The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word acropolis is from the Greek words ἄκρον and πόλις. The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was known also more properly as Cecropia, after the legendary serpent-man, Cecrops, the supposed first Athenian king.
The Parthenon is a former temple on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patroness. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438 BC, although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order.
The 5th century BC started the first day of 500 BC and ended the last day of 401 BC.
Year 447 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Consulship of Macerinus and Iullus. The denomination 447 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
This article concerns the period 449 BC – 440 BC.
Year 480 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Consulship of Vibulanus and Cincinnatus. The denomination 480 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
This article concerns the period 439 BC – 430 BC.
Year 405 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Tribunate of Barbatus, Capitolinus, Cincinnatus, Medullinus, Iullus and Mamercinus. The denomination 405 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Phidias or Pheidias was a Greek sculptor, painter, and architect. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the Athena Parthenos inside the Parthenon, and the Athena Promachos, a colossal bronze which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas.
Year 425 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Tribunate of Atratinus, Medullinus, Cincinnatus and Barbatus. The denomination 425 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Year 460 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Consulship of Poplicola and Sabinus. The denomination 460 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
The statue of Athena Parthenos was a monumental chryselephantine sculpture of the goddess Athena. Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to its tutelary deity. The naos of the Parthenon on the acropolis of Athens was designed exclusively to accommodate it.
The Panathenaea was a multi-day ancient Greek festival held annually in Athens that would always conclude on 28 Hekatombaion, the first month of the Attic calendar. The main purpose of the festival was for Athenians and non-Athenians to celebrate the goddess Athena. Every four years, the festival was celebrated in a larger manner over a longer time period with increased festivities and was known as the Great Panathenaea. In the years that the festival occurred that were not considered the Great Panathenaea, the festival was known as the Lesser Panathenaea. The festival consisted of various competitions and ceremonies, culminating with a religious procession that ended in the Acropolis of Athens.
The Erechtheion or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena. The building, made to house the statue of Athena Polias, has in modern scholarship been called the Erechtheion in the belief that Pausanias' description of the Erechtheion applies to this building. However, whether the Erechtheion referred to by Pausanias is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades. In the official decrees the building is referred to as “... το͂ νεὸ το͂ ἐμ πόλει ἐν ο͂ι τὸ ἀρχαῖον ἄγαλμα”. In other instances it is referred to as the Temple of the Polias. The joint cult of Athena and Poseidon-Erechtheus appears to have been established on the Akropolis at a very early period, and they were even worshipped in the same temple as may, according to the traditional view, be inferred from two passages in Homer and also from later Greek texts. The extant building is the successor of several temples and buildings on the site. Its precise date of construction is unknown; it has traditionally been thought to have been built from circa 421-406 BC, but more recent scholarship favors a date in the 430s, when it could have been part of the programme of works instigated by Perikles.
Athens is one of the oldest named cities in the world, having been continuously inhabited for perhaps 5,000 years. Situated in southern Europe, Athens became the leading city of Ancient Greece in the first millennium BC, and its cultural achievements during the 5th century BC laid the foundations of Western civilization.
The Temple of Athena Nike is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike.
The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 437 BC, most likely under the direction of Pheidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.
The Old Acropolis Museum was an archaeological museum located in Athens, Greece on the archeological site of Acropolis. It is built in a niche at the eastern edge of the rock and most of it lies beneath the level of the hilltop, making it largely invisible. It was considered one of the major archaeological museums in Athens. Due to its limited size, the Greek government decided in the late 1980s to build a new museum. The New Acropolis Museum is now built at the foot of the Acropolis. In June 2007 the old museum closed its doors so that its antiquities could be moved to their new home, which opened on 20 June 2009.
The Acropolis Museum is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. It also lies over the ruins of part of Roman and early Byzantine Athens.
The pediments of the Parthenon are the two sets of statues in Pentelic marble originally located as the pedimental sculpture on the east and west facades of the Parthenon on the Acropolis of Athens. They were probably made by several artists, including Agoracritos. The master builder was probably Phidias. They were probably lifted into place by 432 BC, having been carved on the ground.
