List of Eurodance artists

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The following is a list of Eurodance artists. Eurodance , which is also known as Eurohouse or Euro-NRG, is a genre of electronic dance music that originated in the late 1980s primarily in Europe. It combines elements from house, techno and hip hop. [1]

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Eurodance is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of rap, techno and Eurodisco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music.

<span class="mw-page-title-main">No Limit (2 Unlimited song)</span> 1993 single by 2 Unlimited

"No Limit" is a song recorded by Belgian/Dutch Eurodance group 2 Unlimited, released in January 1993 by Byte, ZYX and PWL. It was their fifth single in total and the first to be released from their second album, No Limits! (1993). Co-written by the group's Ray Slijngaard and Anita Dels, the song became one of their most commercially successful singles, especially in Europe, reaching the number-one spot in 35 countries and the top 10 in several others. Like previous releases, the UK version of the single removed all of the raps from Slijngaard, leaving just Dels' vocals. One word from the rap was kept, the word 'Techno' which was looped and repeated during the middle of the song, turning the line into "Techno! Techno! Techno! Techno!" and giving the song an extra vocal hook. Its accompanying music video was directed by Nick Burgess-Jones and received heavy rotation on MTV Europe.

<span class="mw-page-title-main">Sadeness (Part I)</span> 1990 single by Enigma

"Sadeness (Part I)" is a song by German musical project Enigma, released in October 1990 by Virgin Records as the lead single from their first album, MCMXC a.D. (1990). It became an international hit, reaching number one in 14 countries. In the United States, the song peaked at number five on the Billboard Hot 100 and number one on both the Dance Club Play and 12-inch Singles Sales charts. Its music video was directed by Michel Guimbard. A sequel to the song, "Sadeness (Part II)" featuring Anggun, was released on Enigma's eighth studio album, The Fall of a Rebel Angel (2016).

<span class="mw-page-title-main">In the Closet</span> 1992 single by Michael Jackson

"In the Closet" is a song by American singer-songwriter Michael Jackson, released on April 9, 1992, as the third single from his eighth album, Dangerous (1991). The song was intended as a duet between Jackson and Madonna, and features female vocals by "Mystery Girl", who was later revealed to be Princess Stéphanie of Monaco. Written and produced by Jackson and Teddy Riley, it became the album's third consecutive top ten pop single, reaching number six on the US Billboard Hot 100. It also became its second number one R&B single. In Europe, the song peaked at number eight on the UK Singles Chart, while reaching number one in Greece and number two in both Italy and Spain. In 2006, the song re-entered the UK chart, peaking at number 20. Its accompanying music video was directed by Herb Ritts and features supermodel Naomi Campbell.

<span class="mw-page-title-main">Get Ready for This</span> 1991 single by 2 Unlimited

"Get Ready for This" is a song recorded by Belgian/Dutch music group 2 Unlimited. It was released in 1991 as the lead single from their debut album, Get Ready! (1992). Originally, the single was produced as an instrumental, titled the "Orchestral Mix". It became a hit and conscious of their popularity, Wilde & De Coster wanted a more accessible, formatted formula for their project to grow. Ray was then asked to write lyrics and add a rap to the track. On Ray Slijngaard's suggestion, Anita Doth joined as the female vocalist.

<span class="mw-page-title-main">It's No Good</span> 1997 single by Depeche Mode

"It's No Good" a song by English electronic music band Depeche Mode, released on 31 March 1997 as the second single from their ninth studio album, Ultra (1997). It was commercially successful, reaching number one in Denmark, Spain, Sweden and on the US Billboard Hot Dance Club Play chart. It entered the top 10 in Finland, Germany, Iceland, Italy, and the United Kingdom, where it peaked at number five.

Outta Control, and later Killer Bunnies, was a Canadian house/Eurodance project based out of Toronto, Ontario.

<span class="mw-page-title-main">Mr. Vain</span> 1993 single by Culture Beat

"Mr. Vain" is a song by German musical group Culture Beat, released in April 1993 by Dance Pool as the lead single from the group's second studio album, Serenity (1993). The song was written by Steven Levis, Nosie Katzmann and Jay Supreme, and produced by Torsten Fenslau. Tania Evans is the lead vocalist and Supreme is the rapper.

<span class="mw-page-title-main">Indian Outlaw</span> 1994 single by Tim McGraw

"Indian Outlaw" is a song written by Tommy Barnes, Jumpin' Gene Simmons, and John D. Loudermilk, and performed by American country music artist Tim McGraw. It was released in January 1994 as the first single from his album Not a Moment Too Soon. It was McGraw's breakthrough and first Top 40 country hit. It peaked at number 8 on Billboard Hot Country Singles & Tracks, and number 15 on the Billboard Hot 100.

<span class="mw-page-title-main">Drunk on Love</span> 1994 single by Basia

"Drunk on Love" is a 1994 song by Polish-born singer Basia from her third album, The Sweetest Illusion (1994). The track was a no. 1 on the US Billboard Dance Club Songs chart and remains one of Basia's biggest hits.

Michael Jackson: The Immortal World Tour was the first of two theatrical productions by Cirque du Soleil to combine the music of Michael Jackson with Cirque du Soleil's signature acrobatic performance style. The show was written and directed by Jamie King and produced in partnership with the Estate of Michael Jackson. The arena show—which is very similar to a rock concert—began its tour on October 2, 2011, in Montreal. After touring North America for one year, Immortal continued through Europe, Asia, Australia, New Zealand and the Middle East before returning to North America in February 2014 for a total of 501 shows from 141 cities. It is the most financially successful Cirque production and highest grossing tribute show in history.

<span class="mw-page-title-main">Ghetto Day/What I Need</span> 1994 single by Crystal Waters

"Ghetto Day" and "What I Need" are two songs by American singer-songwriter Crystal Waters, issued as a double A-side in June 1994 as the second single from her second studio album, Storyteller (1994). It was produced by the Basement Boys and released by Mercury Records, A&M Records and A&M's division AM PM. Waters and Sean Spencer wrote "Ghetto Day", which is a funk song that contains samples from The 5th Dimension's song "Stoned Soul Picnic" and Flavor Unit's "Flavor Unit Assassination Squad". According to Spin, the track's lyrics talk about "those balmy, front-stoop, 40-swinging summer afternoons." The single's second A-side, "What I Need", is a house track written by Waters, Doug Smith and Richard Payton.

The Billboard Latin Music Award for Latin Jazz Album of the Year was an honor that was presented annually at the Billboard Latin Music Awards, a ceremony which honors "the most popular albums, songs, and performers in Latin music, as determined by the actual sales, radio airplay, streaming and social data that shapes Billboard's weekly charts". Latin jazz is a form of jazz music which incorporates various sounds from Latin America.

<span class="mw-page-title-main">El Costo de la Vida</span> 1992 single by Juan Luis Guerra

"El Costo de la Vida" is a song by Dominican Republic singer-songwriter Juan Luis Guerra from his sixth studio album, Areíto (1992). The song was released as the album's third single in 1992 by Karen Records. It is a Spanish-language adaptation of soukous song "Kimia Eve" composed by Diblo Dibala. The song features Dibala on the guitar and is performed by Guerra as a merengue number. The lyrics to the song provides a social commentary to the rising cost of living, while the artist denounces the dislevel of socioeconomics as well as political corruptions in Latin America. He also references the racial identities of Latin America.

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