Kwanza (The First) | ||||
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Studio album by | ||||
Released | 1973 | |||
Recorded | June 14, 1973 | |||
Studio | RCA Studios, New York City | |||
Genre | Jazz | |||
Length | 44:22 | |||
Label | Muse MR 5031 | |||
Producer | Don Schlitten | |||
Albert Heath chronology | ||||
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Kwanza (The First) is an album by drummer Albert Heath featuring performances recorded in 1973 and originally released on the Muse label. [1] [2]
Andrew Gilbert of KQED says, "Kwanza captures a mid-career master with a long-established reputation as one of the most eloquent and adaptable drummers in jazz ... Heath wasn’t content to organize an all-star jam session. He’d been collaborating and studying composition with multi-instrumental explorer Yusef Lateef, and he used Kwanza to investigate some of the chamber music concepts he’d been working on". [3] Jazz Views' Eddie Myer observed, "This album come replete with all kinds of modish innovations, from Swahili titles to 4/4 straight-8 rock rhythms, to guitar and rhodes from the youngest members". [4]
All compositions by Albert Heath, except Oops! by Percy Heath.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.
James Edward Heath, nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band leader. He was the brother of bassist Percy Heath and drummer Albert Heath.
"Airegin" is a jazz standard composed by American jazz saxophonist Sonny Rollins in 1954. Rollins chose the name "Airegin" as it is "Nigeria" spelled backward.
Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections.
Ballads & Blues is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1956 and released on the Atlantic label.
Jazz Dialogue is an album by American jazz group the Modern Jazz Quartet with a big band featuring performances recorded in 1965 and released on the Atlantic label.
Really Big! is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.
The Quota is the third album by saxophonist Jimmy Heath featuring performances recorded in 1961 originally released on the Riverside label.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Swamp Seed is the fifth album by saxophonist Jimmy Heath featuring performances recorded in 1963 originally released on the Riverside label.
Soul Cycle is an album by pianist Cedar Walton, which was recorded in 1969 and released on the Prestige label.
These Are Soulful Days is an album by organist Don Patterson recorded in 1973 and released on the Muse label.
The Gap Sealer is an album by saxophonist Jimmy Heath featuring performances recorded in 1972 and originally released on the Cobblestone label but rereleased as Jimmy on the Muse label.
The Apartment is an album led by saxophonist Dexter Gordon recorded in 1974 and released on the Danish SteepleChase label.
Grand Encounter is an album by pianist and composer John Lewis with saxophonist Bill Perkins, guitarist Jim Hall, bassist Percy Heath and drummer Chico Hamilton recorded for the Pacific Jazz label in 1956. The subtitle refers to the groups mix of East Coast and West Coast musicians.
Peruvian Blue is a studio album by American pianist Kenny Barron which was recorded in 1974 and first released on the Muse label.
Lucifer is a studio album by American pianist Kenny Barron which was recorded in 1975 and released on the Muse label.
Lee Konitz at Storyville is a live album by saxophonist Lee Konitz featuring performances recorded at the Storyville nightclub in Boston and which was originally released as a 10-inch LP on George Wein's Storyville label. It was recorded on January 5, 1954.
Bush Dance is an album by saxophonist Johnny Griffin which was recorded in 1978 and released on the Galaxy label in the following year.
Migration is the debut studio album by drummer Antonio Sánchez which was released on the CAM Jazz label in 2007.