Translation
This Bible of St Louis represents the highwater mark of early medieval translation from the Old Testament, a movement which is closely linked with the military orders and the crusade. The version of the book of Job is the oldest in any western vernacular language, and one of the finest.
The Acre Bible was translated from the Latin of the Vulgate version, not the original Hebrew. It is a "primitive" and "inelegant" translation, at times veering into paraphrase. Certain books are abridged, Deuteronomy most heavily, making it shorter than Judges.
Not all the books of the Acre Bible were translated anew into French. Three of them are 12th-century translations originating in England. The prologue to Judges in manuscript N says that it was translated on the orders of "Master Richard and Brother Otho" (maistre Richart et frere Othon), who can be identified with two Templars, Otho of Saint-Omer and Richard of Hastings. Otho was the master of the order's English province from 1153 to 1155, and Richard was his successor until 1185. There is no record of Otho after 1174, so Judges was probably translated between 1155 and 1174 in England. Richard traveled to Acre in 1185, probably bringing with him his copy of Judges, which passed to the Templar house in that city on his death.Samuel and Kings were combined in a 12th-century translation known as the Quatre livres des Rois , also from England. That translation dates to about 1170.
In other cases, the Acre Bible contains what seem to be revisions of already existing translations. Its Hexateuch, for example, bears strong similarity to that of the Anglo-Norman Bible. The former is not derived directly from the latter, but both share a common source.
The language of the Acre Bible contains Arabicisms and Occitanisms consistent with an origin in the Near East. This suggests that the compiling, editing and translation and not just the copying of the oldest manuscript was performed in the Kingdom of Jerusalem. Toponyms (e.g., Sayete for Sidon) indicate familiarity with contemporary crusader names. The Acre Bible "may have been sponsored by the king", but in its choice of what books to include, it "appears better fitted to the ideals of the aristocratic warriors who defended what little was left of the Kingdom of Jerusalem"
Decoration
The Arsenal Bible measures only in 285 mm × 200 mm (11.2 in × 7.9 in), which indicates that it was intended for private use. It is a deluxe codex, fit for a royal patron. To Hugo Buchthal, it was "the crowning achievement of miniature painting" in the Kingdom of Jerusalem. [lower-alpha 8] It contains twenty large (usually full-page) miniatures, one at the start of each book (counting 1 and 2 Samuel, 1 and 2 Kings and the three divisions of Proverbs separately, but Maccabbees as one). It also has twenty large decorated initials, six of which are historiated.
There are two distinct styles of illustration. Nobel describes the illustrations as in the "Parisian style ... following Byzantine models." Buchthal refers to the "supremely intelligent and fruitful use of Byzantine models." C. A. Robson describes the illustrations accompanying the Hexateuch as Byzantine, but the rest of them as Parisian. The Byzantine style imitated is that of the 9th and 10th century. There is some affinity between the Arsenal style and the style of the frescos of Francis of Assisi in the old Franciscan church in Constantinople, executed between 1228 and 1261. Possibly the same artist worked in both cities.
The Arsenal Bible was influenced by the Oxford Bible Moralisée and the Morgan Picture Bible. Its scheme of illustrations has been compared to the stained glass in Sainte-Chapelle, also the work of Louis iX.
The Septuagint, sometimes referred to as the Greek Old Testament or The Translation of the Seventy, and often abbreviated as LXX, is the earliest extant Greek translation of the Hebrew Bible from the original Hebrew. The full Greek title derives from the story recorded in the Letter of Aristeas to Philocrates that "the laws of the Jews" were translated into the Greek language at the request of Ptolemy II Philadelphus by seventy-two Hebrew translators—six from each of the Twelve Tribes of Israel.
The Old English Bible translations are the partial translations of the Bible prepared in medieval England into the Old English language. The translations are from Latin texts, not the original languages.
The Morgan Bible, also called the Morgan Picture Bible, Crusader Bible, Shah Abbas Bible or Maciejowski Bible, is a unique medieval illuminated manuscript. It is a picture book Bible consisting of 46 surviving folios. The book consists of miniature paintings of events from the Hebrew Bible, set in the scenery and costumes of thirteenth-century France, and depicted from a Christian perspective. It is not a complete Bible, as it consists largely of illustrations of stories of kings, especially King David. The illustrations are now surrounded by text in three scripts and five languages: Latin, Persian, Arabic, Judeo-Persian, and Hebrew. The level of detail in the images and the remarkable state of preservation of the work make it particularly valuable to scholars.
The Melisende Psalter is an illuminated manuscript commissioned around 1135 in the crusader Kingdom of Jerusalem, probably by Fulk, King of Jerusalem for his wife Queen Melisende. It is a notable example of Crusader art, which resulted from a merging of the artistic styles of Roman Catholic Europe, the Eastern Orthodox Byzantine Empire and the art of the Armenian illuminated manuscript.
The Book of Abramelin tells the story of an Egyptian mage named Abraham, or Abra-Melin, who taught a system of magic to Abraham of Worms, a Jew in Worms, Germany, presumed to have lived from c. 1362–c. 1458. The system of magic from this book regained popularity in the 19th and 20th centuries partly due to Samuel Liddell MacGregor Mathers' translation, The Book of the Sacred Magic of Abramelin the Mage.
The Froissart of Louis of Gruuthuse is a heavily illustrated deluxe illuminated manuscript in four volumes, containing a French text of Froissart's Chronicles, written and illuminated in the first half of the 1470s in Bruges, Flanders, in modern Belgium. The text of Froissart's Chronicles is preserved in more than 150 manuscript copies. This is one of the most lavishly illuminated examples, commissioned by Louis of Gruuthuse, a Flemish nobleman and bibliophile. Several leading Flemish illuminators worked on the miniatures.
The Paris Psalter is a Byzantine illuminated manuscript, 38 x 26.5 cm in size, containing 449 folios and 14 full-page miniatures. The Paris Psalter is considered a key monument of the so-called Macedonian Renaissance, a 10th-century renewal of interest in classical art closely identified with the emperor Constantine VII Porphyrogenitus (909-959) and his immediate successors.
Crusader art or the art of the Crusades, meaning primarily the art produced in Middle Eastern areas under Crusader control, spanned two artistic periods in Europe, the Romanesque and the Gothic, but in the Crusader kingdoms of the Levant the Gothic style barely appeared. The military crusaders themselves were mostly interested in artistic and development matters, or sophisticated in their taste, and much of their art was destroyed in the loss of their kingdoms so that only a few pieces survive today. Probably their most notable and influential artistic achievement was the Crusader castles, many of which achieve a stark, massive beauty. They developed the Byzantine methods of city-fortification for stand-alone castles far larger than any constructed before, either locally or in Europe.
The Fécamp Bible is an illuminated Latin Bible. It was produced in Paris during the third quarter of the 13th century, and had previously belonged in the collection of Henry Yates Thompson.
There have been many Coptic versions of the Bible, including some of the earliest translations into any language. Several different versions were made in the ancient world, with different editions of the Old and New Testament in five of the dialects of Coptic: Bohairic (northern), Fayyumic, Sahidic (southern), Akhmimic and Mesokemic (middle). Biblical books were translated from the Alexandrian Greek version.
The Bible of St Louis, also called the Rich Bible of Toledo or simply the Toledo Bible, is a Bible moralisée in three volumes, made between 1226 and 1234 for King Louis IX of France at the request of his mother Blanche of Castile. It is an illuminated manuscript that contains selections of the text of the Bible, along with a commentary and illustrations. Each page pairs Old and New Testament episodes with illustrations explaining their moral significance in terms of typology. Every excerpt of the Bible is illustrated with two miniatures. The first shows a representation of the text fragment as such, the second shows a theological or an allegorical scene explaining the text fragment in the light of the teachings of the Church. The miniatures are accompanied by the Bible text and by a short comment on the typological relationship between the two images.
The Bible Historiale was the predominant medieval translation of the Bible into French. It translates from the Latin Vulgate significant portions from the Bible accompanied by selections from the Historia Scholastica by Peter Comestor, a literal-historical commentary that summarizes and interprets episodes from the historical books of the Bible and situates them chronologically with respect to events from pagan history and mythology.
Burchard of Mount Sion, was a German priest, Dominican friar, pilgrim and author probably from Magdeburg in northern Germany, who travelled to the Middle East at the end of the 13th century. There he wrote his book called: Descriptio Terrae Sanctae or "Description of the Holy Land" which is considered to be of "extraordinary importance".
The British Library is a research library in London that is the national library of the United Kingdom. It is one of the two largest libraries in the world, along with the Library of Congress. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport.
Bible translations in the Middle Ages discussions are rare in contrast to Late Antiquity, when the Bibles available to most Christians were in the local vernacular. In a process seen in many other religions, as languages changed, and in Western Europe languages with no tradition of being written down became dominant, the prevailing vernacular translations remained in place, despite gradually becoming sacred languages, incomprehensible to the majority of the population in many places. In Western Europe, the Latin Vulgate, itself originally a translation into the vernacular, was the standard text of the Bible, and full or partial translations into a vernacular language were uncommon until the Late Middle Ages and the Early Modern Period.
The Old English Hexateuch is the collaborative project of the late Anglo-Saxon period that translated the six books of the Hexateuch into Old English, presumably under the editorship of Ælfric of Eynsham. It is the first English vernacular translation of the first six books of the Old Testament, i.e. the five books of the Torah and Joshua. It was probably made for use by lay people.
The Faits des Romains is a Medieval work of prose written in Old French, composed in the Île-de-France, or by a native of that region, around 1213–14. It chronicles the life of Julius Caesar.
The Libellus de expugnatione Terrae Sanctae per Saladinum, also called the Chronicon terrae sanctae, is a short anonymous Latin account of the conquests of Saladin in the Holy Land between 1186 and 1191. The core of the text was written shortly after the events it describes and then supplemented by the addition of an account of the Third Crusade early in the thirteenth century. This probably took place at Coggeshall Abbey in England. Neither the original author nor the continuator/compiler is known by name.
John of Antioch, also known as Harent of Antioch, was a 13th-century Old French writer of Outremer who made important translations from Latin. He translated Cicero, Boethius, the Otia imperialia and possibly the rule of the Knights Hospitaller. His original writing consists of an epilogue to Cicero and some additional chapters appended to the Otia.
The Proverbia Grecorum is an anonymous Latin collection of proverbs compiled in the seventh or eighth century AD in the British Isles, probably in Ireland. Despite the name, it has no known Greek source. It was perhaps designed as a secular complement to the Hebrew Bible's Book of Proverbs.
