"Ex-Factor" | ||||
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Single by Lauryn Hill | ||||
from the album The Miseducation of Lauryn Hill | ||||
B-side |
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Written | 1997 | |||
Released | December 14, 1998 | |||
Recorded | 1997–1998 | |||
Studio |
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Genre | ||||
Length | 5:27 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Lauryn Hill | |||
Lauryn Hill singles chronology | ||||
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"Ex-Factor" is a song by American recording artist Lauryn Hill for her debut solo studio album The Miseducation of Lauryn Hill (1998). Written and produced by Hill herself, it incorporates elements of R&B, neo soul and hip hop soul. The song features a sample of "Can It Be All So Simple" by Wu-Tang Clan, hence its songwriters are also credited. [1] It has been claimed to be about Hill's former Fugees groupmate Wyclef Jean. [2] The song was released as the second single from The Miseducation of Lauryn Hill on December 14, 1998, by Ruffhouse Records and Columbia Records.
Upon its release, "Ex-Factor" received widespread critical acclaim. [3] The song peaked at number 21 on the US Billboard Hot 100 and at number seven on the Hot R&B/Hip-Hop Songs. Internationally, it peaked within the top five in Iceland and the United Kingdom. It won the Best R&B/Soul Single - Female award at the 2000 Soul Train Music Awards. [4] Spin named it the third best single of 1999. [5] In 2020, The Ringer ranked it as the 18th greatest breakup song of all time. [6] Since its release, the song has been sampled and covered by numerous artists.
"Ex-Factor" was written and produced by Lauryn Hill. It features replayed elements of "Can It Be All So Simple" by Wu-Tang Clan, [7] which itself samples Gladys Knight & the Pips' cover of Barbra Streisand's "The Way We Were", written by Alan and Marilyn Bergman and Marvin Hamlisch. [8] Consequently, Wu-Tang Clan, the Bergmans, and Hamlisch are also credited as songwriters of "Ex-Factor". [a]
"Ex-Factor" is a soul number which serves as a painful dissection of a failing relationship. [10] [11] The accompaniment is driven by two-chord progressions all throughout its melodic variations. [10] Its refrain contains soaring harmonies. [12]
"Ex-Factor", although not as successful as Hill's previous single "Doo Wop (That Thing)", still entered several international charts. It spent 22 weeks on the US Billboard Hot 100, peaking at number 21 on the chart dated April 10, 1999. The song peaked atop the US R&B/Hip-Hop Airplay. [13] It also charted on the US Hot R&B/Hip-Hop Songs, spending 31 weeks and peaking at number seven on March 13, 1999. It reached number four on the UK Singles Chart and spent 16 weeks on the chart, remaining Hill's biggest hit in the United Kingdom to date.
Since its release, "Ex-Factor" has been sampled by numerous artists in their songs, including rapper Lil B's "Money Over Suckas" (2012), singer Kehlani's "Till the Morning" (2014), singer Omarion's "Show Me" (2014) featuring Jeremih, rapper Drake's "Nice for What" (2018), and rapper Cardi B's "Be Careful" (2018). [8] Additionally, it has been covered by Beyoncé, [14] Kelly Clarkson, [15] John Legend, [16] and H.E.R. [17]
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Credits are adapted from The Miseducation of Lauryn Hill liner notes. [7]
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Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United Kingdom (BPI) [44] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
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United States | December 14, 1998 | Urban contemporary radio | ||
Japan | December 23, 1998 | Maxi CD | Sony Music Japan | |
United States | January 19, 1999 | 7-inch vinyl |
| |
Germany | January 25, 1999 | Maxi CD | Sony Music | |
United Kingdom | February 15, 1999 |
| Columbia | |
France | March 1, 1999 | 12-inch vinyl | Small | |
April 20, 1999 | CD |
The Miseducation of Lauryn Hill is the debut solo studio album by American rapper and singer Lauryn Hill. It was released on August 19, 1998, by Ruffhouse Records and Columbia Records. Recorded after the Fugees embarked on a hiatus, the album was almost entirely written and produced by Hill. It is a concept album about educating oneself on love, with lyrical themes encompassing relationship complexities, interpersonal conflicts, motherhood, and faith. Predominantly a neo soul and R&B record, it incorporates genres such as hip-hop, reggae, and soul, and features guest appearances from Carlos Santana, Mary J. Blige, and D'Angelo.
"Wild Wild West" is a song by American rapper and actor Will Smith from the 1999 film of the same name, in which he also starred. The song plays during the film's closing credits. The single includes parts of the chorus from Kool Moe Dee's song of the same name, and samples Stevie Wonder's 1976 hit song "I Wish". Kool Moe Dee re-performed the chorus for the song, and additional guest vocals are provided by Dru Hill. The album version of the song is introduced by a brief spoken-word interlude where Smith asks his infant son Jaden what song he should play next, interpreting Jaden's repeated non-verbal response as "Wild Wild West".
"Jumpin', Jumpin'" is a song recorded by American group Destiny's Child for its second studio album, The Writing's on the Wall (1999). The song was co-written and co-produced by Chad Elliott and group member Beyoncé Knowles, with additional writing from Rufus Moore and production assistance from Jovonn Alexander. It was released on July 11, 2000, by Columbia Records, as the fourth and final single from The Writing's on the Wall. It was the last single to feature the vocals of original members LeToya Luckett and LaTavia Roberson. The music video for the song features the group's second lineup consisting of Knowles, Kelly Rowland and replacement members Michelle Williams and Farrah Franklin. In some territories, including the United States, single artwork for the song features the new lineup, while other territories feature older images of the previous lineup.
"Have You Ever?" is a song by American recording artist Brandy for her second studio album, Never Say Never (1998). The song was written by Diane Warren, while production was handled by David Foster. It was released as the album's third single by Atlantic Records in October 1998. The song became Norwood's second song to reach the top position on the US Billboard Hot 100, following the worldwide chart-topping of "The Boy Is Mine". The former further reached number one in New Zealand, number two in Iceland, number eight in Australia, and the top 30 in Canada, Ireland, and the United Kingdom.
"Bills, Bills, Bills" is a song by American girl group Destiny's Child from their second studio album, The Writing's on the Wall (1999). It was written by Beyoncé Knowles, LeToya Luckett, Kelly Rowland, Kandi Burruss, and Kevin "She'kspere" Briggs and produced by the latter. The song was released as the lead single from The Writing's on the Wall on May 31, 1999, by Columbia Records.
"I Knew I Loved You" is a song by Australian pop duo Savage Garden, released through Roadshow Music and Columbia Records as the second single from their second and final studio album, Affirmation (1999). The song was created as an attempt to replicate the composition of Savage Garden's previous single "Truly Madly Deeply". The track was serviced to US adult contemporary and top 40 radio in September 1999 and was issued commercially in Australia on 28 September 1999.
"Doo Wop (That Thing)" is a song by American rapper and singer Lauryn Hill from her debut solo studio album, The Miseducation of Lauryn Hill (1998). It was written and produced by Hill. The song was released as her solo debut and lead single from The Miseducation of Lauryn Hill on August 10, 1998, by Ruffhouse Records and Columbia Records. No commercial release was originally intended for the single in the US, but limited-quantity physical formats were issued two months later, on October 27.
American singer Mary J. Blige began her career as a backing vocalist for Uptown Records in the early 1990s. In a career spanning more than 30 years, she has released 15 studio albums and 83 singles—including more than 20 as a featured artist. The "Queen of Hip-Hop Soul" has sold an estimate of over 100 million records worldwide, and over 20 million in the United States alone. Billboard ranked Blige as the 18th Greatest Billboard 200 Woman of all time, the 45th Greatest Hot 100 Woman of all time and 88th Greatest Artist of all time.
"Breathe" is a song written by Stephanie Bentley and Holly Lamar and recorded by American country music artist Faith Hill. Warner Bros. Records released it on September 27, 1999, as the first single from Hill's fourth album of the same name (1999). The song was produced by Byron Gallimore and Hill. "Breathe" became Hill's seventh number one on the Hot Country Songs chart in the United States, spending six weeks at number one. It also peaked at number two on the Billboard Hot 100 chart in April 2000. Despite not peaking at number one, it was the number-one single of 2000.
"Miami" is a song by American rapper and actor Will Smith from his debut solo album, Big Willie Style (1997). It samples the Whispers's 1979 single "And the Beat Goes On". Released as a single on November 23, 1998, the song charted at number 17 on the Billboard Hot 100 and number three on the UK Singles Chart.
"Where the Party At" is a song by American R&B group Jagged Edge featuring guest vocals from Nelly. The song spent three weeks at number-one on the US R&B chart. It was the group's highest-charting single on the US Billboard Hot 100, spending five weeks at number three in September 15, 2001. The song was nominated for Best Rap/Sung Collaboration at the 44th Grammy Awards in 2002, a brand new category at the time. It lost to Eve and Gwen Stefani's "Let Me Blow Ya Mind".
"Let's Get Married" is a song by American contemporary R&B group Jagged Edge from their second studio album, J.E. Heartbreak (1999). Released on April 11, 2000, the song spent three weeks atop the US Billboard Hot R&B/Hip-Hop Singles & Tracks chart in 2000 and reached number 11 on the Billboard Hot 100. In 2001, the song was issued in Australia as a double A-side with "Promise" and reached number two on the Australian Singles Chart. The music video features Fredro Starr and Kent Masters-King as the fictional couple deciding on whether they should get married or not.
"Just the Two of Us" is a song by American rapper & actor Will Smith. It was released as the fourth single from his debut solo studio album, Big Willie Style (1997), on July 20, 1998. The song was inspired by Bill Withers' and Grover Washington, Jr.'s love song of the same title; Smith's version samples and incorporates lyrics from the original. Instead of love between a couple, "Just the Two of Us" focuses on the relationship between a father and son. The song features Fuzzy and Sauce from the R&B group Somethin' for the People with Fuzzy providing the chorus and ad-libs, while Sauce is a credited as a producer on the track.
"Gone till November" a song by Haitian rapper Wyclef Jean, released as the third single from his debut solo album The Carnival (1997). The song was released on 25 November 1997 by Columbia and Ruffhouse, and peaked at number three on the UK Singles Chart, becoming Jean's highest-charting solo hit in the UK alongside 2000's "It Doesn't Matter". In the United States, the song peaked at number seven on the Billboard Hot 100 chart. It reached number four in both Canada and New Zealand.
"Everything Is Everything" is a song recorded by American recording artist Lauryn Hill for her debut solo studio album The Miseducation of Lauryn Hill (1998). It was written by Hill and Johari Newton, and produced by Hill. During the recording sessions, Hill wanted to write about injustice and struggles amongst youth communities in inner city areas of the United States. The song contains R&B, 1960s soul, and hip hop influences. It marked the first commercial appearance of singer and pianist John Legend, who was 19 years old when he played the piano on the song. The song was released as the third and final single from The Miseducation of Lauryn Hill on May 3, 1999, by Ruffhouse Records and Columbia Records.
"To Zion" is a song recorded by American rapper and singer Lauryn Hill for her debut solo studio album The Miseducation of Lauryn Hill (1998). It was written and produced by Hill herself, while Che Pope received a co-production credit under his pseudonym Che Guevara. Featuring American guitarist Carlos Santana, "To Zion" is an acoustic Spanish guitar-driven hip hop and gospel track. Lyrically, it is a tribute to Hill's oldest son Zion David Marley, to whom she gave birth in 1997, during her relationship with Rohan Marley.
American singer and rapper Lauryn Hill has released one studio album, one live album, and 20 singles. She has also written for and performed on several other tracks.
"Turn Your Lights Down Low" is a song by Jamaican reggae band Bob Marley and the Wailers from their 1977 album, Exodus. It is the only song on side B of the album that was not released as a single. However, a remastered version featuring Lauryn Hill was released in 1999. The duet was commercially successful, peaking at number one on the UK R&B Chart while topping the charts in New Zealand and Romania. It received a nomination for Best Pop Collaboration with Vocals at the 43rd Grammy Awards.
"A Rose Is Still a Rose" is a song recorded by American singer Aretha Franklin. It was written and produced by singer Lauryn Hill for Franklin's album of the same name (1998). The song focused on a motherly figure giving advice to a younger woman who keeps getting into bad relationships. Throughout "A Rose Is Still a Rose", Franklin advises that in spite of everything and despite the woman's "scorned roses and thorn crowns," the woman is "still a rose". Elements of the song "What I Am" by Edie Brickell and the New Bohemians were sung throughout the song by Hill herself.
"Nothing Even Matters" is a song recorded by American rapper and singer Lauryn Hill for her debut solo studio album The Miseducation of Lauryn Hill (1998). It was written and produced by Hill herself, and features a guest appearance from American singer D'Angelo. The song is an electric piano-driven neo soul, R&B and quiet storm ballad. Lyrically a love song, it discusses falling in love and exploring an idyllic romantic relationship, presumably in reference to Hill's relationship with Rohan Marley.
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