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 Panasonic D-5 HD VTR AJ-HD3700H | |
| Media type | Magnetic tape |
|---|---|
| Encoding | NTSC, PAL |
| Read mechanism | Helical scan |
| Write mechanism | Helical scan |
| Standard | Interlaced video |
| Developed by | Panasonic |
| Usage | Television production |
| Extended from | D-3 |
| Released | 1993 |
D-5 is a professional digital video format introduced by Panasonic at 18th International Television Symposium in Montreux in 1993 and released a year later in 1994. [1] [2] [3]
Like Sony's D-1 (8-bit), it is an uncompressed digital component system (10-bit), but uses the same half-inch tapes as Panasonic's digital composite D-3 format. A 120 min. D-3 tape will record 60 min. in D-5/D-5 HD mode. D-5 standard definition (SD) decks can be retrofitted to record high definition with the use of an external HD input/output box/decoder. [4] [5] [6] There were native D5 HD decks as well that didn't need an external processor and could record in both SD and HD. [7] High definition conversion on D5 HD decks does not allow for any error correction that exists on standard definition recordings, as the full bandwidth of the tape is required for high definition recording.
D-5 HD uses standard D-3/D-5 videocassettes to record HD material, using an intra-frame compression with a 4:1 ratio. It was introduced in 1994. [2] D-5 HD supports the 1080 and the 1035 interlaced line standards at both 60 Hz and 59.94 Hz field rates, all 720 progressive line standards and the 1080 progressive line standard at 24, 25 and 30 frame rates. Four 48 kHz 24-bit PCM audio channels, or eight 48 kHz 20-bit channels, are also supported. D-5 runs at different data rates for different formats: [8]
HD material is often captured for post production of film projects, whereby the D-5 HD scanning equipment is cheaper by the hour than a full resolution 2K film scan.[ citation needed ]
As of 2010, no D-5 HD camcorders have been offered for sale. Panasonic instead markets P2 camcorders for field production of 720p or 1080i and 1080p images. [9]
In 2007, Panasonic introduced an add-on box (AJ-HDP2000) that allows a standard D-5 VTR to encode 2K (2048 x 1080) resolution material with 4:4:4 color space onto D-5 tape using the industry standard JPEG2000 wavelet-based compression. [10]
MPEG-2 is a standard for "the generic coding of moving pictures and associated audio information". It describes a combination of lossy video compression and lossy audio data compression methods, which permit storage and transmission of movies using currently available storage media and transmission bandwidth. While MPEG-2 is not as efficient as newer standards such as H.264/AVC and H.265/HEVC, backwards compatibility with existing hardware and software means it is still widely used, for example in over-the-air digital television broadcasting and in the DVD-Video standard.
DV is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, DVCAM, Digital8, HDV, DVCPro, DVCPro50 and DVCProHD. DV has been used primarily for video recording with camcorders in the amateur and professional sectors.
Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram.
D-1 or 4:2:2 Component Digital is an SMPTE digital recording video standard, introduced in 1986 through efforts by SMPTE engineering committees. It started as a Sony and Bosch – BTS product and was the first major professional digital video format. SMPTE standardized the format within ITU-R 601, also known as Rec. 601, which was derived from SMPTE 125M and EBU 3246-E standards.
A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens.
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, Betacam singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself.
Serial digital interface (SDI) is a family of digital video interfaces first standardized by SMPTE in 1989. For example, ITU-R BT.656 and SMPTE 259M define digital video interfaces used for broadcast-grade video. A related standard, known as high-definition serial digital interface (HD-SDI), is standardized in SMPTE 292M; this provides a nominal data rate of 1.485 Gbit/s.
The D-Terminal or D-tanshi (Ｄ端子) is a type of analog video connector found on Japanese consumer electronics, typically HDTV, DVD, Blu-ray, D-VHS and HD DVD devices. It was developed by the EIAJ in its standard, RC-5237, for use in digital satellite broadcast tuners. In appearance it is a small flat trapezoidal connector, the same connector as the AAUI connector used by Apple Computer for some time to connect to ethernet.
HDV is a format for recording of high-definition video on DV videocassette tape. The format was originally developed by JVC and supported by Sony, Canon, and Sharp. The four companies formed the HDV Consortium in September 2003.
D-VHS is a digital video recording format developed by JVC, in collaboration with Hitachi, Matsushita, and Philips. The "D" in D-VHS originally stood for "Data", but JVC renamed the format as "Digital VHS". Released in December 1997, it uses the same physical cassette format and recording mechanism as S-VHS, but requires higher-quality and more expensive tapes and is capable of recording and displaying both standard-definition and high-definition content. The content data format is in MPEG transport stream, the same data format used for most digital television applications. It used MPEG-2 encoding and was standarized as IEC 60774-5.
XDCAM is a series of products for digital recording using random access solid-state memory media, introduced by Sony in 2003. Four different product lines – the XDCAM SD, XDCAM HD, XDCAM EX and XDCAM HD422 – differ in types of encoder used, frame size, container type and in recording media.
P2 is a professional digital recording solid-state memory storage media format introduced by Panasonic in 2004. The P2 card is essentially a RAID of Secure Digital (SD) memory cards with an LSI controller tightly packaged in a die-cast PC Card enclosure. The system includes cameras, decks as drop-in replacements for videotape decks, and a special 5.25-inch computer drive for random-access integration with non-linear editing systems (NLE). The cards can also be used directly where a PC card (PCMCIA) slot is available, as in most older notebook computers, as a normal hard disk drive, although a custom software driver must first be loaded.
HDCAM is a high-definition video digital recording videocassette version of Digital Betacam introduced in 1997 that uses an 8-bit discrete cosine transform (DCT) compressed 3:1:1 recording, in 1080i-compatible down-sampled resolution of 1440×1080, and adding 24p and 23.976 progressive segmented frame (PsF) modes to later models. The HDCAM codec uses rectangular pixels and as such the recorded 1440×1080 content is upsampled to 1920×1080 on playback. The recorded video bit rate is 144 Mbit/s. Audio is also similar, with four channels of AES3 20-bit, 48 kHz digital audio. Like Betacam, HDCAM tapes were produced in small and large cassette sizes; the small cassette uses the same form factor as the original Betamax. The main competitor to HDCAM was the DVCPRO HD format offered by Panasonic, which uses a similar compression scheme and bit rates ranging from 40 Mbit/s to 100 Mbit/s depending on frame rate.
AVCHD is a file-based format for the digital recording and playback of high-definition video. It is H.264 and Dolby AC-3 packaged into the MPEG transport stream, with a set of constraints designed around camcorders.
D-9 or Digital-S as it was originally known, is a professional digital video videocassette format created by JVC in 1995.
D6 HDTV VTR is SMPTE videocassette standard. A D6 VTR can record and playback HDTV video uncompressed. The only D6 VTR product is the Philips, now Thomson's Grass Valley's Media Recorder, model DCR 6024, also called the D6 Voodoo VTR. The VTR was a joint project between Philips Digital Video Systems of Germany and Toshiba in Japan. The tape deck module was designed and made by Philips in Weiterstadt, Germany, and the digital processor module designed and made by Toshiba. Since there is no data compression, after 20 tape copies of multi generations there is no noticeable loss of quality. As a very high-end, costly system about 70 were sold to high-end post houses from about 2000 to 2005. The VTR had a data record option. The data module could record and play back 2k DPX files at 6 frames per second over a HIPPI connection. The VTR came in a data only model, or with a switch module, so the record deck could be used for both video and data recording. The tape deck was also sold stand alone as a giga bit recorder to record and playback raw data. Toshiba made the video tape for the VTR. The high price of the video tape limited the use of the VTR.
AVC-Intra is a type of video coding developed by Panasonic, and then supported in products made by other companies. AVC-Intra is available in Panasonic's high definition broadcast products, such as, for example, their P2 card equipped broadcast cameras.
High-definition television (HDTV) describes a television or video system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since at least 1933; in more recent times, it refers to the generation following standard-definition television (SDTV). It is the standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television.
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