12 | ||||
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Studio album by | ||||
Released | January 17, 2023 | |||
Genre | ||||
Length | 60:01 | |||
Label | ||||
Producer | Ryuichi Sakamoto | |||
Ryuichi Sakamoto chronology | ||||
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12 is the fifteenth and final solo studio album (twentieth studio album overall [1] ) by Ryuichi Sakamoto. [2] It was released on January 17, 2023, two months before his death from cancer, [3] through Milan Records and commmons.
12 has been noted to be an "unhurried" minimalist electronic album that features the "sound of him breathing as though engaged in strenuous activity" overlaid on "sparse piano pieces within electronic soundscapes imbued with a sobering weight." [4] [5] [6]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.9/10 [7] |
Metacritic | 85/100 [8] |
Review scores | |
Source | Rating |
AllMusic | [9] |
Clash | 9/10 [10] |
Financial Times | [11] |
Loud and Quiet | 6/10 [12] |
Pitchfork | 7.6/10 [13] |
The Skinny | [14] |
Slant | [15] |
Spectrum Culture | 75% [16] |
Uncut | 9/10 [17] |
At Metacritic, which assigns a weighted rating out of 100 to reviews from mainstream critics, the album has an average score of 85 based on nine reviews, indicating "universal acclaim". [8]
Reviewing the album for AllMusic, Paul Simpson compared it to Sakamoto's previous work. Simpson claimed that, "While [ async ] was an inventive, ambitious work incorporating field recordings, spoken word vocals, and several guest musicians, 12 is considerably more stripped-down, created entirely by Sakamoto, mostly playing piano and synthesizers." Simpson concluded by stating that, "being aware that it was his final work adds emotional weight to music that appears fragile and delicate." [9] In a review for The Skinny, Tony Inglis awarded 12 a 5-star rating and noted that unlike Sakamoto's previous works, 12 is a "collection [that] instead deals in the turbulent and unpredictable period that comes before the unknown." [14] In a positive review for Pitchfork, Rob Arcand highlighted how "Rarely does an album this understated say so much." [13]
All tracks are written by Ryuichi Sakamoto
No. | Title | Length |
---|---|---|
1. | "20210310" | 6:53 |
2. | "20211130" | 5:22 |
3. | "20211201" | 5:32 |
4. | "20220123" | 8:40 |
5. | "20220202" | 6:22 |
6. | "20220207" | 7:01 |
7. | "20220214" | 9:09 |
8. | "20220302 – Sarabande" | 3:10 |
9. | "20220302" | 2:52 |
10. | "20220307" | 2:31 |
11. | "20220404" | 2:26 |
12. | "20220304" | 1:08 |
Total length: | 60:01 |
Weekly charts
| Monthly charts
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Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
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The Japanese musician Ryuichi Sakamoto (1952–2023) released over 20 solo studio albums, over 25 collaboration albums, 3 remix albums, more than 10 live albums, several compilation albums, over 40 EPs and singles, and about 50 soundtracks. Several of the albums exist in both Japanese and internationally released versions, sometimes containing different track listings. Sakamoto has also released many video albums and music videos.
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