Manifesto is the sixth studio album by English rock band Roxy Music. It was released in March 1979 by E.G. in the United Kingdom, Polydor in Europe and Atco in the United States.
Following an almost four-year recording hiatus, Manifesto was Roxy Music's first studio album since 1975's Siren. The first single from Manifesto was "Trash", which peaked at number 40 on the UK Singles Chart.[3] The second single, the disco-tinged "Dance Away", was more successful, peaking at number two in the UK on 26 May 1979, beaten to the top spot for three weeks by Blondie's "Sunday Girl". It became one of the band's biggest hits, and was also the ninth best-selling single in the UK in 1979. The song was also released as a 12" extended version (running at six and half minutes), a format that had started to become popular in the late 1970s. The third single from the album was a re-recorded version of "Angel Eyes", which was far more electronic and "disco" in nature than the power-pop album version. An extended 12" mix was also released. The single also made the UK top five, peaking at number four in August.[3] The album itself peaked at number seven on the UK Albums Chart.[3] In the United States, the album peaked at number 23 on the Billboard 200, making it Roxy Music's highest-charting album in the US.
The cover design which featured a variety of mannequins (a concept also used for the covers of the singles from the album), was created by Bryan Ferry with fashion designer Antony Price and American TV actress Hilary Thompson amongst others. The picture disc version of the album featured a version of the design in which the mannequins are unclothed. The cover's typography, as well as the album's title, were inspired by the first edition of Wyndham Lewis's literary magazine Blast.
Release history
On the original vinyl release, side one was labelled "East Side" and side two was labelled "West Side".
After the song became a hit, the second pressings of the album substituted the original version of "Dance Away" with its single remix. Later on, the LP version of "Angel Eyes" was also replaced by the more popular re-recorded version released as a single. The original CD versions of the album used the revised track list, until the LP version of "Angel Eyes" was restored in the 1999 remaster. Manifesto was finally released on CD in its original version on The Complete Studio Recordings box in 2012.[4] The first LP version ‘Angel Eyes’ first appeared on the U.S. compilation CD “The Atlantic Collection” while the first LP version of “Dance Away” appeared on CD for the first time in 1995 on The Thrill of It All box set.
Manifesto was positively received by critics but not as well regarded as previous Roxy Music albums. In his review for Melody Maker, Richard Williams stated:
Manifesto is a worthwhile attempt to make both form and content match its own internal preoccupations. It speaks of Ferry's continuing personal dilemma (which, put coarsely, boils down to the eternal choice between leather or tweed, between women who dare and women who care), and it wishes to satisfy those who bought "Virginia Plain" while making genuflections to present-day American radio culture. Is it compromised by its emphasis on this double-schizophrenia? Certainly it pulls some punches. But, reservations aside, this may be the first such return bout ever attempted with any degree of genuine success: a technical knockout against the odds.[12]
Ultimately, I found it hard to work up much enthusiasm for Manifesto and a replay of "Would You Believe" and "Sea Breezes" indicates why. In many ways the band have come full circle without evolving anything dramatically new – at least – not according to those initial standards ... Perhaps greater familiarity with Manifesto will reveal hidden magic. At present it merely comes across over like an assured modern dip into friendly territory – an entertaining, pleasant album.[13]
This isn't Roxy at its most innovative, just its most listenable – the entire 'West Side' sustains the relaxed, pleasantly funky groove it intends, and the difficulties of the 'East Side' are hardly prohibitive. At last Ferry's vision seems firsthand even in its distancing – he's paid enough dues to deserve to keep his distance. And the title track is well-named, apparent contradictions and all.[6]
So the record has its moments – moments few bands even know about – but as with the brazenly (and meaninglessly) titled "Manifesto," they add up to little. Ferry announces he's for the guy "who'd rather die than be tied down"; he's rarely traded on such banality, and he mouths the lyrics as if he hopes no one will hear them. The sound may be alive, but the story is almost silent. It's not that Ferry has given it up. He began making solo albums long before Roxy called it a day – starting with his outrageous collection of oldies covers, These Foolish Things, and continuing through last year's astonishing The Bride Stripped Bare – and on those LPs, the tale of a man struggling to find himself behind his mask, and a lover behind hers, goes on. It's a tale couched in melodrama but driven by terror and compassion: what it has is the intensity Manifesto never reaches for.[14]
Ferry has never before sung so warmly, and the sprightly choruses and creamy vocal harmonies of several numbers may make them hits if listeners aren't disconcerted by the weirdness that lurks around the music's edges.[15]
It was ranked 30th in The Village Voice'sPazz & Jop critics' poll of the best albums of 1979.[16] The 1992 Rolling Stone Album Guide gave the album four stars, writing that "the regrouped Roxy seems better for the rest: deftly blending fresh rhythms into its signature sound, shortening the musical passages and concentrating more on song craft."[17]
Track listing
All tracks are written by Bryan Ferry, except where noted
Avalon is the eighth and final studio album by the English rock band Roxy Music, released on 28 May 1982 by E.G. Records, and Polydor. It was recorded between 1981 and 1982 at Compass Point Studios in Nassau, Bahamas, and is regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It has been credited with pioneering the sophisti-pop genre.
Country Life is the fourth studio album by English art rock band Roxy Music, released on 15 November 1974 by Island Records. It was released by Atco Records in the United States. The album is considered by many critics to be among the band's most sophisticated and consistent.
Flesh and Blood is the seventh studio album by English rock band Roxy Music, released on 23 May 1980 by E.G. Records. It was an immediate commercial success peaking at No. 1 in the UK for one week in June and then returned to the summit in August for another three weeks, in total spending 60 weeks on the albums chart in the United Kingdom. The album also peaked at No. 35 in the United States and No. 10 in Australia.
Siren is the fifth studio album by the English rock band Roxy Music, released in 1975 by Island Records. It was released by Atco Records in the United States.
For Your Pleasure is the second studio album by the English rock band Roxy Music, released on 23 March 1973 by Island Records. It was their last to feature synthesiser and sound specialist Brian Eno.
The Bride Stripped Bare is the fifth solo studio album by English singer Bryan Ferry. It was released in 1978, shortly before Ferry reconvened his band Roxy Music which had been on hiatus for three years. It was recorded after his girlfriend Jerry Hall left him for Mick Jagger in 1977, and appears to contain references to their break-up. The album peaked at number 13 on the albums chart in the United Kingdom.
Roxy Music is the debut studio album by English rock band Roxy Music, released on 16 June 1972 by Island Records.
Viva! Roxy Music was the first live Roxy Music album. It was released in July 1976 and was recorded at three venues in the United Kingdom between 1973 and 1975. The recordings were from the band's shows at the Glasgow Apollo in November 1973, Newcastle City Hall in October 1974 and the Wembley Empire Pool in October 1975.
The High Road is the second live album by the English rock band Roxy Music. Recorded at the Apollo in Glasgow, Scotland on 30 September 1982 during the band's Avalon tour, it features four tracks. Two of the songs are covers, including Roxy Music's no.1 hit version of John Lennon's "Jealous Guy", and Neil Young's "Like a Hurricane". A Bryan Ferry solo effort "Can't Let Go" was also included, originally released on his 1978 album The Bride Stripped Bare, with the remaining track being a version of "My Only Love" from Flesh + Blood, with an extended instrumental section. The album reached number 26 on the UK Album Charts. and did even better in Canada, reaching #5 in May 1983.
Stranded is the third album by English rock band Roxy Music, released in 1973 by Island Records. Stranded was the first Roxy Music album on which Bryan Ferry was not the sole songwriter, with multi-instrumentalist Andy Mackay and guitarist Phil Manzanera also making songwriting contributions. It is also their first album with keyboardist/violinist Eddie Jobson and bassist John Gustafson, who replaced Brian Eno and John Porter, respectively, after their departures following the release of their previous album For Your Pleasure.
Let's Stick Together is a 1976 album by Bryan Ferry. His third solo release, it was his first following the disbanding of Roxy Music earlier in the year. Unlike Ferry's two previous solo releases, Let’s Stick Together was not a dedicated album project, instead predominately made up of singles, B-sides, and an EP. Three tracks were exclusive to the LP, all remakes of Roxy Music tracks: "Casanova", "2HB", and "Chance Meeting". It had a generally favourable critical reception, but only just made the UK Top 20.
These Foolish Things is the debut solo studio album by Bryan Ferry, who at the time was still Roxy Music's lead vocalist. The album was released in October 1973 on Island Records in the United Kingdom and Atlantic Records in the United States. It is considered to be a departure from Roxy Music's sound, being made up of far more 'straight' versions of standards. Additionally, where Roxy Music's albums were of songs composed by the band, These Foolish Things was a covers album. It was a commercial and critical success, peaking at number five on the UK Albums Chart. It received a gold certification from the British Phonographic Industry in May 1974.
Boys and Girls is the sixth solo studio album by English singer and songwriter Bryan Ferry, released on 3 June 1985 by E.G. Records. The album was Ferry's first solo album in seven years and the first since he had disbanded his band Roxy Music in 1983. The album was Ferry's first and only number one solo album in the UK. It was certified Platinum by the British Phonographic Industry (BPI) and contains two UK top 40 hit singles. It is also Ferry's most successful solo album in the US, having been certified Gold for sales in excess of half a million copies there.
"Love Is the Drug" is a song by the English rock band Roxy Music, from their fifth studio album, Siren (1975), released as a single in September 1975. Co-written by Bryan Ferry and Andy Mackay, the song originated as a slower, dreamier track until the band transformed its arrangement to become more dance-friendly and uptempo. Ferry's lyrics recount a man going out looking for action.
"Angel Eyes" is a song by the English rock band Roxy Music. It was released in August 1979 as the third single from their sixth studio album Manifesto (1979), and peaked at No. 4 in the UK.
In Your Mind is the fourth solo studio album by English singer and songwriter Bryan Ferry. It was his first solo album of all original songs.
Greatest Hits is a compilation album by the English band Roxy Music. It was released in 1977, when the band were on hiatus.
Taxi is the eighth solo studio album by English singer Bryan Ferry, released in March 1993 by Virgin Records, over five years after the late 1987 release of his previous album Bête Noire. It was first released in Japan on 10 March, before being released in the UK on 22 March and then in the US in April. This was Ferry's third solo album since the second demise of Roxy Music in 1983, ten years earlier. The album was a commercial and critical success, peaking at No. 2 in the UK, it was certified Gold by the BPI.
The Ultimate Collection is a greatest hits album by Bryan Ferry and Roxy Music, released on 7 November 1988 by E'G Records.
"Dance Away" is a song by the English rock band Roxy Music. Released in April 1979, it was the second single to be taken from their album Manifesto, and became one of the band's most famous songs, reaching number two in the UK and spending a total of 14 weeks on the charts, the longest chart residency of a Roxy Music single. Although it did not make number one, it became the ninth biggest selling single in the UK in 1979. It did make it to number one on the Irish Singles Chart and held that position for one week.
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