You've Got It Bad Girl | ||||
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Studio album by | ||||
Released | October 1973 | |||
Recorded | 1973 | |||
Studio | A&M Studios (Hollywood, CA) Sun West Studios (Hollywood, CA) The Record Plant (Hollywood, CA) The Burbank Studios (Burbank, CA) A&R Studios (New York) | |||
Genre | Jazz-funk | |||
Length | 42:39 | |||
Label | A&M | |||
Producer | Quincy Jones | |||
Quincy Jones chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
You've Got It Bad Girl is a 1973 album by the American jazz musician/producer Quincy Jones. [1]
The opening track is an interpretation of the Lovin' Spoonful's "Summer in the City", and won Grammy Award for Best Instrumental Arrangement at 16th Annual Grammy Awards, beating Spain (instrumental) by Chick Corea in the process.
The track features Chuck Rainey on bass guitar, Eddy Louiss on Hammond organ, Dave Grusin on Rhodes piano, Grady Tate on drums, and Valerie Simpson, best known from Ashford & Simpson, on vocals. Simpson's lyrics are reduced to only one bridge and one chorus, while a line is changed from “Go out and find a girl” to “Ain’t it nice just to be a girl?”.
Jones's version of "Summer in the City" has been sampled by several artists. According to whosampled.com it has been sampled in 87 songs (by October 2024) [2] .
The title track "You've Got It Bad Girl" is a song written by Yvonne Wright and Stevie Wonder [3] and was originally released on Wonder's 1972 album Talking Book . Jones himself performs the lead vocals.
The album features another Stevie Wonder song: "Superstition", featuring vocals from Bill Withers, Billy Preston and Stevie Wonder himself, billed as 'Three Beautiful Brothers'.
The album also includes the "Sanford and Son Theme (The Streetbeater)", which was used for the opening and closing credits themes for the NBC situation comedy Sanford and Son .
The final track on the album, "Chump Change", was first used as the main theme to 1972's The New Bill Cosby Show on CBS, where Jones's orchestra provided music. The CBS game show Now You See It used "Chump Change" as its main theme as well, both in 1974 and on its revival in 1989. The original recording has been used as the theme for Dutch sport radio show Langs de Lijn since 1975, and a remake is used by Norwegian broadcaster NRK for its show Ukeslutt.
The 19th Annual Grammy Awards were held on February 19, 1977, and were broadcast live on American television (CBS). It was the seventh and final year Andy Williams hosted the telecast. The ceremony recognized accomplishments by musicians from the year 1976.
The 16th Annual Grammy Awards were held March 2, 1974, and were broadcast live on American television. They recognised accomplishments by musicians from the year 1973.
The 14th Annual Grammy Awards were held March 14, 1972, and were broadcast live on television in the United States by ABC; the following year, they would move the telecasts to CBS, where they remain to this date. They recognized accomplishments by musicians from the year 1971.
The 28th Annual Grammy Awards were held on February 25, 1986, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the previous year, 1985. The night's big winner was USA for Africa's "We Are the World", which won four awards, including Song of the Year which went to Michael Jackson and Lionel Richie. It marked the first time in their respective careers that they received the Song of the Year Award. For Richie, it was his sixth attempt in eight years. The other three awards for the latter single were given to the song's producer, Quincy Jones.
The 27th Annual Grammy Awards were held on February 26, 1985, at Shrine Auditorium, Los Angeles, and were broadcast live in the United States by CBS. They recognized accomplishments by musicians from the year 1984.
The 26th Annual Grammy Awards were held on February 28, 1984, at Shrine Auditorium, Los Angeles, and were broadcast live on American television. They recognized accomplishments by musicians from the year 1983. Michael Jackson, who had been recovering from scalp burns sustained due to an accident that occurred during the filming of a Pepsi commercial, won a record eight awards during the show. It is notable for garnering the largest Grammy Award television audience ever with 51.67 million viewers.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
"Just Good Friends" is a song from American recording artist Michael Jackson's 1987 album Bad. The song is one of two duets on the album, the other being "I Just Can't Stop Loving You". The song features Jackson and Stevie Wonder quarrelling over a girl in a light, cheerful manner. "Just Good Friends" is the fifth track on Bad with a duration of 4:06. It is the only song from the album to have never been released as a single. "Just Good Friends" is one of only two songs on Bad which were not written by Jackson himself, the other being "Man in the Mirror". The song was written and composed by the '80s song writing-partnership of Terry Britten and Graham Lyle.
Body Heat is an album by Quincy Jones.
Flying High Together is an album by Smokey Robinson and the Miracles on Motown Records' Tamla label, released in 1972. It is noted as The Miracles' last studio album with original lead singer Smokey Robinson, who retired from the act to concentrate on his duties as vice president of Motown. The album charted at #46 on the Billboard Pop Album chart, and featured two singles: the appropriately named "We've Come Too Far to End It Now", which matched the parent album's chart position on the Billboard singles chart, charting at #46, and reached the Top 10 of the Billboard R&B singles chart, charting at #9, and "I Can't Stand to See You Cry", which charted at #45 Pop, and #21 R&B.
Sergio Mendes is a 1975 album by Sérgio Mendes. This album features vocals by Bonnie Bowden and Sondra Catton. Its the first of two self-titled albums from the artist.
"Sanford and Son Theme (The Streetbeater)" is the theme to the 1970s sitcom Sanford and Son. It was composed by Quincy Jones.
Smackwater Jack is a 1971 studio album by Quincy Jones. Tracks include the theme music to Ironside and The Bill Cosby Show.
Mellow Madness is a 1975 studio album by Quincy Jones. It was Jones's first album recorded since treatment for a cerebral aneurysm. The album introduced the R&B public to The Brothers Johnson, who co-wrote four of the album tracks.
Stevie is the second album released by Madlib's virtual band, Yesterdays New Quintet. As suggested by the title, the album is a tribute album to the R&B musician, Stevie Wonder. It was released in 2004 on Stones Throw Records.
Live at the Talk of the Town is a 1970 live album by Stevie Wonder on the Tamla (Motown) label, recorded at the Talk of the Town nightclub in London. The third live collection by the singer-songwriter, this is the follow-up to his preceding live release Stevie Wonder Live. It was originally only released in the UK, then finally released in the US in 2005 via iTunes as part of The Complete Stevie Wonder collection.
The Michael Jackson Mix is a compilation album by American singer and recording artist Michael Jackson, released in 1987. Available as a double LP, double cassette and double CD, the album contains 40 songs from Jackson's Motown career – solo and with The Jackson 5 – edited together in four separate megamixes: "Love Mix 1" and "Love Mix 2" on the first LP, cassette and CD, and "Dance Mix 1" and "Dance Mix 2" on the second LP, cassette and CD.
Your Mama Don't Dance is an album by organist Charles Kynard which was recorded in 1973 and released on the Mainstream label.
I Heard That!! is a 1976 double album by Quincy Jones.
Manufacturers of Soul is an album by soul music vocalist Jackie Wilson and jazz pianist and bandleader Count Basie featuring performances of jazz versions of contemporary R&B/soul hits recorded in 1968 and released on the Brunswick label.