decoration of horse harness gear, especially for shire and parade horses. They became especially popular in England from the mid-19th century until their general decline alongside the use of the draft horse, and remain collectors items today.
Phalera is the archaeological term for equivalent disks, which were popular in Iron Age Europe, including Ancient Rome.
In ancient Rome, horse harnesses were sometimes embellished with horse brasses known as phalerae, normally in bronze, cut or cast in the shape of a boss, disk, or crescent, most often used in pairs on a harness. [1] In medieval England, decorative horse brasses were in use before the 12th century, serving as talismans and status symbols, but extensive, original research by members of the National Horse Brass Society has shown that there is no connection whatsoever between these bronze amulets to the working-class harness decorations used in the mid-19th century which developed as part of a general flowering of the decorative arts following the Great Exhibition.
There are a great deal of die-hard, unfounded myths surrounding these decorations such as their usage as amulets to ward off the "evil eye". The most popular size is 3 × 3+1⁄2 inches of flat brass with a hanger by which the brass is threaded onto a horse harness strap, known as a Martingale. In England many of these items of harness found their way into country public houses as the era of the heavy horse declined, and are still associated today as a pub decoration. By the late 19th century heavy horses were decorated with brasses of all kinds and sizes. During this era working horse parades were popular throughout the British Isles and prize or merit awards were given, some by the Royal Society for Prevention of Cruelty to Animals (RSPCA). Horse brasses were often highly prized by the "carters", who decorated their horse with them. Other horse brass subjects include advertising, royalty commemoration, and in later years, souvenir brasses for places and events, many of which are still being made and used today.
Collecting horse brasses for their own sake other than as decorations for harness seems to have commenced around 1880, when women bought the newly issued, pierced-design, die-struck brasses which were used for pin-cushions. A little later these were often used as fingerplates on doors which can be corroborated by accounts in the trade magazine, Saddler and Harness by the veteran saddler William Albery or Horsham in Sussex. From 1890 onward, collecting the various types of brass, i.e. face-pieces, swingers, and hame-plates, etc., became a highly popular pastime amongst the upper and middle classes. Indeed, the collecting of these humble brasses became especially popular amongst academics with many famous, early collections being formed by public schoolmasters and other prominent professionals, such as A.H. Tod, [2] a Master at Charterhouse School and Dr Kirk of Pickering in Yorkshire, whose collection is still housed at the York Castle Museum in York. The writing about such items also commenced c. 1890s and was dominated by much Victorian romanticism surrounding the supposed, esoteric origin and ancient, unbroken lineage of these decorations. Such myths include their origin as talismanic symbols being brought back to England by homecoming knights returning from the Crusades, or in later years, by migrating Romani, though, once again, absolutely no evidence has ever been offered in support of these theories.
Whatever the views of individual collectors as to when or where working-horse harness decoration first began in the British Isles, most collectors agree that cast brasses were the first to appear on the scene. Opinion is also still divided as to how these originated, but most collectors nowadays are in agreement that the earliest decorations were simple, cast studs in a variety of shapes and sizes. The earliest types were probably even made locally by smiths or other skilled artisans but by the second half of the 19th century the production of such things had evolved from a local, decorative cult into a national fashion with the bulk of their production centred in and around the West Midlands. [3]
Stamped brasses on heavy horse harness appeared on the scene around 1880, with a small number occurring perhaps a decade or so earlier, and it is highly likely that the process developed from one that was already established in the manufacture of carriage harness trappings and military insignia. However, production of these appears to have peaked shortly before the First World War, and since the 1920s, a few types have been produced but their quality is rather poor being made from thinner gauge brass sheet. Due to serious considerations of the sheer weight of cast harness decorations carried by working horses (first raised by the early animal welfare movements in the late 19th century) it is thought that the first stamped brasses were made as a lighter (and cheaper), alternative to cast brasses being later exported throughout the British Empire. Unlike their cast cousins, stamped brasses were not made in moulds, but pressed out of rolled sheet brass approximately 1/16 in thickness although other gauges of sheet than earlier examples. Due to the ease of their manufacture, many thousands of these stamped types were produced, but there are some that are very rare.
The production of both cast and stamped brasses has continued since the demise of the British working horse but their manufacture is mainly centred on the souvenir trade, and other specialist manufacturers who provide for the heavy horse world who still breed and show the various breeds.
The National Horse Brass Society of England has members all over the world and provides publications for members and swap meets.
A hobby is considered to be a regular activity that is done for enjoyment, typically during one's leisure time. Hobbies include collecting themed items and objects, engaging in creative and artistic pursuits, playing sports, or pursuing other amusements. Participation in hobbies encourages acquiring substantial skills and knowledge in that area. A list of hobbies changes with renewed interests and developing fashions, making it diverse and lengthy. Hobbies tend to follow trends in society. For example, stamp collecting was popular during the nineteenth and twentieth centuries as postal systems were the main means of communication; as of 2023, video games became more popular following technological advances. The advancing production and technology of the nineteenth century provided workers with more leisure time to engage in hobbies. Because of this, the efforts of people investing in hobbies has increased with time.
A nutcracker is a tool designed to open nuts by cracking their shells. There are many designs, including levers, screws, and ratchets. The lever version is also used for cracking lobster and crab shells.
Philately is the study of postage stamps and postal history. It also refers to the collection and appreciation of stamps and other philatelic products. While closely associated with stamp collecting and the study of postage, it is possible to be a philatelist without owning any stamps. For instance, the stamps being studied may be very rare or reside only in museums.
A postage stamp is a small piece of paper issued by a post office, postal administration, or other authorized vendors to customers who pay postage. Then the stamp is affixed to the face or address-side of any item of mail—an envelope or other postal cover —which they wish to send. The item is then processed by the postal system, where a postmark or cancellation mark—in modern usage indicating date and point of origin of mailing—is applied to the stamp and its left and right sides to prevent its reuse. Next the item is delivered to its addressee.
Stamp collecting is the collecting of postage stamps and related objects. It is an area of philately, which is the study of stamps. It has been one of the world's most popular hobbies since the late nineteenth century with the rapid growth of the postal service, as a stream of new stamps was produced by countries that sought to advertise their distinctiveness through their stamps.
Pewter is a malleable metal alloy consisting of tin (85–99%), antimony, copper (2%), bismuth, and sometimes silver. Copper and antimony act as hardeners, but lead may be used in lower grades of pewter, imparting a bluish tint. Pewter has a low melting point, around 170–230 °C (338–446 °F), depending on the exact mixture of metals. The word pewter is probably a variation of the word spelter, a term for zinc alloys.
A thimble is a small pitted cup worn on the finger that protects it from being pricked or poked by a needle while sewing. The Old English word þȳmel, the ancestor of thimble, is derived from Old English þūma, the ancestor of the English word thumb.
A witch ball is a hollow sphere of glass. Historically, witch balls were hung in cottage windows in 17th and 18th century England to ward off evil spirits, witches, evil spells, ill fortune and bad spirits.
Fire insurance marks are metal plaques marked with the emblem of the insurance company which were affixed to the front of insured buildings as a guide to the insurance company's fire brigade. These identification marks were used in the eighteenth and nineteenth century in the days before municipal fire services were formed. The UK marks are called 'Fire insurance plaques'.
An Ex Libris from ex-librīs, also known as a bookplate, is a printed or decorative label pasted into a book, often on the front endpaper, to indicate ownership. Simple typographical bookplates are termed "book labels".
A horse harness is a device that connects a horse to a horse-drawn vehicle or another type of load to pull. There are two main designs of horse harness: (1) the breast collar or breaststrap, and (2) the full collar or collar-and-hames.
Metals used for architectural purposes include lead, for water pipes, roofing, and windows; tin, formed into tinplate; zinc, copper and aluminium, in a range of applications including roofing and decoration; and iron, which has structural and other uses in the form of cast iron or wrought iron, or made into steel. Metal alloys used in building include bronze ; brass ; monel metal and nickel silver, mainly consisting of nickel and copper; and stainless steel, with important components of nickel and chromium.
A terret is a metal loop on a horse harness, guiding the lines and preventing them from becoming tangled or snagged on the harness.
Pteridomania or fern fever was a Victorian craze for ferns. Decorative arts of the period presented the fern motif in pottery, glass, metal, textiles, wood, printed paper, and sculpture, with ferns "appearing on everything from christening presents to gravestones and memorials".
An amulet, also known as a good luck charm or phylactery, is an object believed to confer protection upon its possessor. The word "amulet" comes from the Latin word amuletum, which Pliny's Natural History describes as "an object that protects a person from trouble". Anything can function as an amulet; items commonly so used include statues, coins, drawings, plant parts, animal parts, and written words.
A talisman is any object ascribed with religious or magical powers intended to protect, heal, or harm individuals for whom they are made. Talismans are often portable objects carried on someone in a variety of ways, but can also be installed permanently in architecture. Talismans are closely linked with amulets, fulfilling many of the same roles, but a key difference is in their form and materiality, with talismans often taking the form of objects which are inscribed with magic texts.
Traditional metal working in Mexico dates from the Mesoamerican period with metals such as gold, silver and copper. Other metals were mined and worked starting in the colonial period. The working of gold and silver, especially for jewelry, initially declined after the Spanish conquest of the Aztec Empire. However, during the colonial period, the working of metals rose again and took on much of the character traditional goods still have. Today, important metal products include those from silver, gold, copper, iron, tin and more made into jewelry, household objects, furniture, pots, decorative objects, toys and more. Important metal working centers include Taxco for silver, Santa Clara del Cobre for copper, Celaya for tin and Zacatecas for wrought iron.
Art in bronze and brass dates from remote antiquity. These important metals are alloys, bronze composed of copper and tin and brass of copper and zinc.
The Nasser D. Khalili Collection of Islamic Art includes 28,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British-Iranian scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.
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