Let's Face It! | |
---|---|
Music | Cole Porter |
Lyrics | Cole Porter |
Book | Herbert and Dorothy Fields |
Basis | The play The Cradle Snatchers by Russell Medcraft and Norma Mitchell |
Productions | 1941 Broadway 1942 West End |
Let's Face It! is a musical with music and lyrics by Cole Porter. The book by Herbert and Dorothy Fields is based on the 1925 play The Cradle Snatchers by Russell Medcraft and Norma Mitchell.
The 1941 Broadway and 1942 West End productions were successful, and a film version was released in 1943.
Three suspicious wives, Maggie Watson, Nancy Collister and Cornelia Pigeon, invite three Army inductees to Maggie's summer house in Southampton on Long Island in order to make their husbands jealous. Jerry Walker is engaged to Winnie Potter, and, because he needs the money, agrees to the plot. The wives' philandering husbands leave on yet another camping trip. Winnie, hearing of Jerry's involvement, brings in two friends (who are actually girlfriends of the other two soldiers) to pretend to be interested in the older men. The husbands actually do go fishing. Winnie and her friends crash Maggie's party and the husbands unexpectedly return home.
|
|
"A Fairy Tale" and "Melody in Four F" were written by Sylvia Fine and Max Liebman. Both were dropped later in the run, and "Melody in Four F" was replaced by "It Ain't Etiquette" from Du Barry Was a Lady .
The original production was directed by Edgar MacGregor and choreographed by Charles Walters. After a tryout at the Colonial Theatre in Boston, the musical opened on Broadway at the Imperial Theatre on October 29, 1941, and closed on March 20, 1943, after 547 performances. The cast included Danny Kaye as Jerry Walker, Eve Arden as Maggie Watson, Edith Meiser as Cornelia Abigail Pigeon, Vivian Vance as Nancy Collister, Benny Baker, Mary Jane Walsh as Winnie Potter, and Nanette Fabray. The cast also featured a then unknown Carol Channing as Eve Arden's understudy. Danny Kaye had made his successful debut earlier in the year in Lady in the Dark , and Porter allowed the actor's wife, Sylvia Fine, to add two comedy numbers into the score for him to sing. Later in the run, Carol Goodner replaced Eve Arden and José Ferrer replaced Kaye.
Tryouts in the UK began on June 23, 1942, at the Palace Theatre in Manchester, England. The West End production opened on November 19, 1942, at the Hippodrome Theatre and ran for 348 performances. It was directed by Bobby Howell and choreographed by Joan Davis. The cast included Bobby Howes as Jerry Walker and Pat Kirkwood as Winnie Potter. [1]
An Australian production played from November 1943 to January 1944 at His Majesty's Theatre in Melbourne. [2] [3]
42nd Street Moon in San Francisco, California, presented a staged concert version of the show in October 1999. [4] [5] Musicals Tonight!, New York City, presented a staged concert version in May 2006. [6]
A 1943 screen adaptation featured Bob Hope and Betty Hutton. Although the plot remained the same, most of the Porter score was replaced by songs by other composers. [7]
A made-for-television live broadcast of the show was presented on the NBC television network on November 21, 1954 on The Colgate Comedy Hour, with Bert Lahr as Frankie Burns / Aunt Pamela Burns, Vivian Blaine as Winnie Potter, Gene Nelson as Jerry Walker, and Betty Furness as Maggie Watson. [8]
Stephen Citron wrote in 2005: "No one ever has ever called Let's Face It a great musical. Nor did anyone expect it to be the smash hit that it was, least of all its producer. Freedley was not deceived into complacency when in The New Yorker Wolcott Gibbs called it 'brilliant foolishness', or Life Magazine dubbed it the season's 'smash' and declared, 'Porter has come out of his slump.' He knew it was the stars, especially Danny Kaye's brilliant double-talk routines, and the wartime escape atmosphere that filled the theatre nightly." [9]
Eve Arden was an American film, radio, stage and television actress. She performed in leading and supporting roles for nearly six decades.
Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman.
Cole Albert Porter was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in Hollywood films.
Mame is a musical with a book by Jerome Lawrence and Robert Edwin Lee and music and lyrics by Jerry Herman. Originally titled My Best Girl, it is based on the 1955 novel Auntie Mame by Patrick Dennis and the 1956 Broadway play of the same name by Lawrence and Lee. A period piece set in New York City and spanning the Great Depression and World War II, it focuses on eccentric bohemian Mame Dennis, whose famous motto is "Life is a banquet and most poor sons of bitches are starving to death." Her fabulous life with her wealthy friends is interrupted when the young son of her late brother arrives to live with her. They cope with the Depression in a series of adventures.
Panama Hattie is a 1940 American musical with music and lyrics by Cole Porter and book by Herbert Fields and B. G. DeSylva. The musical is about a nightclub owner, Hattie Maloney, who lives in the Panama Canal Zone and ends up dealing with both romantic and military intrigue. The title is a play on words, referring to the popular Panama hat.
Gay Divorce is a musical with music and lyrics by Cole Porter and book by Dwight Taylor, adapted by Kenneth Webb and Samuel Hoffenstein. It was Fred Astaire's last Broadway show and featured the hit song "Night and Day" in which Astaire danced with co-star Claire Luce.
Silk Stockings is a musical with a book by George S. Kaufman, Leueen MacGrath, and Abe Burrows and music and lyrics by Cole Porter. The musical is loosely based on the Melchior Lengyel story Ninotchka and the 1939 film adaptation it inspired. It ran on Broadway in 1955. This was the last musical that Porter wrote for the stage.
The Mothers-in-Law is an American sitcom featuring Eve Arden and Kaye Ballard as two women who were friends and next-door neighbors until their children's elopement made them in-laws. The show aired on NBC television from September 1967 to April 1969. Executive produced by Desi Arnaz, the series was created by Bob Carroll, Jr., and Madelyn Davis.
Paris is a musical with the book by Martin Brown, and music and lyrics by Cole Porter, as well as Walter Kollo and Louis Alter (music) and E. Ray Goetz and Roy Turk (lyrics). The musical, which premiered on Broadway in 1928, was Porter's first Broadway hit. The musical introduced the song "Let's Do It, Let's Fall in Love" sung by the show's star, Irene Bordoni. The story involves a young man from a very proper family in Newton, Massachusetts whose mother is horrified by his intention to wed a French actress.
Can-Can is a musical with music and lyrics by Cole Porter, and a book by Abe Burrows. The story concerns the showgirls of the Montmartre dance halls during the 1890s.
Julia Kathleen Nancy McKenzie is an English actress, singer, presenter, and theatre director. She has premièred leading roles written by both Alan Ayckbourn and Stephen Sondheim. On television, she is known for her BAFTA Award nominated role as Hester Fields in the sitcom Fresh Fields (1984–1986) and its sequel French Fields (1989–1991), and as Miss Marple in Agatha Christie's Marple (2009–2013).
Out of This World is a musical with music and lyrics by Cole Porter, and the book by Dwight Taylor and Reginald Lawrence. The show, an adaptation of Plautus's comedy Amphitryon, first opened on Broadway in 1950.
High Society is a musical comedy with a book by Arthur Kopit and music and lyrics by Cole Porter. Some updated or new lyrics were provided by Susan Birkenhead. The musical is based on Philip Barry's 1939 stage comedy The Philadelphia Story and the subsequent 1956 musical film adaptation, High Society, which features Porter's songs. The musical includes most of the music featured in the movie, along with several songs selected from other Porter musicals. It premiered on Broadway in 1998 and has since been revived. Another musical adaptation of the story had opened in London in 1987 with a different book by Richard Eyre.
Red, Hot and Blue is a musical with music and lyrics by Cole Porter and a book by Howard Lindsay and Russel Crouse. It premiered on Broadway in 1936 and introduced the popular song "It's De-Lovely," sung by Ethel Merman and Bob Hope.
Something for the Boys is a musical with music and lyrics by Cole Porter and a book by Herbert Fields and Dorothy Fields. Produced by Mike Todd, the show opened on Broadway in 1943 and starred Ethel Merman in her fifth Cole Porter musical.
"Ace in the Hole" is a popular song composed by Cole Porter. The song was written expressly for Porter's musical Let's Face It! which debuted at New York City's Imperial Theatre on 29 October 1941. In the original production, "Ace in the Hole" was performed by Mary Jane Walsh and Nanette Fabray. The song was one of the hits of the show throughout its 547 performances on Broadway and its 1943 movie adaptation.
The New Yorkers is a musical written by Cole Porter and Herbert Fields (book). Star Jimmy Durante also wrote the words and music for the songs in which his character was featured.
Mexican Hayride is a musical with a book by Herbert Fields and Dorothy Fields and music and lyrics by Cole Porter. The show opened on Broadway in 1944.
Wake Up and Dream is a musical revue with a book by John Hastings Turner and music and lyrics by Cole Porter and others. The most famous song from the revue is the Porter standard "What Is This Thing Called Love?"
Let's Face It is a 1943 American musical film directed by Sidney Lanfield and written by Harry Tugend, adapted from the musical of the same name. The film stars Bob Hope, Betty Hutton, ZaSu Pitts, Phyllis Povah, Dave Willock, Eve Arden, and Cully Richards. The film was released on August 5, 1943, by Paramount Pictures. A New York Times critic at the time of its release wrote, "Strictly as hot-weather fare, Let's Face It, now at the Paramount, is an acceptable bit of monkeyshines, but not much more. As a vehicle for Bob Hope it is a rather feeble and outdated contraption, and if it weren't for Mr. Hope himself Let's Face It would be a very sad affair indeed."