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Apple Inc. has sold a variety of LCD and CRT computer displays since introducing their first display in 1980. Apple paused production of their own standalone displays in 2016 and partnered with LG to design displays for Macs. [1] In June 2019, the Pro Display XDR was introduced, however it was expensive and targeted for professionals. In March 2022, the Studio Display was launched as a consumer-targeted counterpart. These are currently the only Apple-branded displays available.
In the beginning (throughout the 1970s), Apple did not manufacture or sell displays of any kind, instead recommending users plug-into their television sets or (then) expensive third party monochrome monitors. However, in order to offer complete systems through its dealers, Apple began to offer various displays including the 1981 Monitor ///, which they manufactured in-house and paired perfectly with the Apple ///. Apple then went on to supply a rebadged third party manufactured monitor that paired perfectly with the Apple //e, the Monitor //.
Apple's manufacture history of CRT displays began in 1980, starting with the Monitor /// that was introduced alongside and matched the Apple III business computer. It was a 12″ monochrome (green) screen that could display 80×24 text characters and any type of graphics, however it suffered from a very slow phosphor refresh that resulted in a "ghosting" video effect. So it could be shared with Apple II computers, a plastic stand was made available to accommodate the larger footprint of the display.
Three years later came the introduction of the Apple manufactured Apple Monitor II, which as the name implies, was more suited in look and style for the Apple II line and at the same time added improvements in features and visual quality. In 1984 a miniature 9″ screen, called the Monitor IIc , was introduced for the Apple IIc computer to help complement its compact size. This display was also the first to use the brand new design language for Apple's products called Snow White , as well as being the first display not in a beige color, but rather a bright, creamy off-white. By early 1985 came the first color CRTs, starting with the Monitor 100, a digital RGB display for the Apple III and Apple IIe (with appropriate card), followed shortly by the 14″ ColorMonitor IIe (later renamed to AppleColor Composite Monitor IIe) and ColorMonitor IIc (later renamed to AppleColor Composite Monitor IIc), composite video displays for those respective models. All of these Apple displays support the maximum Apple II Double Hi-Res standard of 560×192.
In 1986 came the introduction of the AppleColor RGB Monitor, a 12″ analog RGB display designed specifically for the Apple IIGS computer. It supported a resolution of 640×400 interlaced (640×200 non-interlaced) and could be used by the Macintosh II, in a limited fashion, with the Apple High Resolution Display Video Card. Also introduced that year was the Apple Monochrome Monitor, which cosmetically was identical to the former model but was a black and white composite display suitable in external appearance for the Apple IIGS, Apple IIc or Apple IIc Plus.
The second generation of displays were built into the Lisa and Macintosh computers. The Macintosh had a 9-inch monochrome display that could display 512×342 pixels which would be used in all monochrome Compact Macintosh computers.
A new external AppleColor High-Resolution RGB Monitor was introduced in 1987 for the Macintosh II. It had a 13″ Trinitron CRT (the first Apple display to use an aperture grille CRT) with a fixed resolution of 640×480 pixels. The Macintosh II was a modular system with no internal display and was able to drive up to six displays simultaneously using multiple graphics cards. The desktop spanned multiple displays, and windows could be moved between displays or straddle them. In 1989, Apple introduced a series of monochrome displays for the Macintosh, the 20″ Macintosh Two Page Monochrome Display which could display two pages side by side, the 15″ Macintosh Portrait Display with a vertical orientation to display one page, and the 12″ High-Resolution Monochrome Monitor. In 1990, two 12″ displays were introduced for the low end, a 640×480 monochrome model and a 512×384 color model (560×384 for compatibility with Apple IIe Card), meant for the Macintosh LC. These were succeeded by the Macintosh Color Display series in 1992, which came in 14", 16" and 20" models, with resolutions of 640×480, 832×624, and 1152×870 respectively. There was also the Apple Performa Plus Display (a low-end Goldstar-built 14″ display with 640×480 resolution) for the Macintosh Performa series and the Apple Color Plus 14″ Display.
The third generation of displays marked the end of the monochrome display era and the beginning of the multimedia era. The first display to include built-in speakers was introduced in 1993 as the Apple AudioVision 14 Display. The "Multiple Scan" series of displays began with the Multiple Scan 17 and 20 with Trinitron CRTs and the Multiple Scan 14 with shadow mask CRT, and would ultimately become Apple's value line of shadow mask displays. The AppleVision series of displays then became the high-end display line, using 17″ and 20″ Trinitron CRTs and with AV versions containing integrated speakers. The AppleVision line was later renamed to "ColorSync" display line when Steve Jobs returned to Apple.
The Macintosh Color Classic introduced a 10″ color Trinitron display to the Classic compact Macintosh, with a slightly enhanced resolution of 512×384 (560×384 to accommodate the Apple IIe Card) like the standalone 12″ color display. Apple continued the all-in-one series with the larger 14″ Macintosh LC 500 series, featuring a 14″, 640×480 Trinitron CRT until the LC 580 in 1995, which heralded the switch to shadow mask CRTs for the remainder of Apple's all-in-one computers until the switch to LCDs in 2002. The last Macintosh to include an integrated CRT was the eMac, which boosted the display area to 17″ with support up to 1280×960 resolution. It used a 4th generation flat-screen CRT and was discontinued in 2006.
The fourth generation of displays were introduced simultaneously with the Blue & White Power Macintosh G3 in 1999, which included the translucent plastics of the iMac (initially white and blue "blueberry", then white and grey "graphite" upon the introduction of the Power Mac G4). The displays were also designed with same translucent look. The "Apple Studio Display" series of CRT displays were available in a 17″ Diamondtron and a 21″ Trinitron CRT, both driven by an LG-Manufactured chassis. The 17″ displays were notorious for faulty flybacks and failing in a manner that could destroy the monitor and catch fire. It's also reported that these monitors can destroy GPUs, and sometimes the entire computer.[ citation needed ] The last Apple external CRT display was introduced in 2000 along with the Power Mac G4 Cube. Both it and the new "LCD Studio Displays" featured clear plastics to match the Cube, and the new Apple Display Connector, which provided power, USB, and video signals to the display through a single cable. It was available only in a 17″ flat screen Diamondtron CRT. It was discontinued the following year.
The history of Apple LCDs started in 1984 when the Apple Flat Panel Display was introduced for the Apple IIc computer, principally to enhance the IIc's portability (see Apple IIc Portability enhancements). This monochrome display was capable of 80 columns by 24 lines, as well as double hi-res graphics, but had an odd aspect ratio (making images look vertically squished) and required a very strong external light source, such as a desk lamp or direct sunlight to be used. Even then it had a very poor contrast overall and was quite expensive (US$600), contributing to its poor sales and consequently it dropping from the market not long after its introduction. An estimated 10,000 IIc LCD displays were produced.
The next attempt at a flat panel was with the Macintosh Portable. More of a "luggable" than a laptop, it contained a high-resolution, active-matrix, 1-bit black & white, 9.8″ LCD with 640×400 resolution. Like the IIc Flat Panel, it was not backlit and required a bright light source to be used. A second generation model employed a backlit LCD. The PowerBook and MacBook series would continue to use LCD displays, following an industry-wide evolution from black-and-white to grayscale to color and ranging from 9″ to 17″. Two primary technologies were used, active matrix (higher quality and more expensive) and passive matrix displays (lower quality and cheaper). By 1998 all laptops would use active-matrix color LCDs, though the Newton products and eMate portables would continue to use black and white LCDs. Apple's current MacBook portable displays include LED backlighting and support either 2560×1600 or 2880×1800 pixel resolutions depending on screen size. The iPod series used black-and-white or color LCDs, the iPhone line uses LCD and OLED displays, and the Apple Watch uses OLED.
In 1997, Apple released the Twentieth Anniversary Macintosh (TAM), its first all-in-one desktop with an LCD display. Drawing heavily from PowerBook technology, the TAM featured a 12.1″ active matrix LCD capable of displaying up to 16 bit color at 800×600. While Apple chose to retain traditional and cheaper CRTs for its all-in-one desktop line for the next 4 years, the TAM is undoubtedly the predecessor for the successful LCD-based iMac line of all-in-one desktops starting with the iMac G4 released in 2002. A substantial upgrade over the TAM, it contained a 15″ LCD supporting up to 1024×768 resolution. It was followed by a 17″ and 20″ models boasting resolution of up to 1680 × 1050. In 2005, the iMac G5 dropped the 15″ configuration and in 2007, the new iMac dropped the 17″ and added a 24″ to the line-up, further boosting resolution to 1920 x 1200. In October 2009, new iMac models moved to 16:9 aspect ratio screens at 21.5 and 27 inches.
The first desktop color flat-panel was introduced on March 17, 1998, with the 15″ Apple Studio Display (15-inch flat panel) which had a resolution of 1024×768. After the eMate, it was one of the first Apple products to feature translucent plastics, two months before the unveiling of the iMac. Apple called its dark blue color "azul". It had a DA-15 input as well as S-video, composite video, ADB and audio connectors, though no onboard speakers. In January 1999 the coloring was changed to match the blue and white of the new Power Macintosh G3s, and the connector changed to DE-15 VGA.
The 22″ widescreen Apple Cinema Display was introduced in August 1999, simultaneously with the Power Mac G4 and in the beginning was sold only as an option to the Power Mac G4, selling for US$3,999. It had a native resolution of 1600×1024 and used a DVI connector. The display had a striped look on the bezel, similar to previous Studio Displays and iMacs. In December, the colors of the 15″ display were changed to "graphite" to match the new Power Mac G4s, and the input was changed from VGA to DVI, the audio and video features dropped, and the ADB functionality replaced by a two-port USB hub.
In 2000 the 22″ Cinema Displays switched to the ADC interface, and the 15″ Studio Display was remodeled to match the Cinema Display's easel-like form factor and also featured the Apple Display Connector. In 2001 an LCD-based 17″ Studio Display was introduced, with a resolution of 1280×1024.
In 2002 Apple introduced the Cinema Display HD which had a 23″ widescreen display with a resolution of 1920×1200. In 2003 Apple introduced the 20″ Cinema Display with a resolution of 1680×1050 to replace the discontinued 22″ display.
In 2004 a new line was introduced, utilizing the same 20″ and 23″ panels alongside a new 30″ model, for $3,299. The displays had a sleek aluminum enclosure with a much narrower bezel than their predecessors. The 20″ model featured a 1680×1050 resolution, the 23″ 1920×1200, and the 30″ 2560×1600. The 30″ version requires a dual-link interface, because a single-link DVI connection (the most common type) doesn't have enough bandwidth to provide a picture to a display of this resolution. Initially, the only graphics cards that could power the new 30″ display were the Nvidia GeForce 6800 DDL series, available in both GT and Ultra forms. The DDL suffix signified the dual-link DVI capability. The less expensive of the two cards retailed for US$499, raising the net cost of owning and using the display to nearly $3,800. Later graphics options included the NVIDIA Quadro FX 4500; the card included two dual-link DVI connectors which allowed a Power Mac G5 to run two 30″ Cinema Displays simultaneously with the total number of pixels working out to 8.2 million.
In 2006 along with the introduction of the Mac Pro, Apple lowered the price of the 30″ Cinema Display to US$1999. The Mac Pro featured an NVIDIA GeForce 7300GT as the graphics card in its base configuration which is capable of running a 30″ Cinema Display and another 23″ display simultaneously. The original Mac Pro was also available with both the ATI Radeon X1900XT card and the NVIDIA Quadro FX 4500 as build-to-order options. The X1900XT and FX 4500 are each capable of driving two 30″ Cinema Displays.
With the introduction of the Unibody MacBook family, Apple introduced the 24-inch LED Cinema Display, its first desktop display to use the new Mini DisplayPort connector, and also the first with an LED-backlit LCD. It had built-in speakers, a powered 3-port USB hub on the rear, an iSight camera and microphone, and a MagSafe power adapter for laptops. It also connected by USB for peripherals. It has a resolution of 1920×1200 and retailed for US$899.00. In 2010 it was replaced with a new 27-inch version with a resolution of 2560×1440.
In 2011 Apple released the Apple Thunderbolt Display, replacing the Mini DisplayPort and USB connector with a Thunderbolt plug for display and data. A Gigabit Ethernet port, a FireWire 800 port and a Thunderbolt 2 port were added as well, and the iSight camera was upgraded with a 720p FaceTime camera. On June 23, 2016, Apple announced it had discontinued the Thunderbolt Display, ending Apple's production of standalone displays. [2]
After Apple discontinued production of standalone displays in 2016, they partnered with LG to design the UltraFine line, with a 21.5-inch 4096x2304 display (22MD4KA-B) and 27-inch 5120x2880 display (27MD5KA-B), released in November 2016 alongside the Thunderbolt 3-enabled MacBook Pro. [3] Both displays use a USB-C connector, with the 27-inch version integrating Thunderbolt 3 connectivity. On the rear of the displays is a three port USB-C hub. The 21.5-inch version provides up to 60W charging power, while the 27-inch provides up to 85W. The 21.5-inch is compatible with all Macs with a USB-C port, while the 27-inch version can only be used natively at full resolution with Macs with Thunderbolt 3, which includes all Macs with USB-C except the Retina MacBook. The 27-inch model is compatible with older Thunderbolt 2-equipped Macs using an adapter, but is limited to displaying their maximum output resolution. [4] Both models include integrated stereo speakers, while the 27-inch model also includes a 1080p FaceTime-compatible camera. Like previous Apple displays, there are no physical buttons on the display, and brightness and speaker volume are controlled by a connected computer. [1]
Reviews of the UltraFine displays praised their image and sound quality and macOS integration, but criticized their design, build quality, and lack of cable management and USB-A ports. [5] [6] [7] LG acknowledged that early production 5K models lacked shielding for radio interference and could become inoperable if placed near a wireless router and introduced a repair program. [8]
In May 2019, the 21.5-inch model was discontinued and replaced with a 23.7-inch 3840x2160 model (24MD4KL-B) which added Thunderbolt 3 connectivity, auto-brightness, and increased the power output to 85W. In July 2019, the 27-inch model (27MD5KL-B, 27MD5KB-B) was updated with USB-C video input, adding compatibility with the 3rd generation iPad Pro at 4K resolution, auto-brightness, and increased power output to 94W. [9] [10] Apple stopped selling the displays in March 2022 following the release of the Apple Studio Display, but the displays are still in production and sold by LG. [11] [12]
Apple announced the Pro Display XDR at the 2019 WWDC, the first Apple-branded display since the Apple Thunderbolt Display was discontinued in 2016. The display contains a 6016×3384 6K color-calibrated Extreme Dynamic Range (XDR) panel. [13]
Apple announced the Apple Studio Display at the March 2022 Apple Special Event. It features a 27-inch, 5K Retina monitor, with 5120-by-2880 resolution at 218 pixels per inch, 600 nits brightness, wide color (P3), and True Tone technology. [14]
Apple has employed a large number of display connector designs over the years:
Additionally, various Apple computers have been able to output:
Digital Visual Interface (DVI) is a video display interface developed by the Digital Display Working Group (DDWG). The digital interface is used to connect a video source, such as a video display controller, to a display device, such as a computer monitor. It was developed with the intention of creating an industry standard for the transfer of uncompressed digital video content.
The Apple IIc is a personal computer introduced by Apple Inc. shortly after the launch of the original Macintosh in 1984. It is essentially a compact and portable version of the Apple IIe. The IIc has a built-in floppy disk drive and a keyboard, and was often sold with its matching monitor. The c in the name stands for compact, referring to the fact it is a complete Apple II setup in a smaller notebook-sized housing. It is compatible with a wide range of Apple II software and peripherals.
The eMac is a discontinued all-in-one Mac desktop computer that was produced and designed by Apple Computer. Released in 2002, it was originally aimed at the education market but was later made available as a cheaper mass-market alternative to Apple's "Sunflower" iMac G4. The eMac was pulled from retail on October 12, 2005, and was again sold exclusively to educational institutions thereafter. It was discontinued by Apple on July 5, 2006, and replaced by a cheaper, low-end iMac G5 that, like the eMac, was exclusively sold to educational institutions.
Display Data Channel (DDC) is a collection of protocols for digital communication between a computer display and a graphics adapter that enable the display to communicate its supported display modes to the adapter and that enable the computer host to adjust monitor parameters, such as brightness and contrast.
The PowerBook Duo is a line of subnotebooks manufactured and sold by Apple Computer from 1992 until 1997 as a more compact companion to the PowerBook line. Improving upon the PowerBook 100's portability, the Duo came in seven different models. They were the Duo 210, 230, 250, 270c, 280, 280c, and 2300c, with the 210 and 230 being the earliest, and the 2300c being the final version before the entire line was dropped in early 1997.
The Apple Display Connector (ADC) is a display and data connector developed by Apple, Inc. as a proprietary modification of the DVI connector. ADC combines analog and digital video signals, USB, and power all in one cable. It was used in later versions of the Apple Studio Display, including the final 17" CRT model, and most versions of the widescreen Apple Cinema Display, after which Apple adopted standard DVI connectors on later models.
The Apple Cinema Display is a line of flat-panel computer monitors developed and sold by Apple Inc. between 1999 and 2011. It was initially sold alongside the older line of Studio Displays, but eventually replaced them. Apple offered 20, 22, 23, 24, 27, and 30-inch sizes, with the last model being a 27-inch size with LED backlighting.
DisplayPort (DP) is a proprietary digital display interface developed by a consortium of PC and chip manufacturers and standardized by the Video Electronics Standards Association (VESA). It is primarily used to connect a video source to a display device such as a computer monitor. It can also carry audio, USB, and other forms of data.
The Mini-DVI connector is used on certain Apple computers as a digital alternative to the Mini-VGA connector. Its size is between the full-sized DVI and the tiny Micro-DVI. It is found on the 12-inch PowerBook G4, the Intel-based iMac, the MacBook Intel-based laptop, the Intel-based Xserve, the 2009 Mac mini, and some late model eMacs.
The Apple AudioVision 14 Display is a 14-inch Trinitron display that was manufactured by Apple Computer Inc.
The Micro-DVI port is a proprietary video output port introduced on the original MacBook Air in 2008. It is smaller than the Mini-DVI port used by its MacBook models.
Mac Mini is a small form factor desktop computer developed and marketed by Apple Inc. As of 2022, it is positioned between the consumer all-in-one iMac and the professional Mac Studio and Mac Pro as one of four current Mac desktop computers. Since launch, it has shipped without a display, keyboard, and mouse. The machine was initially branded as "BYODKM" as a strategic pitch to encourage users to switch from Windows and Linux computers.
The Mini DisplayPort is a miniaturized version of the DisplayPort audio-visual digital interface.
Audio connectors and video connectors are electrical or optical connectors for carrying audio or video signals. Audio interfaces or video interfaces define physical parameters and interpretation of signals. For digital audio and digital video, this can be thought of as defining the physical layer, data link layer, and most or all of the application layer. For analog audio and analog video these functions are all represented in a single signal specification like NTSC or the direct speaker-driving signal of analog audio.
The iMac is a series of all-in-one computers from Apple Inc. operating on the MacOS. Introduced by Steve Jobs in August 1998 when the company was financially troubled, the computer was an inexpensive, consumer-oriented computer that would easily connect to the Internet. Since that time, it has remained a primary part of Apple's consumer desktop offerings and evolved through seven distinct forms.
Thunderbolt is the brand name of a hardware interface for the connection of external peripherals to a computer. It was developed by Intel in collaboration with Apple. It was initially marketed under the name Light Peak, and first sold as part of an end-user product on 24 February 2011.
The Apple Studio Display is a series of non-widescreen LCD and CRT displays manufactured and sold by Apple Computer, Inc. and introduced in 1998. After the 1999 introduction of the widescreen Apple Cinema Display, the Apple Studio Display line ran concurrently until it was discontinued in 2004. With the exception of the last model, the 5:4 17" Apple Studio Display, all Apple Studio Displays had an aspect ratio of 4:3.
A display resolution standard is a commonly used width and height dimension of an electronic visual display device, measured in pixels. This information is used for electronic devices such as a computer monitor. Certain combinations of width and height are standardized and typically given a name and an initialism which is descriptive of its dimensions.
The Apple Thunderbolt Display is a 27-inch flat panel computer monitor developed by Apple Inc.and sold from July 2011 to June 2016. Originally priced at $999, it replaced Apple’s 27-inch Cinema Display. For displays it can only connect with computers with a Thunderbolt port. It is incompatible with most non-Apple computers, along with Macs released before 2011 and the 2012 Mac Pro or the single USB-C Retina MacBook. Devices with Thunderbolt 3 using an adaptor will work with the Apple Display.
5K resolution refers to display formats with a horizontal resolution of around 5,000 pixels. The most common 5K resolution is 5120 × 2880, which has an aspect ratio of 16∶9 with around 14.7 million pixels, with exactly twice the linear resolution of 1440p and four times that of 720p. This resolution is typically used in computer monitors to achieve a higher pixel density, and is not a standard format in digital television and digital cinematography, which feature 4K resolutions and 8K resolutions.