"Brown Shoes Don't Make It" | |
---|---|
Song by The Mothers of Invention | |
from the album Absolutely Free | |
Released | May 26, 1967 |
Recorded | November 18, 1966 [1] |
Studio | TTG Studios, Los Angeles |
Genre | |
Length | 7:30 |
Label | Verve |
Songwriter(s) | Frank Zappa |
Producer(s) | Frank Zappa, Tom Wilson |
"Brown Shoes Don't Make It" is a song by The Mothers of Invention, written by band leader Frank Zappa. It is the penultimate song on the second album Absolutely Free . The song is one of his most widely renowned works, declared by the AllMusic as "Zappa's first real masterpiece". [2]
The title was inspired by an event covered by Time magazine reporter Hugh Sidey in 1966. [3] The reporter correctly guessed that something was amiss when the fastidiously dressed President Lyndon B. Johnson made the sartorial faux pas of wearing brown shoes with a gray suit. Johnson flew to Vietnam for a surprise public relations visit later that day.
Live versions of this song are featured on the albums Tinsel Town Rebellion and Road Tapes, Venue 2 .
The song was written in April 1966 during a trip to Honolulu where The Mothers played for a week at a club called "Da Swamp". [4] The lyrics are derived from Zappa's belief that people who make laws are sexually maladjusted. It starts as a general attack on suburban American society: TV, greed and conformity are all mocked openly. The story then moves to a city hall official fantasizing about having sex with a thirteen-year-old girl.
The music makes several stylistic shifts, covering blues rock, classical, psychedelic rock, vaudeville and jazz. It is cited by AllMusic as being a "condensed two-hour musical". Zappa said the opening music section was inspired by Lightnin' Slim's "Have Your Way".
In a positive review of the album, Dominique Chevalier said "there are snatches of dodecaphonic scales, ballads, rock, R&B, Beach Boys, soap opera and more ... and ensures that this is no piece of easy listening". [5] As well as giving its parent album 4.5 stars, AllMusic gave a very positive review of the song. [6] It is also included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. [7]
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Frank Vincent Zappa was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.
Fingerprince is the third studio album by American art rock group the Residents, released in 1977. It was allegedly intended to be a three-sided record titled Tourniquet of Roses, but due to financial difficulties in fulfilling such a project, the record was instead cut down to a regular two-sided album.
Joe's Garage is a three-part rock opera released by American musician Frank Zappa in September and November 1979. Originally released as two separate albums on Zappa Records, the project was later remastered and reissued as a triple album box set, Joe's Garage, Acts I, II & III, in 1987. The story is told by a character identified as the "Central Scrutinizer" narrating the story of Joe, an average adolescent male, from Canoga Park, Los Angeles, who forms a garage rock band, has unsatisfying relationships with women, gives all of his money to a government-assisted and insincere religion, explores sexual activities with appliances, and is imprisoned. After being released from prison into a dystopian society in which music itself has been criminalized, he lapses into insanity.
Absolutely Free is the second album by American rock band the Mothers of Invention, released on May 26, 1967, by Verve Records. Much like their 1966 debut Freak Out!, the album is a display of complex musical composition with political and social satire, whose blend of jazz, classical, avant-garde and rock idioms within multi-sectional, suite-like compositions is seen as an important and influential precursor to progressive rock. The band had been augmented since Freak Out! by the addition of woodwinds player Bunk Gardner, keyboardist Don Preston, rhythm guitarist Jim Fielder, and drummer Billy Mundi; Fielder quit the group before the album was released, and his name was removed from the album credits.
Sheik Yerbouti is a double album by American musician Frank Zappa, released in March 1979 as the first release on Zappa Records, distributed by Phonogram Inc. in the United States and Canada. The album was released in other countries by CBS Records. It is mostly made up of live material recorded in 1977 and 1978, with extensive overdubs added in the studio. In an October 1978 interview, Zappa gave the working album title as Martian Love Secrets. It was later released on a single CD.
Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.
Chunga's Revenge is the third solo album, and eleventh album counting the work of his band The Mothers of Invention, by Frank Zappa, released on October 23, 1970. Zappa's first effort of the 1970s marks the first appearance of former Turtles members Mark Volman and Howard Kaylan - nicknamed Flo & Eddie - on a Zappa record, and signals the dawn of a controversial epoch in Zappa's history. Chunga's Revenge represents a shift from both the satirical political commentary of his 1960s work with The Mothers of Invention, and the jazz fusion of Hot Rats.
Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86. The album itself became the biggest commercial success of Zappa's career, reaching number 10 on the US Billboard 200.
Weasels Ripped My Flesh is the eighth album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums - Burnt Weeny Sandwich and Weasels Ripped My Flesh - from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo album Hot Rats. While Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.
Animalism is the fifth American album by the Animals, released in November 1966. The album includes the band's usual repertoire of blues and R&B covers, while Frank Zappa contributed a song and played bass on two tracks. It was the last album recorded by the original incarnation of the Animals prior to their disbandment, after which singer Eric Burdon would assemble a mostly new lineup under the name "Eric Burdon and the Animals". This new version of the group was already touring when Animalism released.
You Can't Do That on Stage Anymore, Vol. 6 is the last of six double-disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?" to ridicule Peter Frampton's album I'm in You with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The Illinois Enema Bandit" and "Strictly Genteel" that he frequently used as closing songs at concerts. It was released on October 23, 1992, under the label Rykodisc.
Läther is the sixty-fifth official album by Frank Zappa. It was released posthumously as a three-CD set on Rykodisc in 1996. The album's title is derived from bits of comic dialog that link the songs. Zappa also explained that the name is a joke, based on "common bastardized pronunciation of Germanic syllables by the Swiss."
The Lost Episodes is a 1996 posthumous album by Frank Zappa which compiles previously unreleased material. Much of the material covered dates from early in his career, and as early as 1958, into the mid-1970s. Zappa had been working on these tracks in the years before his death in 1993.
Ruben and the Jets was an American rock and roll band from Los Angeles, California. The band originated as an alias for The Mothers of Invention, Frank Zappa's band, to release Cruising with Ruben & the Jets (1968). Later, musician Rubén Guevara Jr. continued the band with his own lineup. Guevara's "Jets" recorded two albums, For Real! (1973) and Con Safos (1974).
"Inca Roads" is the opening track of the Frank Zappa and the Mothers of Invention 1975 album, One Size Fits All. The song features unusual time signatures, lyrics and vocals. The marimba-playing of Zappa's percussionist Ruth Underwood is featured prominently. The song was played in concert from 1970 to 1976, 1979 and 1988.
200 Motels, the soundtrack album to Frank Zappa's film of the same name, was released by United Artists Records in 1971. The original vinyl release was a two-record set, largely containing alternating tracks of rock music performed by the Mothers of Invention and symphonic music performed by the Royal Philharmonic Orchestra conducted by Elgar Howarth, all composed and orchestrated by Zappa. The album peaked at No. 59 on the Billboard 200, though reviewers deemed it a peripheral part of Zappa's catalog. Like the film, the album involves the theme of a rock band on tour and a loose storyline about The Mothers of Invention going crazy in the small town of Centerville and bassist Jeff quitting the group, as did his real life counterpart, Jeff Simmons, who left the group before the film began shooting and was replaced by actor Martin Lickert for the film.
"Willie the Pimp" is a song from Frank Zappa's 1969 album Hot Rats. It features an idiosyncratic Captain Beefheart vocal and one of Zappa's classic guitar solos. It is the only track that is not instrumental on the album, though the track features a long guitar solo.
Tinsel Town Rebellion is a double live album released by Frank Zappa in May 1981. The album was conceived by Zappa after he scrapped the planned albums Warts and All and Crush All Boxes, and contains tracks that were intended for those albums.
You Are What You Is is a 1981 double album by American musician Frank Zappa. His 34th album, it consists of three musical suites which encompass pop, doo-wop, jazz, hard rock, reggae, soul, blues, new wave and country. The album's lyrics satirize a number of topics, including hippies, socialites, fashion, narcotics use, cultural appropriation, religion, televangelists and the military draft.
Zappa's Universe is a 1993 Frank Zappa tribute album featuring alumni from many of Zappa's bands. The music was compiled from a series of concerts from four consecutive nights of concerts at The Ritz in New York City, and filmed for a concert video of the same name. Steve Vai’s cover of the song "Sofa" from the album won a Grammy Award for Best Rock Instrumental Performance in 1994.