Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. [1]
As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status.
Dogs are unusual in Christian religious art, but the New Testament subject of the Exorcism of the Syrophoenician woman's daughter and the Old Testament one of Tobias and the Angel are exceptions, as they are mentioned in the texts, and depictions often include them.
Dog portraits became increasingly popular in the 18th century, and the establishment of The Kennel Club in the United Kingdom of Great Britain and Ireland in 1873, and the American Kennel Club in 1884 introduced breed standards or 'word pictures', which further encouraged the popularity of dog portraiture.
There are illustrations of dogs on the walls of tombs dating back to the Bronze Age, as well as statues, children's toys, and ceramics depicting dogs. Hunting dogs are commonly portrayed. [2] One of the prehistoric paintings estimated to be 9,000 years old found at the Bhimbetka rock shelters in India depict a dog held on a leash by a man. [3] Rock art of Tassili n'Ajjer also include depictions that are highly suggestive of dogs. [4] [5]
The Ancient Greeks and Romans, contrary to the Semitic cultures, favored dogs as pets, valuing them for their faithfulness and courage; they were often seen on Greek and Roman reliefs and ceramics as symbols of fidelity. [6] Dogs were given as gifts among lovers and kept as pets, guardians, and for hunting. Dogs were appreciated by the Greeks for their faith and love. Homer's Odyssey tells the story of Odysseus, who raised a dog called Argos, and who was the only one that recognized him when he returned home after his travels, disguised to conceal his appearance. This theme has been often depicted in ancient Greek vases. [7]
The ancient Romans kept three types of dogs: hunting dogs, especially sighthounds; Molossus dogs like the Neapolitan Mastiff, often depicted in reliefs and mosaics with the words "Cave Canem"; and small companion dogs like the Maltese, used as women's lap dogs. Greyhounds were often represented as sculptures. Large dogs were used in war by the Roman army, arranged in attack formation, or for wolf-hunting on horseback, which was a popular sport. [8] [9] [10]
Generally, dogs symbolize faith and loyalty. [11] A dog, when included in an allegorical painting, portrays the attribute of fidelity personified. [12] In a portrait of a married couple, a dog placed in a woman's lap or at her feet can represent marital fidelity. If the portrait is of a widow, a dog can represent her continuing faithfulness to the memory of her late husband. [11]
An example of a dog representing marital fidelity is present in Jan van Eyck's Arnolfini Portrait . An oil painting on oak panel dated 1434 by the Early Netherlandish painter Jan van Eyck, it is a small full-length double portrait, [13] which is believed to represent the Italian merchant Giovanni di Nicolao Arnolfini and his wife, [14] presumably in their home in the Flemish city of Bruges. The little dog symbolizes faithfulness, devotion or loyalty, [13] or can be seen as an emblem of lust, signifying the couple's desire to have a child. [15] Unlike the couple, the dog looks out to meet the gaze of the viewer. [16] The dog could also be simply a lap dog, a gift from husband to wife. Many wealthy women in the court had lap dogs as companions, reflecting wealth or social status. [17] During the Middle Ages, images of dogs were often carved on tombstones to represent the deceased's feudal loyalty or marital fidelity. [18]
Hunting scenes were common topics in medieval and Renaissance art. Hunting in the medieval period was a sport exclusive to the aristocracy, and hunting was an essential part of court etiquette. Depictions of people with a hunting dog, hawks or falcons would signal status. Hunting dogs were connected to aristocracy, as only the nobility was allowed to hunt. Different breeds of dogs were used for different types of hunting. Hunting with dogs was so popular during the Middle Ages that wild bears were hunted to extinction in England.
Hunting dogs are seldom seen depicted in the company of clerics, due to a prohibition of the activity decreed by the Fourth Council of the Lateran, held under Pope Innocent III.
As the aristocracy often used hunting dogs, dogs were shown as symbols in heraldry. In the late Middle Ages and the Renaissance, heraldry became a highly developed discipline. Dogs of various types, and occasionally of specific breeds, occur as charges and supporters in many coats of arms, and often symbolise courage, vigilance, loyalty, and fidelity. [19]
Three encaustic tiles dating from the 15th century feature a white hound, the Talbot crest and the inscription "Sir John Talbot" (the 1st Earl of Shrewsbury). Part of a set of four, the tiles were possibly originally used on a church floor. The term "Talbot" is used in heraldry to refer to a good-mannered hunting dog. The Talbot dog always depicts the Talbot coat of arms and is the original hound used as an English heraldic symbol. It is portrayed in the family arms of several noble German families and at least seven other English families. [20]
The greyhound also features very often in British heraldry, and appears on the arms of several English and Scottish families. One family used a winged greyhound for its crest. Other breeds used less often in heraldry include mastiffs, bloodhounds, and foxhounds. A creature referred to as the sea-dog is also used, and resembles the Talbot with scales, webbed paws, a fin along its back, and a flat, beaver-like tail. The English heraldist Arthur Charles Fox-Davies believed the sea-dog to have originated from depictions of the beaver, citing as evidence that one of the supporters in the arms of Oxford, which strongly resembles the sea-dog, is officially recorded as being a beaver. [21]
Shakespeare may have disliked dogs, as the many references in his works are rather derogatory, many mentioning different breeds. Spaniels seem especially disliked, for fawning and slobbering. [22] On the other hand Titian, who included dogs of several different breeds in his paintings, seems to show them in a good light.
During the 16th and 17th century, dogs were depicted in hunting scenes, representing social status, as a lap dog, or sometimes as a personal friend. They were also used as symbols in painting. The Greek philosopher Diogenes (404–323 BC) was depicted by Jean-Léon Gérôme in the company of dogs, serving as emblems of his "Cynic" (Greek: "kynikos," dog-like) philosophy, which emphasized an austere existence. [23] [24] Diogenes stated that "Unlike human beings who either dupe others or are duped, dogs will give an honest bark at the truth. Other dogs bite their enemies, I bite my friends to save them." [25]
In the painting Portrait of a man writing at a table by the Dutch painter Hendrik Martenszoon Sorgh, a Protestant preacher and theologian, with the Bible opened on the table, is depicted with his dog. The dog represents fidelity, vigilance, and regularity in research, owing to the perceived natural intelligence and intuition of a dog. [25] [26]
Netsuke are Japanese miniature sculptures of great artistic merit that also serve a practical function as toggles for cords used to attach small objects, boxes, or pouches to kimono, which traditionally have no pockets. Most netsuke production was during 1615–1868, in the Edo period in Japan. Among other motifs, netsuke often depicted dogs. The tradition of showing dogs in hunting scenes continued to the 18th century. [27]
The picture entitled A Distinguished Member of the Humane Society depicts a dog that was well known in London. The dog, depicted in 1838 by Sir Edwin Landseer, was a Newfoundland called "Bob" who was found in a shipwreck off the coast of England. The dog found his way to the London waterfront, where he became known for saving people from drowning a total of twenty-three times over the course of fourteen years. For this, he was made a distinguished member of the Royal Humane Society, granting him a medal and access to food. [28] Newfoundlands with white patches are now recognized as a breed of their own, as a "Landseer". [29]
By the Victorian era, the sporting tradition remained, but after the establishment of The Kennel Club in the UK in 1873 and the American Kennel Club in 1884, breed standards, or "word pictures," were introduced, and dog portraits soared in popularity. [30]
[27] There are stylistic differences between the British and European depictions; William Secord, a world expert on canine art, [31] stated, "Belgian, Dutch, Flemish and German artists were more influenced by realism, depicting the dog the way it really looked, with dirt on it's[ sic ] coat and slobber and that kind of thing. You see Alfred Stevens, who's Belgian, do street dogs and dogs that are suffering, which in England you never see. British depictions were more idealized. They want it pretty, simply put.” [32]
The prices achieved for canine art increased in the 1980s–1990s, and started to gain popularity in established art circles rather than antique markets. Buyers were generally divided into three dominant categories: hunters; breeders and exhibitors of pedigree dogs; and owners of companion animals. [33]
Pablo Picasso frequently included his canine companions in his paintings. [34] Particularly well-known and often featured in his work was a Dachshund, named Lump, who actually belonged to David Douglas Duncan but lived with Picasso. [35]
Depictions of dogs have extended as well to the artform of photography, a noted example being the work of photographer Elliott Erwitt.
The beagle is a breed of small scent hound, similar in appearance to the much larger foxhound. The beagle was developed primarily for hunting hare, known as beagling. Possessing a great sense of smell and superior tracking instincts, the beagle is the primary breed used as a detection dog for prohibited agricultural imports and foodstuffs in quarantine around the world. The beagle is a popular pet due to its size and good temper.
The EnglishGreyhound, or simply the Greyhound, is a breed of dog, a sighthound which has been bred for coursing, greyhound racing and hunting. Since the rise in large-scale adoption of retired racing Greyhounds, the breed has seen a resurgence in popularity as a family pet.
The Siberian Husky is a medium-sized working sled dog breed. The breed belongs to the Spitz genetic family. It is recognizable by its thickly furred double coat, erect triangular ears, and distinctive markings, and is smaller than the similar-looking Alaskan Malamute.
Jan van Eyck was a Flemish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, though most now regard that claim as an oversimplification.
A dog breed is a particular type of dog that was purposefully bred by humans to perform specific tasks, such as herding, hunting, and guarding. Dogs are the most variable mammal on Earth, with artificial selection producing upward of 360 globally recognized breeds. These breeds possess distinct traits related to morphology, which include body size, skull shape, tail phenotype, fur type, body shape, and coat colour. However, there is only one species of dog. Their behavioral traits include guarding, herding, and hunting, and personality traits such as hyper-social behavior, boldness, and aggression. Most breeds were derived from small numbers of founders within the last 200 years. As a result of their adaptability to many environments and breedability for human needs, today dogs are the most abundant carnivore species and are dispersed around the world.
Maltese dog refers both to an ancient variety of dwarf, white-coated dog breed from Italy and generally associated also with the island of Malta, and to a modern breed of similar dogs in the toy group, genetically related to the Bichon, Bolognese, and Havanese breeds. The precise link, if any, between the modern and ancient species is not known. Nicholas Cutillo suggested that Maltese dogs might descend from spitz-type canines, and that the ancient variety probably was similar to the latter Pomeranian breeds with their short snout, pricked ears, and bulbous heads. These two varieties, according to Stanley Coren, were perhaps the first dogs employed as human companions.
A spitz is a type of domestic dog consisting of between 50 and 70 breeds depending on classification. There is no precise definition of 'spitz' but typically most spitz breeds have pricked ears, almond shaped eyes, a pointed muzzle, a double coat, and a tail that curves over the back.
A lap dog or lapdog is a dog that is both small enough to be held in the arms or lie comfortably on a person's lap and temperamentally predisposed to doing so. Lapdog is not a specific breed, but a generic term for a type of dog that is small in size and friendly towards humans.
The Arnolfini Portrait is a 1434 oil painting on oak panel by the Early Netherlandish painter Jan van Eyck. It forms a full-length double portrait, believed to depict the Italian merchant Giovanni di Nicolao Arnolfini and his wife, presumably in their residence at the Flemish city of Bruges.
Dogs of Roman Britain concerns the presence of dogs within Britain under Roman occupation. Through various excavations in the Province of Britannia, evidence for a variety of uses from dogs has been found. There has been evidence of cultural involvement and significance of dogs found among the remains of excavated sites. Along with this are written references to the use of dogs as well.
Mr and Mrs Clark and Percy is a 1971 painting by the British artist David Hockney. Painted between 1970 and 1971, it depicts the fashion designer Ossie Clark and the textile designer Celia Birtwell in their flat in Notting Hill Gate shortly after their wedding, with one of the couple's cats on Clark's knee. The white cat depicted in the painting was Blanche; Percy was another of their cats, but Hockney thought "Percy" made a better title.
Fertility in art refers to any artistic work representing or portraying fertility, which usually refers to successful breeding among humans, although it may also mean successful agriculture and animal husbandry. It includes engravings, drawings, paintings, sculptures, figurines, portraits and even literary works. In Paleolithic art, fertility is usually associated with figurines with exaggerated parts of human anatomy.
Dog types are broad categories of domestic dogs based on form, function, or style of work, lineage, or appearance. Some may be locally adapted dog types that may have the visual characteristics of a modern purebred dog. In contrast, modern dog breeds strictly adhere to long-established breed standards,[note 1] that began with documented foundation breeding stock sharing a common set of inheritable characteristics, developed by long-established, reputable kennel clubs that recognize the dog as a purebred.
Dogs have played a role in the religion, myths, tales, and legends of many cultures. They hold diverse and multifaceted roles in various religious traditions around the globe. These interpretations often revolve around the faithful and loyal nature of dogs, paralleling human devotion to higher powers.
Fidelity when personified in Western art stands for the secular aspect of Faith, or the trust that exists between a master and servant, or in family relationships. Fidelity is often represented as a woman, shown holding a golden seal and a key, but may also be represented by a dog. Fidelity may be shown alone, or may be accompanied by a dog, a symbol of not only faithfulness but also fidelity. In the Renaissance, Penelope or Griselda might also stand for fidelity. Fidelity is not in the usual lists of the seven virtues, though it may sometimes be included in such groupings. The plant myrtle (Myrtus) has been associated with fidelity, and hence used in weddings, from Roman times to the present, and wreathed crowns of myrtle may be found in art.
Rabbits and hares (Leporidae) are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The rabbit as well as the hare have been associated with moon deities and may signify rebirth or resurrection. They may also be symbols of fertility or sensuality, and they appear in depictions of hunting and spring scenes in the Labours of the Months.
Woman Bathing is a lost panel painting by the Early Netherlandish artist Jan van Eyck. The work is today known through two copies which diverge in important aspects; one in Antwerp and a more successful but small c 1500 panel in Harvard University's Fogg Museum, which is in poor condition. It is unique in van Eyck's known oeuvre for portraying a nude in secular setting, although there is mention in two 17th-century literary sources of other now lost but equally erotic van Eyck panels.
The Alopekis is a small, ancient, primitive landrace of dog from Greece and adjacent regions of the Balkan peninsula. Alopekis have prick ears, a curved tail, and a double coat. Alopekis were bred as a multipurpose farm dog, functioning as a hunting dog, watchdog and shepherd. The dog is found throughout Greece but is most commonly seen in northern Greek regions with a lot of farmland and villages, such as Serres, Drama, Xanthi, etc. Critically endangered, the exact number of specimens that remain today is unknown.
Portrait of Giovanni di Nicolao Arnolfini is a small c. 1438 portrait by Jan van Eyck believed to be the same person as in the famous 1434 Arnolfini Portrait due to the similarities of facial features. Thus, the work is van Eyck's second portrait of Giovanni di Nicolao Arnolfini, a wealthy merchant from Lucca, a city in Tuscany in central Italy, who spent most of his life in Flanders. The painting was long thought a self-portrait; in colourisation, costume and tone, it is very similar to the signed and dated Portrait of a Man in a Red Chaperon in London, which is generally accepted as a self-portrait. It was only later that the current work was associated with Arnolfini and the double marriage painting. It is today in the Gemäldegalerie, Berlin.
Dog fashion is a popular style or practice, especially in canine clothing and accessories. Dog fashion is a distinctive trend of the style in which people dress their canine companions. This trend dates back to the Egyptian predynastic period and has since expanded due to increased consumer capitalism. Other animals such as cats may also wear fashion.