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Paul Joseph Morrissey was an American film director, known for his early association with Andy Warhol. His most famous films include Flesh (1968), Trash (1970), Heat (1972), Flesh for Frankenstein (1973), and Blood for Dracula (1974), all starring Joe Dallesandro, 1971's Women in Revolt and the 1980's New York trilogy Forty Deuce (1982), Mixed Blood (1985), and Spike of Bensonhurst (1988).
Poor Little Rich Girl is a 1965 underground film by Andy Warhol starring Edie Sedgwick. Poor Little Rich Girl was conceived as the first film in part of a series featuring Sedgwick called The Poor Little Rich Girl Saga. The saga was to include other Warhol films: Restaurant, Face, and Afternoon.
Eat (1964) is a 45-minute underground film created by Andy Warhol and featuring painter Robert Indiana, filmed on Sunday, February 2, 1964, in Indiana's studio. The film was first shown by Jonas Mekas on July 16, 1964, at the Washington Square Gallery at 530 West Broadway.
More Milk, Yvette (1966) is an avant garde film directed by Andy Warhol and filmed at The Factory. The film is Andy Warhol's tribute to Lana Turner and Johnny Stompanato, and features Warhol superstar Mario Montez in the role of Turner, and also features Paul Caruso and Richard Schmidt.
Rene Ricard was an American poet, actor, art critic, and painter.
Vinyl is a 1965 American black-and-white film directed by Andy Warhol at The Factory. It is an early adaptation of Anthony Burgess' 1962 novel A Clockwork Orange, starring Gerard Malanga, Edie Sedgwick, Ondine, and Tosh Carillo, and featuring such songs as "Nowhere to Run" by Martha and the Vandellas, "Tired of Waiting for You" by The Kinks, "The Last Time" by The Rolling Stones and "Shout" by The Isley Brothers.
Sleep is a 1964 American underground film by Andy Warhol. Lasting five hours and 21 minutes, it consists of looped footage of John Giorno, Warhol's lover at the time, sleeping.
Eating Too Fast is a 1966 Andy Warhol film made at The Factory. It was originally titled Blow Job #2 and features art critic and writer Gregory Battcock (1937–1980). The film is 67 minutes long and is, in effect, a black and white sound film remake of Warhol's Blow Job (1964). Battcock had previously appeared in Warhol's films Batman Dracula (1964) and Horse (1965).
American artist and filmmaker Andy Warhol produced more than 600 films between 1963 and 1968, including short Screen Tests film portraits. His subsequent work with filmmaker Paul Morrissey guided the Warhol-branded films toward more mainstream success in the 1970s. Since 1984, the Whitney Museum of American Art and Museum of Modern Art (MoMA) and worked to preserve, restore, exhibit, and distribute Warhol's underground films. In 2014, the MoMA began a project to digitize films previously unseen and to show them to the public.
Four Stars is a 1967 avant-garde film by Andy Warhol, consisting of 25 hours of film. In typical Warhol fashion of the period, each reel of the film is 35 minutes long, or 1200 ft. in length, and is shot in sync-sound.
The Life of Juanita Castro is a 1965 American underground film directed by Andy Warhol, filmed in March 1965 based on the absurdist theater play by Ronald Tavel by the same name.
Kitchen is a 1966 feature-length underground film directed by Andy Warhol and Ronald Tavel starring Edie Sedgwick and Roger Trudeau with appearances by Rene Ricard, Ronald Tavel, David McCabe, Donald Lyons, and Elektrah Lobel. The entire film takes place in the New York City apartment kitchen of Bud Wirtschafter, the sound man. The film was made in late May 1965 and premiered March 3, 1966 at the Film-makers' Cooperative in New York City.
The Andy Warhol Story is a 1966 underground film directed by Andy Warhol with cinematography by Paul Morrissey, and starring Edie Sedgwick and Rene Ricard.
Harlot is a 1964 American underground film directed by Andy Warhol, written by Ronald Tavel, and featuring Mario Montez lounging on a sofa, eating bananas, with Gerard Malanga in a tuxedo, and with Tavel, Billy Name, and Harry Fainlight having an off-screen discussion. This was Warhol's first sync-sound movie, filmed in December 1964 with his new Auricon camera.
Henry Geldzahler (1964) is a feature-length underground film directed by Andy Warhol, featuring art curator Henry Geldzahler smoking a cigar and becoming increasingly uncomfortable for 97 minutes. The film was shot silent and in black-and-white in the first week of July 1964, using unused film left from the filming of Empire.
The Nude Restaurant, also billed as Nude Restaurant, is a 1967 feature-length underground film directed by Andy Warhol, and starring Viva, Louis Waldon, Taylor Mead, Billy Name, Allen Midgette, and Rolando Peña. Different versions of the film exist, with one being an all-male, all-nude cast, and the other with all actors in G-strings. It was filmed in one day at the Mad Hatter Restaurant in Manhattan in October 1967.
Soap Opera, subtitled The Lester Persky Story, is a 1964 feature-length underground film directed by Andy Warhol, starring Baby Jane Holzer, and featuring Gerard Malanga, Sam Green, and Ivy Nicholson. The subtitle was used by Warhol since he used old television advertisement footage provided by Lester Persky.
Couch (1964) is a feature-length underground film directed by Andy Warhol, and starring Gerard Malanga, Piero Heliczer, Naomi Levine, Gregory Corso, Allen Ginsberg, John Palmer, Baby Jane Holzer, Ivy Nicholson, Amy Taubin, Ondine, Peter Orlovsky, Jack Kerouac, Taylor Mead, Kate Heliczer, Rufus Collins, Joseph LeSeuer, Binghamton Birdie, Mark Lancaster, Gloria Wood, and Billy Name.
Camp is a 1965 feature-length underground film directed by Andy Warhol in October 1965 at The Factory. The film stars Gerard Malanga, Baby Jane Holzer, Tally Brown, Mario Montez, Jack Smith, Paul Swan, and Dorothy Dean.
Space (1965) is an underground film directed by Andy Warhol, written by Ronald Tavel, and starring Edie Sedgwick, Gino Piserchio, Dorothy Dean, Ed Hennessey, singer-songwriter Eric Andersen, and Norman Levine. Unlike many of Warhol's other films made at The Factory, this film involved a moving camera, moving around the actors as they stood still.
