"Lazy Sunday" | ||||
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![]() European picture sleeve | ||||
Single by Small Faces | ||||
from the album Ogdens' Nut Gone Flake | ||||
B-side | "Rollin' Over" | |||
Released | 5 April 1968 | |||
Recorded | February–March 1968 [1] | |||
Studio | Olympic, London | |||
Genre | ||||
Length | 3:06 | |||
Label | EMI, Immediate | |||
Songwriter(s) | Steve Marriott, Ronnie Lane | |||
Producer(s) | Steve Marriott, Ronnie Lane | |||
Small Faces singles chronology | ||||
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"Lazy Sunday" is a song by the English band Small Faces, which reached number two on the UK Singles Chart in 1968 and number 42 in Canada. [5] [6] It was written by the Small Faces songwriting duo Steve Marriott and Ronnie Lane, and appeared on the band's 1968 concept album Ogdens' Nut Gone Flake . Against the band's wishes, it preceded the album as a single release.
"Lazy Sunday" mixes pop with a traditional cockney East End of London music-hall sound. The song was inspired by Marriott's feuds with his neighbours [7] and is also noticeable for its distinct vocal changes. Marriott sings large parts of the song in a greatly exaggerated cockney accent, partly due to an argument he had with the Hollies, who said that Marriott had never sung in his own accent. [8] [5] In the final bridge and the last two choruses, he reverts to his usual transatlantic (singing) accent. John Lydon cited the Small Faces as one of his few influences as vocalist for the Sex Pistols, and evidence of Marriott's influence on him can be found in this song.
According to Small Faces keyboardist Ian McLagan, Lane's "rooty dooty di" vocal lines were in imitation of a member of the Who's road crew; the two bands had recently toured Australia together. [9]
At 51 seconds, the vocal backing quotes the "Colonel Bogey March" by F. J. Ricketts [ citation needed ] and, at 1 minute 45 seconds, "(I Can't Get No) Satisfaction" by the Rolling Stones.[ citation needed ] At the end of the song the tune dissolves into birdsong and church bells.
"Lazy Sunday" appears as track six on the album Ogdens' Nut Gone Flake , and is the last track on Side A of the vinyl release. Despite its success, the single was released against the band's wishes, and this contributed to Marriott's departure. [10]
The song was used in the 2009 British comedy film The Boat That Rocked . [11]
The low-budget promotional video for "Lazy Sunday" was filmed at various locations, including Kenney Jones's parents' home on Havering Street in Stepney, east London. [12]
The Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band were one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ronald Frederick Lane was an English musician and songwriter who was the bassist and co-founder of the rock bands Small Faces (1965–69) and Faces (1969–73).
Stephen Peter Marriott, known professionally as Steve Marriott, was an English musician, guitarist, singer and songwriter. He co-founded and played in the rock bands Small Faces and Humble Pie, in a career spanning over 20 years. Marriott was inducted posthumously into the Rock and Roll Hall of Fame in 2012 as a member of Small Faces.
Ogdens' Nut Gone Flake is the third studio album, and only concept album by the English rock band Small Faces. Released on 24 May 1968, the LP peaked at number one on the UK Album Charts on 29 June, where it remained for six weeks. It became the group's final studio album during their original incarnation. The album title and distinctive packaging design was a parody of Ogden's Nut-brown Flake, a brand of tinned tobacco that was produced in Liverpool from 1899 by Thomas Ogden.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
Ian Patrick McLagan was an English keyboardist, best known as a member of the rock bands Small Faces and Faces. He also collaborated with the Rolling Stones and led his own band from the late 1970s. He was inducted into the Rock and Roll Hall of Fame in 2012.
"Itchycoo Park" is a song by English rock band Small Faces, written by Steve Marriott and Ronnie Lane. Largely written by Lane, it was among a number of pop songs of the era to make use of flanging, an effect involving, at that time, electro-mechanical processes. The song was not included on any of their UK albums, but was however featured on the North American release There Are But Four Small Faces (1968).
Small Faces is the debut album of Small Faces, released in May 1966 by Decca Records. It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee". The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks. It also reached number 8 in Finland.
"The Universal" is a song by English band Small Faces, released as a single on 28 June 1968. It reached number 16 in the UK, staying in the top 40 for a total of 10 weeks.
"Here Come the Nice" is a song by English rock band Small Faces. Written by guitarist Steve Marriott and bass guitarist Ronnie Lane, it was released as a single on 2 June 1967, through Immediate Records. The song, which was the band's debut on Immediate, was their first promoted release of 1967, following feuds with Decca Records. It marked a distinct turning point for Small Faces' career, being their first single to deliberately venture into psychedelia, though they had previously done that on a few album tracks for Decca. The song's subject regarding a drug dealer somehow bypassed the BBC censors, who did not ban it, which resulted in the song managing to chart at number 12 on the UK Singles Chart during the summer of 1967. The song received mostly good reviews from music critics, with many positively noting the change of genres.
"I've Got Mine" was the second official song released by the English rock band Small Faces in 1965. The song failed to chart despite receiving favourable reviews in the British music press.
"Afterglow of Your Love" is a song by the English rock group Small Faces. The song was originally simply titled "Afterglow" on the album on which it first appeared in May 1968, Ogdens' Nut Gone Flake. Without authorisation from the band, the song was released as a single in 1969 and reached no. 36 on the UK Singles Chart.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
There Are But Four Small Faces is a studio album by British rock group Small Faces, released in 1968 through Immediate Records and distributed by CBS Records. It was the band's first LP release in the United States, and is a modified version of the UK album Small Faces, which came out the previous year. There Are But Four combines tracks from the UK album with the standalone singles "Itchycoo Park", "Here Come the Nice" and "Tin Soldier", and their respective B-sides.
"Sebastian" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. It was released as the band's debut single in 1973 from their album The Human Menagerie. The song was written by Harley and produced by Neil Harrison.
"Talk to You" is a song by English rock band Small Faces. It was recorded in 1967 and issued as the B-side of "Here Come the Nice" that peaked at number 12 on the UK Singles Chart.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with "Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", "Lazy Sunday" and Ogdens' Nut Gone Flake.
In Memoriam is the first posthumous album release by East London rock band Small Faces after the announcement of their break-up in early 1969. It was released on 1 May 1969 through Immediate Records in West Germany only. Their second compilation album following 1967's From the Beginning, In Memoriam is a collection of live cuts and unreleased studio tracks. The studio material was recorded during 1967 and the 1968 sessions for Ogdens' Nut Gone Flake, and also included a few tracks possibly intended for their projected but unrealised fourth album 1862. The studio outtakes were complemented by five live tracks recorded on tour in November 1968.