Why Am I Treated So Bad! | ||||
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Studio album by The Cannonball Adderley Quintet | ||||
Released | May 1967 [1] | |||
Recorded | March 6 & 23, 1967 | |||
Studio | Capitol (Hollywood) | |||
Genre | Jazz | |||
Label | Capitol | |||
Producer | David Axelrod | |||
The Cannonball Adderley Quintet chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz | [3] |
Why Am I Treated So Bad! is an album by the Cannonball Adderley Quintet, recorded at the Capitol Studios in Hollywood in 1967. [4] [5]
The song "I'm on My Way", was written by his nephew Nat Adderley Jr., who at the time was an 11-year-old living in Teaneck, New Jersey. [6]
(CD re-issue)
Julian Edwin "Cannonball" Adderley was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Nancy Wilson/Cannonball Adderley is a studio album by Nancy Wilson and Cannonball Adderley issued in February 1962 by Capitol Records. The album rose to No. 30 on the Billboard Top LPs chart.
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by jazz musician Julian "Cannonball" Adderley. It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, and was added to the Grammy Hall of Fame in 2021.
Forecast: Tomorrow is a 3-CD/1-DVD career-spanning compilation of recordings of Weather Report. The 37 tracks are presented chronologically, beginning with three tracks pre–Weather Report, from ensemble duties with Miles Davis, Cannonball Adderley (Zawinul), and from a Shorter solo album. In addition to two previously unreleased tracks, the set closes with DJ Logic's remix of "125th Street Congress".
Radio Nights is an album released in 1991 featuring previously unreleased live radio broadcasts by the Cannonball Adderley Quartet, Quintet and Sextet from New York City's Half Note Club jazz club. They were recorded by Alan Grant and broadcast live on radio in the last week of 1967 and the first week of 1968. The montage of Adderley's monologues are taken from a recording made at the Keystone Korner jazz club, San Francisco. At the time of the recordings, Adderley was under contract to Capitol.
Cannonball in Japan is a live recording by the Cannonball Adderley Quintet at the Sankei Hall in Tokyo which was first released on the Japanese Capitol label in 1966 before being more widely released on CD in 1990.
Nathaniel Adderley Jr. is an American pop and rhythm and blues music arranger and pianist who spent much of his music career arranging as music director for Luther Vandross tours and contributed as co-songwriter on most of Vandross's albums. His father Nat Adderley (1931–2000) was a composer and jazz cornet and trumpet player, while his uncle Cannonball Adderley (1928–1975) was a jazz alto saxophonist.
Cannonball in Europe! is a live album by jazz saxophonist Cannonball Adderley recorded at the Comblain-la-Tour in Belgium and released on the Capitol label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Nippon Soul is a live album by jazz saxophonist Cannonball Adderley recorded at the Sankei Hall in Tokyo during his 1963 Japanese tour and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The CD release added a bonus track recorded the previous week and originally released on The Japanese Concerts (1975).
Cannonball Adderley Live! is a live album by jazz saxophonist Cannonball Adderley recorded at Shelly's Manne-Hole and released on the Capitol label featuring performances by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Great Love Themes is an album recorded in April 1966 by jazz saxophonist Julian Edwin "Cannonball" Adderley. It was released on the Capitol label featuring performances of Broadway show tunes by Cannonball Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis and Roy McCurdy. AllMusic awarded the album 1 star.
Money in the Pocket is a live album by jazz saxophonist Cannonball Adderley featuring performances by Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis and Roy McCurdy. Recorded at The Club in Chicago in 1966, it was not released on the Capitol label until 2005. However, edited versions of four of the songs were released as singles in 1966: "Money in the Pocket"/"Hear Me Talking to You" on Capitol 5648, and "Sticks"/"Cannon's Theme" on Capitol 5736.
74 Miles Away is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. Following these sessions, it would be almost a year before Cannonball Adderley recorded again, a significant sign that the slump in jazz fortunes of the later 1960s had begun.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
Introducing Nat Adderley is an album by jazz cornetist Nat Adderley first released on the Wing label featuring performances by Adderley and his brother Julian "Cannonball" Adderley, Horace Silver, Paul Chambers, and Roy Haynes. The album was later released on the Emarcy label and also rereleased on the Limelight label as Them Adderleys
Back Door Blues is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet recorded in Chicago in late 1961 and New York in early 1962 and released by the Riverside label. The album was partially rereleased with additional recordings and alternate takes as Cleanhead & Cannonball on CD by Landmark Records in 1988 and the complete recordings issued on Fresh Sound in 2013.