"It's De-Lovely" is one of Cole Porter's hit songs, originally appearing in his 1936 musical, Red Hot and Blue . It was introduced by Ethel Merman and Bob Hope. [1] The song was later used in the musical Anything Goes , first appearing in the 1956 film version (when it was sung by Donald O'Connor and Mitzi Gaynor); in the 1962 revival where it was sung by Hal Linden and Barbara Lang, and in the 2004 biographical film De-Lovely , where it was performed by Robbie Williams.
The hit records in late 1936 and early 1937 included versions by Leo Reisman, Eddy Duchin, Shep Fields, and Will Osborne. [2]
The song played with words that have the prefix "de", which leads to the creation of the neologism "de-lovely": "It's de-lightful, it's de-licious, it's de-lovely."
External audio | |
---|---|
You may hear the song "It's De-Lovely" performed by the Shep Fields Rippling Rhythm Orchestra in 1936 Here on Archive.org |
The song was used by the Chrysler Corporation in advertising DeSoto automobiles, in 1956 singing, "It's Delightful, It's De Lovely, It's DeSoto. Then in 1957 the lyrics changed to "Its delovely, its dynamic, its DeSoto." [14] A 1970s commercial for 7 Up used the song, describing it as "de-sugarfree".
"I Get a Kick Out of You" is a song by Cole Porter, which was first sung in the 1934 Broadway musical Anything Goes, and then in the 1936 film version. The song was originally sung by Ethel Merman.
"All of You" is a popular song written by Cole Porter and published in 1954.
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. NPR says "within three months of the show's opening, more than 30 artists had recorded the song."
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical The New Yorkers, which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale".
"So in Love" is a popular song, written by Cole Porter, from his musical Kiss Me, Kate, which was based on Shakespeare's The Taming of the Shrew. It was sung in the show by Patricia Morison, reprised by Alfred Drake, and further popularized by Patti Page in 1949.
"You're Just in Love" is a popular song by Irving Berlin. It was published in 1950 and was first performed by Ethel Merman and Russell Nype in Call Me Madam, a musical comedy that made its debut at the Imperial Theatre in New York City on October 12 that year. The show ran for 644 performances. Ethel Merman also later starred in the 1953 film version, with Donald O'Connor.
"Heat Wave" is a popular song written by Irving Berlin for the 1933 musical As Thousands Cheer, and introduced in the show by Ethel Waters.
"This Can't Be Love" is a show tune and a popular song from the 1938 Rodgers and Hart musical The Boys from Syracuse when it was sung by Eddie Albert and Marcy Westcott. The lyrics poke fun at the common depiction of love in popular songs as a host of malignant symptoms, saying, "This can't be love because I feel so well."
"It's Easy to Remember " is a popular song written by Richard Rodgers with lyrics by Lorenz Hart.
"Little Girl Blue" is a popular song with music by Richard Rodgers and lyrics by Lorenz Hart, published in 1935. The song was introduced by Gloria Grafton in the Broadway musical Jumbo.
"September in the Rain" is a popular song about nostalgia by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since.
"The Best Thing for You (Would Be Me)" is a popular song written by Irving Berlin and published in 1950. It was featured in the 1950 Broadway musical play, Call Me Madam, in which it was introduced by Ethel Merman in a scene with Paul Lukas. The 1953 film version also featured the song when it was sung by Ethel Merman and George Sanders.
"Down in the Depths (on the Ninetieth Floor)" is a torch song written by Cole Porter, for his 1936 musical Red, Hot and Blue, in which it was introduced by Ethel Merman. The lyric scheme juxtaposes images of high and low. It is a lament from the point of view of a rich woman in a penthouse apartment higher than any building but the Empire State Building, who looks down on the busy city life below her but nevertheless feels she is at the lowest and poorest point of her life because she is lonely. Porter's melody is musically intertwined with the lyric scheme in a similar manner to his song "Ev'ry Time We Say Goodbye."
"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman, Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938.
"I Concentrate on You" is a song written by Cole Porter for the 1940 film Broadway Melody of 1940, where it was introduced by Douglas McPhail.
"Do I Love You?" is a 1939 popular song written by Cole Porter, for his musical Du Barry Was a Lady, where it was introduced by Ronald Graham and Ethel Merman.
"From This Moment On" is a 1950 popular song written by Cole Porter, which has since become a jazz standard. It was originally written for the 1950 musical Out of This World, but director George Abbott dropped it from the musical before its Broadway premiere, possibly due to lackluster singing by cast member William Eythe. It was then included in MGM's 1953 film Kiss Me Kate, an adaptation of Porter's stage musical Kiss Me, Kate when it was sung by Ann Miller, Tommy Rall, Bob Fosse and Bobby Van. In theatrical versions of Kiss Me, Kate it goes now as a duet of Harrison Howell and Lilli Vanessi.
"Ridin' High" is a 1936 popular song written by Cole Porter, for his musical Red, Hot and Blue, where it was introduced by Ethel Merman.
"You'd Be So Nice to Come Home To" is a popular song written by Cole Porter for the 1943 film Something to Shout About, where it was introduced by Janet Blair and Don Ameche. The song was nominated for the Academy Award for Best Original Song in 1943 but lost to "You'll Never Know".
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show Anything Goes. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".