Lucifer on the Sofa | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 11, 2022 | |||
Recorded |
| |||
Studio |
| |||
Genre | ||||
Length | 38:28 | |||
Label | Matador | |||
Producer | ||||
Spoon chronology | ||||
| ||||
Singles from Lucifer on the Sofa | ||||
|
Lucifer on the Sofa is the tenth studio album by American rock band Spoon, released on February 11, 2022, through Matador Records. Spoon began work on the album in late 2018 after the conclusion of their tour supporting Hot Thoughts (2017), their ninth studio album. Recording sessions began in late 2019 and took place in studios between Austin, Texas, and Los Angeles, California. They primarily recorded the album with Mark Rankin, with Justin Raisen and Dave Fridmann, the latter of whom co-produced the band's previous two albums, each producing one song. Recording sessions continued until March 2020 but had to be postponed after the COVID-19 pandemic began severely impacting the United States. After completing the album in 2021, the band released the album's lead single, "The Hardest Cut", in October of that year.
Lucifer on the Sofa received widespread acclaim and was nominated for Best Rock Album at the 65th Annual Grammy Awards. [5] A dub remix album entitled Lucifer on the Moon was released in November 2022.
Spoon began working on a tenth studio album in late 2018 after their tour supporting their ninth studio album, Hot Thoughts (2017), concluded. [6] Recording sessions began in late 2019 at drummer Jim Eno's Public Hi-Fi studio in the band's hometown of Austin, Texas. Band frontman Britt Daniel wanted to record the album in Austin in order to "do a different thing this time, and experience the vibe of a city". [7] He chose Austin in particular because he had lived there when he was younger, and it held many memories and musical influences for the band. [7] Lucifer on the Sofa is the first Spoon album to include new members Gerardo Larios (guitar) and Ben Trokan (bass guitar). [6]
For the recording sessions, the band sought to replicate their sound as a live band, contrasting with the recording technique used for Hot Thoughts that mainly revolved around piecing song parts together; this came as a result of the band realizing they preferred the sound of the live versions of their songs over their studio recordings. [8] Daniel invited Mark Rankin to produce the album. Daniel had been enamored with Rankin's production work with Adele and Queens of the Stone Age, [6] and enlisted Rankin to co-produce Spoon's 2019 song "No Bullets Spent", which was made to help promote their greatest hits album, Everything Hits at Once (2019). [9] The band also spent time recording with Justin Raisen for the song "Feels Alright" and Dave Fridmann, who co-produced the previous two Spoon albums, They Want My Soul (2014) and Hot Thoughts, for the song "Lucifer on the Sofa". [8] Spoon began recording parts for "Lucifer on the Sofa" in Austin during December 2020 and sent them to Fridmann, who produced the track remotely from his Tarbox Road studio in Fredonia, New York. [10] [11]
Until March 10, 2020, there had been roughly seven recording sessions for Lucifer on the Sofa. The sessions continued until the COVID-19 pandemic began severely impacting the United States in March 2020, forcing band members to shelter at their respective homes due to a nationwide lockdown. [6] "Feels Alright" was the last song to be worked on prior to the lockdown, with tracking being done on March 10. [12] Before the lockdown, the album had been between 70- and 80-percent finished and the band had expected to finish it completely in the midyear, potentially releasing it in the fall of that year. The album's expected completion period continued to be pushed back as the number of cases sharply rose in the country, particularly in Texas, where the band had been recording. During the lockdown period, Daniel began writing more songs at his home. Additionally, he occasionally drove out to Los Angeles to work on the album with guitarist Alex Fischel. [6] Full recording sessions resumed in September 2020. [7] By that point, a total of 30 songs had been either written or recorded for the album. The pandemic caused Lucifer on the Sofa to become Spoon's most time-consuming album to record. [6]
Spoon began teasing the announcement of new material on October 27, 2021, with short clips uploaded to their social media accounts alongside the hashtag "#LOTS". [13] The band announced Lucifer on the Sofa the next day and simultaneously released the album's lead single, "The Hardest Cut". The song was accompanied by a music video that Billboard described as a "Halloween-appropriate sub-story about a knife-wielding killer preparing to off his latest victim". [14] On October 28 and 29, the band livestreamed concerts, titled Back to the Life, that were shot in Los Angeles during the previous month. [13] The second single from Lucifer on the Sofa, "Wild", was released as a 7-inch single on December 10, 2021. The song was backed with a remix by Dennis Bovell on the B-side. [15] "Wild" was released as a digital single later on January 11, 2022, accompanied by a music video that paid tribute to Hollywood Western films. [16] Lucifer on the Sofa was included in the "Most Anticipated Albums of 2022" lists of Paste , [17] Pitchfork , [18] Stereogum , [19] and Vulture . [20] "My Babe" was released on February 8, 2022, as the final single to come before the album's release. [21] Lucifer on the Sofa was released through Matador Records on February 11, 2022, on digital platforms and physically as a CD and 12-inch vinyl record, with certain retailers carrying different color variations of the vinyl record. [22]
A dub remix album entitled Lucifer on the Moon was released by Matador on November 4, 2022. It features reconstructions of each track by British record producer Adrian Sherwood. [23]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 8.0/10 [24] |
Metacritic | 85/100 [25] |
Review scores | |
Source | Rating |
AllMusic | [26] |
The Austin Chronicle | [27] |
The A.V. Club | A− [4] |
Entertainment Weekly | A− [28] |
The Guardian | [29] |
The Independent | [30] |
Pitchfork | 7.4/10 [31] |
Rolling Stone | [32] |
Slant | [33] |
Uncut | 8/10 [34] |
Lucifer on the Sofa was released to widespread critical acclaim from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 20 reviews, which indicates "universal acclaim". [25] Aggregator AnyDecentMusic? gave it 8.0 out of 10, based on their assessment of the critical consensus. [24]
Michael Hann of The Guardian gave the album a perfect five-star rating, writing, "Ten albums and nearly 30 years into their career, Spoon still sound like Spoon: fresh, timeless and wholly in control of their work." [29] Jon Dolan of Rolling Stone and Roisin O'Connor of The Independent deemed it the band's best album to date. [32] [30] In an A− review, Chuck Kerr of Entertainment Weekly called it "Spoon's loosest, liveliest album since 2010's unruly low-fi gem Transference , which combines that LP's spontaneous spirit with the meticulous production and sharp melodic hooks of their most memorable work." [28] Uncut praised the album's "precision and immediacy" and called Spoon "indie rock's most consistent band." [34] Heather Phares of AllMusic praised the album's traditional rock leanings: "Lucifer on the Sofa has the satisfying impact, ebb, and flow of a great rock concert. It's a move that feels genuine; no matter how much they pare it down or polish it up, rock 'n' roll is at the heart of Spoon's music." [26] Annie Zaleski of The A.V. Club wrote, "Lucifer on the Sofa is one of the band's most focused songwriting efforts yet: Every note feels deliberately placed and well-constructed, with crisp arrangements (the piano-sprinkled ballad "My Babe"), piercing hooks (the elastic "The Devil & Mr. Jones") and sweeping dynamics (the melodramatic, glammy art-rock waltz "Satellite"). [4] Alfred Soto of Pitchfork gave the album a 7.4 out of 10, calling it a "Back to Basics Album" and lamenting the lack of experimentation which characterized Hot Thoughts (2017). [31]
In a less favorable review, Charles Lyons-Burt of Slant Magazine wrote, "Spoon has hit something of a dead end with Lucifer on the Sofa. The album gestures toward breaking free of old habits, but it doesn't present any new ones, musically or otherwise." [33]
Publication | List | Rank | Ref. |
---|---|---|---|
The A.V. Club | The 30 best albums of 2022 | 12 | |
The Economist | The best albums of 2022 | — | |
The Independent | The best albums of 2022 | 12 | |
Paste | The 50 Best Albums of 2022 | 9 | |
Rolling Stone | The 100 Best Albums of 2022 | 13 |
All tracks produced by Mark Rankin and Spoon, except "Feels Alright", produced by Justin Raisen and Spoon, and "Lucifer on the Sofa", produced by Dave Fridmann and Spoon. [40]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Held" | Bill Callahan | 4:44 |
2. | "The Hardest Cut" |
| 3:13 |
3. | "The Devil & Mister Jones" |
| 4:36 |
4. | "Wild" |
| 3:13 |
5. | "My Babe" | Daniel | 3:47 |
6. | "Feels Alright" |
| 2:56 |
7. | "On the Radio" | Daniel | 3:19 |
8. | "Astral Jacket" | Daniel | 3:46 |
9. | "Satellite" | Daniel | 3:45 |
10. | "Lucifer on the Sofa" |
| 5:09 |
Total length: | 38:28 |
No. | Title | Length |
---|---|---|
11. | "Sugar Babies" | 5:54 |
Total length: | 44:29 |
Personnel adapted from the album's liner notes. [40]
Additional musicians
| Technical personnel
Other personnel
|
Chart (2022) | Peak position |
---|---|
Australian Albums (ARIA) [42] | 41 |
Belgian Albums (Ultratop Flanders) [43] | 70 |
Dutch Albums (Album Top 100) [44] | 41 |
French Physical Albums (SNEP) [45] | 100 |
German Albums (Offizielle Top 100) [46] | 30 |
Japanese Albums (Oricon) [47] | 188 |
Portuguese Albums (AFP) [48] | 39 |
Scottish Albums (OCC) [49] | 21 |
Spanish Albums (PROMUSICAE) [50] | 74 |
Swiss Albums (Schweizer Hitparade) [51] | 47 |
UK Albums (OCC) [52] | 92 |
UK Independent Albums (OCC) [53] | 7 |
US Billboard 200 [54] | 38 |
US Independent Albums (Billboard) [55] | 4 |
US Top Alternative Albums (Billboard) [56] | 4 |
US Top Rock Albums (Billboard) [57] | 4 |
Queens of the Stone Age is the debut studio album by American rock band Queens of the Stone Age, released by Loosegroove Records on September 22, 1998. It was primarily written and recorded in April 1998 by founding member Josh Homme and his former Kyuss bandmate Alfredo Hernández, with Hernández playing drums and Homme singing and playing the rest of the instruments. Homme also produced the album alongside Joe Barresi. Bassist Nick Oliveri, also a former member of Kyuss, would join the band by the time of the album's release. Queens of the Stone Age received generally positive reviews from critics, who placed it in the stoner rock genre and drew comparisons to krautrock bands such as Neu! and Can, as well as to Kyuss and other metal bands.
Spoon is an American rock band from Austin, Texas, consisting of members Britt Daniel, Jim Eno (drums), Alex Fischel, Gerardo Larios and Ben Trokan. The band was formed in Austin in October 1993 by Daniel and Eno. Critics have described the band's musical style as rock and roll, post-punk, and art rock.
No Need to Argue is the second studio album by Irish alternative rock band the Cranberries, released on 3 October 1994 through Island Records. It is the band's best-selling album, and has sold 17 million copies worldwide as of 2014. It contains one of the band's most well-known songs, "Zombie". The album's mood is considered to be darker and harsher than that on the band's debut album Everybody Else Is Doing It, So Why Can't We?, released a year prior.
Brighten the Corners is the fourth studio album by American indie rock band Pavement, released on February 11, 1997 by Matador Records. The album received very positive reviews from critics.
John Britt Daniel is an American musician. He is the co-founder, lead singer and guitarist of the indie rock band Spoon, as well as the co-founder, guitarist, bassist, and singer of the band Divine Fits. Daniel also founded numerous other bands in the early 1990s.
We Shall Overcome: The Seeger Sessions is the fourteenth studio album by Bruce Springsteen. Released in 2006, it peaked at number three on the Billboard 200 and won the Grammy Award for Best Traditional Folk Album at the 49th Grammy Awards.
"I Turn My Camera On" is a song by American indie rock band Spoon, the third track on their fifth studio album, Gimme Fiction (2005). It was first released as a download single on March 30, 2005, and later as a 7-inch and CD single on July 4, 2005. It was released through Merge Records in the US and Matador Records in the UK, who also distributed the download release. The song was written by band frontman Britt Daniel and produced by Daniel, Jim Eno, and Mike McCarthy. Daniel wrote the song after hearing "Take Me Out" by Franz Ferdinand, and was influenced by the works of Prince to sing with falsetto vocals on the track. Daniel's lyrics are about "emotional distance", centering around a narrator who documents their surrounding world with a camera instead of actually engaging with it. Musically, the band focused more on creating a sound influenced by dance and soul music.
White Rabbits is an American six-piece indie rock band based in Brooklyn, New York, originally from Columbia, Missouri. The band released its debut studio album, Fort Nightly, on May 22, 2007. Their second album, It's Frightening, was released on May 19, 2009. They released their third album, Milk Famous, on March 6, 2012. The band is signed to TBD Records.
Oracular Spectacular is the debut studio album by the American band MGMT, released on October 2, 2007, by RED Ink and physically on January 22, 2008, by Columbia. It was produced by Dave Fridmann and is the band's first release of new content, recorded from March to April 2007. The album was promoted with three singles: "Time to Pretend", "Electric Feel" and "Kids". Both "Time to Pretend" and "Kids" were re-recorded for the album; they were originally included on the band's previous release Time to Pretend (2005), with the opening track serving as a "mission statement" and the theme continuing through the album's subsequent tracks.
The Eternal is the fifteenth and final studio album by American rock band Sonic Youth, released on June 9, 2009, by Matador Records. It was their first studio album in three years, making it the band's longest gap between studio albums.
MGMT is the third studio album by American rock band MGMT. It was released on September 17, 2013 by Columbia Records; however, the band started streaming the album on September 9, 2013.
Sun is the ninth studio album by American musician Cat Power. Her first album of all-original material since 2006's The Greatest, it was released on September 3, 2012, in the United Kingdom and in the United States on September 4, 2012, via Matador Records. The album was issued in a variety of formats, including a limited edition deluxe LP containing a 7-inch vinyl of bonus tracks.
...Like Clockwork is the sixth studio album by American rock band Queens of the Stone Age, released on June 3, 2013, on Matador Records in the UK, and on June 4 in the United States. Self-produced by the band, it is the first Queens of the Stone Age album to feature full contributions from bassist Michael Shuman and keyboardist and guitarist Dean Fertita, who both joined the band in 2007 to tour in support of the band's fifth studio album, Era Vulgaris, and record its bonus tracks.
They Want My Soul is the eighth studio album by American indie rock band Spoon. It was released on August 5, 2014, through the band's new label, Loma Vista Recordings. It is the band's first album to feature Alex Fischel, who plays keyboards and guitar.
Hot Thoughts is the ninth studio album by American rock band Spoon. It was released on March 17, 2017, through Matador Records. It is also the first Spoon album since 2002's Kill the Moonlight to not feature multi-instrumentalist Eric Harvey, who quietly left the band after finishing a world tour in support of 2014's They Want My Soul.
The discography of American rock band Spoon consists of 10 studio albums, four extended plays (EPs), and 26 singles. Formed in 1993 in Austin, Texas by Britt Daniel and Jim Eno (drums), Spoon released their debut studio album, Telephono, in 1996 on Matador Records. Their follow-up full-length, A Series of Sneaks, was released in 1998 on Elektra, who subsequently dropped the band. Spoon went on to sign with Merge Records, where Spoon gained greater commercial success and critical acclaim with the albums Girls Can Tell (2001), Kill the Moonlight (2002), and particularly Gimme Fiction (2005), which debuted at number 44 on the Billboard 200 and sold over 300,000 copies in the US. The group's next three albums - Ga Ga Ga Ga Ga (2007), Transference (2010), and They Want My Soul (2014) - reached the top 10 of the US charts, while the latter two peaked in the top 20 in Canada and the top 50 in Australia. The band's ninth album, Hot Thoughts, was released on March 17, 2017.
Little Dark Age is the fourth studio album by the American rock band MGMT, released on February 9, 2018, through Columbia Records. It was the band's first album of new material in over four years, after the release of their eponymous third studio album in September 2013.
Marauder is the sixth studio album by American rock band Interpol. It was released on August 24, 2018, by Matador Records. The album was produced by Dave Fridmann and recorded at his studio, Tarbox Road, in Cassadaga, New York from December 6, 2017 through April 18, 2018.
A Fine Mess is the eighth extended play by American rock band Interpol. It was released on May 17, 2019, through Matador Records. It contains five songs that were recorded during the sessions for their previous studio album, Marauder (2018), but did not make its final cut. Like Marauder, A Fine Mess was produced by Dave Fridmann, while the song "Fine Mess" was co-produced by Claudius Mittendorfer and received additional production from Kaines and Tom A. D. Fuller. The song "Real Life" was first performed live during their Turn On the Bright Lights XV anniversary tour in 2017. "Fine Mess" and "The Weekend" were released as singles prior to the EP's release.
Lucifer on the Moon is a dub remix album of songs from Lucifer on the Sofa, the tenth studio album by American indie rock band Spoon. It is a track-by-track reworking, with all remixes by British dub producer Adrian Sherwood. It was announced on September 21, 2022, and released by Matador Records on November 4, 2022. Sherwood was given access to the entire album's original multi-tracks tapes. Sherwood and his On-U Sound colleagues provided additional instrumentation. Contributors include bassist Doug Wimbish and drummer Keith LeBlanc. It is Spoon's first remix album. They previously released a remix EP for the song "Wild" in May 2022, featuring contributions from Jack Antonoff and Dennis Bovell.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)