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"Let's Go to Bed" | ||||
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Single by The Cure | ||||
B-side | "Just One Kiss" | |||
Released | 23 November 1982 [1] | |||
Genre | ||||
Length | 3:33 | |||
Label | Fiction | |||
Songwriter(s) | ||||
Producer(s) | Chris Parry | |||
The Cure singles chronology | ||||
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Music video | ||||
"Let's Go To Bed" on YouTube |
"Let's Go to Bed" is a song by English rock band the Cure, released as a stand-alone single by Fiction Records in November 1982. In the aftermath of the dark Pornography , Robert Smith returned from a month-long detox in the Lake District to write the song, the antithesis to what the Cure currently represented. It was later included on the album Japanese Whispers , which compiles the band's three singles from 1982 to 1983 and their five B-sides.
The single was only a minor success in the UK, peaking at No. 44, [2] but became a Top 20 hit in Australia in 1983, reaching No. 15 in Australia (for two weeks) [3] and No. 17 in New Zealand. [4]
In an interview with Rolling Stone, Robert Smith discussed the initial reaction when playing the song to Fiction Records:
When I took "Lets Go to Bed" to Fiction and played it to them, it was like silence. They looked at me, like, "This is it. He’s really lost it." They said, "You can’t be serious. Your fans are gonna hate it." I understood that, but I wanted to get rid of all that. I didn’t want that side of life anymore; I wanted to do something that’s really kind of cheerful. I thought, "This isn’t going to work. No one’s ever gonna buy into this. It’s so ludicrous that I’m gonna go from goth idol to pop star in three easy lessons."
However, the song became a success much to Smith’s surprise.
Suddenly, "Let’s Go to Bed" was turning into a big hit, on the West Coast particularly, and we had a young, predominantly female, teenage audience. It went from intense, menacing, psychotic goths to people with perfect white teeth. It was a very weird transition, but I enjoyed it. I thought it was really funny. We followed it up with "The Walk" and "Love Cats," and I just felt totally liberated. [5]
On 15 March 1983, the song was the first broadcast for the pioneering Boston-based alternative rock radio station WFNX. When WFNX was sold and ceased broadcasting on 20 July 2012, "Let's Go to Bed" was selected as the station's final broadcast. [6]
Chris True of AllMusic described the song as "antic, herky-jerky new wave pop", [7] while also observing it as 'poppier than former singles, but still maintains a dark edge. The moody atmospherics and percussive elements of the Cure of old are traded in for offbeat melodies and quirky dance beats." He also said "The song has an almost childlike approach". further stating that the "production feels like kids are trying out new toys." [8]
Pitchfork called it "bratty, funky synthpop". [9] In 2022, Rolling Stone ranked it 19 on their list "100 Best Songs of 1982". [10]
The song's music video was the band's first collaboration with Tim Pope, [11] who would go on to direct several more videos for the group. The video features members Robert Smith and Lol Tolhurst, who at that point were the only members of the Cure – the only instance in the band's history where the band officially had a two-person lineup. [12] Pope's video treatment displayed the band's more whimsical side, something absent from the band's early work. In his book, Tolhurst also recalls that he was dancing naked behind the screen as a shadowy silhouette. [13] He also says that the music videos soon helped the band's fortunes: "As we soon found out, some heavy rotation on MTV, together with our rigorous touring, would start to accelerate the rise of the band." Robert Smith has admitted they were poking fun at Tears for Fears in this video.
7-inch vinyl
12-inch vinyl
US 7-inch vinyl
US 12-inch vinyl
Chart (1983) | Peak position |
---|---|
Australia (Kent Music Report) [14] | 15 |
New Zealand (RMNZ) | 17 |
United Kingdom (OCC) | 44 |
US Billboard Dance/Disco Top 80 [15] | 32 |
Chart (1983) | Position |
---|---|
Australia (Kent Music Report) [14] | 94 |
The Cure are an English rock band formed in Crawley, West Sussex in 1976 by guitarist, lead vocalist, and main songwriter Robert Smith and drummer Laurence Tolhurst. Throughout numerous lineup changes since the band's formation, including stints of guitarist Porl Thompson and drummer Boris Williams, Smith has remained the only constant member, though bassist Simon Gallup has been present for all but about three years of the band's history. The band's current line-up features Smith and Gallup alongside longtime members, Roger O'Donnell (keyboards), Perry Bamonte (guitar), Jason Cooper (drums) and Reeves Gabrels (guitar).
Robert James Smith is an English musician, singer, songwriter, record producer, and the co-founder, lead vocalist, guitarist, primary songwriter, and only continuous member of the Cure, a British post punk rock band formed in 1976. His guitar-playing style, singing voice, and fashion sense, often sporting a pale complexion, smeared red lipstick, black eye-liner, unkempt wiry black hair, and all-black clothes, were highly influential on the goth subculture that rose to prominence in the 1980s.
Seventeen Seconds is the second studio album by English rock band the Cure, released on 18 April 1980 by Fiction Records. The album marked the first time frontman Robert Smith co-produced with Mike Hedges. After the departure of original bassist Michael Dempsey, Simon Gallup became an official member along with keyboardist Matthieu Hartley. The single "A Forest" was the band's first entry in the top 40 of the UK Singles Chart.
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.
Faith is the third studio album by English rock band the Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous effort Seventeen Seconds (1980). This stylistic theme would conclude with their next album Pornography (1982).
Boys Don't Cry is the Cure's first compilation album. Released in February 1980, this album is composed of several tracks from the band's May 1979 debut album Three Imaginary Boys with material from the band's 1978–1979 era.
Kiss Me, Kiss Me, Kiss Me is the seventh studio album by English rock band the Cure, released on 26 May 1987 by Fiction Records. The album was recorded at Studio Miraval in Correns, France.
Pornography is the fourth studio album by English rock band the Cure, released on 4 May 1982 by Fiction Records. Preceded by the non-album single "Charlotte Sometimes", it was the band's first album with new producer Phil Thornalley, and was recorded at RAK Studios from January to April 1982. The sessions saw the band on the brink of collapse, with heavy drug use, band in-fighting, and frontman Robert Smith's depression fueling the album's musical and lyrical content. Pornography represents the conclusion of the Cure's early dark, gloomy musical phase, which began with their second album Seventeen Seconds (1980).
Japanese Whispers is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records. The title is a pun on the children's game Chinese whispers.
The Top is the fifth studio album by English rock band the Cure, released on 4 May 1984 by Fiction Records. The album entered the UK Albums Chart at number ten on 12 May. Shortly after its release, the Cure embarked on a major tour of the United Kingdom, culminating in a three-night residency at the Hammersmith Odeon in London.
The Head on the Door is the sixth studio album by English rock band the Cure. It was released on 13 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September.
Standing on a Beach is a greatest hits album by English rock band the Cure, released in the United States on 15 May 1986 by Elektra Records and in the United Kingdom on 19 May 1986 by Fiction Records, marking a decade since the band's founding in 1976. The album's titles are both taken from the opening lyrics of the Cure's debut single, "Killing an Arab".
Laurence Andrew Tolhurst is an English musician, songwriter, producer, and author. He was a founding member of the Cure, for which he first played drums before switching to keyboards. He left the Cure in 1989 and later formed the bands Presence and Levinhurst. He has also published two books and developed the Curious Creatures podcast. His most recent studio release is the album Los Angeles (2023), in collaboration with Budgie and Jacknife Lee.
"Boys Don't Cry" is a song by English rock band The Cure. It was released in the UK as a stand-alone single in June 1979, and was included as the title track on Boys Don't Cry, the American equivalent to Three Imaginary Boys.
"The Walk" is a song by English rock band The Cure, released as a stand-alone single in June 1983. It later appeared on the compilation album Japanese Whispers. It was recorded when the band was briefly reduced to the two founder members Robert Smith and Lol Tolhurst upon the departure of bassist Simon Gallup in mid-1982, following the end of the band's tour in support of the album Pornography. According to Tolhurst, they chose Steve Nye as producer at the time due to his work on the album Tin Drum by Japan. Tolhurst later commented: "It was the first time we had worked with a 'proper' producer, as opposed to doing production with an engineer that we really liked. […] He was able to make electronic instruments sound more natural, and that's what we wanted."
"The Love Cats" is a song by English rock band the Cure, released as a stand-alone single in October 1983.
"Close to Me" is a song by English rock band the Cure, released in September 1985 as the second and final single from their sixth album, The Head on the Door.
"Why Can't I Be You?" is a song by the English rock band the Cure, released as the lead single on the 6 April 1987 from their album Kiss Me, Kiss Me, Kiss Me.
"Fascination Street" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). It was issued as a single only in North America, as the band's American record company refused to release the band's original choice, "Lullaby", as the first single. The song became the band's first number-one single on the US Billboard then-newly created Modern Rock Tracks chart, staying on top for seven weeks.
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