8 | ||||
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Studio album by | ||||
Released | April 21, 2017 | |||
Recorded | 2016–2017 | |||
Genre | ||||
Length | 40:12 | |||
Label | Island | |||
Producer |
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Incubus chronology | ||||
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Singles from 8 | ||||
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8 is the eighth studio album by American rock band Incubus. [1] It was released on April 21, 2017, through Island Records. [2] The album takes its name from being the band's eighth LP. The release of 8 in 2017 saw the longest time between full-length albums for Incubus. The album was previously produced by Dave Sardy, and later re-produced and mixed by Skrillex, a close friend of the band. [3] The album's first single, "Nimble Bastard", peaked at number 4 on the Billboard Mainstream Rock Songs chart in April 2017. [4] 8 is the last studio album with bassist Ben Kenney before his departure in 2024.
The writing for 8 began at the end of 2015, when the band was putting together Side B of their Trust Fall EP. However, with the amount of quality content they were producing, they decided to release an LP instead. [5] Recording took place throughout 2016 and 2017, with production and remixing occurring throughout the cycle, including a few weeks before the final release. This was due to Skrillex's late involvement with the project.
In 2017, singer Brandon Boyd described the album's sound as "dark and lovely", and recalled that "[Ben and Mike] just got interested in big dirty, grimy riffs again, which is really exciting for me as someone who loves to write rock songs among other kinds of songs." [6]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 45/100 [7] |
Review scores | |
Source | Rating |
AllMusic | [8] |
The A.V. Club | C [9] |
Consequence of Sound | C [10] |
The Guardian | [11] |
Newsday | B+ [12] |
Sputnikmusic | [13] |
8 received mixed reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has an average score of 45 based on 7 reviews, indicating "mixed or average reviews". [7] Many listeners praised the band's return to rock with tracks like "Throw Out the Map" and "No Fun", the overall quality of production, as well as Brandon Boyd's vocal range, [8] while others criticized the lack of personality within the album. [9]
Kerrang! gave it a negative review in May 2017, and commented that, "8 isn't terrible, but it is boring, which is much worse." [7] The A.V. Club awarded the album a C rating, stating that, "over the two decades that have elapsed since the band’s major-label debut, S.C.I.E.N.C.E. , every new album has inched further away from the seething thud of late-’90s mook rock — an evolution that culminated, in 2011, with If Not Now, When? , closer in mid-tempo sound to late R.E.M. than anything you’d ever hear at Ozzfest." They added that, "8 walks that sonic progression back a little" and that "the band’s greatest strength and liability remains its frontman, ab-flashing surfer loverboy Brandon Boyd." [9]
Gwilym Mumford of The Guardian gave the album two out of five stars on April 21, 2017, and observed that there is "the faint whiff of the Sheeran on a few of the big ballads here." Mumford claimed that, "the band fares better when they channel the adolescent enthusiasm of their past", noting that "'Nimble Bastard' is a tidy chunk of driving alt-rock reminiscent of Kerbdog or Rival Schools. More like that and 8 might have been a little less second-rate." [11]
Spin's Andy Cush wrote in April 2017 that, "8 [mostly] sounds like a latter-day Incubus album — some solid songs, a little heavier than their exceedingly polite 2011 effort If Not Now, When?, a lot more refined than the swampy genre-hopping weirdness offered on their early releases." He added that, "one exception is 'When I Became a Man', a brief late-album cut that almost could have been ripped from Incubus’s fully zonked-out funk-metal debut Fungus Amongus ." [14]
When ranking their studio albums in 2020, Kerrang! placed 8 sixth, commenting that "while this is a vast improvement upon the dismal If Not Now, When?, that doesn’t make it a return to form in any profound sense." [15] In a 2022 Louder Sound article, Boyd also placed it sixth in his ranking of the band's studio albums, reflecting that "it was a very different writing process for us, and it has some moments on it, but we’ll listen to this sometimes in rehearsal and there are songs on it where we’re looking at each other as if we didn’t write it." [16] Alternative Press placed it last in their ranking in 2023. [17]
8 debuted at number four on the Billboard 200, moving 52,000 album-equivalent units; it sold 49,000 copies in its first week, with the remainder of its unit total reflecting the album's streaming activity and track sales. [18] In the second week, the album dropped at No.127, but re-surfaced within the top 100 at No.53 in the third week.
All tracks are written by Incubus
No. | Title | Length |
---|---|---|
1. | "No Fun" | 3:21 |
2. | "Nimble Bastard" | 3:39 |
3. | "State of the Art" | 3:46 |
4. | "Glitterbomb" | 4:45 |
5. | "Undefeated" | 3:56 |
6. | "Loneliest" | 3:37 |
7. | "When I Became a Man" | 0:56 |
8. | "Familiar Faces" | 3:26 |
9. | "Love in a Time of Surveillance" | 4:55 |
10. | "Make No Sound in the Digital Forest" (instrumental) | 3:23 |
11. | "Throw Out the Map" | 4:28 |
Total length: | 40:12 |
No. | Title | Length |
---|---|---|
12. | "Nimble Bastard" (acoustic) | 3:20 |
Total length: | 43:32 |
Personnel as listed in the album's liner notes are: [19]
Chart (2017) | Peak position |
---|---|
Australian Albums (ARIA) [20] | 20 |
Austrian Albums (Ö3 Austria) [21] | 13 |
Belgian Albums (Ultratop Flanders) [22] | 100 |
Belgian Albums (Ultratop Wallonia) [23] | 66 |
Canadian Albums (Billboard) [24] | 15 |
Dutch Albums (Album Top 100) [25] | 97 |
German Albums (Offizielle Top 100) [26] | 20 |
Italian Albums (FIMI) [27] | 44 |
New Zealand Heatseekers Albums (RMNZ) [28] | 3 |
Scottish Albums (OCC) [29] | 43 |
Spanish Albums (PROMUSICAE) [30] | 40 |
Swiss Albums (Schweizer Hitparade) [31] | 20 |
UK Albums (OCC) [32] | 35 |
US Billboard 200 [18] | 4 |
Region | Date | Format(s) | Label | Ref. |
---|---|---|---|---|
Worldwide | April 21, 2017 | Island | [33] |
Incubus is an American rock band from Calabasas, California. The band was formed in 1991 by vocalist Brandon Boyd, lead guitarist Mike Einziger, and drummer José Pasillas while enrolled in Calabasas High School and later expanded to include bassist Alex "Dirk Lance" Katunich, and Gavin "DJ Lyfe" Koppel; the latter two were eventually replaced by bassist Ben Kenney and DJ Kilmore, respectively. Nicole Row replaced Kenney in 2024.
Make Yourself is the third studio album by American rock band Incubus. It was released on October 26, 1999, through Epic Records and Immortal Records. The album received double platinum certification by the RIAA and produced three charting singles—"Pardon Me", "Stellar", and "Drive"—all of which reached the top three of the Billboard Alternative Songs chart, with the latter topping the chart and also becoming the band's sole top ten hit to date on the Billboard Hot 100, where it peaked at number nine.
S.C.I.E.N.C.E. is the second studio album by American rock band Incubus. It was released on September 9, 1997, by Epic and Immortal Records. The album was certified gold by the RIAA, and is the second and final release to feature Gavin Koppel, who first appeared on the 1997 Enjoy Incubus EP. It has been occasionally considered the band's proper debut album, due to the nature of their independent release Fungus Amongus.
Morning View is the fourth studio album by American rock band Incubus, released October 22, 2001, through Epic Records. A companion DVD, The Morning View Sessions, was released on May 29, 2002. Continuing the band's evolution away from nu metal, the album ranges widely from soft to hard rock sounds in the style of alternative rock. Morning View was the last Incubus album to feature bassist Alex Katunich.
Fungus Amongus is the debut studio album by American rock band Incubus, released on November 1, 1995, by Chillum Records, Incubus' own independent label. It was later re-released under Epic and Immortal Records on November 7, 2000, after popular demand.
A Crow Left of the Murder... is the fifth studio album by the American rock band Incubus, released on February 3, 2004. The album marks the first appearance of bassist Ben Kenney, following the departure of founding member Dirk Lance. The singles from the album are "Megalomaniac" and "Talk Shows on Mute". "Agoraphobia" was released as a promo single.
Audiovent is an American alternative rock band from Calabasas, California. Initially forming as "Vent" in the early 1990s, the band changed their name to Audiovent upon signing with Atlantic Records in 2001. The band released their one and only album on a major record label, Dirty Sexy Knights in Paris, in 2002. Two singles were released to rock radio and charted with moderate success - "The Energy" and "Looking Down". The band began work on a second album in 2003, demoing over 19 tracks over the course of the year, but disbanded in mid-2004 before the album could be formally recorded, due to creative differences between band members. They reformed in 2017 for several reunion shows, then began writing and recording new material in 2022. They released their first single, "Sleepless Machine" in late 2023, with more music to follow.
Dirty Sexy Knights in Paris is the only major label album by alternative rock band Audiovent. It was released in 2002 on Atlantic Records. The album had two singles, "The Energy" and "Looking Down". Audiovent toured with Saliva and Theory of a Deadman in promotion of the album.
Light Grenades is the sixth studio album by alternative rock band Incubus, released on November 28, 2006, on Epic. The album sold 359,000 copies during its first week of release worldwide, and debuted at No. 1 on the Billboard 200, selling 165,000 copies in the US in its first week; it is the band's first number one album. The album achieved Gold certification, less than the band's previous Platinum records beginning with 1999's Make Yourself.
"Pardon Me" is a song by American rock band Incubus. Released on October 5, 1999, as the lead single from their third studio album Make Yourself, it was the band's first song to receive considerable radio airplay, reaching number three on the Billboard Modern Rock Tracks chart, number seven on the Mainstream Rock Tracks chart and number two on Bubbling Under Hot 100 Singles chart.
"Stellar" is a song by American rock band Incubus. It was released on June 13, 2000, as the second single from their third album Make Yourself. The song reached number 2 on the US Modern Rock Tracks and also reached number 17 on the US Mainstream Rock charts and number 7 on Bubbling Under Hot 100 Singles.
"Wish You Were Here" is a song by American rock band Incubus and the lead single from their fourth studio album, Morning View. Released on August 14, 2001, it peaked at number two on the US Billboard Modern Rock Tracks chart and number four on the Billboard Mainstream Rock chart that year. "Wish You Were Here" would later be included on the 2009 greatest hits compilation Monuments and Melodies.
Monuments and Melodies is the first greatest hits compilation album by American rock band Incubus released on June 16, 2009, through Epic Records. It is released as a double-disc set, the first disc features 13 previously released singles from the albums Make Yourself, Morning View, A Crow Left of the Murder..., and Light Grenades, along with two new Brendan O'Brien–produced tracks, "Black Heart Inertia" and "Midnight Swim".
If Not Now, When? is the seventh studio album by American rock band Incubus, released on July 12, 2011 and named after the novel by Primo Levi. Preceded by the singles "Adolescents" and "Promises, Promises", the album represented the band's longest gap between studio albums at the time, and their final full-length release through long-time label Epic Records. Described by guitarist Michael Einziger as "a very straightforward, concise album," If Not Now, When? was recorded in the wake of an extended hiatus, and produced by frequent collaborator Brendan O'Brien. The album's cover features high wire artist Philippe Petit.
The Path of Totality is the tenth studio album by American nu metal band Korn. It was released on December 2, 2011, in Europe and December 6, 2011, in the US. The album was produced by various electronic music producers such as Skrillex, Noisia, Excision and various other independent producers. "Get Up!", is one of three tracks produced by Skrillex, and was released as a digital download on May 6, 2011. "Narcissistic Cannibal" was released as the second single on October 18, 2011.
"Looking Down" is the second and final single from the debut and only major record label album, Dirty Sexy Knights in Paris, by the alternative rock band Audiovent. The song appeared on the Billboard Hot Mainstream Rock Tracks chart in 2002, peaking at no. 29, but was unable to match the top 10 performance of its predecessor, "The Energy", released earlier in the year.
Wilder Mind is the third studio album by British folk rock band Mumford & Sons. It was released on 4 May 2015 through Gentlemen of the Road, Island, Glassnote and Universal Music Group. It was an international success in its first week on sale, charting at number one in seven countries, topping both the UK Albums Chart and the US Billboard 200, and reaching the top 5 in nine other countries. Five singles have been released from the album, "Believe", "The Wolf", "Ditmas", "Tompkins Square Park" and "Just Smoke".
Trust Fall (Side A) is a four-track EP by alternative rock band Incubus, released in 2015 on Island Records. It was the first release from the band since their 2011 album, If Not Now, When?.
"Nimble Bastard" is a single by American rock band Incubus, off of their eighth studio album 8. It peaked at number 4 on the Billboard Mainstream Rock Songs chart in April 2017.
Mania is the seventh studio album by American rock band Fall Out Boy, released on January 19, 2018, on Island Records and DCD2 as the follow-up to their sixth studio album, American Beauty/American Psycho (2015). The album was produced by Jonny Coffer, D. Sardy, Jesse Shatkin, and longtime collaborator Butch Walker, as well as self-production from the band. The album was preceded by five singles; "Young and Menace", "Champion", "The Last of the Real Ones", "Hold Me Tight or Don't", and "Wilson ".