Locations of Half-Life

Last updated

The Half-Life video game series features many locations set in a dystopian future stemming from the events of the first game, Half-Life. These locations are used and referred to throughout the series. The locations, for the most part, are designed and modeled from real-world equivalent locations in Eastern Europe, but also include science fiction settings including the Black Mesa Research Facility, a labyrinthine subterranean research complex, and Xen, an alien dimension.

Contents

Half-Life and expansions

Black Mesa Research Facility

Black Mesa logo Black Mesa logo.svg
Black Mesa logo

The Black Mesa Research Facility (shortened to B.M.R.F.) is the primary setting for Half-Life and its three expansions: Opposing Force , Blue Shift , and Decay . The base is a decommissioned ICBM launch complex at an undisclosed New Mexico desert location, which has been converted into a scientific research facility and bears a number of similarities to Los Alamos National Laboratory, Sandia National Laboratories and Area 51. This facility is depicted as a vast series of underground research laboratories as well as surface constructions such as offices, chemical waste disposal plants, and personnel dormitories (even cafeterias, where Gordon Freeman can destroy Doctor Magnusson's microwave casserole), all powered by a hydroelectric dam and connected by an advanced tram system.

Over the course of the series, Black Mesa is revealed to be conducting top-secret research into various fields, such as teleportation and experimental weapons research. Prior to the beginning of Half-Life, scientists experimenting on teleportation discover Xen, a border dimension somehow intrinsically involved in the teleportation process. Creatures and crystals from Xen are subsequently brought back to the facility for testing. At the beginning of Half-Life, one such crystal, revealed in Half-Life 2: Episode Two to have been provided by the G-Man, [1] is put through an anti-mass spectrometer and causes a resonance cascade, tearing the spacetime continuum. As a result, Xen creatures are teleported into the facility and prey on its human inhabitants. There are many notable creatures that come from Xen, such as the Vortigaunts and Headcrabs.

The resulting crisis is seen from several points of view in Half-Life and its expansions. In Half-Life, protagonist Gordon Freeman is introduced to the facility in a notable sequence involving very little interactivity. [2] This serves to foreshadow many of the challenges the player will face, as well as the labyrinth-like structure of the game. [3] Eventually, the player fights through the facility and teleports to Xen to try to seal the tear from the other end, where a Xen creature is keeping it open. Blue Shift shows the events from the viewpoint of a security guard, Barney Calhoun, who joins a group of scientists who use the teleportation technology to evacuate survivors from the base. In Decay, another group of scientists attempt to close the tear through their own equipment, after calling in the U.S. Military to assist with the situation. The military situation is shown through the eyes of Adrian Shephard in Opposing Force, where U.S. Marines (referred to as HECU, or Hazardous Environment Combat Unit) are ordered to cover up the incident by killing the entire population of Black Mesa as well as the alien attackers, but are overwhelmed and forced to withdraw, allowing for black operations units to detonate a nuclear warhead in the facility, ultimately destroying it. However, the fracture in the spacetime continuum remains, allowing the Combine to invade and occupy Earth.

Black Mesa is also mentioned several times in another Valve game, Portal , and its sequel. In these games it is a competitor of Aperture Science, the company that owns the area where the games take place. Black Mesa is also referenced in the Portal-themed levels of Lego Dimensions , wherein Chell and Wheatley discover a hidden storage room in Aperture containing various crates and boxes stolen from Black Mesa.

Xen

Xen is an alternative dimension and is the adopted home of the Vortigaunts. A collection of asteroids hanging over a nebula, Xen is briefly featured in Half-Life and its first two expansions, Opposing Force and Blue Shift. It is often referred to as the "border world", as it is somehow involved in the teleportation process used by the Black Mesa Research Facility. The player encounters multiple types of fauna such as Headcrabs in Xen, in addition to its sentient inhabitants. The asteroids are linked with their own teleporter system, [4] and a number of asteroids are shown to include underground factory-like areas, where Vortigaunts work to create or mature Xen's military forces, including the large, blue ape-like alien called the Gargantua. Gravity in Xen is significantly lower than on Earth. Xen forms the setting for the closing parts of Half-Life, where Gordon Freeman travels to Xen to kill the Nihilanth and seal the spatial fracture to Black Mesa. The player briefly visits Xen in both Opposing Force and Blue Shift as well; in the former, Adrian Shephard is forced to travel to Xen to escape an otherwise enclosed area, [5] while in the latter, Barney Calhoun goes to Xen to align some equipment to allow Black Mesa to be evacuated using the teleporters. [6] After the death of the Nihilanth in Half-Life, the fracture is destabilized further, causing large amounts of Xen's wildlife to be teleported to locations across Earth.

In the third party remake of Half-Life Black Mesa, Xen is greatly expanded upon with many environments being completely new, such as a remote research facility operated by Black Mesa adjacent to a lush forest area as well as a village inhabited by enslaved Vortigaunt factory workers. [7] [8]

Half-Life 2 and its episodes

City 17

The Train Station Plaza in City 17, with propaganda being broadcast from one of many "Breencast" screens in the city. The Citadel is visible in the background. HalfLife2 City17 TrainStationSquare.jpg
The Train Station Plaza in City 17, with propaganda being broadcast from one of many "Breencast" screens in the city. The Citadel is visible in the background.

City 17 is a dystopian metropolitan area that forms the primary setting for Half-Life 2, its first expansion, Episode One , and Half-Life: Alyx . The city features a variety of architectural styles, mostly Eastern European architecture dating from pre–World War II neoclassicism, to post-war revival of classical designs, Soviet modernism, and post-Soviet contemporary designs, as well as alien Combine structures. The playable area of the city is quite large, including plazas, railway stations, a dilapidated canal system, underground road tunnels, multiple communal living quarters and crowded, tightly-packed tenement buildings. The whole city seems to be in an advanced state of urban decay, with abandoned structures and graffiti rampant throughout the city. It contains a large number of signs written in Cyrillic. Signs advertising a "Café Baltic" can be occasionally seen, suggesting City 17 may be located on the Baltic Sea, rather than the Black Sea, as could also be the case. The city is policed by the Combine Civil Protection, who patrol the streets and suppress dissent with extreme brutality, which is seen frequently in Half-Life 2. Massive jumbotrons broadcast propaganda from Wallace Breen, the administrator of Earth. Travel and other luxuries are severely restricted, and citizens are under surveillance from floating drones. [9]

According to Half-Life 2: Raising the Bar, [10] the game's artbook, City 17 was inspired by elements from several European cities, such as Sofia, Belgrade, Budapest, Prague, and for the railyard in the game's introduction, Gare Saint-Lazare in Paris, France. Art director Viktor Antonov, after being approached by Valve, expressed an interest in moving 3D games out of 'corridors' and into realistic environments, with layered histories. Eastern Europe was chosen as the setting due to "the collision of the old and the new", resulting in strong influences from Sofia, Antonov's hometown, and George Orwell's dystopian novel 1984 .

City 17 is the base of operations for the Combine on Earth, and its Citadel the headquarters for Wallace Breen, the human administrator for the Combine. The Citadel itself is an exceptionally tall structure of Combine design, reaching both deep underground and approximately 2.5 kilometers [11] into the clouds, forming an ominous, foreboding presence in City 17's skyline. The Citadel serves as a reference point to help the player navigate, as well as providing a long-term goal to drive the player's action. [12] In Half-Life 2, the player (as Gordon) initially arrives in City 17 by train; but, after being discovered, flees the city via its canal system. [13] When Gordon returns later in the game, the city has been turned into a war zone as the citizens mount a full-scale rebellion against the Combine. The player eventually enters the Citadel itself to confront Breen, destroying the dark energy reactor and teleporter at the top of the Citadel. This proceeds to destabilize the Citadel's main reactor, which the player, accompanied by Alyx Vance, must temporarily stabilize in Episode One to allow for the population to be evacuated. The Combine try to accelerate the Citadel's collapse to send a message to their native dimension, requesting reinforcements. The Citadel eventually explodes at the end of Episode One, destroying City 17 and forming a super portal to the Combine dimension, which the player must work to collapse in Episode Two before Combine reinforcements arrive. [1]

Black Mesa East

Black Mesa East is the name of the base for the Lambda Resistance on the outskirts of City 17. It is featured briefly in Half-Life 2 , where it acts as the base of operations for Eli Vance, the leader of the human Lambda Resistance against the ruling Combine. Situated alongside a hydroelectric dam outside City 17, Black Mesa East is mostly underground, consisting of several levels containing laboratories, kitchens, recreational areas and maintenance facilities. Its population includes both humans and Vortigaunts. The base is the primary destination for the player in the early stages of Half-Life 2 after an attempt to teleport directly to the facility fails (due to Dr. Kleiner's pet headcrab Lamarr), leaving Gordon Freeman to proceed there by conventional means. Shortly after Freeman's arrival, Judith Mossman alerts the Combine forces to his presence, resulting in the base being raided. Though Eli Vance tries to say not to go through Ravenholm, Gordon has no choice but to do so to escape, while Vance and Mossman are captured. [14]

Ravenholm

Ravenholm is an Eastern European mining town depicted in Half-Life 2. The town was a hidden location housing refugees from City 17 until it was discovered and attacked by the Combine, using artillery shells filled with headcrabs. Consequently, the town was massacred and its survivors zombified by the headcrabs. [15] The tunnel from Black Mesa East is blocked to prevent the spread of the headcrabs and zombies. The mines are equally infested, and its structures have been heavily damaged. [15] The town's sole survivor, Father Grigori, hunts the zombie population to put it out of its misery. Working from the church, Grigori has rigged numerous traps (one type involves a blade attached to an engine) and overhead walkways to keep himself safe.

The player journeys through Ravenholm to get to the coast, after Black Mesa East is attacked by the Combine. [15] Ravenholm has been noted as a cross-over of the science fiction and survival horror genres, as the player encounters the level at night, and many dark areas allow for surprise attacks from the zombies and other creatures within the town. [16] Ravenholm is challenging for players to navigate due to its open nature [16] as well as its overall circular path. [17]

Highway 17

Highway 17 is a road featured in Half-Life 2 that runs along a stretch of coast outside City 17. The player travels through this area in a Tau-cannon-rigged dune buggy to get to Nova Prospekt. The area is heavily occupied by large insectoid creatures called antlions that live in underground hives and violently defend their sandy territory, though Gordon is eventually able to direct them to target the Combine instead. The area around the road is mostly coastal with multiple boathouses and jetties but the water level has been reduced to such an extent that the derelict ships are sitting on what was once the seabed. [18] The road itself is in disrepair; several portions have collapsed, and it is cluttered with many abandoned cars. Highway 17 is interspersed with various outposts under control of the Lambda Resistance, although several of them are under attack or have already been destroyed when the player arrives at them. [19]

Nova Prospekt

Nova Prospekt is a security and detention installation controlled by the Combine in Half-Life 2. The facility is the player's destination for the middle parts of the game, as Gordon Freeman travels along the coast to get there and free the leader of the human resistance, Eli Vance, after he is captured by the Combine at Black Mesa East. [20] Nova Prospekt is described as once being a high-security prison, set on a coastal cliff. Its interior is largely dilapidated, consisting of several unoccupied and badly damaged cell blocks, a number of interrogation chambers and numerous guard posts and checkpoints. [21] The actual facility, built on the ruins of the old prison, incorporates Combine infrastructure, a teleporter, and a large holding area for political prisoners, held unconscious in pods suspended from the walls. The facility is also shown to deal with processing humans through invasive surgery, either changing them into Combine Overwatch soldiers or into Stalkers, dismembered cyborg slaves used for menial labor. [22] The facility also incorporates an express train link from City 17. Nova Prospekt is heavily damaged during Gordon's incursion into the prison due to his use of antlions to break into the facility and rampage through it, as well as a subsequent teleporter explosion as he flees with Alyx Vance. The fight at Nova Prospekt is seen as the first strike against the Combine, and signals a major uprising in City 17.

White Forest

White Forest introduced rural woodland settings to the series. White Forest (Half-Life).jpg
White Forest introduced rural woodland settings to the series.

White Forest is a fictional mountainous region in Eastern Europe that forms the setting for Half-Life 2: Episode Two . The area also contains a Soviet-era ICBM silo that acts as the base of operations for the human resistance against the Combine and is the primary destination for much of the game. White Forest is the only area of gameplay in Episode Two, and is depicted as a largely forest-land region near the base of several mountains. The area consists of several villages and minor resistance bases, connected by a road in a state of disrepair with a number of abandoned cars. Various other structures include radio stations, industrial warehouses and bridge houses, which are often infested with headcrabs. In addition, there are several mineshafts, which are shown to have been colonized by antlions. The player travels the forest roads in a salvaged 1969 Dodge Charger to reach the base. The base itself is used by the resistance as a platform to launch a rocket containing codes to shut down a Combine superportal that is opened in the wake of the destruction of the Citadel at the end of Episode One. [1]

Other locations

Aperture Science Laboratories

The Aperture Science Laboratories logo Aperture Science.svg
The Aperture Science Laboratories logo

The Aperture Laboratories Computer-Aided Enrichment Center is an Aperture Science Innovators research facility built completely underground, that forms the setting of Portal and Portal 2 . Aperture Science is a direct rival to Black Mesa and, as revealed by in-game information and a website for the fictional company, initially provided shower curtains for the US military. However, after receiving a US government award for Best Shower Curtain Contractor, its founder Cave Johnson shifted the company's focus and embarked on several ill-conceived projects, interdimensional portal research among them. The project was deemed worthwhile and government funding was granted to expand Aperture Science's facilities, using an old salt mine in Upper Michigan to give them nearly unlimited space, expanding the maximum dimensions of the facility to approximately 10 by 1 miles in width and 3 miles deep. This ultimately led to the installation of the "Genetic Lifeform and Disk Operating System", GLaDOS, an advanced artificial intelligence, revealed in Portal 2 to be based on the personality of Johnson's assistant Caroline; however, shortly after its installation, GLaDOS turned on its creators, connecting the facility's ventilation system to a neurotoxin generator and imprisoning the survivors (including the player character Chell) for later use as test subjects. [23]

The areas of the underground Enrichment Center seen by the player in Portal consists of clinically white "test chambers", overlooked by laboratories and office spaces devoid of life, and disused maintenance areas behind these chambers. The clinical feel was designed after the settings in the film The Island , aiming to reduce the amount of background detail to allow players to focus on the puzzles. [24] In Portal 2, however, the facility has been overgrown by plant life and has fallen into disarray after many years. [25] GLaDOS is able to rapidly restore the chambers to their pristine conditions after being reactivated, showing the capability of highly configurable testing chambers. Later, the player travels deeper underground through the mine revealing earlier sections of Aperture Science from the 1950s to the 1980s, which have a more industrial style. Recordings from Cave Johnson during these areas relate the gradual decline of the company's fortunes, going from performing tests of its discoveries on elite personnel from the military, to using paid volunteers, and finally to requiring mandatory testing of its employees, and this directive became the basis for GLaDOS' core programming. At the end of Portal 2, the player reaches the surface, revealing that one of the accesses to the facility is a run-down shed in the middle of a wheat field.

In Half-Life 2: Episode Two , the player learns that the Borealis, an Aperture Science research vessel, and a portion of the drydock it was moored to, was somehow teleported to the Arctic, and is a point of interest that the player is told to investigate. Episode Two concludes as the player prepares to visit this location. Portal 2 includes the surviving portion of the drydock deep in the Aperture Science facility where the Borealis was originally located before its disappearance.

St. Olga

St. Olga is a seaside town featured in Half-Life 2: Lost Coast , provided to players as a technology demonstration of high dynamic range rendering in the Source engine. [26] St. Olga is built near a seaside cliff and features an Eastern Orthodox monastery at the top of the cliff, which the Combine have made a base of operations to launch artillery shells filled with headcrabs into the town. In Lost Coast, the player controls Freeman as he meets an old fisherman from St. Olga who asks him to defeat the Combine. Freeman storms the monastery and disables the artillery launcher, then returns to the fisherman, who congratulates him. The church style was specifically selected to enhance the influence of the high dynamic range rendering, while the cliff-side environments were built to encourage combat strategies in the vertical direction. [27]

Reception

The environments of both Half-Life and Half-Life 2 and their expansions have been well received by critics.

The locations in Half-Life have been praised as "self-contained, believable, and thoroughly engaging" by GameSpot, who also noted the "distinct looks" used in different areas throughout the game. [28] The moment when the player arrives at the alien world of Xen towards the end of the game in particular has been praised for inspiring a sense of awe and astonishment. [29] In addition, several reviews praised the way that players progressed through the areas of Black Mesa and the loading points in between as "largely seamless", [30] with Computer and Video Games commenting that this made level loading "a thing of the past". [31] However, some aspects of level design were criticized: IGN in particular, despite describing the locations as "logically linked and fun to explore" noted that in the middle of the game "the tension seriously sags, as [the player is] forced to wander around some dreadful tunnels looking for switches in retro-gaming land, as jumping puzzles, switch hunts, and all the tedium of a dozen other games returns in force". [32]

PC Zone described the environments in Half-Life 2 as "breathtaking, diverse and immense", [33] while GameSpot praised the locations as "simply stunning, from the plazas and streets of City 17 to the rusted interiors of an abandoned factory" and stated that the game featured "excellent level design". [34] In addition, IGN noted that the game world is "immaculately crafted and rendered". [35] City 17 has been noted for its aesthetic use of 3D sound. Sound is used to remind the player of the trashy style of their train as they arrive in the city, while the sound of the surveillance camera in the large resonant space creates a generally unpleasant feeling. [13] While some reviewers felt disappointment at the lack of new locations in Episode One , [36] [37] the entirely new rural environments in Episode Two were significantly praised by critics. The Computer and Video Games magazine stated that Episode Two contained "wonderful art design and the odd bit of technical spit-shine", [38] while IGN praised the "expansive" outdoor environments and "claustrophobic" tunnels featured in White Forest. [39]

Fumito Ueda, lead developer for Ico and Shadow of the Colossus , has stated that Half-Life 2 incorporates a "natural setting", and "the puzzles are incorporated in that natural setting, and the players don't get lost. And that's something we put a lot of effort into for Ico, so I understand what went into that." [40]

Related Research Articles

<i>Half-Life</i> (video game) 1998 video game

Half-Life is a 1998 first-person shooter (FPS) game developed by Valve Corporation and published by Sierra Studios for Microsoft Windows. It was Valve's debut product and the first game in the Half-Life series. The player assumes the role of Gordon Freeman, a scientist who must escape the Black Mesa Research Facility after it is invaded by aliens following a disastrous scientific experiment. The gameplay consists of combat, exploration, and puzzle-solving.

<i>Half-Life: Opposing Force</i> 1999 video game

Half-Life: Opposing Force is an expansion pack for the first-person shooter game Half-Life. It was developed by Gearbox Software and published by Sierra On-Line for Windows on November 19, 1999. Opposing Force was the first expansion for Half-Life and was announced in April 1999. Lead designer Randy Pitchford noted that he believed Gearbox was selected to develop Opposing Force because Valve, the creators of Half-Life, wanted to concentrate on their future projects. Over the course of development, Gearbox brought in a variety of talent from other areas of the video games industry to help bolster various aspects of design.

<i>Half-Life 2</i> 2004 video game

Half-Life 2 is a 2004 first-person shooter (FPS) game developed and published by Valve Corporation. It was initially published for Microsoft Windows through Valve’s digital distribution service Steam. Like the original Half-Life (1998), Half-Life 2 combines shooting, puzzles, and storytelling, and adds features such as vehicles and physics-based gameplay. The player controls Gordon Freeman as he joins a resistance movement to liberate Earth from the control of the Combine, a multidimensional alien empire.

<span class="mw-page-title-main">Gordon Freeman</span> Video game protagonist of the Half-Life series

Gordon Freeman is the silent protagonist of the Half-Life video game series, created by Gabe Newell and designed by Newell and Marc Laidlaw of Valve. His first appearance is in Half-Life. Gordon Freeman is depicted as a bespectacled white man from Seattle, with brown hair and a signature goatee, who graduated from MIT with a PhD in theoretical physics. He was an employee at the fictional Black Mesa Research Facility. Controlled by the player, Gordon is often tasked with using a wide range of weapons and tools to fight alien creatures such as headcrabs, as well as Combine machines and soldiers. Gordon Freeman's character has been well received by critics and gamers, and various gaming websites often consider him to be one of the greatest video game characters of all time, including UGO and GameSpot.

<span class="mw-page-title-main">Black Mesa Research Facility</span> Fictional laboratory

The Black Mesa Research Facility is a fictional underground laboratory complex that serves as the primary setting for the video game Half-Life and its expansions, as well as its remake, Black Mesa. It also features in the wider Half-Life universe, including the Portal series. Located in the New Mexico desert in a decommissioned Cold War missile site, it is the former employer of Half-Life's protagonist, Gordon Freeman, a theoretical physicist, and a competitor of Aperture Science. While the facility ostensibly conducts military-industrial research, its secret experiments into teleportation have caused it to make contact with the alien world of Xen, and its scientists covertly study its life-forms and materials. An "anti-mass spectrometer" experiment conducted on Xen matter causes a Resonance Cascade disaster that allows aliens to invade Earth, and is the catalyst for the events of the series.

<i>Half-Life: Blue Shift</i> 2001 video game

Half-Life: Blue Shift is an expansion pack for the first-person shooter video game Half-Life (1998). It was developed by Gearbox Software and published by Sierra On-Line. Blue Shift was the second expansion for Half-Life, originally intended as part of a Dreamcast port of Half-Life. Although the Dreamcast port was cancelled, the Windows version was released as a standalone product on June 12, 2001 for Windows. It was released on Steam on August 24, 2005.

Combine (<i>Half-Life</i>) Fictitious empire in the Half-Life video game series

The Combine is a fictional multidimensional empire which serves as the primary antagonistic force in the 2004 video game Half-Life 2 and its subsequent episodes developed and published by Valve Corporation. The Combine consist of organic, synthetic, and heavily mechanized elements. They are encountered throughout Half-Life 2 and its episodic sequels, as well as Half-Life: Alyx, as hostile non-player characters as the player progresses through the games in an effort to overthrow the Combine occupation of Earth.

<span class="mw-page-title-main">Alyx Vance</span> Video game character

Alyx Vance is a fictional character from Valve's Half-Life video game series. She is introduced as a non-playable, supporting character in Half-Life 2 (2004), accompanying the player's character, Gordon Freeman, throughout much of the game. She subsequently appears in a similar capacity in Half-Life 2: Episode One (2006) and Episode Two (2007), and as the titular protagonist of the VR game Half-Life: Alyx (2020).

<i>Half-Life: Decay</i> 2001 video game

Half-Life: Decay is a multiplayer-only expansion pack for Valve's first-person shooter Half-Life. Developed by Gearbox Software and published by Sierra On-Line, Decay was released as part of the PlayStation 2 version of Half-Life in 2001. It is the third expansion pack for Half-Life, and like its predecessors, Decay returns to the setting and timeline of the original story, albeit portraying the story from the viewpoint of a different set of protagonists: two female scientists working in the Black Mesa Research Facility. Decay is a cooperative multiplayer game, designed to be played by two people working together to pass through the game's levels.

<span class="mw-page-title-main">Ravenholm</span> Fictional ghost town in Half-Life 2

Ravenholm is a fictional ghost town in the first-person shooter game Half-Life 2, developed by Valve Corporation and released in 2004. It serves as the primary setting for the game's sixth chapter, "We Don't Go to Ravenholm", which follows the game's protagonist Gordon Freeman as he journeys through the area as part of an escape from Black Mesa East after it is attacked by Combine forces in order to reach a nearby Resistance outpost. A mining town in Eastern Europe destroyed by a Combine bombardment using headcrabs that turned its residents into hostile zombies, its sole survivor, Father Grigori, offers his assistance to Freeman throughout the level, culminating in a last stand at the town's cemetery.

<i>Half-Life 2: Episode One</i> 2006 video game

Half-Life 2: Episode One is a 2006 first-person shooter game developed and published by Valve for Windows. It continues the story of Half-Life 2 (2004); as scientist Gordon Freeman, players must escape City 17 with Gordon's companion Alyx Vance. Like previous Half-Life games, Episode One combines shooting, puzzles and storytelling.

<i>Concerned</i> 2005 parody webcomic

Concerned: The Half-Life and Death of Gordon Frohman is a webcomic by Christopher C. Livingston that parodies the first-person shooter video game Half-Life 2. The comic is illustrated with screenshots of characters posed using Garry's Mod, a tool which allows manipulation of the Source engine used by Half-Life 2. The comic ran from May 2005 to November 2006 and had 205 issues.

<i>Half-Life 2: Episode Two</i> 2007 video game

Half-Life 2: Episode Two is a 2007 first-person shooter game developed and published by Valve. Following Episode One (2006), it is the second of two shorter episodic games that continue the story of Half-Life 2 (2004). Players control Gordon Freeman, who travels through the mountains surrounding City 17 to a resistance base with his ally Alyx Vance. Like previous games in the series, Episode Two combines shooting, puzzle-solving and narrative elements, but adds expansive environments and less linear sequences.

<i>Half-Life</i> (series) Video game series

Half-Life is a series of first-person shooter (FPS) games developed and published by Valve. The games combine shooting combat, puzzles and storytelling.

<span class="mw-page-title-main">Gravity gun</span> Type of device in video games

A gravity gun is a type of device in video games, particularly first-person shooters using physics engines, whereby players can directly manipulate objects in the world, often allowing them to be used as projectiles against hostile characters. The concept was popularized by the gravity gun found in Valve's Half-Life 2, as well as the Temporal Uplink found in Free Radical Design's TimeSplitters: Future Perfect; although a similar concept was used by id Software during the production of the earlier game Doom 3, eventually leading to the introduction of a physics-based weapon in the expansion pack Resurrection of Evil. Later games, such as Portal, BioShock, Crysis, Dead Space, and Garry's Mod have been influenced by the success of these physics-based weapons, adopting their own styles of comparable abilities or weapons.

This is a list of characters in the Half-Life video game series, which comprises Half-Life, Half-Life 2, Half-Life: Alyx, and their respective expansion packs and episodes.

<i>Black Mesa</i> (video game) 2020 video game

Black Mesa is a 2020 first-person shooter game developed and published by Crowbar Collective. It is a third-party remake of Half-Life (1998) made in the Source game engine. Originally published as a free mod in September 2012, Black Mesa was approved for commercial release by Valve, the developers of Half-Life. The first commercial version was published as an early-access release in May 2015, followed by a full release in March 2020 for Linux and Windows.

<i>Half-Life: Alyx</i> 2020 video game

Half-Life: Alyx is a 2020 virtual reality (VR) first-person shooter game developed and published by Valve. It was released for Windows and Linux with support for most PC-compatible VR headsets. Set five years before Half-Life 2 (2004), players control Alyx Vance on a mission to seize a superweapon belonging to the alien Combine. Like previous Half-Life games, Alyx incorporates combat, puzzles, exploration and survival horror. Players use VR to interact with the environment and fight enemies, using "gravity gloves" to snatch objects from a distance, similarly to the gravity gun from Half-Life 2.

Half-Life is a series of first-person shooter games developed and published by Valve, beginning with the original Half-Life, released for Windows in 1998. The earliest known canceled Half-Life game dates to 1999. Between Half-Life 2: Episode Two (2007) and Half-Life: Alyx (2020), Valve canceled at least five Half-Life games, including Half-Life 2: Episode Three, a version of Half-Life 3, and games by 2015, Inc., Junction Point Studios and Arkane Studios.

References

  1. 1 2 3 Valve (2007). Half-Life 2: Episode Two (PC). Level/area: Our Mutual Fiend. Eli Vance: Unforeseen consequences... The last time I heard those words was back at Black Mesa. You had just stepped into the test chamber when he whispered them in my ear. You know who I'm talking about. Our mutual friend. When he brought in that crystal I knew I... I should have aborted that damned test. I didn't. The whole world went to hell that day.
  2. ↑ "- The Gameplay Video Segmentation Method A heuristic method for gameplay analysis using video segmentation – Sandra Neubauer" (PDF). Archived (PDF) from the original on 2008-11-23. Retrieved 2008-09-28.
  3. ↑ Struggling towards a Goal Challenges & the Computer Game – Sara Mosberg Iversen Archived 2009-02-05 at the Wayback Machine
  4. ↑ "Half-Life Walkthrough: Xen". Planet Half-Life. IGN. Archived from the original on 2012-05-10. Retrieved 2008-08-03.
  5. ↑ "Opposing Force Walkthrough: We Are Not Alone". Planet Half-Life. IGN. Archived from the original on 2008-10-13. Retrieved 2008-08-03.
  6. ↑ "Blue Shift Walkthrough: Focal Point". Planet Half-Life. IGN. Archived from the original on 2008-10-09. Retrieved 2008-08-03.
  7. ↑ Brown, Fraser (24 December 2019). "Black Mesa: Xen is finally out, but it's still in Early Access". PC Gamer. Retrieved 24 July 2021.
  8. ↑ "Black Mesa: Xen Review | bit-tech.net". bit-tech.net. Retrieved 24 July 2021.
  9. ↑ "Enemies of Half-Life 2". Planet Half-Life. Archived from the original on October 22, 2006. Retrieved 2015-06-24.{{cite web}}: CS1 maint: unfit URL (link)
  10. ↑ Half-life 2 : raising the bar. Valve Corp. Roseville, Calif.: Prima Games. 2004. ISBN   0-7615-4364-3. OCLC   57189955.{{cite book}}: CS1 maint: others (link)
  11. ↑ "Mark Laidlaw about citadel height" . Retrieved 2009-10-16.
  12. ↑ Mark Davies (2007). Designing Character-based Console Games. Charles River Media. p. 321.
  13. 1 2 "- The Aesthetic Experience of Sound: staging of Auditory Spaces in 3D computer games - Morten Breinbjerg". Archived from the original on 2008-07-04. Retrieved 2008-09-28.
  14. ↑ "Half-Life 2 Walkthrough: Black Mesa East". Planet Half-Life. IGN. Archived from the original on 2012-11-13. Retrieved 2008-08-03.
  15. 1 2 3 "Half-Life 2 Walkthrough: We Don't Go To Ravenholm..." Planet Half-Life. IGN. Archived from the original on 2012-02-13. Retrieved 2008-08-03.
  16. 1 2 "Please Biofeed the Zombies: Enhancing the Gameplay and Display of a Horror Game Using Biofeedback - Andrew Dekker" (PDF). Archived (PDF) from the original on 2009-02-27. Retrieved 2008-09-28.
  17. ↑ Heuristics for Usability in Games White Paper - Schaffer
  18. ↑ "Half-Life 2 Walkthrough: Highway 17". Planet Half-Life. IGN. Archived from the original on 2012-11-13. Retrieved 2008-08-03.
  19. ↑ "Half-Life 2 Walkthrough: Sandtraps". Planet Half-Life. IGN. Archived from the original on 2012-11-13. Retrieved 2008-08-03.
  20. ↑ Valve. Half-Life 2 . Level/area: "We Don't Go To Ravenholm...". Alyx Vance: (using a TV monitor to project her image) Gordon! You made it through Ravenholm, thank God! I need your help: they've taken my father. He's been taken to Nova Prospekt; the Vortigaunts trapped the ship that made off with him and Judith Mossman. While the trains are still running, I'm gonna hitch a ride. Here's where you come in, Gordon: I need you to make your way along the coast to Nova Prospekt. It used to be a high-security prison—it's...something much worse than that now—but I think it should still be easier to sneak in than to break out.
  21. ↑ "Half-Life 2 Walkthrough: Nova Prospekt". Planet Half-Life. IGN. Archived from the original on 2013-07-20. Retrieved 2008-08-03.
  22. ↑ "Half-Life 2 Walkthrough: Entanglement". Planet Half-Life. IGN. Archived from the original on 2012-11-13. Retrieved 2008-08-03.
  23. ↑ "Portal Walkthrough". Planet Half-Life. IGN. Archived from the original on 2008-10-02. Retrieved 2008-09-29.
  24. ↑ Elliot, Shawn (2008-02-06). "Beyond the Box: Orange Box Afterthoughts". 1UP. Archived from the original on 2012-12-06. Retrieved 2008-02-14.
  25. ↑ VanBurkleo, Meagan (April 2010). "Portal 2". Game Informer . pp. 50–62.
  26. ↑ Lee, Garnett (2005-08-29). "Half-Life 2: Aftermath and Lost Coast". 1UP.com . Archived from the original on 2013-01-01. Retrieved 2008-11-20.
  27. ↑ Valve (2005). Half-Life 2: Lost Coast (PC).
  28. ↑ Dulin, Ron (2008-11-20). "Half-Life for PC Review". GameSpot . Archived from the original on 2012-08-20. Retrieved 2008-05-26.
  29. ↑ Geoff King, Tanya Krzywinska (2002). Screenplay: Cinema/videogames/interfaces. Wallflower Press. p. 42. ISBN   9781903364239.
  30. ↑ Hill, Steve (2001-08-13). "PC Review: Half-Life". PC Zone . Computer and Video Games. Archived from the original on 2007-02-22. Retrieved 2008-05-26.
  31. ↑ "PC Review: Half-Life". Computer and Video Games . 2001-08-15. Archived from the original on 2009-01-22. Retrieved 2008-05-26.
  32. ↑ "Half-Life Review". IGN. 1998-11-15. Archived from the original on 2012-10-21. Retrieved 2008-05-26.
  33. ↑ "PC Review: Half-Life 2". PC Zone . Computer and Video Games. 2004-11-16. Archived from the original on 2006-12-08. Retrieved 2008-05-26.
  34. ↑ Ocampo, Jason (2004-11-15). "Half-Life 2 for PC Review". GameSpot . Archived from the original on 2012-10-04. Retrieved 2008-09-29.
  35. ↑ Adams, Dan (2004-11-09). "Half-Life 2 Review". IGN. Archived from the original on 2012-10-21. Retrieved 2008-09-29.
  36. ↑ McNamara, Tom (2006-06-01). "Half-Life 2: Episode One Review". IGN. Archived from the original on 2012-04-16. Retrieved 2008-05-26.
  37. ↑ Ocampo, Jason (2008-06-02). "Half-Life 2: Episode One for PC Review". GameSpot . Archived from the original on 2011-09-20. Retrieved 2008-05-26.
  38. ↑ Robinson, Andy (2007-10-10). "Review: Half-Life 2: Episode Two". Computer and Video Games . Archived from the original on 2007-06-24. Retrieved 2008-05-26.
  39. ↑ Adams, Dan (2007-10-09). "Half-Life 2: Episode Two Review". IGN. Archived from the original on 2012-07-01. Retrieved 2008-05-26.
  40. ↑ Cifaldi, Frank (2006-02-16). "DICE: Climbing The Colossus: Ueda, Kaido On Creating Cult Classics". Gamasutra . Archived from the original on 2016-04-08. Retrieved 2008-10-07.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.