Who's Zoomin' Who? | ||||
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Studio album by | ||||
Released | July 9, 1985 | |||
Recorded | October 1984 – May 1985 | |||
Studio |
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Genre | ||||
Length | 47:15 | |||
Label | Arista | |||
Producer |
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Aretha Franklin chronology | ||||
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Singles from Who's Zoomin' Who? | ||||
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Who's Zoomin' Who? is the thirtieth studio album by American singer Aretha Franklin, released on July 9, 1985, by Arista Records. A departure from the Luther Vandross-produced adult contemporary sound of her previous albums Jump to It (1982) and Get It Right (1983), Franklin worked with producer Narada Michael Walden on the majority of the album, envisioning "a record with a younger sound to it". [1] As a result, Who's Zoomin' Who? contains influences of several popular mid-1980s genres, including dance-pop, synth-pop, and contemporary R&B, as well as pop songs with crossover appeal.
Released to praising reviews, Who's Zoomin' Who? became Franklin's highest-charting album since Young, Gifted and Black (1972) and her first and only studio album to earn a platinum certification from the Recording Industry Association of America (RIAA), with more than one million copies physically distributed. A top-10 entry in New Zealand and Sweden, the album also went platinum in Canada and reached silver status in the United Kingdom. "Freeway of Love", the album's lead single, proved both a commercial success, as well as a career achievement for Franklin, earning her a Grammy Award for Best Female R&B Vocal Performance while holding the number-one position on Billboard's Hot R&B/Hip-Hop Songs chart for five consecutive weeks.
Who's Zoomin' Who? was considered Franklin's comeback album, with many journalists comparing its performance to Tina Turner's late-career crossover success with her album Private Dancer (1984), and marked the start of several collaborations with Walden. With the album, the singer established herself as a star of music video, with popular videos for "Freeway of Love", "Sisters Are Doin' It for Themselves" and "Another Night" enjoying heavy rotation on MTV. In 1989, the album was ranked number 89 on Rolling Stone magazine's "100 Best Albums of the Eighties" listing. [2] At the time of its release, Franklin rated Who's Zoomin' Who? as one of her best albums. [1]
In 1983, Franklin released her twenty-ninth studio album, Get It Right . Produced by singer Luther Vandross, following his successful teaming with the singer on her 1982 album, Jump to It , it spawned the Hot R&B/Hip-Hop Songs number-one hit "Get It Right" but became a moderate commercial success in the United States only where it peaked at number 36 on US Billboard 200. [3] Franklin spent a great part of the following years in her hometown of Detroit, looking after her seriously ill father, the Reverend C. L. Franklin. After her father died in 1984, the singer began thinking about returning to the music scene. [2] In an interview with Rolling Stone, Franklin said that following Get It Right, she wanted to do "a record with a younger sound to it. I'd been listening to the radio and I really liked what I heard. I figured to myself that it was time for me to do something serious." [1]
Arista Records arranged a telephone conversation with producer and singer Narada Michael Walden to discuss working together on Franklin's next studio album. [2] Since Franklin disliked traveling, Walden subsequently started assembling backing tracks in Los Angeles and brought the session tapes to Detroit, where Franklin added her vocals. [2] According to Walden, Franklin "had to get reacquainted with being in the studio" following her hiatus but "it didn't take long for the singer to regain her form". [2] Despite Franklin's reputation as a singer, Walden found her easy to work with, citing her a "black Mae West". [2] Further elaborating on the recording process, he stated: "She'll sing a song down in the lower range maybe four or five times. Then she'll sing it up in her range and do two or three takes." [2] Looking for a male singer to work with Franklin on the duet song "Push", Walden "put out signals, but a lot of people were frightened to death to sing" with Franklin. Former The J. Geils Band vocalist Peter Wolf, however, jumped at the chance. [2]
Review scores | |
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Source | Rating |
AllMusic | [4] |
Robert Christgau | A [5] |
Who's Zoomin' Who? received generally favorable reviews from music critics. AllMusic editor Craig Lytle called the album a return "in style" and praised the album for its singles as well as Franklin's vocal performance which he declared as "lively", "laudable" and "soulful". [4] Lytle rated the album three and a half out of five stars. [4] in his review for The Village Voice , Robert Christgau found that Franklin "hasn't done anything near this good in over a dozen [years]. It couldn't have happened without the top-forty revival, and it couldn't have happened without Narada Michael Walden, who unhesitatingly plugged his first legend into one pop format after another and came up with classics almost every time." Giving the album an A rating, he concluded that "from lead rocker to hooked ballad to Caribe Richie carnivalesque, these songs go no deeper than Franklin can make them by breathing, but their instant inevitability could keep this album alive for years." [5]
Rolling Stone critic Vince Aletti wrote that "though Who's Zoomin' Who? never quite comes together as an album, Walden's ambitious eclecticism works cut by cut with few exceptions, and astonishingly, the hype is nearly justified: this is some of Aretha Franklin's best work since the 1960s." He felt that "the example of Tina Turner acted as goad and inspiration, and the edge of rich brashness in Aretha's performances seems sparked by Turner's electric drive [...] Zoomin' seems so anxious to cover all the angles that it scatters Aretha's energies rather than focusing them. Still, Franklin sweeps through this stylistic hodgepodge with more fire and verve than she's displayed in years. Even if this isn't her crossover breakthrough, there's enough vocal brilliance here to stun any listener within range." [3] Similarly, People found that Franklin "has never sounded better than she does on this album" but criticized the project for being "less than it might have been". The magazine noted that while Walden has "a way of making mediocre singers sound better than they are, he also has a way of making wonderful singers sound less wonderful, putting them up against grinding soul-funk backgrounds with which even someone like Franklin has trouble competing. [6] In 1989, Rolling Stone ranked Who's Zoomin' Who? 85th on its "100 Best Albums of the Eighties" listing. [2]
In the United States, Who's Zoomin' Who? peaked at number 13 on the Billboard 200, becoming Franklin's highest-charting album since Young, Gifted and Black had reached number 11 in 1972. [7] It also reached number three on the Top R&B/Hip-Hop Albums chart. The singer's biggest commercial in years, the album reached gold status by August and was eventually certified platinum by the Recording Industry Association of America (RIAA) in December 1985, indicating sales in excess of 1.0 million copies. [8] Franklin's biggest seller within her discography, it would remain her final album to enter the top 20 until the release of her 2014 album Aretha Franklin Sings the Great Diva Classics , which also peaked at number 13 and number three on the Billboard 200 and the Top R&B/Hip-Hop Albums. [7]
In Canada and the United Kingdom, Who's Zoomin' Who? also ranks among Franklin's biggest-selling albums. [9] [10] It was certified platinum by Music Canada and silver by the British Phonographic Industry (BPI), while reaching number 13 on the Canadian and 49 on the British Albums Chart, respectively. [11] [12] Elsewhere, the album entered the top ten in New Zealand and Sweden, remaining Franklin's highest-charting album in both nations until her death in 2018, [13] [14] while making it to the top 20 in Australia and Norway. [15] Who's Zoomin' Who? was considered Franklin's comeback album, with many journalist comparing its performance to Tina Turner's late career crossover success with her album Private Dancer (1984), and marked the start of several collaborations with Walden. With the album, the singer established herself as a star of music video, with popular videos for "Freeway of Love", "Sisters Are Doin' It for Themselves" and "Another Night" enjoying heavy rotation on MTV. [2]
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "Freeway of Love" | Walden | 5:52 | |
2. | "Another Night" |
| Walden | 4:31 |
3. | "Sweet Bitter Love" | Van McCoy | Franklin | 5:11 |
4. | "Who's Zoomin' Who" |
| Walden | 4:44 |
No. | Title | Writer(s) | Producer(s) | Length |
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5. | "Sisters Are Doin' It for Themselves" (with Eurythmics) | Stewart | 5:52 | |
6. | "Until You Say You Love Me" |
| Walden | 4:23 |
7. | "Ain't Nobody Ever Loved You" |
| Walden | 4:50 |
8. | "Push" (with Peter Wolf) |
| Walden | 4:35/5:34 |
9. | "Integrity" | Franklin | Franklin | 4:24/5:33 |
No. | Title | Length |
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10. | "Freeway of Love" (Single mix) | 4:07 |
11. | "Sisters Are Doin' It for Themselves" (Single mix) | 4:31 |
12. | "Who's Zoomin' Who?" (Radio mix) | 5:50 |
13. | "Another Night" (Radio mix) | 5:06 |
14. | "Ain't Nobody Ever Loved You" (Single mix) | 4:18 |
No. | Title | Length |
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1. | "Freeway of Love" (Rock mix) | 4:52 |
2. | "Freeway of Love" (Extended remix) | 6:32 |
3. | "Sisters Are Doin' It for Themselves" (ET mix) | 7:49 |
4. | "Who's Zoomin' Who?" (Dance mix) | 8:36 |
5. | "Who's Zoomin' Who" (Dub mix) | 5:23 |
6. | "Who's Zoomin' Who?" (Acappella mix) | 5:32 |
7. | "Another Night" (Dance mix) | 6:41 |
8. | "Another Night" (Dub mix) | 6:58 |
9. | "Another Night" (Single mix) | 4:08 |
10. | "Ain't Nobody Ever Loved You" (Remix) | 6:25 |
11. | "Ain't Nobody Ever Loved You" (Dub mix) | 7:01 |
12. | "Ain't Nobody Ever Loved You" (Percapella mix) | 7:06 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [11] | Platinum | 100,000^ |
New Zealand (RMNZ) [26] | Gold | 7,500^ |
United Kingdom (BPI) [12] | Silver | 60,000^ |
United States (RIAA) [8] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
Aretha Louise Franklin was an American singer, songwriter and pianist. Honored as the "Queen of Soul", she was twice named by Rolling Stone magazine as the greatest singer of all time.
Narada Michael Walden is an American musician, singer, songwriter and record producer. He acquired the nickname Narada from Sri Chinmoy.
"It Isn't, It Wasn't, It Ain't Never Gonna Be" is a duet recorded between Aretha Franklin and Whitney Houston, and appeared on Franklin's 1989 album Through the Storm. The song was released on June 10, 1989, as the second single from the album by Arista Records.
"I Knew You Were Waiting (For Me)" is a song released by American singer Aretha Franklin and English singer George Michael as a duet in 1987. The song was a number one hit in the United States and the United Kingdom. Billboard listed "I Knew You Were Waiting (For Me)" as Franklin's all-time biggest Hot 100 single. The song was Franklin's biggest hit on the Billboard Adult Contemporary chart, reaching number two. The song was written by Simon Climie and Dennis Morgan and produced by Narada Michael Walden. Franklin and Michael won a 1987 Grammy Award for Best R&B Performance by a Duo or Group with Vocal for "I Knew You Were Waiting (For Me)".
"Respect" is a song written and originally recorded by American soul singer Otis Redding. It was released in 1965 as a single from his third album Otis Blue/Otis Redding Sings Soul and became a crossover hit for Redding.
"Pillow Talk" is a 1973 song by American singer and songwriter Sylvia, written by Sylvia along with Michael Burton.
"Freeway of Love" is a song by American singer Aretha Franklin. It was written by Jeffrey Cohen and Narada Michael Walden and produced by the latter for Franklin's thirtieth studio album Who's Zoomin' Who? (1985). The song features a notable contribution from Clarence Clemons, the saxophonist from Bruce Springsteen’'s E Street Band. Sylvester, Martha Wash, and Jeanie Tracy provided backup vocals on "Freeway of Love".
"Sisters Are Doin' It for Themselves" is a song by British pop duo Eurythmics and American singer Aretha Franklin. A modern feminist anthem, it was written by Eurythmics members Annie Lennox and David A. Stewart and featured on both Eurythmics' Be Yourself Tonight (1985) and Franklin's Who's Zoomin' Who? (1985) albums. The duo originally intended to perform with Tina Turner, who was unavailable at the time and so they flew to Detroit and recorded with Franklin instead. The track also features three of Tom Petty's Heartbreakers: Stan Lynch on drums, Benmont Tench on organ, and Mike Campbell on lead guitar, plus session bassist Nathan East.
Who's Zoomin' Who? is the thirtieth studio album by American singer Aretha Franklin, released on July 9, 1985, by Arista Records. A departure from the Luther Vandross-produced adult contemporary sound of her previous albums Jump to It (1982) and Get It Right (1983), Franklin worked with producer Narada Michael Walden on the majority of the album, envisioning "a record with a younger sound to it". As a result, Who's Zoomin' Who? contains influences of several popular mid-1980s genres, including dance-pop, synth-pop, and contemporary R&B, as well as pop songs with crossover appeal.
This discography documents the releases of albums and singles by Aretha Franklin. Widely regarded as the "Queen of Soul", she has sold more than 75 million records worldwide, making her one of the best-selling R&B female artists of all time. Billboard ranks her as the 34th Greatest Artist of all time. Franklin has scored 73 entries on the Billboard Hot 100, the most among women for nearly 50 years until Nicki Minaj passed her in 2017. Billboard listed her as the 41st Top Gospel Artist of the 2010s. She has accumulated 20 No. 1 hits on Billboard's Hot R&B/Hip-Hop Songs.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
A Rose Is Still a Rose is the thirty-fourth studio album by American recording artist Aretha Franklin. It was released on March 24, 1998, by Arista Records. Conceived after a longer hiatus and a complete departure from her previous studio album What You See Is What You Sweat (1991), the album includes influences of 1990s hip hop as well as modern-day contemporary R&B and soul music. Throughout the project, Franklin worked with many famed hip hop producers and rappers, such as Lauryn Hill, Sean "Puffy" Combs, Jermaine Dupri, and Daryl Simmons. With the latter acts producing most of the album, A Rose Is Still a Rose deviated from the adult contemporary sound of Franklin's older work.
"The Dark End of the Street" is a 1967 soul song, written by songwriters Dan Penn and Chips Moman and first recorded by James Carr. It became his trademark song, reaching number 10 on Billboard Magazine's R&B Chart, and crossing over to number 77 on the Billboard Hot 100.
Aretha is the thirty-first studio album by American singer Aretha Franklin, originally released on October 27, 1986, by Arista Records. It is the third album with the Aretha title to be released by Franklin, following her 1961 album and 1980 album.
Through the Storm is the thirty-second studio album by American singer Aretha Franklin. It was released on April 01, 1989, by Arista Records.
"Jimmy Lee" is a song written by Narada Michael Walden, Lisa Walden, Preston Glass, and Jeffrey Cohen for American singer Aretha Franklin, who recorded it for her 1986 album Aretha. Produced by Narada Michael Walden, the track was released as the lead single from the album in late 1986.
"Divine Emotions" is a 1988 single by Narada Michael Walden, from the album Divine Emotion. A successful producer, Walden billed himself as Narada for his later music releases. After producing acts like Aretha Franklin and Whitney Houston in the mid-1980s, Walden released "Divine Emotions," in 1988. The single went to number one on the Billboard dance club play chart for one week. Although the single did not chart on the Hot 100, it peaked at number twenty-one on the soul singles chart. Overseas, "Divine Emotions", was a Top Ten hit in the UK, peaking at #8, and in the Netherlands, peaking at #4 in the Dutch Top40.
Whisper a Prayer is the third studio album by British singer-songwriter Mica Paris. It was released on 8 June 1993 by 4th & B'way Records, her last for the label. Recording sessions for the album commenced in the spring of 1992 and concluded the following spring with Paris co-writing four of the twelve songs and producing one. Whisper a Prayer features writing and production from Narada Michael Walden, Rod Temperton and Terry Britten all of whom were top record producers at the time.
"Gimme Your Love" is a song recorded as duet between American singers Aretha Franklin and James Brown in 1989. The two singers' only collaboration, it is the lead track on Franklin's album Through the Storm and also appeared on Brown's Soul Session Live. It was written by Narada Michael Walden and Jeffrey Cohen, and produced by the former. It was released as the album's third and final single on September 18, 1989, by Arista Records and peaked at No. 48 on the Billboard R&B singles chart. The song was poorly received by critics, with Rolling Stone describing it as "a series of whoops and grunts as challenging to [the singers] as yawning". Nevertheless, it was nominated for the 1990 Grammy Award for Best R&B Performance by a Duo or Group with Vocal.
"A Deeper Love" is a song written by American producers Robert Clivillés and David Cole, and performed by them as Clivillés & Cole featuring vocals by Deborah Cooper. Released by Columbia in 1991, the song was the duo's fifth number-one on the US Billboard Hot Dance Club Play chart. On other US charts, "A Deeper Love" peaked at number 83 on the soul singles chart and number 44 on the pop chart. Overseas, especially in Europe the single charted higher, going to number 15 in the UK and number eight on the Dutch Top 40.