"You're a Big Girl Now" | |
---|---|
Song by Bob Dylan | |
from the album Blood on the Tracks | |
Released | January 1975 |
Recorded | December 27, 1974 |
Studio | Sound 80, Minneapolis, Minnesota |
Genre | Folk rock |
Length | 4:36 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Bob Dylan |
Blood on the Tracks track listing | |
"You're a Big Girl Now" is a song by Bob Dylan, released on his 15th studio album, Blood on the Tracks , in 1975. It is one of five songs on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year. The latter recording, made on December 27, 1974, became the album track. [1]
Like most songs on Blood on the Tracks , "You're a Big Girl Now" tells a story about two lovers that are breaking up. In the lyrics, the first-person narrator begs his lover to give him one more chance. [2] Some critics have interpreted the song as being inspired by the tumult in Dylan's marriage to his then-wife Sara. Dylan vehemently denied this, however, in the liner notes to Biograph: “I read that this was supposed to be about my wife. I wish somebody would ask me first before they go ahead and print stuff like that. I mean, it couldn’t be about anybody else but my wife, right? Stupid and misleading jerks these interpreters sometimes are … I don’t write confessional songs. Emotions got nothing to do with it. It only seems so, like it seems that Laurence Olivier is Hamlet". [3]
In their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon claim that the music in the song "carries the emotion. The melody reinforces this sense of melancholy, regret, and pain that emerges from the accompaniment. Dylan alternates between sweetness and power, and the intensity of every 'oh, oh' sounds almost like a complaint". They also note that, unlike the other full-band Minneapolis sessions for Blood on the Tracks, there is no bass player on the recording as Bill Peterson had already left the session "for an engagement in a jazz club". [4]
Rolling Stone ranked the song 91st on its list of the "100 Greatest Bob Dylan songs". In an accompanying article, the list asks, "Is there a more desperately lovesick moment in Dylan’s entire catalog than the point in this Blood on the Tracks gem when he croons, 'I can change, I swear', and then howls like a wounded dog? Maybe only later in the same song, when he talks of 'pain that stops and starts, like a corkscrew to my heart'. Dylan’s stunning first pass at this, the hushed New York outtake included on Biograph, sounds wounded. But here, the pain is even sharper". [5]
The Big Issue placed the New York outtake version at #13 on a 2021 list of the "80 best Bob Dylan songs - that aren't the greatest hits" and noted that it "captures the sound of a heart being wrenched". [6]
Bedouine cited it as her favorite Dylan song in a Stereogum article, noting that the "oh, oh" Dylan sings in every verse on the Blood on the Tracks version (which she refers to as a "sonic battle wound") elevates it above the New York outtake version: "The biggest distinction for me is him humming versus moaning the 'ohhh!' They’re both great but the latter has a visceral effect of longing like hunger pangs". [7]
Individual outtakes of "You're a Big Girl Now" from the New York sessions were released in 1985 on the compilation Biograph [8] and in 2018 on the single-CD and 2-LP versions of The Bootleg Series Vol. 14: More Blood, More Tracks , while the complete New York sessions were released on the deluxe edition of the latter album. [9] The deluxe version of The Bootleg Series Vol. 14 also included a remix of the December 1974 master issued on Blood on the Tracks. [9]
According to his official website, Dylan performed the song 212 times in concert between 1976 and 2007. [10] A live version recorded in Fort Collins, Colorado on May 23, 1976, was officially released on the album Hard Rain . [11]
The lyric "Love is so simple, to quote a phrase" refers to a line in Marcel Carné's Children of Paradise , one of Dylan's favorite movies: "You were right, Garance. Love is so simple". Dylan's painting teacher, Norman Raeben, had introduced him to the film shortly before he wrote the song. [12]
Oh Mercy is the twenty-sixth studio album by American singer-songwriter Bob Dylan, released on September 12, 1989, by Columbia Records. Produced by Daniel Lanois, it was hailed by critics as a triumph for Dylan, after a string of poorly reviewed albums. Oh Mercy gave Dylan his best chart showing in years, reaching No. 30 on the Billboard charts in the United States and No. 6 in Norway and the UK.
"Tangled Up in Blue" is a song by American singer-songwriter Bob Dylan, which was released as the opening track of his 15th studio album Blood on the Tracks (1975). The song was written by Dylan and produced by David Zimmerman, Dylan's brother. Released as a single, it reached No. 31 on the Billboard Hot 100. The song concerns relationships and contains different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
World Gone Wrong is the twenty-ninth studio album by American singer-songwriter Bob Dylan, released on October 26, 1993, by Columbia Records.
"Lily, Rosemary and the Jack of Hearts" is an epic narrative ballad by the American singer-songwriter Bob Dylan released as the seventh song on his 1975 album Blood on the Tracks. It is known for its complex plot and nearly nine-minute running time. It is one of five songs on Blood on the Tracks that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year; the latter version became the album track.
"Shelter from the Storm" is a song by Bob Dylan, recorded on September 17, 1974, and released on his 15th studio album, Blood on the Tracks, in 1975. It was later anthologized on the compilation album The Essential Bob Dylan in 2000.
"Love Sick" is a minor-key love song by American musician and Nobel laureate Bob Dylan. It was recorded in January 1997 and appears as the opening track on his 30th studio album Time Out of Mind (1997). It was released as the second single from the album in June 1998 in multiple CD versions, some of which featured Dylan's live performance of the song at the 1998 Grammy Awards. The song was produced by Daniel Lanois.
"High Water " is a song written and performed by the American singer-songwriter Bob Dylan, released as the seventh track on his 31st studio album "Love and Theft" in 2001 and anthologized on the compilation album Dylan in 2007. Like much of Dylan's 21st century output, he produced the track himself under the pseudonym Jack Frost.
"Mississippi" is a medium-tempo country-rock song by the American singer-songwriter Bob Dylan that appears as the second track on his 2001 album Love and Theft. The song was originally recorded during the Time Out of Mind sessions, but was ultimately left off the album. Dylan rerecorded the song for Love and Theft in May 2001.
"Gotta Serve Somebody" is a song written and performed by American singer-songwriter Bob Dylan, released as the opening track on his 1979 studio album Slow Train Coming. It won the Grammy Award for Best Rock Vocal Performance by a Male in 1980. It was later anthologized on the compilation albums Biograph (1985), Bob Dylan's Greatest Hits Volume 3 (1994), The Essential Bob Dylan (2000), The Best of Bob Dylan and Dylan (2007).
"If You See Her, Say Hello" is a song by American singer-songwriter Bob Dylan from his 15th studio album, Blood on the Tracks (1975). The song is one of five on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis. The later recording, made on December 30, 1974, was produced by Dylan's brother David Zimmerman, who was not credited. The recording later became the album track and the B-side of the "Tangled Up in Blue" single, released in February 1975.
"Summer Days" is an uptempo twelve-bar blues/rockabilly song written and performed by American singer-songwriter Bob Dylan that appears as the third song on his 2001 album Love and Theft. It was anthologized on the compilation album The Best of Bob Dylan in 2005. Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"Standing in the Doorway" is a song written and performed by the American singer-songwriter Bob Dylan, recorded in January 1997 and released in September that year as the third track on his album Time Out of Mind. The song was produced by Daniel Lanois.
"Tryin' to Get to Heaven" is a song written and performed by the American singer-songwriter Bob Dylan, recorded in January 1997 and released in September that year as the fifth track on his album Time Out of Mind. The recording was produced by Daniel Lanois.
"Señor " is a minor-key ballad written and performed by American singer-songwriter Bob Dylan and released as the sixth track of his 18th studio album Street-Legal (1978). The song was produced by Don DeVito and later anthologized on the Biograph box set in 1985. Street-Legal was remixed and remastered for a 1999 compact disc release, with a further 5.1 remix done for a Super Audio CD release in 2003. Both re-releases featured the song.
"Everything is Broken" is an uptempo rock song written and recorded by American singer-songwriter Bob Dylan, and released as the first single from his 1989 album Oh Mercy, where it appears as the third track. It was later anthologized on the compilation albums The Essential Bob Dylan in 2000 and Dylan in 2007. The song spent eight weeks on Billboard's "Mainstream Rock Songs" chart, peaking at number eight on October 27, 1989. It was produced by Daniel Lanois.
"Man in the Long Black Coat" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fifth track on his album Oh Mercy. It is a minor-key folk ballad, often described as "haunting" and frequently cited as a highlight of the album. The song was produced by Daniel Lanois.
"Silvio" is a folk rock song written by Bob Dylan and Robert Hunter and released by Dylan as the seventh track of his 1988 album Down in the Groove. Performed alongside the Grateful Dead, the song was released as the album's only single and spent eight weeks on Billboard's Mainstream Rock chart, peaking at #5 on July 1, 1988.
"Romance in Durango" is the seventh song on Bob Dylan's 1976 album Desire. It was written by Dylan and Jacques Levy, who collaborated with Dylan on most of the songs on the album. The chorus contains several lines sung in Spanish, resulting in the song being released as a single in Spain in 1977. It was also released as a b-side to the Japanese single of "One More Cup of Coffee" in 1976. The song was produced by Don DeVito.
The Bootleg Series Vol. 14: More Blood, More Tracks is a compilation album by American singer-songwriter Bob Dylan. The 12th installment in the ongoing Bob Dylan Bootleg Series, it was released by Legacy Records on November 2, 2018. The compilation focuses on recordings Dylan made in September and December 1974 for his 1975 album Blood on the Tracks. The release comes in both a one-disc standard edition and a six-disc deluxe edition. It is the first volume since the third where the standard edition is not a double disc.
"Ring Them Bells" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fourth track on his album Oh Mercy. It is a piano-driven, hymn-like ballad that is considered by many to be the best song on Oh Mercy and it is the track from that album that has been covered the most by other artists.
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