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Sir Edward Coley Burne-Jones, 1st Baronet, was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and William Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts.
Henry Holiday was an English Victorian painter of historical genre and landscapes, also a stained-glass designer, illustrator, and sculptor. He was influenced by the Pre-Raphaelite Brotherhood, many of whom he knew.
John La Farge was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art-related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany.
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The term Poor Man's Bible has come into use in modern times to describe works of art within churches and cathedrals which either individually or collectively have been created to illustrate the teachings of the Bible for a largely illiterate population. These artworks may take the form of carvings, paintings, mosaics or stained-glass windows. In some churches a single artwork, such as a stained-glass window, has the role of Poor Man's Bible, while in others, the entire church is decorated with a complex biblical narrative that unites in a single scheme.
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Francis Eginton (1737–1805), sometimes spelled Egginton, was an English glass painter. He painted windows for cathedrals, churches, chapels and stately homes, etc., around the country, leaving 50 large works altogether; his work was also exported abroad. His masterpiece is The Conversion of St. Paul, for the east window of St Paul's Church, Birmingham. He also developed a method for reproducing paintings mechanically.
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This article incorporates text from a publication now in the public domain : Cust, Lionel Henry (1887). "Clarke, Harriet Ludlow". In Stephen, Leslie (ed.). Dictionary of National Biography . Vol. 10. London: Smith, Elder & Co. p. 426.- Gentleman's Magazine , 4th series, 1866, i. 436
