Credo | |
---|---|
by Krzysztof Penderecki | |
Text | Credo, from the Mass and additional texts |
Language | Latin, Polish, German |
Composed | 1997 | –98
Performed | 11 July 1998 |
2000 Grammy Award |
Credo is a large-scale sacred composition for soloists, children's choir, mixed choir and orchestra by Krzysztof Penderecki, completed in 1998. It was commissioned by Helmuth Rilling for the Oregon Bach Festival, where it was first performed on 11 July 1998. Penderecki expanded the liturgical text by hymns and Bible verses in Latin, Polish and German. A recording won the 2000 Grammy Award for best choral performance.
In 1996, Penderecki was commissioned by the choral conductor Helmuth Rilling to compose a mass, planned for performances at the Internationale Bachakademie Stuttgart and the Oregon Bach Festival. [1] Penderecki began with writing the Credo which is central to the text, working from 1997 to 1998. It turned so large that it defied the original liturgical use, and became an independent work. [1]
Rilling conducted the first performance on 11 July 1998 in Eugene at the Oregon Bach Festival, with soloists Juliane Banse, Milagro Vargas, Marietta Simpson, Thomas Randle and Thomas Quasthoff, the Phoenix Boys Choir, and Oregon Bach Festival chorus and orchestra. [1] The same year, Rilling conducted national premieres in Russia, Poland and Germany. [1] Rilling conducted a recording which won the 2000 Grammy Award in the category best choral performance. [2]
It was published by Schott. [1] The composer conducted the work first for the Ukrainian premiere with the National Symphony Orchestra of Ukraine at the Organ Music Concert Hall in Kyiv on 31 March 1999. [1] After many performances around the world, [1] he conducted it again in Kyiv at the 29th Kyiv Music Fest in 2018, marking the centenary of Polish independence. [3]
The Credo uses the Latin text of the Nicene Creed from the order of mass, [1] with added texts chosen by the composer. [4] Penderecki structured the work in seven movements: [1] [5]
Added texts include at the end of the third movement verses from the hymn Pange lingua, beginning "Crux fidelis". [6] [5] The movement is concluded by compiled texts of venerating the Cross, entitled Crucem tuam adoramus Domine (We venerate your Cross, Lord): a Polish liturgical hymn asking the Crucified for mercy, the line "Popule meus, quid feci tibi?" from the Improperia, the beginning of the Pange lingua, a Polish adaptation of "Popule meus", the first stanza from Luther's hymn "Aus tiefer Not schrei ich zu dir", a parahrase of Psalm 130, and a repetition of "Popule meus". [5] In the fourth movement, a passage from the Revelation is inserted (chapter 11, verse 15). In the fifth movement, the expectation of the resurrection of the dead is followed by a hymn "Salve festa dies" (Hail, festive day), and the phrase "life of the world to come" is expanded by verse 24 from Psalm 118, "Haec dies, quam fecit Dominus: Exultemus et laetemur in ea." (This is the day, which the Lord has made: Let us rejoice and be glad in it.) and an Alleluja. [5]
The duration is given as one hour. [1] The Credo is scored for soprano, mezzo-soprano, alto, tenor and bass soloists, children's choir, SATB mixed choir and orchestra. [1] A reviewer described the music as expansive, "darkly romantic in manner", and with an "unerring immediacy of effect". [4]
Credo was recorded by the Warsaw Boys' Choir, the Warsaw Philharmonic Chorus and the Warsaw Philharmonic Orchestra conducted by Antoni Wit, in a series of Penderecki's compositions. [5] [7] It was coupled with his 1964 Cantata in honorem Almæ Matris Universitatis Iagellonicæ sescentos abhinc annos fundatæ. [6] A recording was also made of a performance by the same forces who premiered the work: Helmuth Rilling and the Oregon Bach Festival Orchestra and Choir, with the soloists listed above.
Helmuth Rilling is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982.
Thomas Quasthoff is a German bass-baritone. Quasthoff has a range of musical interest from Bach cantatas, to lieder, and solo jazz improvisations. Born with severe birth defects caused by thalidomide, Quasthoff is 1.34 m, and has phocomelia.
The St Luke Passion is a work for chorus and orchestra written in 1966 by Polish composer Krzysztof Penderecki. He composed the work to commemorate a millennium of Polish Christianity following the baptism and conversion of Polish duke Mieszko I in 966 AD. Penderecki's setting is one of several musical settings of the Passion story and contains text from the Gospel of Luke as well as other sources such as the Stabat Mater. Despite the Passion's almost total atonality and use of avant-garde musical techniques, the musical public appreciated the work's stark power and direct emotional impact and the piece was performed several more times soon after its premiere on 30 March 1966.
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts, and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach.
Oregon Bach Festival (OBF) is an annual celebration of the works of Johann Sebastian Bach and his musical legacy, held in Eugene, Oregon, United States, in late June and early July.
Maria Guinand is an internationally renowned choral conductor.
Milagro Vargas is an American mezzo-soprano known for her distinctive voice and stage presence. She has appeared as an international soloist in operatic, orchestral, chamber music and recital settings.
Herr, wie du willt, so schicks mit mir, BWV 73, is a church cantata by Johann Sebastian Bach. He composed it for the third Sunday after Epiphany and first performed it in Leipzig on 23 January 1724. It was probably composed shortly before the first performance.
Bogna Bartosz is a Polish-German classical mezzo-soprano and alto. She lives in Berlin.
Gächinger Kantorei, which uses the old German spelling of its name, the Gaechinger Cantorey, is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen and conducted by him until 2013, succeeded by Hans-Christoph Rademann.
Johann Sebastian Bach composed the church cantata Ich ruf zu dir, Herr Jesu Christ, BWV 177. He wrote the chorale cantata in Leipzig for the fourth Sunday after Trinity and first performed it on 6 July 1732. The cantata text is formed by the unchanged five stanzas of Johann Agricola's hymn.
Johann Sebastian Bach composed the church cantata Gott der Herr ist Sonn und Schild, BWV 79, in Leipzig in 1725, his third year as Thomaskantor, for Reformation Day and led the first performance on 31 October 1725.
Johann Sebastian Bach composed the church cantata Herr, deine Augen sehen nach dem Glauben, BWV 102 in Leipzig for the tenth Sunday after Trinity and it was first performed on 25 August 1726.
Johann Sebastian Bach composed the church cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179 in Leipzig for the eleventh Sunday after Trinity and first performed it on 8 August 1723.
Johann Sebastian Bach composed the church cantata Ihr, die ihr euch von Christo nennet, BWV 164 in Leipzig for the 13th Sunday after Trinity and first performed it on 26 August 1725.
Johann Sebastian Bach composed the church cantata Warum betrübst du dich, mein Herz, BWV 138, in Leipzig for the 15th Sunday after Trinity and first performed it on 5 September 1723. The text by an unknown author includes three stanzas from the hymn of the same name. Its text and melody were formerly attributed to Hans Sachs, but were written by an unknown hymn writer. The cantata has seven movements and is scored for SATB soloists and choir, two oboes d'amore, two violins, viola and basso continuo. The cantata has features of a chorale cantata although it was written a year before Bach's annual cycle of chorale cantatas. Bach used an aria as the base of the Gratias of his Missa in G major.
Singet dem Herrn ein neues Lied, BWV 190, is a church cantata by Johann Sebastian Bach. He wrote it in Leipzig for the New Year's Day and first performed it on 1 January 1724 as part of his first cantata cycle. He adapted it in 1730 to Singet dem Herrn ein neues Lied, BWV 190a, for the celebration of the bicentennial of the Augsburg Confession.
In allen meinen Taten, BWV 97, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig in 1734 for an unspecified occasion. The text consists of the unchanged words of the hymn by Paul Fleming (1642).
Dem Gerechten muß das Licht, BWV 195, is a church cantata by Johann Sebastian Bach for a wedding. He composed it in Leipzig, possibly in 1727, but only the incomplete scores of later performances from the 1740s survived. It uses two verses from Psalm 97 for the opening movement, and the first stanza auf Paul Gerhardt's hymn "Nun danket all und bringet Ehr" for the closing chorale. The librettist of the other movements is unknown.
Hans Adolf Karl Wilhelm Grischkat was a German conductor, especially a choral conductor, also a church musician and academic teacher. He founded the choir Schwäbischer Singkreis for pioneering concerts and recordings of works by Bach and Monteverdi in the spirit of historically informed performance. He was the church musician of the Christuskirche in Reutlingen, published Bach cantatas for Hänssler, and was from 1950 a professor of choral conducting at the Musikhochschule Stuttgart.