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Deicide is the killing (or the killer) of a god. The concept may be used for any act of killing a god, including a life-death-rebirth deity who is killed and then resurrected.
The term deicide was coined in the 17th century from medieval Latin *deicidium, from deus "god" and -cidium "cutting, killing."
The Aztec god of war, Tezcatlipoca, tricked his rival Quetzalcoatl into over-drinking and wantonry. Quetzalcoatl burned himself to death in shame.
The crimes listed in the Anantarika-karma include killing an Arhat and shedding the blood of a Buddha.
Devadatta, a monk, and Ajātasattu, king of Buddhism, attempted to kill the Gautama Buddha.
According to the New Testament accounts, the Judean authorities in Jerusalem under Roman rule, the Pharisees, charged Jesus with blasphemy, a capital crime under biblical law, and sought his execution. According to John 18:31 , the Judean authorities claimed to lack the authority to have Jesus put to death, though it is doubtful what legal basis such a claim would have had; the Jesus Seminar historicity project notes for John 18:31: "it's illegal for us: The accuracy of this claim is doubtful." in their Scholars Version. Additionally, John 7:53–8:11 records them asking Jesus about stoning the adulteress and Acts 6:12 records them ordering the stoning of Saint Stephen.
They brought Jesus to Pontius Pilate, the Roman Prefect of Judea, who was hesitant and let the people decide if Jesus were to be executed. According to the Bible, Pontius Pilate only ordered Jesus to be flogged. Washing his hands, Pilate said he would not take the blame for Jesus' death, to which the crowd replied, "His blood is upon us and our children." [1]
Pilate is portrayed in the Gospel accounts as a reluctant accomplice to Jesus' death. Modern scholars say it is most likely that a Roman Governor such as Pilate would have no problem in executing any leader whose followers posed a potential threat to Roman rule. [2] It has also been suggested that the Gospel accounts may have downplayed the role of the Romans in Jesus' death during a time when Christianity was struggling to gain acceptance in the Roman world. [3]
The Catholic Church and other Christian denominations suggest that Jesus' death was necessary to take away the collective sin of the human race. The crucifixion is seen as an example of Christ's eternal love for mankind and as a self-sacrifice on the part of God for humanity. [4]
The Gnostic Gospel of Judas contends that Jesus commanded Judas Iscariot to set in motion the chain of events that would lead to his death. [5]
Against certain Christian movements, some of which rejected the use of Hebrew Scripture, Augustine countered that God had chosen the Jews as a special people, [6] and he considered the scattering of Jewish people by the Roman Empire to be a fulfillment of prophecy. [7] He rejected homicidal attitudes, quoting part of the same prophecy, namely "Slay them not, lest they should at last forget Thy law" (Psalm 59:11). Augustine, who believed Jewish people would be converted to Christianity at "the end of time", argued that God had allowed them to survive their dispersion as a warning to Christians; as such, he argued, they should be permitted to dwell in Christian lands. [8] The sentiment sometimes attributed to Augustine that Christians should let the Jews "survive but not thrive" (it is repeated by author James Carroll in his book Constantine's Sword, for example) [9] [10] is apocryphal and is not found in any of his writings. [11]
Set killed Osiris, who was later resurrected by Isis. In Greek sources, Typhon replaces Set as the murderer.
Ophiotaurus was a creature whose entrails were said to grant the power to defeat the gods to whoever burned them. The Titans attempted to use them against the Olympians. After learning that his children were destined to usurp him, Cronus devoured his children. However, his children were later freed by Zeus.
Lanikaula, a prophet, killed the followers of the trickster god Pahulu on Lanai.
The goddess of creation, Izanami died while giving birth to the fire god Kagutsuchi. Kagutsuchi's father, Izanagi, beheaded Kagutsuchi out of grief.
In Babylonian mythology, Kingu, along with his dragon mother, Tiamat, were slain by the war-god Marduk in the primordial battle of the Enuma Elish. Afterward, the gods mixed Kingu's blood with clay and created humans. A variant of this myth, from the Atra-Hasis epic, says that the minor god Geshtu-E was sacrificed to make humans with his blood.
Loki tricked Höðr into killing Baldr. Váli avenged Baldr's death by killing Höðr.
Most of the major figures die in Ragnarök. According to the Gylfaginning , Jörmungandr kills Thor by poisoning him, Fenrir kills Odin, while Heimdall and Loki kill each other.
Gods are sometimes used as extremely powerful enemies in video games, often as the final boss. Many of these games make deicide the central goal of the game, the destruction of an evil god who has been supporting the antagonists or tormenting the protagonist, or use a forgotten god as a Lovecraftian horror who has been reawakened to wreak havoc on the world. In other games, a villain seizes the power of the gods, ascending to godhood themselves, forcing the player to kill them in their newly empowered form.
Baldr is a god in Germanic mythology. In Norse mythology, he is a son of the god Odin and the goddess Frigg, and has numerous brothers, such as Thor and Váli. In wider Germanic mythology, the god was known in Old English as Bældæġ, and in Old High German as Balder, all ultimately stemming from the Proto-Germanic theonym *Balðraz.
Some Christian Churches, Christian groups, and ordinary Christians express religious antisemitism toward the Jewish religion and the Jewish people.
Höðr is a god in Norse mythology. The blind son of Odin and Frigg, he is tricked and guided by Loki into shooting a mistletoe arrow which was to slay the otherwise invulnerable Baldr.
Jesus Christ Superstar is a sung-through rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. Loosely based on the Gospels' accounts of the Passion, the work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms.
In Norse mythology, Móði and Magni are the sons of Thor. Their names translate to "Wrath" and "Mighty," respectively. Rudolf Simek states that, along with Thor's daughter Þrúðr ("Strength"), they embody their father's features.
A dying-and-rising, death-rebirth, or resurrection deity is a religious motif in which a god or goddess dies and is resurrected. Examples of gods who die and later return to life are most often cited from the religions of the ancient Near East. The traditions influenced by them include the Greco-Roman mythology. The concept of a dying-and-rising god was first proposed in comparative mythology by James Frazer's seminal The Golden Bough (1890). Frazer associated the motif with fertility rites surrounding the yearly cycle of vegetation. Frazer cited the examples of Osiris, Tammuz, Adonis and Attis, Zagreus, Dionysus, and Jesus.
Pontius Pilate was the fifth governor of the Roman province of Judaea, serving under Emperor Tiberius from 26/27 to 36/37 AD. He is best known for being the official who presided over the trial of Jesus and ultimately ordered his crucifixion. Pilate's importance in Christianity is underscored by his prominent place in both the Apostles' and Nicene Creeds. Due to the Gospels' portrayal of Pilate as reluctant to execute Jesus, the Ethiopian Church believes that Pilate became a Christian and venerates him as both a martyr and a saint, a belief which is historically shared by the Coptic Church, with a feast day on 19 or 25 June, respectively.
The Passion is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week.
The Oberammergau Passion Play is a passion play that has been performed every 10 years from 1634 to 1674 and each decadal year since 1680 by the inhabitants of the village of Oberammergau, Bavaria, Germany. It was written by Othmar Weis, J A Daisenberger, Otto Huber, Christian Stuckl, Rochus Dedler, Eugen Papst, Marcus Zwink, Ingrid H Shafer, and the inhabitants of Oberammergau, with music by Dedler. Since its first production it has been performed on open-air stages in the village. The text of the play is a composite of four distinct manuscripts dating from the 15th and 16th centuries.
The term "blood curse" refers to a New Testament passage from the Gospel of Matthew, which describes events taking place in Pilate's court before the crucifixion of Jesus, and specifically the willingness of the Jewish crowd to accept liability for Jesus' death.
Most scholars who study the historical Jesus and early Christianity believe that the canonical gospels and the life of Jesus must be viewed within their historical and cultural context, rather than purely in terms of Christian orthodoxy. They look at Second Temple Judaism, the tensions, trends, and changes in the region under the influence of Hellenism and the Roman occupation, and the Jewish factions of the time, seeing Jesus as a Jew in this environment; and the written New Testament as arising from a period of oral gospel traditions after his death.
In Norse mythology, Nanna Nepsdóttir or simply Nanna is a goddess associated with the god Baldr. Accounts of Nanna vary greatly by source. In the Prose Edda, written in the 13th century by Snorri Sturluson, Nanna is the wife of Baldr and the couple produced a son, the god Forseti.
Paula Fredriksen is an American historian and scholar of early Christianity. She held the position of William Goodwin Aurelio Professor of Scripture at Boston University from 1990 to 2010. Now emerita, she has been distinguished visiting professor in the Department of Comparative Religion at the Hebrew University of Jerusalem, since 2009.
Antisemitism in the history of the Jews in the Middle Ages became increasingly prevalent in the Late Middle Ages. Early instances of pogroms against Jews are recorded in the context of the First Crusade. Expulsions of Jews from cities and instances of blood libel became increasingly common from the 13th to the 15th century. This trend only peaked after the end of the medieval period, and it only subsided with Jewish emancipation in the late 18th and 19th centuries.
Jewish deicide is the notion that the Jews as a people will always be collectively responsible for the killing of Jesus, even through the successive generations following his death. A Biblical justification for the charge of Jewish deicide is derived from Matthew 27:24–25. Some rabbinical authorities, such as 12th-century scholar Maimonides and, more recently, ultranationalist Israeli rabbi, Zvi Yehuda Kook (1891–1982), have asserted that Jesus was indeed stoned and hanged after being sentenced to death in a rabbinical court.
Son of God is a 2014 American epic biblical film directed by Christopher Spencer, and produced by Mark Burnett and Roma Downey. The film retells the life of Jesus and is an adaptation of the ten-hour miniseries The Bible, which aired in March 2013 on the History channel, and immediately following the movie begins another TV series called A.D. The Bible Continues.
God Is Dead is a comic book series created by Jonathan Hickman and Mike Costa, published by American company Avatar Press. It deals with ancient gods and goddesses from mythologies around the world coming to Earth to lay claim to the world of man. The subplot deals with a group of people named the Collective, who resist the ancient gods.
The Ballad of Baldr is the 13th volume in the Valhalla comic series. It's a retelling of the death of Baldr, drawing from many different of the myth.
Vindicta Salvatoris is a text of New Testament Apocrypha that expands the story of the aftermath of Jesus's execution. It was often presented as a supplement to the Gospel of Nicodemus. The oldest known copies are two Latin versions of the Vindicta Salvatoris, both dated to the 8th or 9th centuries and likely when the work was authored. The work is thought to have been composed in southern France, perhaps the Aquitaine region.
The Pilate cycle is a group of various pieces of early Christian literature that purport to either be written by Pontius Pilate, or else otherwise closely describe his activities and the Passion of Jesus. Unlike the four gospels, these later writings were not canonized in the New Testament, and hence relegated to a status of apocrypha. Some writings were quite obscure, with only a few ancient textual references known today; they merely survived through happenstance, and may not have been particularly widely read by early Christians in the Roman Empire and Christians in the Middle Ages. Others were more popular. The most notable example was the Gospel of Nicodemus, which proved quite popular and influential in medieval and Renaissance Christianity.