Frigg is a goddess, one of the Æsir, in Germanic mythology. In Norse mythology, the source of most surviving information about her, she is associated with marriage, prophecy, clairvoyance and motherhood, and dwells in the wetland halls of Fensalir. In wider Germanic mythology, she is known in Old High German as Frīja, in Langobardic as Frēa, in Old English as Frīg, in Old Frisian as Frīa, and in Old Saxon as Frī, all ultimately stemming from the Proto-Germanic theonym *Frijjō. Nearly all sources portray her as the wife of the god Odin.
The Norns are deities in Norse mythology responsible for shaping the course of human destinies.
In Norse mythology, Verðandi, sometimes anglicized as Verdandi or Verthandi, is one of the norns. Along with Urðr and Skuld, Verðandi makes up a trio of Norns that are described as deciding the fates (wyrd) of people.
Æsir or ēse are gods in Germanic paganism. In Old Nordic religion and mythology, the precise meaning of the term "Æsir" is debated, with it being able to refer to both the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom they waged war, ultimately leading to a joining of the families. The term can further be used to describe local gods that were believed to live in specific features in the landscape such as fells. In the Old English Wið færstice, the Ēse are referred to, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear.
Hel is an afterlife location in Norse mythology and paganism. It is ruled over by a being of the same name, Hel. In late Icelandic sources, varying descriptions of Hel are given and various figures are described as being buried with items that will facilitate their journey to Hel after their death. In the Poetic Edda, Brynhildr's trip to Hel after her death is described and Odin, while alive, also visits Hel upon his horse Sleipnir. In the Prose Edda, Baldr goes to Hel on his death and subsequently Hermóðr uses Sleipnir to attempt to retrieve him.
In ancient Greek religion and mythology, the Moirai often known in English as the Fates—were the personifications of destiny. They were three sisters: Clotho, Lachesis, and Atropos. Their Roman equivalent is the Parcae.
A scop was a poet as represented in Old English poetry. The scop is the Old English counterpart of the Old Norse skald, with the important difference that "skald" was applied to historical persons, and scop is used, for the most part, to designate oral poets within Old English literature. Very little is known about scops, and their historical existence is questioned by some scholars.
In Norse mythology, a dís is a female deity, ghost, or spirit associated with Fate who can be either benevolent or antagonistic toward mortals. Dísir may act as protective spirits of Norse clans. It is possible that their original function was that of fertility goddesses who were the object of both private and official worship called dísablót, and their veneration may derive from the worship of the spirits of the dead. The dísir, like the valkyries, norns, and vættir, are always referred collectively in surviving references. The North Germanic dísir and West Germanic Idisi are believed by some scholars to be related due to linguistic and mythological similarities, but the direct evidence of Anglo-Saxon and Continental German mythology is limited. The dísir play roles in Norse texts that resemble those of fylgjur, valkyries, and norns, so that some have suggested that dísir is a broad term including the other beings.
In Norse mythology, Óðr or Óð, sometimes anglicized as Odr or Od, is a figure associated with the major goddess Freyja. The Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson, both describe Óðr as Freyja's husband and father of her daughter Hnoss. Heimskringla adds that the couple produced another daughter, Gersemi. A number of theories have been proposed about Óðr, generally that he is a hypostasis of the deity Odin due to their similarities.
Urðarbrunnr is a well in Norse mythology. Urðarbrunnr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, the well lies beneath the world tree Yggdrasil, and is associated with a trio of norns. In the Prose Edda, Urðarbrunnr is cited as one of three wells existing beneath three roots of Yggdrasil that reach into three distant, different lands; the other two wells being Hvergelmir, located beneath a root in Niflheim, and Mímisbrunnr, located beneath a root near the home of the frost jötnar. Scholarly theory and speculation surrounds the well.
Oisc, or, in a later spelling, Ēsc was, if he existed, an early king of Kent and, according to Bede, the eponymous founder of the tribe known as Oiscingas (early Old English.
Skuld is a Norn in Norse mythology. Along with Urðr and Verðandi, Skuld makes up a trio of Norns that are described as deciding the fates of people. Skuld appears in at least two poems as a Valkyrie.
Urðr is one of the Norns in Norse mythology. Along with Verðandi and Skuld, Urðr makes up a trio of Norns that are described as deciding the fates of people. Urðr is attested in stanza 20 of the Poetic Edda poem Völuspá and the Prose Edda book Gylfaginning.
The English word god comes from the Old English god, which itself is derived from the Proto-Germanic *gudą. Its cognates in other Germanic languages include guþ, gudis, guð, god, and got.
The term man and words derived from it can designate any or even all of the human race regardless of their sex or age. In traditional usage, man itself refers to the species or to humanity (mankind) as a whole.
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. The trio are generally conceived of as sisters and are often given the names Clotho, Lachesis, and Atropos, which are the names of the Moirai, the version of the Fates who appear in Greek mythology. These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets, on the other hand, typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds.
Time and fate deities are personifications of time, often in the sense of human lifetime and human fate, in polytheistic religions. In monotheism, Time can still be personified, like Father Time.
Neorxnawang is an Old English noun used to translate the Christian concept of paradise in Anglo-Saxon literature. Scholars propose that the noun originally derives from Germanic mythology, referring to a "heavenly meadow" or place without toil or worries.
