Garuda is a Hindu deity who is primarily depicted as the mount (vahana) of the Hindu god Vishnu. This divine creature is mentioned in the Hindu, Buddhist, and Jain faiths. Garuda is also the half-brother of the Devas, Gandharvas, Daityas, Danavas, Nāgas, Vanara and Yakshas. He is the son of the sage Kashyapa and Vinata. He is the younger brother of Aruna, the charioteer of the Sun. Garuda is mentioned in several other texts such as the Puranas and the Vedas.
A sphinx is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle.
According to Greek mythology, the Chimera, Chimaera, Chimæra, or Khimaira was a monstrous fire-breathing hybrid creature from Lycia, Asia Minor, composed of different animal parts. Typically, it is depicted as a lion with a goat's head protruding from its back and a tail ending with a snake's head. Some representations also include dragon's wings. It was an offspring of Typhon and Echidna and a sibling of monsters like Cerberus and the Lernaean Hydra.
Rākshasa are a race of usually malevolent beings prominently featured in Hinduism, Buddhism, Jainism and Folk Islam. They reside on Earth but possess supernatural powers, which they usually use for evil acts such as disrupting Vedic sacrifices or eating humans.
In Buddhism, wrathful deities or fierce deities are the fierce, wrathful or forceful forms of enlightened Buddhas, Bodhisattvas or Devas ; normally the same figure has other, peaceful, aspects as well. Because of their power to destroy the obstacles to enlightenment, they are also termed krodha-vighnantaka, "Wrathful onlookers on destroying obstacles". Wrathful deities are a notable feature of the iconography of Mahayana and Vajrayana Buddhism, especially in Tibetan art. These types of deities first appeared in India during the late 6th century, with its main source being the Yaksha imagery, and became a central feature of Indian Tantric Buddhism by the late 10th or early 11th century.
In various Asian religious traditions, the Nagas are a divine, or semi-divine, race of half-human, half-Cobra beings that reside in the netherworld (Patala), and can occasionally take human or part-human form, or are so depicted in art. Furthermore, Nagas are also known as dragons and water spirits. A female naga is called a Nagin, or a Nagini. Their descendants are known as Nagavanshi. According to legend, they are the children of the sage Kashyapa and Kadru. Rituals devoted to these supernatural beings have been taking place throughout South Asia for at least 2,000 years. They are principally depicted in three forms: as entirely human with snakes on the heads and necks, as common serpents, or as half-human, half-snake beings in Hinduism and Buddhism.
The Nariphon, also known as Makkaliphon, is a tree in Buddhist mythology which bears fruit in the shape of young female creatures. The maidens grow attached by their head from the tree branches. This tree grows at the Himaphan, a mythical forest where the female fruits are enjoyed by the Gandharvas who cut the fruits and take them away.
A kinnara is a creature from Hindu and Buddhist mythology. They are described as part human and part bird, and have a strong association with music and love. Believed to come from the Himalayas, they often watch over the well-being of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina.
A Nagaraja is a king of the various races of the nāga, the divine or semi-divine, half-human, half-serpent beings that reside in the netherworld (Patala), and can occasionally take human form. Rituals devoted to these supernatural beings have been taking place throughout South Asia for at least two thousand years.
An asura in Buddhism is a demigod or titan of the Kāmadhātu. They are described as having three heads with three faces each and either four or six arms.
Himavanta is a legendary forest, also called Himmanpan Mountain, which is said to be located in the Himalayas. Himavanta appears in a piece of Thai literature called Traibhumikatha which explains that Himavanta is a forest where many diverse mythical creatures such as Phaya Naga, Phaya Krut, and Kinnaree, spirits or even gods and goddess reside.
Dance in Burma can be divided into dramatic, folk and village, and nat dances, each having distinct characteristics. Although Burmese dance resemble the traditional dancing style of its neighbors, in particular [Dance in Cambodia ], it retains unique qualities that distinguish it from other regional styles, including angular, fast-paced and energetic movements and emphasis on pose, not movement.
Mythic humanoids are legendary, folkloric, or mythological creatures that are part human, or that resemble humans through appearance or character. Each culture has different mythical creatures that come from many different origins, and many of these creatures are humanoids. They are often able to talk and in many stories they guide the hero on their journey.
Popa Medaw is a nat of Myanmar. She is a flower-eating yakshini and the mother of the Shwe Hpyin brothers Shwe Hpyin Naungdaw and Shwe Hpyin Nyidaw. Although not an official member of the 37 nat pantheon which is based on her domain and namesake of Mount Popa, she is seen as an important nat in the Burmese spirit world. Popa Medaw is also called Mei Wunna.
The Buddhist traditions have created and maintained a vast body of mythological literature. The central myth of Buddhism revolves around the purported events of the life of the Buddha. This is told in relatively realistic terms in the earliest texts, and was soon elaborated into a complex literary mythology. The chief motif of this story, and the most distinctive feature of Buddhist myth, is the Buddha's renunciation: leaving his home and family for a spiritual quest. Alongside this central myth, the traditions contain large numbers of smaller stories, which are usually supposed to convey an ethical or Buddhist teaching. These include the popular Jātakas, folk tales or legends believed to be past lives of Gautama Buddha. Since these are regarded as episodes in the life of the Buddha, they are treated here as “myth”, rather than distinguishing between myth, legend, and folk-tale.
