Django Unchained (soundtrack) | ||||
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Soundtrack album by Various Artists | ||||
Released | December 18, 2012 | |||
Genre | ||||
Length | 54:31 | |||
Language |
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Label | Republic Loma Vista | |||
Producer |
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Quentin Tarantino film soundtrack chronology | ||||
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Singles from Django Unchained (soundtrack) | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Artistdirect | [2] |
Digital Spy | [3] |
Now | [4] |
Pitchfork Media | (5.8/10) [5] |
Rolling Stone | [6] |
The Courier-Journal | [7] |
The Telegraph | [8] |
Django Unchained is the soundtrack to Quentin Tarantino's motion picture Django Unchained . It was originally released on December 18, 2012. The soundtrack uses a variety of music genres, though with an especially heavy influence from Spaghetti Western soundtracks.
Tracks composed for the film are "100 Black Coffins" by Rick Ross and produced by and featuring Jamie Foxx, "Who Did That To You?" by John Legend, "Freedom" by Anthony Hamilton and Elayna Boynton, "Ancora qui" by Ennio Morricone and Elisa. These four songs were all eligible for an Academy Award nomination in the Best Original Song category, but none of them were nominated. [9]
The soundtrack also includes seven tracks that are dialogue excerpts from the film. It was nominated for a Grammy Award for Best Compilation Soundtrack for Visual Media.
No. | Title | Writer(s) | Artist(s) | Length |
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1. | "Winged" (Dialogue) | James Russo | 0:09 | |
2. | "Django [fn 1] " | Luis Bacalov | Rocky Roberts & Luis Bacalov | 2:53 |
3. | "The Braying Mule [fn 2] " | Ennio Morricone | Ennio Morricone | 2:33 |
4. | "In That Case Django, After You..." (Dialogue) | Christoph Waltz & Jamie Foxx | 0:38 | |
5. | "Lo Chiamavano King (His Name Was King) [fn 3] " | Bacalov | Luis Bacalov & Edda Dell'Orso | 1:58 |
6. | "Freedom" |
| Anthony Hamilton & Elayna Boynton | 3:56 |
7. | "Five-Thousand-Dollar Nigga's and Gummy Mouth Bitches" (Dialogue) | Don Johnson & Christoph Waltz | 0:56 | |
8. | "La Corsa (2nd Version) [fn 1] " | Bacalov | Luis Bacalov | 2:18 |
9. | "Sneaky Schultz and the Demise of Sharp" (Dialogue) | Don Stroud | 0:34 | |
10. | "I Got a Name [fn 4] " | Jim Croce | 3:15 | |
11. | "I Giorni Dell'ira (Days of Anger) [fn 5] " | Riziero Ortolani | Riz Ortolani | 3:05 |
12. | "100 Black Coffins" |
| Rick Ross | 3:43 |
13. | "Nicaragua [fn 6] " | Jerry Goldsmith | Jerry Goldsmith featuring Pat Metheny | 3:29 |
14. | "Hildi's Hot Box" (Dialogue) | Samuel L. Jackson & Leonardo DiCaprio | 1:16 | |
15. | "Sister Sara's Theme [fn 2] " | Morricone | Ennio Morricone | 1:26 |
16. | "Ancora Qui" |
| Ennio Morricone & Elisa | 5:08 |
17. | "Unchained (The Payback/Untouchable) [fn 7] " |
| James Brown & 2Pac | 2:51 |
18. | "Who Did That to You?" | John Legend | 3:48 | |
19. | "Too Old to Die Young" | Dege Legg | Brother Dege | 3:43 |
20. | "Stephen the Poker Player" (Dialogue) | Samuel L. Jackson | 1:02 | |
21. | "Un Monumento [fn 8] " | Morricone | Ennio Morricone | 2:30 |
22. | "Six Shots Two Guns" (Dialogue) | Samuel L. Jackson & Jamie Foxx | 0:05 | |
23. | "Titoli (Trinity) [fn 9] [10] " | Annibale E I Cantori Moderni [11] | 3:03 | |
Total length: | 54:31 |
No. | Title | Writer(s) | Artist(s) | Length |
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24. | "Ode to Django (The D Is Silent) [fn 10] " | RZA | RZA | 4:58 |
Total length: | 59:16 |
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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Austria (IFPI Austria) [43] | 3× Platinum | 60,000* |
Germany (BVMI) [44] | Gold | 100,000^ |
Italy (FIMI) [45] | Gold | 25,000* |
* Sales figures based on certification alone. |
Individual tracks have been released as singles and charted on a number of official charts.
Year | Single | Peak positions | References | |||
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US | AUT | FRA | SUI | |||
2012 | "Freedom" (Anthony Hamilton & Elayna Boynton) | 46 | 28 | 32 | [46] [47] [48] | |
2013 | "Django" (Luis Bacalov & Rocky Roberts) | 85 | [49] |
Despite the fact that the soundtrack was acclaimed by critics, [50] Ennio Morricone, who composed a brand new song for Django Unchained, stated that Tarantino used the music “without coherence” and he "wouldn’t like to work with him again, on anything". [51] That was the first collaboration between the Italian composer and the American filmmaker, even though Tarantino had used Morricone's music in Kill Bill , Death Proof , and Inglourious Basterds . Ennio Morricone quickly released a statement clarifying that his remarks were taken out of context, [52] Morricone said that he has "great respect for Tarantino" and that he is "glad he chooses my music" [53] Morricone also said that because Tarantino chooses his music "it is a sign of artistic brotherhood" [54] [55] Morricone went on to compose the score to Tarantino's next film, The Hateful Eight .
In a scholarly essay on the film's music, Hollis Robbins notes that the vast majority of film music borrowings come from films made between 1966 and 1974 and argues that the political and musical resonances of these allusions situate Django Unchained squarely in the Vietnam and Watergate era, during the rise and decline of Black Power cinema. [56]
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