Hello Mary Lou: Prom Night II is a 1987 Canadian supernaturalslasher film[5] directed by Bruce Pittman, and starring Michael Ironside, Wendy Lyon, Louis Ferreira, and Lisa Schrage. It follows a high school student who becomes possessed by Mary Lou Maloney, a student who died at her high school prom in 1957. A sequel to the slasher film Prom Night (1980), it was originally intended to be a standalone film titled The Haunting of Hamilton High, but was retitled in order to capitalize on the success of the original Prom Night. The only story connection between the two films is that they are set at the same high school. However, both films were executive produced by Peter R. Simpson.
Filmed in Edmonton, Alberta in 1986, the film was retitled Hello Mary Lou: Prom Night II by its Canadian distributor, Alliance Films. It was released theatrically in the United States by The Samuel Goldwyn Company in October 1987, and grossed nearly $3 million at the U.S. box office. The film received mixed reviews from critics, with many drawing stylistic comparisons to various other films of the era, ranging from David Lynch's Blue Velvet to its horror contemporaries Carrie and A Nightmare on Elm Street.
In 1957, seventeen-year-old Mary Lou Maloney confesses her various sins to a priest en route to her senior prom, which include having sexual relations with numerous boys. Before leaving, she defiantly tells the priest she "loved every minute of it." She arrives at the prom at Hamilton High School, which she attends with wealthy but unpopular Billy Nordham who gives her a ring with her initials on it. Shortly after receiving Billy's ring, Mary Lou sends him off to get punch while she sneaks backstage with Buddy Cooper, where the two are found making out by Billy. Storming off after Mary Lou claims she used him, Billy overhears two boys preparing a stink bomb and, when the boys abandon the bomb in the trash due to a teacher approaching, Billy grabs it. When Mary Lou is crowned prom queen, Billy, having snuck up onto the catwalk, drops the bomb on her before she is crowned. To the horror of Billy and everyone in attendance, the fuse of the bomb ignites Mary Lou's dress and she burns to death onstage, but not before looking up and seeing that Billy is the one responsible.
Thirty years later, student Vicki Carpenter goes looking for a prom dress in the school prop room after being denied a new dress by her overly religious mother. While searching, Vicki finds an old trunk containing Mary Lou's prom queen accessories and takes them, releasing Mary Lou's spirit in the process. After Vicki leaves Mary Lou's clothes in the art room after school, Vicki's friend Jess finds them and, after wedging a jewel out of the crown, is attacked by an unseen force and hung from a light by Mary Lou's cape. Jess's death is deemed a suicide caused by her despair over her recent discovery that she was pregnant.
After Jess's death, Vicki finds herself plagued by nightmarish hallucinations and confides in Buddy, who is now a priest. Buddy, after hearing Vicki's stories, believes Mary Lou may be back. Going to Mary Lou's grave, where his bible bursts into flames, Buddy afterwards tries to warn Billy, who is now the principal of Hamilton High and the father of Vicki's boyfriend Craig. During a detention caused by her slapping her rival Kelly Hennenlotter, Vicki is dragged into the classroom chalkboard, which turns to liquid.
Now fully possessed by Mary Lou, Vicki visits Buddy at the church and, revealing her identity to him, kills him by stabbing him in the face with a crucifix. Meanwhile, Vicki's new mannerisms and style of dress arouse the concern of Vicki's friend Monica. After confronting Vicki in the girls locker room, Monica is frightened into hiding from her in a locker, where she is crushed when Vicki makes the locker collapse in on her. After Monica's murder, Vicki seduces Craig and lures him away under the pretense of having sex, only to knock him unconscious and afterward confront and taunt Billy, revealing her identity to him. Finding the injured Craig, Billy takes him home and knocks him back out when Craig tries to go after Vicki. With Craig unconscious, Billy digs up Mary Lou's grave and finds the dead Buddy in the coffin. Meanwhile, Vicki's mother Virginia finds Vicki seducing her father, Walt. Horrified, she attempts to stop her from leaving for the prom, only to be telekinetically smashed through the front door.
Arriving at the prom, Vicki enjoys the festivities while Kelly, in order to become prom queen, fellates tally counter (and Monica's new boyfriend) Josh as a bribe. When Josh changes the outcome of the votes to make Kelly the winner, Vicki electrocutes Josh through his computer and changes the outcome. When she is crowned prom queen, Vicki goes up on stage, but is shot by Billy moments before getting her crown, to the horror of the crowd. Arriving after the shooting and approaching what appears to be the dying Vicki, Craig is knocked back when Vicki morphs into the charred corpse of Mary Lou. In the havoc, Kelly is stabbed and apparently killed by a falling light fixture and Craig is chased into the school prop room by Mary Lou, who opens a vortex to the Underworld that begins to suck Craig in. Before Craig is pulled through the gateway, Billy arrives and places the crown on Mary Lou and kisses her, apparently appeasing her spirit, which vanishes, releasing Vicki.
With Mary Lou gone, Vicki and Craig leave with Billy, getting into his car. When Billy turns on the radio, the Ronnie Hawkins 1959 hit song "Mary Lou" plays. Revealing he is wearing Mary Lou's ring and apparently possessed by Mary Lou, Billy drives off with the terrified Vicki and Craig.
The film was shot on location in Edmonton, Alberta at Westmount Jr. High School, on a budget of approximately CA$2.5 million.[3] Other portions of the film were shot inside an abandoned furniture store.[9] The Toronto-based Simcom Limited produced the film,[1][10] while the media company Allarcom also co-funded its production.[3] Filming began in early August 1986.[3][10] The production chose Edmonton due to the local school board's enthusiasm about shooting a film in the city, as well as the fact that the local schools had the neo-Gothic architecture the producers had envisioned.[3]
Jim Doyle, a special effects designer based in Los Angeles, served as the effects coordinator on the film.[1] Doyle had previously worked on Wes Craven's A Nightmare on Elm Street (1984), and Francis Ford Coppola's One from the Heart (1982), and WarGames (1983).[1] Some sequences required elaborate set-ups to film, such as the surrealistic sequence in which Vicki collapses into the chalkboard, which becomes a metallic liquid: Though only a 45-second sequence,[1] the production crew scheduled five days to complete the scene, at an estimated cost of $2,000 per hour.[3] Doyle designed the set with the blackboard lying flat on the floor, and filmed it so as to appear that it was standing on end.[1]
Producer Peter Simpson and The Samuel Goldwyn Company reshot half of the film before it completed production, with writer Ron Oliver directing the new scenes himself. The film was subsequently rebranded as a sequel to the slasher Prom Night and retitled Hello Mary Lou: Prom Night II by its Canadian production company, Simcom, peripherally connecting the films.[11] Simpson later stated that he felt branding the film a continuation of Prom Night damaged its reception.[12]
Release
The film was released theatrically in October 1987, and later expanded to a wide release on November 13, 1987. It grossed $911,351 in its opening weekend, and ended up making $2,683,519 at the U.S. box office.[4] The film was more of a success on home video.[8]
Critical response
Contemporaneous
Kevin Thomas of the Los Angeles Times gave the film a positive review, praising Lyon's performance and drawing comparisons to Blue Velvet, adding: "You don't ... have to take Hello Mary Lou at all seriously, and it probably would be a mistake to do so. Certainly, it's not on the deeply personal, highly idiosyncratic artistic level of the David Lynch film, but it is a splendid example of what imagination can do with formula genre material."[13]Vincent Canby of The New York Times described the film's extended "grand guignol" finale, writing: "Bruce Pittman, the director, and Ron Oliver, who wrote the screenplay, have constructed the movie as if it were a gourmet banquet for toddlers. From the first course to the last, it's all ice cream."[7] Bill Cosford from The Arizona Republic called it "a badly made film, as awkward as can be, and long stretches of it make no sense whatsoever. Nor does it manage, as the better slasher films do, to re-create a high-school milieu of even passing authenticity."[14]
Betsy Sherman of The Boston Globe deemed the film a "miserly slice-and-dicer: Carrie without the bucket of blood," though she conceded it is "somewhat livened by the presence of Michael Ironside."[15] The Philadelphia Daily News's Ben Yagoda panned the film, writing that it "can be credited with nothing other than providing temporary employment for a group of untalented individuals," and drawing comparisons between Peggy Sue Got Married (1986) and The Exorcist (1973).[16] Richard Harrington of The Washington Post drew similar comparisons, writing that the film "may be derivative, but for the most part it's clever enough to trade on its sources with humor and class. It's Peggy Sue Lives on Elm Street, with dollops of Carrie, The Exorcist and a half dozen other genre stalwarts."[17]
Stephen Hunter of The Baltimore Sun criticized what he described as a "rudimentary" script as well as the "waste" of Ironside.[18]The Atlanta Constitution's Eleanor Ringel wrote: "for all its rip-offs, Hello Mary Lou is never a total chore to sit through. As vengeance-minded females go, Ms. Schrage makes Glenn Close in Fatal Attraction come off like a Girl Scout leader," adding that it serves as a "black-comic commentary on the whole notion of prom queens."[19] Juan Carlos Coto of the South Florida Sun-Sentinel reviewed the film favorably, writing that "despite its lack of original material, this film is well-scripted, directed, and acted–and surprisingly entertaining."[20] A review in TV Guide awarded the film one out of five stars, praising the special effects and Pittman's direction, but ultimately deemed the film "all too predictable."[21]
In a retrospective assessment, film scholar and critic John Kenneth Muir wrote, "In the annals of unnecessary sequels, Hello Mary Lou: Prom Night II rates high. Contrarily, in the ranks of 1980s horror movies, it's merely a mediocre effort."[23] Film scholar Mike Mayo said the film is only a Prom Night sequel by title, and that it in fact bears more similarity to A Nightmare on Elm Street (1984).[24] Writing for Syfy in 2017, Rebecca Pahle praised the film's special effects and acting, and deemed it a "slasher masterwork."[25] Jacob Knight of ComingSoon.net similarly praised the film in a 2015 retrospective, writing: "It's a shame Hello Mary Lou never became a bigger hit, because it's an oft-forgotten gem of the horror genre, standing the test of time nearly thirty years on. An amalgamation of national tax shelter weirdness, brazen borrowing from better films, and the tossing of creative caution to the wind, Pittman's picture evokes numerous classics while indubitably carving its own identity."[26]
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Wendy Lyon is a Canadian film and television actress. She began her career in television, appearing on the miniseries Anne of Green Gables (1985) before having a recurring role on the Canadian series The Campbells (1986–1990). She made her feature film debut in a leading role in the supernatural horror film Hello Mary Lou: Prom Night II (1987).
Prom Night is a Canadian slasher film franchise that comprises a total of five feature films, the first four of which are centered around events at the fictional Hamilton High School. The first film, Prom Night (1980), was a slasher film directed by Paul Lynch and produced by Peter R. Simpson, focusing on teenagers being stalked and murdered by a masked killer at their prom. The film was a box-office success, grossing nearly $15 million. The following sequel, Hello Mary Lou: Prom Night II (1987), was envisioned as a standalone film, but producer Simpson and his company, Simcom, refitted it as a sequel to the original Prom Night. Hello Mary Lou: Prom Night II, a supernatural-themed slasher film, introduced the character of Mary Lou Maloney, a vengeful young woman who died on her prom night in 1957; its only connection to the first film was that both films take place in the same high school.
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