View of the World from 9th Avenue

Last updated

View of the World from 9th Avenue
Steinberg New Yorker Cover.png
Saul Steinberg's March 29, 1976 View of the World from Ninth Avenue cover of The New Yorker
Artist Saul Steinberg
Year1976
TypeInk, pencil, colored pencil, and watercolor on paper
Dimensions28 by 19 inches (71 cm × 48 cm)
LocationPrivate collection

View of the World from 9th Avenue (sometimes A Parochial New Yorker's View of the World, A New Yorker's View of the World or simply View of the World) is a 1976 illustration by Saul Steinberg that served as the cover of the March 29, 1976, edition of The New Yorker . The work presents the view from Manhattan of the rest of the world showing Manhattan as the center of the world. The work of art is an artistic representation of distorted self-importance relative to one's true place in the world that is a form of perception-based cartography humor.

Contents

View of the World has been parodied by Columbia Pictures, The Economist , Mad , and The New Yorker itself, among others. [1] The parodies all reassign the distorted self-importance to a new subject as a satire. The work has been imitated and printed without authorization in a variety of ways. The film poster for Moscow on the Hudson led to a ruling by the United States District Court for the Southern District of New York in Steinberg v. Columbia Pictures Industries, Inc. in favor of Steinberg because of copyright violations by Columbia Pictures.

The illustration was regarded in 2005 as one of the greatest magazine covers of the prior 40 years. Similarly-themed perception-based cartoons had preceded Steinberg, notably a pair by John T. McCutcheon were published on the front page of the Chicago Tribune in the early 20th century. The 1922 McCutcheon work is regarded as an inspiration for this work.

Background

Saul Steinberg created 85 covers and 642 internal drawings and illustrations for The New Yorker, [2] including its March 29, 1976, cover, titled "View of the World from 9th Avenue". [3] This is regarded as his most famous work. It is considered an example of unintentional fame: Steinberg has noted that the type of fame that resulted from the work has diminished his significance to "the man who did that poster". [4] The work is sometimes referred to as A Parochial New Yorker's View of the World or A New Yorker's View of the World because it depicts a map of the world as seen by self-absorbed New Yorkers. [5] [6] At one point The New Yorker applied for a copyright from the United States Copyright Office for the work. It assigned the copyright to Steinberg and subsequently reproduced posters of the painting. [6] Among Steinberg's other works are precursors and derivatives of this work. [7]

Inspiration

John T. McCutcheon perception-based cartography humor
Map of the United States as seen by the Finance Committee of the United States Senate.jpg
January 16, 1908 Chicago Tribune front page cartoon
The New Yorker's Map of the United States.jpg
July 27, 1922 Chicago Tribune front page cartoon
Two prominent perception-based cartography cartoons that preceded Steinberg's and are in the public domain. The 1922 cartoon shows similar satirical "exaggerated regional chauvinism" of New Yorkers.

The New York Times geography editor, Tim Wallace, notes that perception-based map humor has existed since at least a January 16, 1908 Chicago Tribune front page cartoon by John T. McCutcheon, titled "Map of the United States as seen by the Finance Committee of the United States Senate". [8] That cartoon depicts big eastern cities (Washington, DC, Philadelphia, New York City, Boston, and Albany, New York) as the main focus of bald, old, cigar-smoking white men in the United States Senate as they temporarily resolved the Panic of 1907 with the Aldrich-Vreeland Act until they could work out the Federal Reserve Act a few years later. It shows Chicago's location near a depiction of Lake Michigan as a "western village", which may be a midwestern dig at Congressional attention focused on the East Coast of the United States. [9]

Various authors state that McCutcheon presaged Steinberg with his July 27, 1922 Chicago Tribune front page cartoon titled "The New Yorker’s Map of the United States", [10] [9] [11] The prototypical New Yorker is depicted dressed like Mr. Monopoly or British aristocracy in tweed clothing and a deerstalker hat. [9] [10] By playing host in the work, he invites the audience to observe from his viewpoint. [11] In McCutcheon's work, the rest of America is New York City's backyard including Detroit (the home of the automobile industry) depicted as the garage and Chicago (with Union Stock Yards) as the food warehouses both situated correctly along the Great Lakes that are presented as a fish pond. [10] New England is his schoolhouse and farmers are his "tenants". [11] Washington is depicted as an ancillary wing to the building that represents New York City, while livestock ranches symbolize the West, mines symbolize California and oil wells symbolize Texas, all showing that the rest of America exists for the benefit of New York, which likely inspired Daniel Wallingford. [9] Of the various New Yorker satirizations, this map, with its sharp criticism, is perceived to have the most socio-political commentary. [11]

"The New Yorker’s Map of the United States" is falsely titled in a digital edition of the Chicago Tribune article as "The New Yorker’s Idea of the United States," [10] which is a separate 1930s perception-based humor map by Wallingford. [9] [11] [12] In Wallingford's parody, which he self-published in 1932, [9] and which was professionally published by Columbia University Press in 1936, Minneapolis and Indianapolis are depicted as the Twin Cities. [12] It depicts Manhattan and Brooklyn both on a scale larger than most states and portrays Wilmington, Delaware as if it is in the West. [9] Wallingford's map, which makes a similar statement to Steinberg's, is presented in a style that evokes memories of early European exploration maps. [11] Although originally a black-and-white work, it is now produced with colorization. [9] It was republished several times with some sources showing 1937 and 1939 publication dates. [13] [14]

In 2015, Bloomberg News presented another stereotypical self-centered view of New York City from 1970 that depicts Manhattan as 80% of the world and the other four boroughs as another 10%. The South is reduced to references to Texas, Miami and Washington DC. It eliminates the Midwest by melding New Jersey with the West Coast, and presents only trivial foreign depictions. [15] The authorship of this rendition is anonymous. [16]

Steinberg most likely was inspired by McCutcheon's 1922 map although people commonly trace it back to Wallingford. [9] [11] Even someone expert enough to be a senior geography editor for The New York Times thought Wallingford was the inspiration until he stumbled upon McCutcheon. [8]

Detail

The illustration is split in two parts, with the bottom half of the image showing Manhattan's Ninth Avenue, Tenth Avenue, and the Hudson River (appropriately labeled), and the top half depicting the rest of the world. It is a westward view from Ninth Avenue. Buildings along Ninth Avenue are shown in detail, with those between Ninth Avenue and the river also shown but in less detail; individual cars and trucks are drawn along the streets, and pedestrians are drawn along the sidewalks. The rest of the United States is the size of the three New York City blocks and is drawn as a rectangle bounded by North American neighbors Canada and Mexico, with a thin brown strip along the Hudson representing "Jersey", the names of five cities (Los Angeles; Washington, D.C.; Las Vegas; Kansas City; and Chicago) and three states (Texas, Utah, and Nebraska) scattered among a few rocks for the United States beyond New Jersey, which is in bolder font than the rest of the country beyond the Hudson. Washington, D.C. is depicted as a remote location near Mexico. The Pacific Ocean, slightly wider than the Hudson, separates the United States from three flattened land masses labeled China, Japan and Russia. The image depicts the world with a back turned to Europe. [17] Everything beyond the Hudson River is shown without significant distinguishing characteristics. [11]

The work is composed in ink, pencil, colored pencil, and watercolor on paper and measures 28 by 19 inches (71 cm × 48 cm). [18] When exhibiting this work along with alternate versions and sketches, the University of Pennsylvania summarized the work as a "bird's-eye view of the city from Ninth Avenue in a straight line westward, with space becoming ever more condensed..." They also described the work as a tongue-in-cheek view of the world. [19] New York interpreted the New York-centric mind's view of the rest of the world as a set of outer boroughs as iconic. [20] National Post journalist Robert Fulford described the perspective as one in which the entire world is a suburb of Manhattan. [21] The theme that New York City is a cultural mecca that is "the centre of things" had pre-existed this work in various forms of media such as John Dos Passos' 1925 novel Manhattan Transfer , Leonard Bernstein's 1944 song "New York, New York" or Boogie Down Productions' subsequent hip hop song "South Bronx". [22]

Parodies

View of the World has been imitated without authorization in a variety of ways. [4] The work has been imitated in postcard format by numerous municipalities, states and nations. [19] Steinberg had stated that he could have retired on royalties from the many parodies made of the painting, had they been paid, a motivation for his eventual copyright lawsuit for the Moscow on the Hudson use. [23] Fulford, writing in The National Post , noted that the metaphor of the world as a suburb of Manhattan was "understood and borrowed" by the whole world. Local artists, especially poster artists, presented similarly compelling depictions of their own provincial perceptions. Fulford demonstrated the prominence of this work by mentioning that a high school in suburban Ottawa made imitating View of the World an assignment in its graphic arts class. He also noted that the result of this assignment was a worldwide variety of global foci from which the students viewed the world. [21]

The illustration—humorously depicting New Yorkers' self-image of their place in the world, or perhaps outsiders' view of New Yorkers' self-image—inspired many similar works, including the poster for the 1984 film Moscow on the Hudson ; that movie poster led to a lawsuit, Steinberg v. Columbia Pictures Industries, Inc. , 663 F. Supp. 706 (S.D.N.Y. 1987), which held that Columbia Pictures violated the copyright Steinberg held on his work.

The cover was later satirized by Barry Blitt for the cover of The New Yorker on October 6, 2008. The cover featured Sarah Palin looking out of her window seeing only Alaska, with Russia in the far background. [24]

The March 21, 2009 The Economist included a story entitled "How China sees the World" that presents a parody that is also an homage to the original image, but depicting the viewpoint from Beijing's Chang'an Avenue instead of Manhattan. A caption above the illustration reads "Illustration by Jon Berkeley (with apologies to Steinberg and The New Yorker)". It accompanied an article that discussed the burgeoning Chinese economy at the time of Great Recession. [1]

The October 1, 2012 cover of Mad Magazine satirized the problems with the September release of Apple Inc.'s iOS 6 mobile operating system which included Apple Maps, a replacement for Google Maps. The work presents what View of the World might look like if one had relied upon the September 2012 version of Apple Maps to locate various landmarks. [25] [26] [27]

Other parodies have depicted the view from Massachusetts Route 128 technological corridor, [28] Princeton University, [29] [30] Tel Aviv, [31] Jerusalem, [32] various European cities, [33] and various other locations worldwide. [34]

David Runciman has described Elon Musk as if this artwork depicts how his mind works claiming that Musk sees big Tesla, Inc. factories and only minor details between them and outer space. [35]

Critical review

On October 17, 2005, the American Society of Magazine Editors unveiled its list of the greatest 40 magazine covers of the prior 40 years and ranked View of the World from 9th Avenue in fourth place. The listing stated that the work "...has come to represent Manhattan's telescoped perception of the country beyond the Hudson River. The cartoon showed the supposed limited mental geography of Manhattanites." [36] Chicago Tribune writer Steve Johnson describes the work as the best expression of "New Yorkers' maddeningly internalized sense of superiority about their place of residence". [37] Even Chicago's Newberry Library considers Steinberg's satirization of pretentious New Yorkers to be the grandest presentation of the subject. [11]

Related Research Articles

<i>The New Yorker</i> American weekly magazine since 1925

The New Yorker is an American magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. It was founded on February 21, 1925, by Harold Ross and his wife Jane Grant, a reporter for The New York Times. Together with entrepreneur Raoul H. Fleischmann, they established the F-R Publishing Company and set up the magazine's first office in Manhattan. Ross remained the editor until his death in 1951, shaping the magazine's editorial tone and standards.

<span class="mw-page-title-main">Manhattan</span> Borough and county in New York, United States

Manhattan is the most densely populated and geographically smallest of the five boroughs of New York City. Coextensive with New York County, Manhattan is the smallest county by geographical area in the U.S. state of New York. Located almost entirely on Manhattan Island near the southern tip of the state, Manhattan constitutes the center of the Northeast megalopolis and the urban core of the New York metropolitan area. Manhattan serves as New York City's economic and administrative center and has been described as the cultural, financial, media, and entertainment capital of the world.

<span class="mw-page-title-main">Hell's Kitchen, Manhattan</span> Neighborhood in New York City

Hell's Kitchen, formerly also known as Clinton, is a neighborhood on the West Side of Midtown Manhattan in New York City, United States. It is considered to be bordered by 34th Street to the south, 59th Street to the north, Eighth Avenue to the east, and the Hudson River to the west.

<span class="mw-page-title-main">Chelsea, Manhattan</span> Neighborhood in New York City

Chelsea is a neighborhood on the West Side of the borough of Manhattan in New York City. The area's boundaries are roughly 14th Street to the south, the Hudson River and West Street to the west, and Sixth Avenue to the east, with its northern boundary variously described as near the upper 20s or 34th Street, the next major crosstown street to the north. To the northwest of Chelsea is the neighborhood of Hell's Kitchen, as well as Hudson Yards; to the northeast are the Garment District and the remainder of Midtown South; to the east are NoMad and the Flatiron District; to the southwest is the Meatpacking District; and to the south and southeast are the West Village and the remainder of Greenwich Village. Chelsea was named for an estate in the area, which in turn was named for the Royal Hospital Chelsea in London.

<span class="mw-page-title-main">Midtown Manhattan</span> Central business district in New York City

Midtown Manhattan is the central portion of the New York City borough of Manhattan and serves as the city's primary central business district. Midtown is home to some of the city's most prominent buildings, including the Empire State Building, the Chrysler Building, the Hudson Yards Redevelopment Project, the headquarters of the United Nations, Grand Central Terminal, and Rockefeller Center, as well as several prominent tourist destinations including Broadway, Times Square, and Koreatown. Penn Station in Midtown Manhattan is the busiest transportation hub in the Western Hemisphere.

<i>Moscow on the Hudson</i> 1984 American film by Paul Mazursky

Moscow on the Hudson is a 1984 American romantic comedy-drama film, written and directed by Paul Mazursky, starring Robin Williams as a Soviet circus musician who defects while on a visit to the United States. It co-stars María Conchita Alonso, Elya Baskin as the circus clown, Savely Kramarov as one of two KGB apparatchiks, Alejandro Rey as the musician's immigration attorney, and Cleavant Derricks as his first American host and friend.

<span class="mw-page-title-main">Peter Arno</span> American cartoonist (1904–1968)

Curtis Arnoux Peters, Jr., known professionally as Peter Arno, was an American cartoonist. He contributed cartoons and 101 covers to The New Yorker from 1925, the magazine's first year, until 1968, the year of his death. In 2015, New Yorker contributor Roger Angell described him as "the magazine's first genius".

Saul Steinberg was an American artist, best known for his work for The New Yorker, most notably View of the World from 9th Avenue. He described himself as "a writer who draws".

<span class="mw-page-title-main">Newport station (PATH)</span> Port Authority Trans-Hudson rail station

The Newport station is a station on the PATH system. Located on Town Square Place at the corner of Washington Boulevard in the Newport neighborhood of Jersey City, New Jersey, it is served by the Hoboken–World Trade Center and Journal Square–33rd Street lines on weekdays, and by the Journal Square–33rd Street line on weekends. As of 2017, its estimated weekday use was nearly 20,000 passengers, up from 17,000 to 18,000 average weekday passengers in 2010.

<span class="mw-page-title-main">Thirteenth Avenue (Manhattan)</span> Street in Manhattan, New York

Thirteenth Avenue was a street in the New York City borough of Manhattan, New York City. It was built in 1837 along the Hudson River. The avenue was later removed in the early 20th century to make way for the Chelsea Piers.

<span class="mw-page-title-main">Ninth Avenue (Manhattan)</span> North-south avenue in Manhattan, New York

Ninth Avenue, known as Columbus Avenue between West 59th and 110th Streets, is a thoroughfare on the West Side of Manhattan in New York City, United States. Traffic runs downtown (southbound) from the Upper West Side to Chelsea. Two short sections of Ninth Avenue also exist in the Inwood neighborhood, carrying two-way traffic.

<span class="mw-page-title-main">Ninth Street station (PATH)</span> Port Authority Trans-Hudson rail station

Ninth Street station is a station on the PATH system. Located at the intersection of 9th Street and Sixth Avenue in the Greenwich Village neighborhood of Manhattan, New York City, it is served by the Hoboken–33rd Street and Journal Square–33rd Street lines on weekdays, and by the Journal Square–33rd Street line on weekends.

<span class="mw-page-title-main">Journal Square–33rd Street</span> Rapid transit service in New Jersey and New York City

Journal Square–33rd Street is a rapid transit service operated by the Port Authority Trans-Hudson (PATH). It is colored yellow on the PATH service map and trains on this service display yellow marker lights. This service operates from Journal Square in Jersey City, New Jersey by way of the Uptown Hudson Tubes to 33rd Street in Midtown Manhattan, New York. The 5.7-mile (9.2 km) trip takes 22 minutes to complete.

<span class="mw-page-title-main">Hudson Heights, Manhattan</span> Neighborhood in New York City

Hudson Heights is a residential neighborhood within Washington Heights in Upper Manhattan, New York City. Most residences are apartment buildings, many of which are cooperatives, and most were constructed in the 1920s through 1940s. The Art Deco style is prominent, along with Tudor Revival. Notable complexes include Hudson View Gardens and Castle Village, which were both developed by Dr. Charles V. Paterno, and were designed by George F. Pelham and his son, George F. Pelham, Jr., respectively.

<span class="mw-page-title-main">33rd Street station (PATH)</span> Port Authority Trans-Hudson rail station

33rd Street station is a terminal station on the PATH system. Located at the intersection of 32nd Street and Sixth Avenue in the Herald Square neighborhood of Midtown Manhattan, New York City, it is served by the Hoboken–33rd Street and Journal Square–33rd Street lines on weekdays, and by the Journal Square–33rd Street line on late nights, weekends, and holidays. 33rd Street serves as the northern terminus of all three lines.

<i>Steinberg v. Columbia Pictures Industries, Inc.</i> 1987 lawsuit

Steinberg v. Columbia Pictures Industries, Inc., 663 F. Supp. 706 was a federal case in which artist Saul Steinberg sued various parties involved with producing and promoting the 1984 movie Moscow on the Hudson, claiming that a promotional poster for the movie infringed his copyright in a magazine cover, View of the World from 9th Avenue, he had created for The New Yorker.

<span class="mw-page-title-main">New Yorkistan</span> Cover Art for The New Yorker magazine, December 10, 2001

"New Yorkistan" is the title of the cover art for the December 10, 2001 edition of The New Yorker magazine. Inspired by a conversation while driving through the Bronx, it was created by Maira Kalman and Rick Meyerowitz who did the actual painting, and is #14 on the list of the top 40 magazine covers of the past 40 years. It depicts the boroughs of New York City, as well as individual neighborhoods within the city, giving each a humorous name based on the history or geography of that area of the city, while playfully using names or suffixes common in the Middle East and Central Asia, such as "-stan". Thus the title, "New Yorkistan".

<span class="mw-page-title-main">Hedda Sterne</span> Romanian-American artist (1910–2011)

Hedda Sterne was a Romanian-born American artist who was an active member of the New York School of painters. Her work is often associated with Abstract Expressionism and Surrealism. She was also the only woman to appear in the famous photograph of abstract expressionist artists dubbed "The Irascibles", although the group included other women.

<span class="mw-page-title-main">Saul Steinberg (businessman)</span> American businessman and financier (1939–2012)

Saul Phillip Steinberg was an American businessman and financier. He became a millionaire before his 30th birthday and a billionaire before his 40th birthday. He started a computer leasing company (Leasco), which he used in an audacious and successful takeover of the much larger Reliance Insurance Company in 1968. He was best known for his unsuccessful attempts to take over Chemical Bank in 1969 and Walt Disney Productions in 1984.

<span class="mw-page-title-main">Chambers Street–World Trade Center/Park Place/Cortlandt Street station</span> New York City Subway station in Manhattan

The Chambers Street–World Trade Center/Park Place/Cortlandt Street station is a New York City Subway station complex on the IND Eighth Avenue Line, IRT Broadway–Seventh Avenue Line, and BMT Broadway Line. Located on Church Street between Chambers and Cortlandt Streets in the Financial District of Manhattan, it is served by the 2, A and E trains at all times; W train on weekdays; 3, C and R trains at all times except late nights; and N train during late nights.

References

  1. 1 2 "How China sees the world". The Economist (front page). Retrieved June 16, 2021.; Article (subscription required)
  2. Woo, Elaine (May 14, 1999). "Saul Steinberg; Artist Best Known for Covers and Cartoons in the New Yorker". Los Angeles Times . Retrieved October 4, 2012.
  3. "The New Yorker Cover, View of the World from 9th Avenue". Condé Nast. March 29, 1976. Retrieved June 16, 2021.
  4. 1 2 Brim, Orville Gilber (2009). Look at Me!: The Fame Motive from Childhood to Death. University of Michigan Press. p. 41. ISBN   978-0472050703.
  5. Kennicott, Philip (July 15, 2008). "The New Yorker Cover and the Challenge of Satire". The Washington Post . Retrieved October 4, 2012.
  6. 1 2 Merryman, John Henry; Albert Elsen; Stephen K. Urice (2007). Law, Ethics, And the Visual Arts. Kluwer Law International. p. 548. ISBN   978-9041125187.
  7. "View of the World from 9th Avenue & Steinbergian Cartography". The Saul Steinberg Foundation. Retrieved November 23, 2023.
  8. 1 2 Wallace, Tim (March 16, 2016). "@WallaceTim status update". Twitter. Retrieved December 30, 2023.
  9. 1 2 3 4 5 6 7 8 9 Jacobs, Frank (April 19, 2022). "Satirical cartography: a century of American humor in twisted maps". Big Think . Retrieved December 30, 2023.
  10. 1 2 3 4 Johnson, Steve (2019). "More than milquetoast". Chicago Tribune (digital edition). Retrieved December 30, 2023.
  11. 1 2 3 4 5 6 7 8 9 "McCutcheon's View". Newberry Library. January 24, 2013. Archived from the original on July 27, 2022. Retrieved December 30, 2023.
  12. 1 2 "A New Yorker's Idea of the United States". Cornell University . Retrieved December 30, 2023.
  13. "A New Yorker's idea of the United States of America". DavidRumsey.com. 1939. Retrieved December 31, 2023.
  14. "1937 Wallingford Satirical Map of the United States". Geographicus.com. 1937. Retrieved December 31, 2023.
  15. Metcalfe, John (July 31, 2015). "A New Yorker's Delightfully Stereotypical Map of America". Bloomberg News . Retrieved December 30, 2023.
  16. "New York City". DavidRumsey.com. 1970. Retrieved December 31, 2023.
  17. Jacobs, Frank (February 7, 2007). "72 – The World As Seen From New York's 9th Avenue". big think. Retrieved October 4, 2012.
  18. "View of the World from 9th Avenue, 1976". SaulSteinbergFoundation.org. Archived from the original on November 29, 2012. Retrieved October 4, 2012.
  19. 1 2 Leymarie, Jean. "Saul Steinberg". Almanac. University of Pennsylvania . Retrieved October 4, 2012.
  20. New York. Vol. 39. New York Magazine Company. 2006. p. 96.
  21. 1 2 Fulford, Robert (June 21, 2005). "A 'parody of talent': A new book posits that Saul Steinberg did for art what James Joyce did for literature". RobertFulford.com. Retrieved October 5, 2012.
  22. Lynskey, Dorian (September 8, 2006). "Film & Music: Readers recommend songs about New York" . The Guardian . p. 4. ProQuest   246507637 . Retrieved November 23, 2023.
  23. Boxer, Sarah (May 13, 1999). "Saul Steinberg, Epic Doodler, Dies at 84". The New York Times . Retrieved March 19, 2015.
  24. ""The New Yorker Cover – October 6, 2008 – A Room with a View". condenaststore.com. October 6, 2008. Retrieved June 16, 2021.
  25. Busis, Hillary (October 2, 2012). "View of the World from 9th Avenue… as seen on Apple Maps". Entertainment Weekly. Archived from the original on October 4, 2012. Retrieved October 4, 2012.{{cite magazine}}: CS1 maint: unfit URL (link)
  26. "Apple Maps Wreak Havoc with New Yorker Cover". Mad Magazine . October 1, 2012. Retrieved October 4, 2012.
  27. Mack, Eric (October 2, 2012). "The New Yorker's view from 9th Avenue – via Apple Maps". CNET . Retrieved October 5, 2012.
  28. "Route 128" Poster, kirbyscudder.com
  29. "View of the World from Nassau Street". Princeton.edu. December 11, 2017. Retrieved November 23, 2023.
  30. Lange, Gregg (January 19, 2010). "Rally 'Round the Cannon". Princeton Alumni Weekly . Retrieved November 23, 2023.
  31. Motro, Shari (July 30, 2006). "The View From The Bubble: [Third Edition]" . Boston Globe . p. D10. ProQuest   405014742 . Retrieved November 23, 2023. THE COVER OF LAST WEEK'S Time Out Tel Aviv was a local variation on Saul Steinberg's famous New Yorker cover "View of the World from 9th Avenue." Allenby Street is in the foreground, followed by Rothschild Boulevard, Shenkin Street, Kadishman's three-dot sculpture, the Yarkon River, and beyond it, all crammed in together: Baghdad, Tehran, Haifa, Tiberias, Acre, Beirut, a battleship, jet planes, missiles, explosions.
  32. "Jerusalem (In the Style of Steinberg)", chisholm-poster.com
  33. "The New Yorker variations, moorsmagazine.com
  34. "View of the World from", September 9, 2014, imgur
  35. "What makes Elon Musk tick? I spent months following the same people as him to find out who fuels his curious worldview". The Guardian . September 23, 2023. Retrieved November 23, 2023. It's like the old New Yorker cartoon View of the World from 9th Avenue, in which 10th Avenue looms large, the rest of the US small, and the rest of the world barely gets a look in. But this one doesn't feature New York. For Musk, nowhere in the US looms very large, nor does much of the rest of the planet. Sometimes he notices China, or India, but most of the time he sees only what's in front of his face, or what's well beyond other people's ken. Tesla factories are big, but there's not much else that stands out before we reach outer space.
  36. "ASME's Top 40 Magazine Covers of the Last 40 Years". American Society of Magazine Editors. October 17, 2005. Retrieved October 4, 2012.
  37. Johnson, Steve (November 11, 2010). "Chicago's lord of the riff is king of New Yorker". Chicago Tribune . Retrieved November 23, 2023.